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ten superb arrangements in guitar tablature & standard notation, including chord symbols, melody line & lyrics
ANTONIO
CARLOS JOBIM
f o r guitar tab
this p u b l t c a t l o n
IS
n o t authorised
f o r s a l e ~n t h e unzted s t a t e s of a r n e r c a
andlor canada
wise publications
london / n e w y o r k / p a r i s /sydney/copenhagen / madrid
corcovado
desafinado
50
h o w insensitive
12
insensate2
if you never c o m e t o me
is
inutil paisagem
meditation
24
medita~ao
one n o t e samba
32
somewhere in t h e hills
38
t h e girl f r o m ipanema
44
garota de ipanema
water t o drink
59
agua de beber
wave
66
vou te contar
t a b l a t u r e & i n s t r u c t i o n s explained
Finger Vibrato
Tremolo Arm
Vibrato
Glissando
J\
Gliss
Tremolo Strumming
1st String
2nd String
3rd String
4th String
5th String
OPEN
1st Fret
2nd Fret
2nd Fret
OPEN
Chord of
A minor
Bend
Bend
Pre
DECORATIVE BEND
Bend
PRE-BEND
GHOST NOTE
Bend
Uni
Bend
Full+
Full-
UNISON BEND
HAMMER-ON
PULL-OFF
RAKE-UP
RAKE-DOWN
HARMONICS
corcovado
(quiet nights of quiet s t a r s )
english w a r d s b y g e n e lees
jobim
music B crtiginal w o r d s b y ar7tbnio c ~ r l o s
qui
-n
sur - r o u n d s
qui
et
us.
Qui
qui - e
dreams, -
and
win
dow
look
walks
by
qui
ing
on -
t thoughts
and
et streams,
the
moun
want
tains
to
and
the
How
be,-
love
ly!
This
fin - a1
flick
er
SO
of
close
to
me,-
where
be
Id
liev
t'
joke,
have
ing
found
life
was
on
with
you
who-
was
and
lone
ly,
*'
-
ly
bit - ter
tra
gic
the
mean
ing
of
ex
is - tence,
oh,-
*Y
love.-
is - tence,
oh-
mY
love. -
how insensitive
(insensatez)
music by antonio carlos jobim
original lyrics b y vinicius d e moraes
english lyrics by norman gimbel
Allow the melody in this piece to sit gently with the chord accompaniment,
which should be languid and allowed to flow.
in - sen
1. How
0 c o p y r l g h t 1963. 1964 b y a n t o n l o c a r l o s l o b m a n d w n l c l u s de m o r a e s . b r a z l l
m c a music Ihmfted, 7 7 f u l h a m p a l a c e r o a d . l o n d o n w 6 for t h e b r l t l s h c o m m o n w e a l t h
(excluding Canada), s o u t h a f r l c a . continent of e u r o p e ( e x c l u d ~ n gt a l y
france. ~ t s
colonies. p r o t e c t o r a t e s
12
si
live-
must-
have
seemed
when
he
Hold chord.. .
10
9
8
told
10 -----10
9--9
88
11-10
me
that-
11-
9
8
10-10-
S-
he
loved
p
p
9-
8
7
10-
me.
Hold chord.. .
II
B b maj 13
How
un - moved-
and
cold-
me
so
sin
m u s t
have
seemed-
IY.
cere
C m7
why
when
B dim
he
m u s t
have
asked
he
did
just
turn
and
stare
in
cy
si
lence?
was
What
to
say?
What
you
say -
when
Hold chord.. .
love
af
f a i r
is
ver?
Hold chord
love
af
f a i r
is
Let ring
rall.
Verse 2:
Now, he's gone away
And I'm alone
With the mem'ry of his last look
Vague and drawn and sad
I see it still
All his heartbreak in that last look
How, he must have asked
Could I just turn
And stare in icy silence?
What was I to do?
What can one do
When a love affair is over?
