Dream Theater

Commissioned
by The University of Florida Symphony Orchestra,

Raymond Chobaz, conductor, in celebration of their 100th anniversary season

Dream Theater

Paul Richards

Dream Theater

Paul Richards

I. Threshold

II. Place of Several Mysteries
III. Edge of Silence

IV. Dream Theater

1
11
33
43

Instrumentation

Piccolo
2 Flutes
2 Oboes
English Horn
3 Clarinets in Bb (3: Eb Clarinet, Bass Clarinet)
2 Bassoons
Contra-bassoon
4 Horn s in F
3 Trumpets in C
2 Trombones
Bass Trombone
Tuba
Timpani
3 Percussionists
Harp
Piano
Strings

Duration: 15 minutes

Program note:

As the University of Florida Symphony Orchestra planned celebrations for its 100th
anniversary, conductor Raymond Chobaz asked me to write a new work inspired by visual
art of my choosing. With assistance from the curatorial staff at the Harn Museum of Art,
four works by photographer and former faculty member Jerry Uelsmann were selected,
each serving as a starting point for the creation of musical movements that reflect
something of the technique, narrative content, or atmosphere found in the art works.

Uelsmanns composited black-and-white photographs are, in the artists words,
obviously symbolic, but not symbolically obvious, showing us a surreal world that arises
from the seamless integration of multiple image sources. I find them extremely compelling,
rewarding both on first inspection and after intense scrutiny, where subtle details emerge
for the patient viewer. The four photographs in Dream Theater are examples of
Uelsmanns recent pieces, dating from 1999-2008.

Each movement of the composition, which is played without pause, takes its title
from the photograph that informs it. The opening movement, Threshold, begins with a
chorale that will reappear elsewhere in the composition, developing that material in a
gradual crescendo throughout the movement, reacting to the suggestion of birth,
emergence, and transcendence in the photograph. Place of Several Mysteries responds to
the storm and sea imagery in the photograph, along with the sprinkling of several
unexpected, primal images throughout the canvas. Edge of Silence is a contemplative
movement built upon notions of reflection, imitation, and rippling water. The final
photograph, Dream Theater, shows a baroque opera house from Bohemia, along with
other images. A collage of musical ideas from the preceding three movements are layered
atop a 1723 overture by Czech composer Jan Zelenka (ZWV 188), concluding with the
chorale that opened the work.

This work was made possible only through the collaborative support of numerous
people: The University of Florida Symphony Orchestra and Raymond Chobaz, who
commissioned the piece; the Harn Museum staff, especially photography curator Thomas
Southall; and Jerry Uelsmann, whose astounding output and creative vision is a wonder to
behold.

All images are copyrighted by Jerry Uelsmann. Used with permission.

Performance notes:

Images: if desired, the photographic images can be displayed during the performance, the
image changing with the change in movements.

Crotales: an octave-and-a-half set is required for the piece, with sounding pitches C6-G7,
(written as C4-G5).

Prepared piano: a quarter should be balanced on the two lowest piano strings (A and Bb)
so that the quarter rattles when these keys are struck (used in the first and last movements;
quarter can remain in place throughout the piece).

Cello seagull effect: in the second movement, the solo cello is asked to produce a
seagull effect

This is a harmonic glissando on the A string, beginning in the position indicated. The
position of the hand should not change throughout the glissando, so that new partials are
caught during the descent. Accelerate and decelerate as indicated (aligned with the
crescendo and descrescendo), lasting approximately the duration indicated in the score.

Natural harmonic glissando: in the second movement, the strings are asked to produce a
natural harmonic glissando on the A string

Players should make a slow glissando up and down the A string, as indicated, allowing
natural harmonics to speak as they are past. Uncoordinated with the rest of the ensemble
and repeated freely, this should last as long as indicated in the score.

