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JAZZ SAX TRANSCRIBED by JOHN ROBERT BROWN and BILL CHARLESON ‘The Tenor Saxophone has always been a favourite with jazz musicians. Inovative players like Coleman Hawkins, Stan Getz, Lester Young, ‘Tubby Hayes and Ben Webster have helped establish the popularity of the instrument among jazz enthusiasts world-wide. Twenty of the finest examples of their playing and that of other contemporary tenor saxophonists have been transcribed from the original recordings and are featured in this book. Easy Living Wardell Gray | Didn’t Know What Time It Was Benny Golson Where Or When Lucky Thompson Lover Come Back Al Cohn Lover Come Back Zoot Sims Tangerine Oliver Nelson Tea For Two Lester Young Desafinado Stan Getz Stella By Starlight Stan Getz Love Walked In Tubby Hayes Falling In Love With Love Tubby Hayes Have You Met Miss Jones? Ben Webster All The Things You Are Coleman Hawkins Body and Soul Coleman Hawkins Imagination Johnny Griffin A House Is Not A Home Sonny Rollins With A Song In My Heart Sonny Rollins The More | See You Stanley Turrentine Lester Leaps In Lester Young You Took Advantage Of Me Bud Freeman Foreword WARDELL GRAY (1921-1958) recorded ‘EASY LIVING’ in 1949 on Stateside 10144. One of the finest tenor players to come after Lester Young, Gray met an untimely death whilst working in Las Vegas. ‘Easy Living’, immortalised by Billie Holiday, is a perfect vehicle for Gray's harmonic approach and beautiful tone. ‘| DIDN'T KNOW WHAT TIME IT WAS’ is a good example of the way in which jazz musicians alter the chord progressions of a song as the performance unfolds. This solo was recorded by BENNY GOLSON (1920-1974) in 1959, on Esquire 32-108, 'WHERE OR WHEN’ was recorded by ELI (LUCKY) THOMPSON (b 1924) in 1954 on Saga XIC 4001. A featured tenor with Count Basie, he recorded with Charlie Parker and Dizzy Gillespie, and spent most of his later years in Europe. This solo is probably one of the finest ballad performances on record and should be studied by all who aspire to be judged a soloist. JOHN 'ZOOT SIMS (1925-1985) and AL COHN (b. 1925) were both originally inspired by Lester Young. These improvisations on ‘LOVER COME BACK’ were recorded at a live club session in New York in 1959, and issued by EMI on CLP 1471 In later years OLIVER NELSON became well known as a composer and arranger, fame which caused many jazz lovers to overlook his fine saxophone playing. Born in 1932, Nelson recorded ‘TANGERINE’ in 1961 on Esquire 32-188. LESTER ‘PRES’ YOUNG, born 1909, had a considerable influence on a generation of tenor players, including many of those represented in this collection. The distinctive ‘half tempo’ ‘opening melody statement of ‘TEA FOR TWO’ is characteristic of Young's approach. This solo was recorded with the Oscar Peterson Trio on Columbia 33 9015. Lester Young died in 1959, Even a master improviser like STAN GETZ sometimes chooses to drop an interesting chord progression and improvise over a simple ostinato