Portuguese lyrics
A insensatez
Que voc&fez
Corapio mais sem cuidado
Fez chorar de d5r
0 seu am&
Um amBr tdo delicado
Ah! Porque vocP
Foi fraco assim
Assim trio desalmado
Ah! Meu cora@o
Que nunca amou
Nrio merece ser amado
Vai meu C0ra~d0
Ouve a razdo
Usa sd sinceridade
Quem semeia vento
Diz a razdo
Colhe tempestade
Vai meu corap?io
Pede perddo
Perddo apaixonado
Vai porque
Quem ndo
Pede perddo
Nrio e' nunca perdoado.
i f y o u never c o m e t o m e
(inutil paisagem)
music & original w o r d s by antonio carlos jobim
english lyric by ray gilbert
The chord progression in this piece was originally recorded with voice and
piano. To achieve the feel, relax and lay back on the tempo.
O c o p y r i g h t 1 9 6 5 ( p a n e m a music c o m p a n y
Sparta f l o r ~ d am u s l c g r o u p I ~ m l t e d 819 f r l t h s t r e e t
all r l g h t s r e s e r v e d
International c o p y r ~ g h ts e c u r e d
18
usa
london w l
rubato
A
II
rubato
A tempo
J =88
Cmaj7
There's
use
no
of
moon - light
glow
I -
or
win - ter
snows.
What's
the
"
Gliss
3
6
5
use
II
3
65
of
6\5-3
the
waves
1-1
1-1
1 -'
that
will
2-1-0
in
break
the
cool
of
the
Let ring
eve
-
ning?
What
is
the
song
with -
out
you?
no - thing.-
It's
B rnaj7#'3
n
rm
Y -
I
I
1. It
may
be
.. - - -
you
will
ne - ver
come,
if
you
ne
the
use
of
ver
come
to
me;
What's
(End Instrumental)
my
dreams
- 3
why
would
they
-u
need
and
---------
me?
--Where
would
they
lead
me?
With
D.E.a1 Coda $
To Coda @ C maj
out
Coda $
you,
to
no - where.-
Cmaj7
no - where,
to
no - where.
rubato
Cmaj7
no
rall.
~b9Q11
where.
rubato
3443-
3
4
4
3
rall.
3
5
3
$7
I 4
$3
I 4
4
3
$ 4
, T
meditation
(medita~ao)
original w o r d s by n e w t o n mendonca
e n g l i s h lyric b y n o r m a n g i m b e l
music by antonio carlos jobim
This piece should be played in a cool and contained style with the chord
accompaniment gently supporting the melody. The original instrumental
version was played on the piano.
Hold chord -
-----------1
8-6
P
n
5
5
4
5
5
4
-5
-5
-4
5
5
4
Q copyright 1962 1 9 6 3 a n t o n l o c a r l o s J o b l m a n d m r s n e w t o n m e n d o n c a
m c a m u s l c I h m t e d 77 f u l h a m p a l a c e r o a d
bra211
c o m m o n w e a l t h ( e x c l u d ~ n gc a n a d a ) s o u t h a f r c a a n d e i r e
all r l g h t s r e s e r v e d
i n t e r n a t ~ o n a lcopyright s e c u r e d
24
5-3
5---
576-
Verse:
Cmaj7add6
1. In
See Block Lyric for Verse 2
my
lone
li
ness,
when you're g
II
__
ca
and I'm
all-
by
my - self-
and
need your-
ress.
just
t h i n k
of
Hold chord
Id
of
you
hold
ing
me
near-
makes
li
ness
soon-
dis
ap - pear.-
Yes,._
love
you
so
my
lone
EL dim
Em7
and
will
5-
5
43
5
54
-
3-
54-
that
for
for
YOU
7
7
*7
*7
is
need-
'
to
know.-
101199---
109
9
7
7 -7 -----7-8-1088
977
9-
7
8
7
7
I -
you.
II
Hold chord
will
Me - di - ta
wait
Gl3
Dm7
__
when
you
come-
Ab7#5/~b
back
to
back to
--
me.
me.
D. %. a1 Coda $
B b maj 13
B b maj 13
II
rall.
rall.
Verse 2:
Though you're far away
I have only to close my eyes and you are back to stay
I just close my eyes
And the sadness that missing you brings
Soon is gone and this heart of mine sings.
The most effective way of playing this song is to make the chordal rhythm
percussive. Try experimenting with the feel making some notes long and
some notes short. At [BI the guitar part can follow the vocal line or continue
as a rhythm accompaniment.
