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I

ten superb arrangements in guitar tablature & standard notation, including chord symbols, melody line & lyrics

ANTONIO
CARLOS JOBIM
f o r guitar tab

this p u b l t c a t l o n

IS

n o t authorised

f o r s a l e ~n t h e unzted s t a t e s of a r n e r c a
andlor canada

wise publications
london / n e w y o r k / p a r i s /sydney/copenhagen / madrid

corcovado

quiet nights of quiet stars

desafinado

50

slightly out of tune

h o w insensitive

12

insensate2

if you never c o m e t o me

is

inutil paisagem

meditation

24

medita~ao

one n o t e samba

32

samba de uma nota so

somewhere in t h e hills

38

o morro nao tem vez (favela)

t h e girl f r o m ipanema

44

garota de ipanema

water t o drink

59

agua de beber

wave

66

vou te contar

t a b l a t u r e & i n s t r u c t i o n s explained

tablature & instructions explained

The tablature stave comprises six lines, each


representing a string on the guitar as illustrated.

Finger Vibrato

Tremolo Arm
Vibrato

Glissando

J\
Gliss

A number on any of the lines indicates, therefore,


the string and fret on which a note should be played.

Strike the note, then slide


the finger up or down
the fretboard as indicated.

Tremolo Strumming

This sign indicates


fast up and down
stroke strumming.

4th String 3rd String


7th Fret
7th Fret
5th String
OPEN

3rd String 3rd String


5th Fret
OPEN

1st String
2nd String
3rd String
4th String
5th String

OPEN
1st Fret
2nd Fret

2nd Fret
OPEN

Chord of
A minor

This sign indicates that


the notes are to be played an
octave higher than written.
loco
This instruction
cancels the above.

A useful hint to help you read tablature is to cut out


small squares of self-adhesive paper and stick them
on the upper edge of the guitar neck adjacent to
each of the frets, numbering them accordingly. Be
careful to use paper that will not damage the finish
on your guitar.

This note-head indicates


the string is to be totally muted
to produce a percussive effect.
P.M. = Palm mute

Bend

Bend

Pre

HALF TONE BEND

FULL TONE BEND

DECORATIVE BEND

Play the note G then bend


the string so that the pitch rises
by a half tone (semi-tone).

Bend

PRE-BEND

GHOST NOTE

Bend the string as indicated,


strike the string and release.

The note is half sounded

Bend

Uni

Bend

Full+

Full-

BEND & RELEASE

BEND & RESTRIKE

UNISON BEND

STAGGERED UNISON BEND

Strike the string, bend it as


indicated, then release the bend
whilst it is still sounding.

Strike the string, bend or gliss


as indicated, then restrike the
string where the symbol occurs.

Strike both strings


simultaneously then
immediately bend the
lower string as indicated.

Strike the lower string and bend as


indicated; whilst it is still sounding
strike the higher string.

HAMMER-ON

PULL-OFF

RAKE-UP

RAKE-DOWN

HARMONICS

Hammer a finger down


on the next note without
striking the string again.

Pull your finger off the string


with a plucking motion to
sound the next note without
striking the string again.

Strum the notes upwards


in the manner of an
arpeggio.

Strum the notes downwards


in the manner of an
arpeggio.

Strike the string whilst


touching it lightly at the
fret position shown.
Artificial Harmonics, (A.H.),
will be described in context.

corcovado
(quiet nights of quiet s t a r s )
english w a r d s b y g e n e lees
jobim
music B crtiginal w o r d s b y ar7tbnio c ~ r l o s

Coreovado literally means 'hunchback', It is h e name of h e mountain


werlasking Rlo de Janeim on lap 01 whlch stands the statue of Christ The
Redeemer with its outstretched arms embraelng the clty below. The music
tells the story of a man who lives on the mountain dreaming al a simple life.

qui

-n

sur - r o u n d s

qui

et

us.

Qui

qui - e

dreams, -

and

win

dow

look

walks

by

qui

ing

on -

t thoughts

and

et streams,

the

moun

want

tains

to

and

the

How

be,-

love

ly!