Balance and dynamics in the final movement: in imitation of a baroque orchestra, the
strings are divisi throughout the final movement, with half of the section presenting the
Zelenka overture. Dynamics throughout this movement, and elsewhere in the composition,
are designed to create crossfade effects, where ideas emerge from, and retreat into the
texture, rather than appearing and disappearing suddenly. Careful attention to all dynamic
indications will produce the desired effect.
commissioned by The University of Florida Symphony Orchestra, Raymond Chobaz, conductor
Dream Theater
Score
I. Threshold
haunting q = 48
Paul Richards
Piccolo
& 45
46
44
Flute
1
2
& 45
46
44
Oboe
1
2
& 45
6
4
4
4
English Horn
& 45
46
44
1
2
& 45
46
44
Eb
& 45
46
44
1
2
?5
4
46
44
Contrabassoon
?5
4
46
44
j 4
4
j 44

44
Clarinet
Bassoon
haunting q = 48
j
#
j
#
1
2
& 45
3
4
& 45
1
2
& 45
& 45
1
2
?5
4
Bass
?5
4
Tuba
?5
4
Timpani
?5
4
& 45
Percussion 2
& 45
Horn in F
Trumpet in C
Trombone
dark
dark
Piano
Violin II
Viola
Cello
Double Bass
4.
46
>
46
44
46
44
6
4
4
4
6
4
4
4
46
44
46
44
46
44
j 46
44
Large Bass Drum

soft mallets
l.v.
l.v.
45 w
l.v.
l.v.
l.v.
l.v.
& 45
46
44
?5
4
46
44
46
44
& 45
?5
4
prepare piano: balance a quarter on the two lowest piano strings (A and Bb), quarter should rattle when those keys are struck
leave on for the entire piece
w
>
>
haunting q = 48
Violin I

j #

46
haunting q = 48
Harp
46 # ..
haunting q = 48
3
# >
#
& 45
& 45
B 45
?5
4
?5
4

>
b n
#
3
div. a 3
b n
#

3
div. a 3
..
.
..
.
# b n
# # n n
J
3
# b n
# # n n
J
3

>
..
.
..
.
>
# b n
# b n
J
3
# b b n
# n
J
3

#

b
#

2010 Paul Richards. All rights reserved.
>
46
..
64 .
b #
# n b n #

3
44
44
.. b b b n #
.
#
46 J # n
3
46
46
46
j 44
44
44
44
37
foreboding q = 60
Picc.
& 44
1
Fl.
2
& 44
1
Ob.
2
& 44
E. Hn.
& 44
1
2
1.
.
J
b ~~~~~~~~~
>
J
J
P
43
& 44
43
Eb
& 44
1
2
?4
4
C. Bn.
?4
4
#
<
<