1. This
on
sin
gle
just
a
lit
tle
2 . Ad lib. Instrunlental - - -
is
--
note.-
0th
er
notes
are
B c o p y r g h t 1961 1 9 6 2 1 9 6 4 a n t o n o c a r l o s j o b i m a n d m r s n m e n d o n c a b r a z l
m c a m u s c I ~ m l t e d 77 f u l h a m p a l a c e r o a d
n t e r n a t ~ o n acopyright s e c u r e d
32
bound-
to
fol
low
new
one
one
we've
just-
but
is-
the
root
the
been
through -
is
con
s t i l l
that
se
as
Now
note.-
I'm
of
quence
bound
to
the
the
the
un
There's
so
man
II
void
a - ble
peo -
con - se - quence-
ple
who
can
of
talk
and
talk
and
Gliss
Gliss
no
you.-
thing
or
near
ly
no
thing
talk
and
just
say
have
used
no
come
up
all
thing
back t
my
the
or
first-
scale
near
ly
note
know
and
at
no
as
the
thing.
must
end
I've
come
So
come
b a c k
to
to
you.-
will
pour
"
love
feel-
in - t
that
one -
all
note
the
.for
you.-
ny
he
the
show.
will
note-
Bet
find
ter
with
no -
know.-
YOU
him - self-
play
show,
Bet
This
the
note-
YOU
ter
play-
is
know.
s o m e w h e r e in t h e h i l l s
( o m o r r o nao t e m vez (favela))
m u s i c & o r i g i n a l w o r d s b y a n t o n i o c a r l o s j o b i m & vinicius d e m o r a e s
english lyric by ray gilbert
Favela means music written for a play. In this piece it describes the slums
which lie in the hills around the city of Rio. The guitar plays a simple
accompaniment to this haunting melody, which can either be sung, or played
on the flute.
ro
rnor
0 copyright r o n d o r m u s i c ( o n d o n ) l l m l t e d
10a p a r s o n s g r e e n l o n d o n s w 4 4 t w
all r l g h t s r e s e r v e d
nternational copyright secured
38
nBo
tern
vez-
foi
de
lhem
mais.-
bem
Mas
vo
c&s
Quan
do
G m7
~bm6
de - rem
vez
ao
mor
da
cida - de
pas - sa
gem
mor
ro-
quer
Mor
se
To Coda @
D m7
ro-
mo - strar
can
F
-
bram -
vai
fa
t
-
lar.
las
pro
mor
um
cem,
ro
Tam
bo
dois,
nm-
tr&s-
mil -
vez-
de - rem
vez
ao
mor
ro
To
da
Mas
cida - de
can
se
tar.
D. %. a1 Coda $
Coda $
Gm7
h
D m7
--
G m7
I
I
G m7
I
.I.
I.
D m7
Repeat to fade
t h e g i r l f r o m ipanema
( g a r o t a de ipanema)
original w o r d s by vinicius de m o r a e s
english lyric by norman gimbel
music by a n t o n i o c a r l o s jobim
The feel of this classic Bossa Nova should be established in the opening
four bars. Use a mixture of strumming and fingerstyle and try to keep the
tempo even throughout the piece. lpanema is the name given to a sand spit
between the lagoon and sea next to Copacabana beach.
1. Tall
and
tan
2. Ad lib. Instrumental- - .. -
and
young--
and
------
music
Ihrnlted, 7 7 tulharn p a l a c e r o a d , l o n d o n w 6 t o r t h e b r l t l s h c o m m o n w e a l t h
(excluding Canada) s o u t h a f r l c a , e l r e . g e r m a n y , a u s t r l a . s w ~ t z e r l a n d ,t r a n c e a n d t a l y
all r i g h t s r e s e r v e d
~ n t e r n a t l o n a lc o p y r g h t s e c u r e d
44
love
ly
the
girl-
from
pa
ne
ma
goes
walk
ing
and
when-
Hold chord
F maj
she
Gb7
pass
es,
each
she
pass
es
goes
"Aaaah!"
F maj
When
she
walks
she's
like-
Sam
ba
that
swings
so
cool
and
sways-
so
gen
tle,
that
w h e n
she
pass
F mai
pass
Oh,
es
goes
"Aaaah!"
but
watch
her
so
sad
1y.-
es, each
one-
How
love
can
would
tell
her
Yes,
her?-
give
my
heart
glad
ly.-
But
each
day
when
she
walks
to
the
sea,
she
straight
a - head
not
at
---7
7
3
II
looks
Hold chord.. .