bass. However, his solo is still an exact 32 bars in length. ‘DESAFINADO' is recorded on ‘Jazz Samba’, Verve V-8432. Getz was born in 1927, and is one of the few truly international stars of jazz. ‘STELLA BY STARLIGHT’ was issued on Music for Pleasure LP 5226. Many people would regard EDWARD ‘TUBBY’ HAYES as the finest saxophone player that Britain has ever produced. Born in 1935, he came to prominence in the nineteen fifties, not only as a tenor player, but also as a vibraphone player, flautist and arranger. He died i June 1973. ‘FALLING IN LOVE WITH LOVE" is taken from an LP recorded in 1961, and originally issued by Fontana, TFL 5142. Notice that the improvisation is 42 bars long, although the melody on which the improvisation is based is only 32 bars long. ‘LOVE WALKED IN’ was also recorded in 1961 and appears on the same record. BEN WEBSTER (1909-1972) is best known for his work with Duke Ellington, and justifiably well known for his ballad playing. The LP from which ‘HAVE YOU MET MISS JONES? is taken is one of the classics of jazz — the ‘Art Tatum-Ben Webster Quartet’, originally on Verve, number MG V-8220. COLEMAN ‘BEAN’ HAWKINS (1804-1969) recorded ‘BODY AND SOUL in 1939. It became a world-wide hit, and has been re-issued many times. Legend has it that the decision to record this tune was an impromptu one; this could certainly explain why the melody is not played in the middle eight bars (17 to 25). An enterprising improvisation for its period, the high F and G in bars 58 and 59 were rarely used by jazz saxophonists at that time. Because of its interesting harmonic structure. ‘ALL THE THINGS YOU ARE’ is a jazz musicians’ favourite. The possessor of a prodigious technique, JOHNNY GRIFFIN (b. 1928) recorded ‘IMAGINATION’ on JLP 31 — Tough Tenors. Griffin was one of the most advanced harmonic thinkers in jazz saxophone; there is a particularly imaginative — and lovely — choice of notes in bars 23 and 24. SONNY ROLLINS (b. 1929) recorded ‘A HOUSE IS NOT A HOME’ at a Montreaux Jazz Festival, and it was issued on Milestone M9059. This is a fine example of Rollins’ free thythmic approach to ballad playing. ‘WITH A SONG IN MY HEART’ was recorded in 1951 on Tradition PR 7269, ‘THE MORE | SEE YOU’ was recorded by STANLEY TURRENTINE in 1959 on Mercury MMF 14084, It is an early example of an exciting player who was to develop into one of the foremost names in contemporary jazz. LESTER ‘PRES’ YOUNG recorded ‘LESTER LEAPS IN’ with Count Basie’s Kansas City Seven in 1939. This famous solo has been copied and orchestrated many times, the best known version being Quincy Jones’ arrangement, in which the whole saxophone section played Lester's improvisation in unison. The second part of Lester's unaccompanied chorus from the original recording. LAWRENCE ‘BUD’ FREEMAN was born in Chicago in 1906, and emigrated to Britain when he was in his sixties. ‘YOU TOOK ADVANTAGE OF ME’ was recorded with a British rhythm section in 1966. The LP was called ‘Bud Freeman, Esq., number Fontana TL 370. Note that the ‘improvised’ section is very repetitive. Although possibly preconceived, it is nevertheless most effective. BILL CHARLESON and JOHN ROBERT BROWN are both active saxophone players and full-time lecturers on the Jazz and Light Music Course at the CITY OF LEEDS COLLEGE OF Music, A House Is Not A Home Saxophone Solo by SONNY ROLLINS Words by HAL DAVID ‘Music by BURT BACHARACH Fa? rn7/b ah xhmaj7 Fn7/p abmaj7 G7 cn? Bbn7? 