<
<
Cl.
Bsn.
7 foreboding q = 60
1.
# j
pfl
b j
pfl
1.
>+
J
P
espr.
rall.
>r
. . . . .
. # # n n # n 43 . # . n
3
5
1. free, joyous, rhapsodic
>
#
p
43
b ~~~
>
J 44
p
44
44
44
44
43
44
3
4
4
4
3
4
4
4
43
44
43
44
rall.
1
2
& 44
3
4
& 44
1
2
4
&4
3
4
4
4
4
&4
3
4
4
4
1
2
? 44
43
44
Bs.
? 44
43
44
Tuba
? 44
43
44
Timp.
? 44
43
44
& 44
43
Perc. 2
& 44
43
44
43
Hn.
Tpt.
Tbn.
7 foreboding q = 60
7 foreboding q = 60
Hp.
Pno.
& 44
& 44
? 44
? 44
& 44
7 foreboding q = 60
Vln. I
Vln. II
Vla.
Vc.
D. B.
4
&4
B 44
l.v.
..
.
..
.
b
J
b
J
.. b n #
. b
J
3
.. #
. b n b
J
3
j j
? 44 j j
# .
. .
# . #
sul tasto
change to
? 44 j j
j
j
.
. b .
. b b n
sul tasto
change to
Crotales
hard mallets
l.v.
j
P>
>
J
P
..
.
..
.
unis.
sub.
>o o
J
P
>o o
J
unis.
sub.
# j
pfl
ord.
ord.
b j
pfl
10
43
43
rall.
rall.
34 J
43
44
44
44
44
> l.v.
J 44
p
44
rall.
43
o
34
43
l.v.
j 44
>
o
o >
p
o
o >
44
44
44
43
44
43
44
12
13
11
Picc.
Fl.
1
2
Ob.
1
2
E. Hn.
4
&4
Eb
4
&4
Bsn.
1
2
C. Bn.
a tempo
4
& 4 J
&4
1
2
Cl.
~~~
44 J
&
&4
14
1
2
4
&4
3
4
43
44
43
43
43
free, joyous, rhapsodic
Eb Clarinet
? 44 # j
.
? 44 j
.
14
j
#
# .
j
.
#
#
<

<
a tempo
# >
Pespr.
j
3
b n bn .. b b
J
fl
P
b
j
n - b
3
fl
P
43
rall.
42
44
44
42
44
44
42
44
44
42
44
44
42
gliss. (smear)
. . . . . b r . .
>
. n # 3 # n # n # # n 4 .. # . # > n n J 2 #
4
4
4
3
3
3
p

44
43
42

3
4
4
4
rall.
44
44
44
2
4
4
4
42
44
43
44
43
44
42
44
3
4
4
4
2
4
4
4
4
&4
3
4
4
4
2
4
4
4
1
2
? 44
43
44
42
44
Bs.
? 44
43
44
42
44
Tuba
? 44
43
44
42
44
Timp.
? 44
43
44
42
44
43
44
42
44
43
44
43
44
43
44
43
44
4
&4
1
2
4
&4
Hn.
Tpt.
Tbn.
14
4
&4
Perc. 2
4
&4
4
4
14
Hp.
Pno.
Vln. II
a tempo
4
&4
? 44
4
&4
? 44
14
Vln. I
a tempo
4
&4
4
&4
Vla.
B 44
Vc.
? 44
D. B.
? 44
a tempo
p>
l.v.
>
> l.v.
l.v.
> l.v.
j
>
l.v.
> l.v.

J
Marimba
hard mallets
>
b
J
P
>o
>o
o
o
>o
>o
o .
o .
>o o
J
>o o
J
change to
j
j
j
j
# . n # . . # .
#. # #
psul tasto
change to
j
j
j j
b n . b n . # . b n . b
psul tasto
change to
j
j j
j
. b n . b
b n . b n .
p
sul tasto
14
15
16
b n
ord.
b n
j
n # .. # n