This

here with you

fin - a1

flick

er

SO

of

close

to

me,-

where

be

Id

liev

t'
joke,

have

ing

found

life

was

on

with

you

who-

was

and

lone

ly,

*'
-

ly

bit - ter

tra

gic

the

mean

ing

of

ex

is - tence,

oh,-

*Y

love.-

is - tence,

oh-

mY

love. -

how insensitive
(insensatez)
music by antonio carlos jobim
original lyrics b y vinicius d e moraes
english lyrics by norman gimbel

Allow the melody in this piece to sit gently with the chord accompaniment,
which should be languid and allowed to flow.

in - sen

1. How

See Block Lyrics for Verse 2

0 c o p y r l g h t 1963. 1964 b y a n t o n l o c a r l o s l o b m a n d w n l c l u s de m o r a e s . b r a z l l
m c a music Ihmfted, 7 7 f u l h a m p a l a c e r o a d . l o n d o n w 6 for t h e b r l t l s h c o m m o n w e a l t h
(excluding Canada), s o u t h a f r l c a . continent of e u r o p e ( e x c l u d ~ n gt a l y

france. ~ t s
colonies. p r o t e c t o r a t e s

and mandated terrltorles, algerla, tunlsla. morocco. andorra and monaco)


all r l g h t s r e s e r v e d
international copyrlght secured

12

si

live-

must-

have

seemed

when

he

Hold chord.. .

10
9
8

told

10 -----10
9--9
88

11-10

me

that-

11-

9
8

10-10-

S-

he

loved

p
p

9-

8
7

10-

me.

Hold chord.. .

II

B b maj 13

How

un - moved-

and

cold-

me

so

sin

m u s t

have

seemed-

IY.

cere

C m7

why

when

B dim

he

m u s t

have

asked

he

did

just

turn

and

stare

in

cy

si

lence?

was

What

to

say?

What

you

say -

when

Hold chord.. .

love

af

f a i r

is

ver?

Hold chord

love

af

f a i r

is

Let ring

rall.

Verse 2:
Now, he's gone away
And I'm alone
With the mem'ry of his last look
Vague and drawn and sad
I see it still
All his heartbreak in that last look
How, he must have asked
Could I just turn
And stare in icy silence?
What was I to do?
What can one do
When a love affair is over?

Portuguese lyrics
A insensatez
Que voc&fez
Corapio mais sem cuidado
Fez chorar de d5r
0 seu am&
Um amBr tdo delicado
Ah! Porque vocP
Foi fraco assim
Assim trio desalmado
Ah! Meu cora@o
Que nunca amou
Nrio merece ser amado
Vai meu C0ra~d0
Ouve a razdo
Usa sd sinceridade
Quem semeia vento
Diz a razdo
Colhe tempestade
Vai meu corap?io
Pede perddo
Perddo apaixonado
Vai porque
Quem ndo
Pede perddo
Nrio e' nunca perdoado.

i f y o u never c o m e t o m e
(inutil paisagem)
music & original w o r d s by antonio carlos jobim
english lyric by ray gilbert

The chord progression in this piece was originally recorded with voice and
piano. To achieve the feel, relax and lay back on the tempo.

Slow Bossa Nova I Freely


C 619

O c o p y r i g h t 1 9 6 5 ( p a n e m a music c o m p a n y
Sparta f l o r ~ d am u s l c g r o u p I ~ m l t e d 819 f r l t h s t r e e t
all r l g h t s r e s e r v e d

International c o p y r ~ g h ts e c u r e d

18

usa
london w l

rubato
A

II

rubato

A tempo

J =88

Cmaj7

There's

use

no

of

moon - light

glow

I -

or

the peaks where

win - ter

snows.

What's

the

"

Gliss

3
6
5

use

II

3
65

of

6\5-3

the

waves

1-1
1-1

1 -'

that

will

2-1-0

in

break

the

cool

of

the

Let ring

eve
-

ning?

What

is

the

song

with -

out

you?

no - thing.-

It's

B rnaj7#'3
n

rm

Y -

I
I

1. It

2.(%)Ad lib. Instrumental -

may

be

.. - - -

you

will

ne - ver

come,

if

you

ne

the

use

of

ver

come

to

me;

What's

(End Instrumental)

my

won - der - ful

dreams

- 3

why

would

they

-u
need

and

---------

me?

--Where

would

they

lead

me?