Hold chord
me.
Tall
and
tan
and
y o u n g
and
love
ly,
the
girl-
(End Instrumental)- - - - .J
from
pa
ne
ma
goes
walk
ing
and
when-
Hold chord
she
Id
1
3
2
2
pass - es
smile,-
1
3
2
1
3
2
n
U
\
322
but
she
does
She
just
1
3
2
just
does - n't
3
2
n't
see.
does - n't
1
3
2
see
o-o-o
1-1-1
2-2-2
1
3
2
Gb7bs
Repeat to fade
see.
She
o-o-o
1-1-1
2-2---2
1
132-
Fmaj7
She
Gb7b5
1-
3-
2
1
22
does - n't
just
1
3
2
2
2
desafinado
( s l i g h t l y o u t of t u n e )
e n g l i s h l y r i c by jon h e n d r i c k s & jessie c a v a n a u g h
m u s i c by a n t o n i o c a r l o s j o b i m
Desfinado literally means 'off key'. This song is the anthem of the Bossa Nova
(New Thing) beat and although to start with it was not accepted by the
established musicians in Brazil, it became a massive international hit.
Light strum
T
12-2
2-2
-1
2
2
-
1
2
2
-1
2
2
-
1.
II
Love
-1-1
-2
2
is
like
1
2
2
2
-
-1
2
2
2
2
ne
ver
Finger style
brar I
s w t e 2 07
usa
(excluding c a n a d a a n d a u s t r a l a s l a ) a l s o t h e r e p u b l c s of i r e l a n d a n d s o u t h a f r l c a
all r ~ g h t sr e s e r v e d
international copyright secured
50
end
122-
ing
rnel
1
I
pared
it
dy,
syrn
po
I
I
to
1
i
- pho
0.
sym
ny
con
%
I 1
'
pho
duc
ets
have
I
t
I
I
A.
ny.
ted
by
the
corn -
IJ
light - ing
of
love
is
your
slight
kis
"
moon.
ly
the
out
ses
but
of
tune.
our
song
of
now
the
orch
es
tra
tion
Hold chord
does
n't
-------H
2
4
3
-2-
G--43
U
2
4
3
seem
A
I .
3
3
3
h
I1
k-l
I
so
I
d
I
I
A.
3
3
I
I
rich.-
I
I
Seems
Gliss
the
tune
we
used
to
sing,
5-4-
<6
) 3
( 5
( 3
0-1-
to
L
I\
I
n
5-
1
A
me you've
changed-
b.
li 1
uI
-I
like
the
rn
I 1
Bos - sa
No
love
m
I 1
E7
I\
va
should
fect
time,
used
swing.
~b dim
Amaj7
We
per
-'-----'
-
to
har - mon
ise -
now
two
the
souls
song
in
is
1
f rent
dif
and
the
'Cause
hearts
would a1
ways
croon
you
words
for
got
don't
the
and
ven
rhyme.
me1
so
what
good's
heart that's
dy
our
slight -
A'
I
I
ly
out
of
heart
your
I -
I
I
I
-_
_-
*I
tune. -
to
join
with
me
in
har
old chord
mo
ny
and
-------H
I
II
sing
song
of
lov
ing.
tune
no
We're
bound
get
in
~b dim
Am7
to
Hold chord
~ b m
gain
de - sa - fi - na
be
do
fore
too
when
your
heart
long,
be
there'll
longs
to
me
cam-plete
be
1y.-
I -
Then you
L
I1
long
with
I
I
won't
r~
I
I
N.
be
slight - ly
out
of
tune,-
.I
.I.
.I
you'll
sing
me.
Repeat to fade
water t o drink
(agua de beber)
words by norman gimbel
music by antonio carlos jobim
0 ~ o p y r ~ g 1961
ht
e d r l o n c a m p l d o g l ~ c ltaly
0 c o p y r g h t 1965 b e x h ~ lm
l u s l c corporation & n o r m a n g l m b e l
all r g h t s r e s e r v e d
l n t e r n a t ~ o n ac
l o p y r g h t secured
59
usa
Verse:
B
Your
II
Let ring.. .
l o v e
is
rain,
mY
See Block Lyricsfor Verse 2
heart
the
flow -
- -
- er.-
will
n e e d
your
love
or
die.-
My
Let ring.. .
is
in
your
pow
er.
ve
ry
life-
Will
with
er
and
fade
bloom
to-
Let ring..