fl
P
ord.
43
ord.
j
b
fl
P
b
J
P
17
43
43
43
43
43
3
4
o
p
o
o
p
44
Vibraphone
rall.
44
44
42
44
42
44
42
44
rall.
44
motor on fast
medium mallets
l.v.
42
(no pedal; allow note to decay)

2
44
rall.
p
o
44
42
44
42
44
o
J
42 44
o
42 J 44
44
44
42
44
4
4
2
4
4
4
18
19
20
521 gathering energy

b ~~~~~
Picc.
4
&4
1
Fl.
2
4
&4
1
Ob.
2
4
&4
E. Hn.
4
&4
1
2
4
&4
Cl.
Eb
1
Bsn.
2
C. Bn.
>
q = 72
J
P
& 4 J
? 44 b . .. b b b J
J
P
? 44 b . j . b - b J
P
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Perc. 2
Pno.
Vln. II
D. B.
43

p> >

> >
? 44 b .
J
? 44
j
b .
? 44
? 44
5
r
4
&4
P>
4
&4
4
4
>
gathering energy q = 72
4
&4
>
4
&4 R
5
P
? 44
? 44
4
&4
4
&4
> >

p
> >

> >

>
F
>
o o
o > >
Fo
>
? 44 b .
J
P
sul tasto
? 44 b .
J
P
.. b b
J
b b
b -
b -
change to
j . b
change to
21
22
23
ord.
b - - . >
J
F
3
4
43
38
fl
<
>

R
5
43
j
j 3
j
b . . 4 . b
<
j
j
3
b . j 4 b
b.
43
43
43
j
b
P
hard mallets
38
38
38
3
8
3
8
38
38
38
43
Tam-tam scrape with triangle beater

l.v.
38
>
>

R
43
38
25
26
43
34
28
j
.
.
J
j
..
.
J
j
.
38
43
38
j
43 .
.
34 J
43
38
. . 3 .
J 4 J
J
P
b
.
# . b n ..
b.
J
J

. b b n b . j
J

27
43
.
F
P
n
. b >
. b n .
J # J
# J
- - ord.
b b .. >
# .. b b >
J
J
J
F
ord.
b - - . >
n . b >
J
J
J
F
24
b .. .
b .
J
J
b . j
b . J
> j
b b # .. b b b b n n n .. J .. J 43 .. J
43
3
8
o o
o > >
-
3
8
#
P
3
.. b
8
J
. j
b
38
b
>
b > n # # n .. b n # .. .. 3 ..
J
J 4 J
J
J
po o
o > >
b -
Bb Clarinet
Po
>
>o
b 38

P
3
43
8
F>
>
38
43
o o
o > >
change to
~~
b b > # .. b b b n n
J
J
b ~~
b > . b b n
J
J
b .. .. 3 .. b

J
J 4 J
o o
o > >
34
o o
o > >
.
b B 44 J J .
P
pfl

> >
Xylophone
hard mallets

F
J
p
>o
div.
sul tasto
Vc.
sul tasto
Vla.
21
Vln. I
4
&4
21
Hp.
P 6
# 3
34
8
#
21 gathering energy q = 72
Timp.
4
&4
38
4
&4
b .
4
& 4 J J .
P
1.
1
2
b -
43
^

J R
5
F
-
.
b b .. >
# J .
J
F
b - - . >
.
J
J
F
- - >j
b .. n # # n ..
J
J
- >
F
(sneak in)
4.
(sneak in) (sneak in)

- >
j
b b ..
# ..
b J
b b
5
F
j
.. b
.b
J
j
.b
38
38
38
38
38
29
Picc.
Fl.
1
2
Ob.
1
2
E. Hn.
1
2
Cl.
3
Bsn.
1
2
C. Bn.