7 abmaj7 cu Fm? pm7/ep Eb Abmaj7 eb : c7b9 Fmaj7 PH? 379 ena? Fn? abmaj7 G+ cm? bm? Eb7 abmaj7 39 Piano soto 58 bma57 om cn? hm? Eb? All The Things You Are ‘Saxophone Solo by COLEMAN HAWKINS Words by OSCAR HAMMERSTEIN II Music by JEROME KERN Fm? Bbm7 2b7 abmaj? obmaj7 o7 cmaj7 om? Fm? Bb7 Ebmaj? abmaj7 am7b5 D7 ‘Gmaj7 snr 37 ‘ cme Pw? bar 5p7 abmaj7 pbmay? bm ab Baim 38 - no Bpn7 b7 Abma37? ppmaj7 2 4o.—., o7 cmas7 cn? 46 Fn? Bb? Epmaj7 abmaj7 50 Amps D7 Gmaj7 38 - 3 Gmaj7 Am7 D7 eal 56 B7 = 39 E cr Fn? ab m7 37 Bbm7 $5 oe Epmaj? Gmaj7 See = Fa a Eb? abmaj7 vbnaj7 abmaj7 vbmaj7 s7 ef 237 seas? ans o7 nas Body and Soul ‘Saxophone Solo by COLEMAN HAWKINS ‘Words by ROBERT SOUR, EDWARD HEYMAN and FRANK EYTON, Music by JOHN GREEN 8b7 (9) ob ebm? Pm? Edim ebm? Desafinado ‘Saxophone Solo by STAN GETZ Music by ANTONIO CARLOS JOBIM cm? c7 79 Gn 7 79 a Bhaim Bm add 4 7 en? Fain on? c ef m7 Bbm Fmaj7 pm7it s . . s. os Guitar solo F 67(b5) —_s —Y etree to» ?: —S a ¢ 67 c ef? ' o bat? Gm? cm m7 Bm add 4 E7 7 Dm 2 £ Fain on? 75 be ae > m7 amps abo Fmaj7 eb? * ‘The improvised section (A~B 32 bars) and the coda axe based not on the harmonies of the tune hut on alternating chords of F and Eb (Concert pitch) over an ostinato bass, thus: Easy Living Saxophone Solo by WARDELL GRAY Words and Music by LEO ROBIN and RALPH RAINGER fo $ oe SS = SS ab P79 abn? = pain ab ebm? ab7 Ebr eb7)e ab r7bs 30 delay be tet a te TS Piano solo eA & E ega7 Pen? Bibs E cnr ob obm » Ph Falling In Love With Love ‘Saxophone Solo by TUBBY HAYES Words by LORENZ HART Music by RICHARD RODGERS. SSS = FT ab pm75 31 (Break) Fz = sb P73 ob am7ps 07 cn sb 67 pm7b5 cr pm? m7b5 Have You Met Miss Jones? Saxophone Solo by BEN WEBSTER Words by LORENZ HART J Music by RICHARD RODGERS by 6 aAm7 D? Ba? Bm 3 Am? D7 6 chain an? 07 Bn? en E Eb? ab am? D7 1 Didn’t Know What Time It Was Saxophone Solo by BENNY GOLSON ‘Words by LORENZ HART Music by RICHARD RODGERS oj 3 I =I 3 Bm7b5 a7 Dm Em7p5 a7 Dm cm? cc? oI eI em7)5 a7 Dm Gm? c7 Dm m7 Bb Am7 Em7p5 a7 Dm Bm7bS 7m cm? c7 Bb Am? Gm? 7 F 3) ems ay m7 bs ay Dm cm7 7 Bb F ibs. 59 67 Gn? C7 Bm7b5 a7 EmIps aT Dm Gm? c7 F F7 Bb? Am7 sb Am? Dib Imagination Saxophone Solo by JOHNNY GRIFFIN Words by JOHNNY BURKE ‘Music by JIMMY VAN HEUSEN cm? mips c7 Fm? Bb? eb Edim 3 Fm7 FEaim Gn7 em7h5 c7 maj? Gh Dpmaj chmaj7 B13 Bb7+ Chaim b, * He Lester Leaps In Saxophone Solo by LESTER YOUNG By LESTER YOUNG Bb sb? Bb Edim Bb oT cm? F? Bb Bb? eb Edim Bb cm? F7 Bb 8b? eb Baim 2b 67 cm? F7 7 FI F7 2b 87 eb eaim Bb cm? FT ‘Unaccompanied chorus 2b 27 rb ain » cn? 7 Bb 