With

D.E.a1 Coda $

To Coda @ C maj

out

Coda $

you,

to

no - where.-

Cmaj7

no - where,

to

no - where.

rubato
Cmaj7

no

rall.
~b9Q11

where.

rubato

3443-

3
4
4
3

rall.
3

5
3

$7
I 4

$3
I 4
4
3
$ 4

, T

meditation
(medita~ao)
original w o r d s by n e w t o n mendonca
e n g l i s h lyric b y n o r m a n g i m b e l
music by antonio carlos jobim

This piece should be played in a cool and contained style with the chord
accompaniment gently supporting the melody. The original instrumental
version was played on the piano.

Hold chord -

-----------1

8-6

P
n

5
5
4

5
5
4

-5
-5

-4

5
5
4

Q copyright 1962 1 9 6 3 a n t o n l o c a r l o s J o b l m a n d m r s n e w t o n m e n d o n c a

m c a m u s l c I h m t e d 77 f u l h a m p a l a c e r o a d

bra211

london w6 f o r the brltlsh

c o m m o n w e a l t h ( e x c l u d ~ n gc a n a d a ) s o u t h a f r c a a n d e i r e
all r l g h t s r e s e r v e d
i n t e r n a t ~ o n a lcopyright s e c u r e d

24

5-3

5---

576-

Verse:
Cmaj7add6

1. In
See Block Lyric for Verse 2

my

lone

*Fretted but not played

li

ness,

when you're g

II

__

ca

and I'm

all-

by

my - self-

and

need your-

ress.

just

t h i n k

of

Hold chord

and the thought-

Id

of

you

hold

ing

me

near-

makes

li

ness

soon-

dis

ap - pear.-

Yes,._

love

you

so

my

lone

EL dim

Em7

and

will

5-

5
43

5
54
-

3-

54-

that

for

for

YOU

7
7

*7
*7

*Fretted but not played

is

need-

'

to

know.-

,tll, the sun-

101199---

109
9
7

7 -7 -----7-8-1088
977
9-

7
8
7
7

I -

you.

II

Hold chord

will

Me - di - ta

tion how sweet-

wait

life will be-

Gl3

Dm7

__

when

you

come-

Ab7#5/~b

back

when you come-

to

back to

--

me.

me.

D. %. a1 Coda $

B b maj 13

B b maj 13

II

rall.

rall.

Verse 2:
Though you're far away
I have only to close my eyes and you are back to stay
I just close my eyes
And the sadness that missing you brings
Soon is gone and this heart of mine sings.

one note samba


(samba d e uma nota so)
original w o r d s by n mendonca
e n g l i s h l y r i c by jon h e n d r i c k s
music by antonio carlos jobim

The most effective way of playing this song is to make the chordal rhythm
percussive. Try experimenting with the feel making some notes long and
some notes short. At [BI the guitar part can follow the vocal line or continue
as a rhythm accompaniment.

1. This

on

sin

gle

just
a
lit
tle
2 . Ad lib. Instrunlental - - -

is

--

note.-

0th

er

notes

are

B c o p y r g h t 1961 1 9 6 2 1 9 6 4 a n t o n o c a r l o s j o b i m a n d m r s n m e n d o n c a b r a z l
m c a m u s c I ~ m l t e d 77 f u l h a m p a l a c e r o a d

o n d o n w6 f o r the b r t s h commonwealth f e x c l u d n g canada)


all r g h t s r e s e r v e d

n t e r n a t ~ o n acopyright s e c u r e d

32

bound-

to

fol

low

new

one

one

we've

just-

but

is-

the

root

the

been

through -

is

con

s t i l l

that

se

as

Now

note.-

I'm

of

quence

bound

to

the

the

the

un

There's

so

man

II

void

a - ble

peo -

con - se - quence-

ple

who

can

of

talk

and

talk

and

Gliss

Gliss

no

you.-

thing

or

near

ly

no

thing

talk

and

just

say

have

used

no

come

up

all

thing

back t

my

the

or

first-

scale

near

ly

note

know

and

at

no

as

the

thing.

must

end

I've

come

So

come

b a c k

to

to

you.-

will

pour

"

love

feel-

in - t

that

one -

all

note

the

.for

you.-

ny

he

the

show.