1
2
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Timp.
Perc. 2
Hp.
Pno.
Vln. I
Vln. II
Vla.
3
&8
3
&8
f
.
.
^ .
31 playful q = 60
43
43
44
f
~~
3 .. 3 #
&8
4 J
f
~~
.
38 3 # J
&
4
f
~~
38 # .. 3 # #
&
4 J
f
# ~~
3 . 3 #
&8
4 J
f
? 38 .. 43
J
f
? 38 . 43
j
f 31 playful q = 60
.
38 . 3 # # J
&
4
f
3 .
& 8 . 43 J
f
3
& 8 43 b b . n #
>
. .
F
3
& 8 43
.
#
? 38 b . 43 J
f
j
? 38 b . 43

f
? 38
3
j
4
b.
f 31 playful q = 60
? 38 . 43 J +
b
>
f
Tambourine
38 > .
Fp
>.
3
& 8 .
f
3
8
3
&8
? 38
3
&8
? 38
3
&8
3
&8
B 38
Vc.
? 38
D. B.
? 38
43
3
4
43
43
> .
.
43
43
43
j

#
43
J
j
b
44
44
44
44
44
4
4
. # # #
< < 
J
F
3.+
j

>
F
rit.
4
4
44
4
4
rit.
45
45
45
45
5
4
5
4
44
44
44
b >
44
44
>
#
n
unis.
F
P
# >

P3 F
3
# # >
# < <
F
P<
3
45
# >
45
45
45
45
. .
. # n
>
rit.
Fp
.
. # . b b >
3
. . . n
# #
44
44
32
33
31
45
45
5
4
&
45
44
45
45
44 # #
p
45
rit.
div.
gliss.
45
45
45
+
>
b
J
F+
j

>
F
44
45
# #
b b n
44
45
Fp
Fp
44
44
F 6
>
#
# # # n J n
J
F
P 6
3
3
>
>
# .. n # # # n b # n b n
# . n . . b n
b
< < <
>
Fp
Fp
F
3
>. b n 3
b b
. . . < < # < >

>
Fp
Fp
F
>
b b # # >
3
Fp
Fp
>
>
#
#
b #
rit.
44
31 playful q = 60
3
. 4
f
.
43
f
b .. 3
b. 4
f
3
b. 4
f
30
^ .
.
2.
31 playful q = 60
44
P
^
J
f
^ . l.v.
.
Fp
# >
45
Fp
>
45
Fp
>
b b b
>
Fp
Fp
5
5
# # # b > b

b b b n
n
5
Fp
P
34
45
?
45
45
735 gathering energy

Picc.
Fl.
1
2
Ob.
1
2
E. Hn.
1
2
Cl.
3
Bsn.
1
2
C. Bn.
5
&4 J
f
54 n J
&
f
54 a2 j
& n
f
54 j
&
f
#
5
&4 J
f
54
& J
f
? 45
J
f
? 45
q = 80
Hn.
3
4
1
2
Tpt.
5
&4
1
2
Bs.
Tbn.
Tuba
Perc. 2
Hp.
Pno.
45
45
44
45
44 b > j
fl
F
44
b j
F> fl
44
.. 45 b n n ..
J
Fp
j . 45 # n ..
. b
Fp
54
? 45
? 45
44
45
44
45
45
44
44
j j
45 b b .

.
>f fl
44
Crotales
f>
>
>
5
& 4 44
R
5
F
Vibraslap
>l.v.
5
5 . 44
4
F
>
>
35
5
44
&4 J
f
f
? 45
44
>
>
5 4 R
&4
4
? 45
35
J
f
J
f
j

J
f
Vln. I
5
&4
Vln. II
5
&4
Vla.
5
&4
Vc.
? 45
D. B.
? 45
35
44
45
44
44
44
45
> .
.
45
>

R
45
5
45
~~~~~~~~~~~~~~~~~~
j
j . 45 .
fl
~~~~~~~~~~~~~~~~~~
5
j
j
. 4 b b.
fl
~~~~~~~~~~~~~~~~~~
j j
5
# . 4 .
>
funis.fl
5
j j
4 b b.