I
II
give
the
flow - er
wa
ter
to
Ag -
drink.-
Let ring
ua
de
be - her,__
u
give the
Ag - ua
de
flow - er
wa
ter
to
be - bet-
drink-
give the
2-2
1 ---3
-0
ter
to
drink.-
wa -
P
n
flow - er
3-
2. The
Let ring.. .
rain-
3-1-
can
fall -
ter
to
drink.-
1-
1-1-
0-0L 2 - 2 0
e
-
1 ---1-
0---0
0
2 -----2 -2
0
0-2-0-22
0
1-
-2--0
2
0
4-4-3-4-3-3-
-1
1-
Repeat to fade
Am7
0-
1-1-1-1
0-0-0-0
2-2-2-2
0
102-
102-
Verse 2:
The rain can fall on distant deserts
The rain can fall upon the sea
The rain can fall upon the flower
Since the rain has to fall let it fall on me.
Agua de beber
~ g u de
a beber camari
Agua de beber
Agua de beber camari
Agua de beber
Agua de beber camark
102-
1
0
2
0-
1-1-1-1
0-0-0-0
2-2-2-2
0
102-
102-2-
Portuguese lyrics
Eu quis amar Mas five medo
E quis salvar meu corra@io
Mas o amor sabe um segredo
0 medo pode matar o seu cora@o
Agua de beber.. .
Eu nuncafiz coisa tdo certa
Entrei pra escola do perddo
A minha casa vive aberta
Abre todas as portas do corapio
Agua de beber.. .
Eu sempre live uma certeza
Que sd me deu desilusdo
E que o amor E uma tristeza
Muita magoa demais para um cora@o
Agua de beber ...
100
1-0 2 - , 2
wave ( v o u t e c o n t a r )
words & music by antonio carlos jobim
A classic Jobim song that has become a jazz standard. It was originally
recorded on the 1967 album of the same name. The opening rhythm sounds
good if it is lightly strummed, and the melody played at should be played
fingerstyle - the combination works well.
1. So
0 c o p y r g h t 1967 .8 1976 c o r c o v a d o m u s c n c o r p o r a t e d
a s s g n e d t o w e s t m i n s t e r rnuslc lhmlted s u l t e 2 0 7
~ n t e r n a : l o n a l copyright s e c u r e d
66
usa
l o n d o n s w l O f o r t h e u n l t e d k l n g d o m a n d elre
close
your
Bb dim
Dmaj7
Am7
/
,
-
eyes,
2. Ad lib. Insrrumental - - - - -
for
that's
love
ly
way
to
be,
Gliss
5-5-5
7-7-7
6-6-6
7-7-7-
-5
4-
5-5-5
a - ware-
of
5--5-
5-5
0-0-0
t h i n g s
your
heart
lone-
was
meant-
to
see.-
Gliss
tw
-t
Gliss
--
The
fun
da
men
tal
lone
li
ness
when
ver
two
can
dream
dream
to
geth
IBI
D maj
You can't
de
nY.
don't
Gliss
Gliss
557-75
66 -8 -8 -----6
5-5-7-7-0-5
0
Bb dim
II
try
7-7
8-8
7-7
7-10-9
5
7
6
7
5
5-5-5
7-7-7
6-6-6
7 -7 -7 -----5-5-5
Gliss
Am7
to fight the
ris
ing
sea,
don't
Let ring
fight-
the
Gliss
------:
Gliss
moon,-
the
stars
The
fun
bove-
men
a dream
to
da
and
- tal
don't-
li
lone
geth
fight
er .
me.-
ness
g o e s
when
- ev
er
When
saw
you
first
when
time
was
half
past
three,
Hold chord.. .
Hold chord.. .
II
the
your
Hold chord.. .
eyes
met
mine
it
Hold chord.
was
e -
~b dim
Dmaj7
know
the
wave
Am7
,.----,is
on
the
way
to
be,
G maj
just
catch-
the
w a v e
don't
be
fraid-
of
lov
ing
me. -
Gliss
Gliss
/
-*"
A
Xli
'n
The
lone
li
ness
g o e s when - e - ver
two
can
G ID
dream
dream
to
geth
Dm7
G ID
D m7
G ID
Repeat to fade