will

note-

Bet

find

ter

with

no -

know.-

YOU

him - self-

play

show,

Bet

This

the

note-

YOU

ter

play-

is

know.

s o m e w h e r e in t h e h i l l s
( o m o r r o nao t e m vez (favela))
m u s i c & o r i g i n a l w o r d s b y a n t o n i o c a r l o s j o b i m & vinicius d e m o r a e s
english lyric by ray gilbert

Favela means music written for a play. In this piece it describes the slums
which lie in the hills around the city of Rio. The guitar plays a simple
accompaniment to this haunting melody, which can either be sung, or played
on the flute.

ro

rnor

0 copyright r o n d o r m u s i c ( o n d o n ) l l m l t e d

10a p a r s o n s g r e e n l o n d o n s w 4 4 t w

all r l g h t s r e s e r v e d
nternational copyright secured

38

nBo

tern

vez-

foi

de

lhem

mais.-

bem

Mas

vo

c&s

Quan

do

G m7

~bm6

de - rem

vez

ao

mor

da

cida - de

pas - sa

gem

mor

ro-

quer

Mor

se

To Coda @

D m7

ro-

mo - strar

can

F
-

bram -

vai

fa

t
-

lar.

las

pro

mor

um

cem,

ro

Tam

bo

dois,

nm-

tr&s-

mil -

vez-

de - rem

vez

ao

mor

ro

To

da

Mas

cida - de

can

se

tar.

D. %. a1 Coda $

Coda $

Gm7
h

D m7

--

G m7
I
I

G m7

I
.I.
I.

D m7

Repeat to fade

t h e g i r l f r o m ipanema
( g a r o t a de ipanema)
original w o r d s by vinicius de m o r a e s
english lyric by norman gimbel
music by a n t o n i o c a r l o s jobim

The feel of this classic Bossa Nova should be established in the opening
four bars. Use a mixture of strumming and fingerstyle and try to keep the
tempo even throughout the piece. lpanema is the name given to a sand spit
between the lagoon and sea next to Copacabana beach.

1. Tall
and
tan
2. Ad lib. Instrumental- - .. -

and

young--

and

------

0 c o p y r i g h t 1963 a n t o n i o c a r l o s joblrn a n d vlnlclus d e r n o r a e s , b r a z l l


mca

music

Ihrnlted, 7 7 tulharn p a l a c e r o a d , l o n d o n w 6 t o r t h e b r l t l s h c o m m o n w e a l t h

(excluding Canada) s o u t h a f r l c a , e l r e . g e r m a n y , a u s t r l a . s w ~ t z e r l a n d ,t r a n c e a n d t a l y
all r i g h t s r e s e r v e d
~ n t e r n a t l o n a lc o p y r g h t s e c u r e d

44

love

ly

the

girl-

from

pa

ne

ma

goes

walk

ing

and

when-

Hold chord

F maj

she

Gb7

pass

es,

each

she

pass

es

goes

"Aaaah!"

F maj

When

she

walks

she's

like-

Sam

ba

that

swings

so

cool

and

sways-

so

gen

tle,

that

w h e n

she

pass

F mai

pass

Oh,

es

goes

"Aaaah!"

but

watch

her

so

sad

1y.-

es, each

one-

How

love

can

would

tell

her

Yes,

her?-

give

my

heart

glad

ly.-

But

each

day

when

she

walks

to

the

sea,

she

straight

a - head

not

at

---7
7
3

II

looks

Hold chord.. .

Hold chord

me.

Tall

and

tan

and

y o u n g

and

love

ly,

the

girl-

(End Instrumental)- - - - .J

from

pa

ne

ma

goes

walk

ing

and

when-

Hold chord

she

Id

1
3
2
2

pass - es

smile,-

1
3
2

1
3
2

n
U
\

322

but

she

does

She

just

1
3
2

just

does - n't

3
2

n't

see.

does - n't

1
3
2

see

o-o-o

1-1-1
2-2-2

1
3
2

Gb7bs

Repeat to fade

see.