8b7 =b dim Bb cm? F? Bb Bb? eb dim eb cm7 F7 Love Walked In ‘Saxophone Solo by TUBBY HAYES Words by IRA GERSHWIN Music by GEORGE GERSHWIN 7 cm? Gm? Lover Come Back Saxophone Solo by AL COHN Words by OSCAR HAMMERSTEIN IL ‘Music by SIGMUND ROMBERG ob pbm ab : Eb7 ab _ ob bm 27 : Solo on recording continues: Lover Come Back ‘Saxophone Solo by ZOOT SIMS Words by OSCAR HAMMERSTEIN IL Music by SIGMUND ROMBERG c7 Em? 2 2 (inaudible) (Fm) ebm Fm c7 Fm? fain bar Stella By Starlight Saxophone Solo by STAN GETZ ‘Words by NED WASHINGTON ‘Music by VICTOR YOUNG cm? P7 naj? ofombs FB? Am7 D7 B7+ Am7 ET Am7 ul Gmaj7 Gaim 3 (Gaim) Bm7p5 o7 cmaj7 cm? e7 Am? D7 E7+ cn? P7 Gmaj7 Tangerine Saxophone Solo by OLIVER NELSON Words by JOHNNY MERCER Music by VICTOR SCHERTZINGER see m7 7 Bp Gaim cn? F7 cm? 7 Bb 7 cm? Bm7 AT D7 7 m7 F? » Gain cm? F7 cn? 7 "> ° Chaim cm? F? Tea For Two Sexophone Solo by LESTER YOUNG Words by IRVING CAESAR Music by VINCENT YOUMANS 12136 sha? cb? ebm 7 nb ebm? cu? aim apn? ab? tba eb7 ab bn? G7" Dn? G7? Cmaj?_ On? En? Edin Dm? G7" om? G7 cma? Eb7 pba? eb7 ebm tb? ab abn? cm? Baim Bb? 7 hm Bp? cS FT (inaudible) sb? Bn? P7 bbe tha abc pain ba? m7 67 Dm? G7 cmaj7 D7 Bm7 Ebdim Dm? G7 46 m7 o7 cmaj7 eb7 Bbm7? eb7 Bpm = Bb? 51 ab Bhai? cm? Baim bm? eb? pm 2p7 cm7bs F7 a Bhm7 eb? abe spn? sb7 apm b7 ab soar Dm? oT m7 o cmaj7 om? Em? zbdim = Dm?_—G7 Dm? @7 cmaj7 eb? Bbm7 eb? Bm Eb? 83 ab Bbm7 cm? Baim Bbm7 pb? Bom EDT cm795, 93 oT abso sam —abm7? Eb? ab Bm? b7 ebm 2b? ab Bbm7?cm7—sBdim Bb? Bb? Rpm Eb? ab pn? G7 c eb? ebm? 7 abn eb? ap Bbm7 116 — a a cm? dim Bm? Eb? Bm DT cm795, F? Bpm FT Bpm? F7 bm Dom abso Bdim oe? tbr abe? eb? Bom &b7 ab hm? cm? pdim apm? eb? wm? cb7 ab . 145 —, 27 Bbm7 sain nbn? oh? ab The More I See You ‘Saxophone Solo by STANLEY TURRENTINE Words by MACK GORDON Music by HARRY WARREN 5b cm? pm? ab cm7 FT Bb cm? Dm? ab cm? FT pbmaj7 ob? cp? F? m7 c7 m7 P7 Bb cm? pm? cm? F7 Bb oo cm?-—m? =b Pm? Bb7 m7 F7 Bb cn? F7 ab m7 m7 Bb cm? FT 8b (ebm) ab o7 cm? FT »b (F7) Bb cm? F7 vb bz ch 108 FT ca 7 cn? Prem) (eftaim) 413 Bb cm? F7 Bb us m7 2b? eb 122 126 cm F7 Bm7p5 Bbm? 129 Dm? 4 Db? cm? Dm7 eb FT 133 T Bb? (11) Where Or When Saxophone Solo by LUCKY THOMPSON Words by LORENZ HART Music by RICHARD RODGERS => 22 Piano solo Ebmaj7 With A Song In My Heart Sexophone Solo by SONNY ROLLINS. ‘Words by LORENZ HART ‘Music by RICHARD RODGERS ~ 5 : == ] sf 2 eo P cm7 co P Gn? 7 Dm Bn (om) Bamps 27 An? D7 m7 c7 F Dm Em7ps a7 Dm F Dm? oT cm? cm? 7 P m7 c7 ay Dm Em? 104 7 F (am7) (apm?) Gm 7 129 Piano solo (4s) You Took Advantage Of Me ‘Saxophone Solo by BUD FREEMAN Words by LORENZ HART ‘Music by RICHARD RODGERS b Edim Fm Bb? Gm? cbaim Fm? Bb? b7 abs ab vb? Fm? 2b7 eb Bb? eb Edim Fm Bb? cm? aim Fn? b7 eb7 nbs wb obr en? byob Am7D5 D7 a7 c7 FT Bb? eb amb D7 o7 c7 F7 b7 cm? F7 Bb? eb Edim Fm Bb? Gn? bain Pm? Bb? 41 4s F7 7 Fm ab Edim 7 ab? 87 cm ob Pm Bb? » Db? eb P7 Pm Pm? Am? (5) 5p eb Bb? eb o7 an? (5) Eb? c7 a a7tbs)

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