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Iii min7
E min7
Becomes
Iii min7 iii min7

Ii min7
D min7
Ii min7

PT ch
E min7

I Maj7
D Maj7
Becomes
I Maj7

E min7

D min7

I Maj7
D Maj7
Ii min7

IV Maj7
G Maj7

Iii min7

IV Maj7

F# min7

G Maj7

PT
D Maj7

E min7

-The #ii dim7 Prefix Two sets of Object Chords - a major or minor triad [usually the I Maj/I min or V]; any chord

functioning as a ii min. In both cases the name of the operation is derived from the Object Chord.
: If Object Chord is a I or V, the name is taken from the Root of each chord. If Object Chord is a
ii min the name is taken from the Tonic of the Scale the ii min chord belongs.
The operation places before the Object Chord a dim7 chord containing 1 or 2 tones which approach
members of the Object chord by half step.
In both cases there is one tone in common between Resultant Chord and Object Chord sometimes called the CommonTone dim7.
The symbol is:

#ii dim7