She

o-o-o

1-1-1
2-2---2
1

132-

Fmaj7

She

Gb7b5

1-

3-

2
1

22

does - n't

just

1
3
2

2
2

desafinado
( s l i g h t l y o u t of t u n e )
e n g l i s h l y r i c by jon h e n d r i c k s & jessie c a v a n a u g h
m u s i c by a n t o n i o c a r l o s j o b i m

Desfinado literally means 'off key'. This song is the anthem of the Bossa Nova
(New Thing) beat and although to start with it was not accepted by the
established musicians in Brazil, it became a massive international hit.

Light strum
T

12-2
2-2

-1
2
2
-

1
2
2

-1
2
2
-

1.

II

Love

-1-1
-2
2

is

like

1
2
2

2
-

-1
2
2

2
2

ne

ver

Finger style

0 copyright 1959 e d i t o r a musical a r a p u a

brar I

c o p y r i g h t 1962 w ~ t hengltsh l y r l c hollls m u s l c I n c o r p o r a t e d


a s s l g n e d t o t r o - e s s e x m u s i c lhmlted

s w t e 2 07

plaza 535 ktngs road

usa

london swlO for the brltlsh commonwealth

(excluding c a n a d a a n d a u s t r a l a s l a ) a l s o t h e r e p u b l c s of i r e l a n d a n d s o u t h a f r l c a

all r ~ g h t sr e s e r v e d
international copyright secured

50

end

122-

ing

rnel

1
I

pared

it

dy,

syrn

po

I
I

to

1
i

- pho

0.

sym

ny

con

%
I 1

'

pho

duc

ets

have

I
t

I
I

A.

ny.

ted

by

the

corn -

IJ

light - ing

of

love

is

your

slight

kis

"

moon.

ly

the

out

ses

but

of

tune.

our

song

of

now

the

orch

es

tra

tion

Hold chord

does

n't

-------H

2
4
3

-2-

G--43
U

2
4
3

seem

A
I .

3
3
3

h
I1
k-l
I

so

I
d

I
I

A.

3
3

I
I

rich.-

I
I

Seems

Gliss

the

tune

we

used

to

sing,

5-4-

<6
) 3
( 5
( 3

0-1-

to

L
I\
I

n
5-

1
A

me you've

changed-

b.

li 1

uI

-I

like

the

rn

I 1

Bos - sa

No

love

m
I 1

E7

I\

va

should

fect

time,

used

swing.

~b dim

Amaj7

We

per

-'-----'
-

to

har - mon

ise -

now

two

the

souls

song

in

is
1

f rent

dif

and

the

'Cause

hearts

would a1

ways

croon

you

words

for

got

don't

the

and

ven

rhyme.

me1

so

what

good's

heart that's

dy

our

slight -

A'

I
I

ly

out

of

heart

your

I -

I
I
I

-_

_-

*I

tune. -

to

join

with

me

in

har

old chord

mo

ny

and

-------H

I
II

sing

song

of

lov

ing.

tune

no

We're

bound

get

in

~b dim

Am7

to

Hold chord

~ b m

gain

de - sa - fi - na

be

do

fore

too

when

your

heart

long,

be

there'll

longs

to

me

cam-plete

be

1y.-

I -

Then you

L
I1

long

with

I
I

won't

r~

I
I

N.

be

slight - ly

out

of

tune,-

.I

.I.
.I

you'll

sing

me.

Repeat to fade

water t o drink
(agua de beber)
words by norman gimbel
music by antonio carlos jobim

This arrangement keeps the basis of Jobim's original accompaniment and


adds melody. The rhythm should be percussive and a certain amount of
freedom should be exercised to give the song feeling.

0 ~ o p y r ~ g 1961
ht
e d r l o n c a m p l d o g l ~ c ltaly
0 c o p y r g h t 1965 b e x h ~ lm
l u s l c corporation & n o r m a n g l m b e l
all r g h t s r e s e r v e d
l n t e r n a t ~ o n ac
l o p y r g h t secured

59

usa

Verse:
B

Your

II

Let ring.. .

l o v e

is

rain,

mY
See Block Lyricsfor Verse 2

heart

the

flow -

- -

- er.-

will

n e e d

your

love

or

die.-

My

Let ring.. .

is

in

your

pow

er.

ve

ry

life-

Will

with

er

and

fade

bloom

to-

Let ring..

I
II

give

the

flow - er

wa

ter

to

Ag -

drink.-

Let ring

ua

de

be - her,__

u
give the

Ag - ua

de

flow - er

wa

ter

to

be - bet-

drink-

give the

Let ring ...

2-2

1 ---3

-0

ter

to

drink.-

wa -

P
n

flow - er

3-

2. The

Let ring.. .

rain-

3-1-

can

fall -

ter

to

drink.-

1-

1-1-

0-0L 2 - 2 0

e
-

1 ---1-

0---0
0
2 -----2 -2
0

0-2-0-22
0

1-

-2--0
2
0

4-4-3-4-3-3-

-1

1-

Repeat to fade

Am7

0-

1-1-1-1
0-0-0-0
2-2-2-2
0

102-

102-

Verse 2:
The rain can fall on distant deserts
The rain can fall upon the sea
The rain can fall upon the flower
Since the rain has to fall let it fall on me.
Agua de beber
~ g u de
a beber camari
Agua de beber
Agua de beber camari
Agua de beber
Agua de beber camark

102-

1
0
2

0-

1-1-1-1
0-0-0-0
2-2-2-2
0

102-

102-2-

Portuguese lyrics
Eu quis amar Mas five medo
E quis salvar meu corra@io
Mas o amor sabe um segredo
0 medo pode matar o seu cora@o
Agua de beber.. .
Eu nuncafiz coisa tdo certa
Entrei pra escola do perddo
A minha casa vive aberta
Abre todas as portas do corapio
Agua de beber.. .
Eu sempre live uma certeza
Que sd me deu desilusdo
E que o amor E uma tristeza
Muita magoa demais para um cora@o
Agua de beber ...

100

1-0 2 - , 2

wave ( v o u t e c o n t a r )
words & music by antonio carlos jobim

A classic Jobim song that has become a jazz standard. It was originally
recorded on the 1967 album of the same name. The opening rhythm sounds
good if it is lightly strummed, and the melody played at should be played
fingerstyle - the combination works well.

1. So

0 c o p y r g h t 1967 .8 1976 c o r c o v a d o m u s c n c o r p o r a t e d
a s s g n e d t o w e s t m i n s t e r rnuslc lhmlted s u l t e 2 0 7

plaza 535 k n g s road


all n g h t s r e s e r v e d

~ n t e r n a : l o n a l copyright s e c u r e d

66

usa

l o n d o n s w l O f o r t h e u n l t e d k l n g d o m a n d elre

close

your

Bb dim

Dmaj7

Am7
/
,
-

eyes,
2. Ad lib. Insrrumental - - - - -

for

that's

love

ly

way

to

be,

Gliss

5-5-5

7-7-7
6-6-6
7-7-7-

-5

4-

5-5-5

a - ware-

of

5--5-

5-5
0-0-0

t h i n g s

your

heart

lone-

was

meant-

to

see.-

Gliss

tw
-t

Gliss

--

The

fun

da

men

tal

lone

li

ness

when

ver

two

can

dream

dream

to

geth

IBI
D maj

You can't

de

nY.

don't

Gliss

Gliss

557-75
66 -8 -8 -----6
5-5-7-7-0-5
0

Bb dim

II

try

7-7
8-8
7-7

7-10-9

5
7
6
7
5

5-5-5
7-7-7
6-6-6
7 -7 -7 -----5-5-5

Gliss

Am7

to fight the

ris

ing

sea,

don't

Let ring

fight-

the
Gliss

------:
Gliss

moon,-

the

stars

The

fun

two can dream

bove-

men

a dream

to

da

and

- tal

don't-

li

lone

geth

fight

er .

me.-

ness

g o e s

when

- ev

er

When

saw

you

first

when

time

was

half

past

three,

Hold chord.. .

Hold chord.. .

II

the

your

Hold chord.. .

eyes

met

mine

it

Hold chord.

was

e -

~b dim

Dmaj7

know

the

wave

Am7

,.----,is

on

the

way

to

be,

G maj

just

catch-

the

w a v e

don't

be

fraid-

of

lov

ing

me. -

Gliss

Gliss
/

-*"
A

Xli

'n

The

fun - da - men - tal

lone

li

ness

g o e s when - e - ver

two

can

G ID

dream

dream

to

geth

Dm7

G ID

D m7

G ID

Repeat to fade

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