.
>f fl
j j
45 b b .

.
>f fl
36
>
j
44 .. # #
J
f>
44
j
>f #
44
b
f>
44
b
f>
a2
F
>
44 b
b
f>
44
44
b
f>
44
37
>
J J
p
f
>
J J
p
f
>
j

.. # #
J
>
> #
j
j
b - n - . b >
j
j
b - n - . b >
j
b

J
j
j
b - n - .
j
j
b - n - .
> .
JJ
p f
> .
JJ
p f
#
b
<
< n
<
< n
<
>
J
f
>
J
f
.
b J
44
.
J
.
sub. p
- # . n . # . .
sub. p
- # . n . # .
b - n ..
J - >
.
j
b - n .. # # - # n .
.
J
<
<
n j b .
b n .
J-
j
b
>
b
b
>
j j
- - . n < < #
n j b .
b n .
J-


J
.
.
> .
.
J
>
> > > >

44
44 > .. # n # .
J
J
f
j
j
44 b >
b n .
f
44 > # n # .
J
J
f
44
b
f>
44
b
f>
>
j
j
b n . b >
j
j
b n . b >
38
j
j
b n .
b . .
40
78
78
78
78
78
78
78
78
78
78
78
78
>

7
8
78
#
sub. p
n.
sub. p
.
.
# n # . #
# .
J
J
sub. p
.
j j
b n . b . n .
sub. p
.
j j
b
. n.
b n.
sub. p
39
78
>

J
.
.
. .
> .. #
n #. # # n
J J
>
b
# < n < # < 78

f
3
# < n < # < 78
f
44
44
78
j
j
.
>
>
> >

.
.
78
>

J
78
# # n
< <
F
3
# n
< <
F
F 3

b
# n #
< < <
f 3
78
b j
- - . >
78
.
.
78
.
b n
J
f
b .
J
f
j
j
j

.

. .
>
>
>
> > >
44
44
>
J
f
>
J
f
#.
.
sub. p
b . . n .
J J
sub. p
44 .

l.v.
>
J
f
>
J
f

44 >
J
F
j
44
#
F>
j
44

F>
44
j
>
44 #
>
f
44
f>
44
44
>
45
R
45
44
45
? 45 J
F
54
&
45
#

P
6
#

P
44
44
44
? 45
44
Timp.
44
45
o
54
& J
f
5 o
& 4 j
f
5
&4
>
J
45 J R
p 5f
p
>
J
45 J R
p 5f
p
45
44
1
2
>
44 R
5
f
a2
>
44 R
5
f
44
n . 7
8
f 3
b . 78
f 3
n . 7
8
f 3
b .
<
3
f
.
b
<
41
78
78
Picc.
Fl.
1
2
1
Ob.
2
E. Hn.
1
2
Cl.
3
Bsn.
1
2
C. Bn.
1
2
Hn.
3
4
& 78
& 78
J
p
J
p
> .
J
f
> .
J
f
& 78
& 78
& 78
b
b b b
b
F
b b
6
6
F
~~~~~~~~~~~~~~~~~
>
.
b .
~~~~~~~~~~~~~~~~~
> .
b
& 78
? 7 b b > .
8
b
? 7 b > .
8
& 78
& 78
b b > .
& 78 
7
& 8 # b 
b.
B7
8 b b.
< < >
>
44 J J
p
f
>
44 J J
p
f
b > .... b n
b
44
J
f
4 > ..
4
J
f
b > .... b n
44
J
f
44 b > ..
J
f
j
44 b
b
>
f
44
j
b
>f
43
4
4
43
4
4
?7
8
Tuba
?7
8
44 b >
F
44 b >
F
F
>
b
44 b
>
f
44
b
f>
44
Timp.
?7
8
44
1
2
Tpt.
3
1
2
Tbn.
Bs.
Perc. 2
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
D. B.
& 78 .
>
>
& 78
?7
8
& 78
44
>

?7
8
43
44
~~~~~~~~~~~~~~~~
# n b > .
7
&8
b ~~~~~~~~~~~~~~~~
>
n b b.
& 78
~~~~~~~~~~~~~~~~
>
# n b.
B 78
? 78 n b b > .
>
b
? 78 n b .
42
44
44
43
44
44
44
44
44
>
>
>
>
>
>
>
>
>
43
>
>
>
>
>
>
>
43
j
. b
- - . b >
j
- - . b >

> # >
3
4
# 4
#
3
3
4
F
3
- -
a2
- -
-j j
b .
J J - .
j j
- - .
- -

^ > >
b
b
b n 43 b

v > >
3
b > n > 4 b
v
43

b
b

j
43 b
43
>
>

43
j
j
b
>
>

>
>

43
b
>
>

J
j
j
.
>
>
> >

.
.
.
>

43
> .
.
J
>
>

J 43
> n >
# . b > .. ^
J
43
43
> .
44
>
>

>
>
>

> >

4
#
4
6
45
&
(flutter)
-
>
>
>
>

>
>
> >

>
>

# >
. . b
>
>
. . b
b
47
44
44
>
>
44
>
>
44
44
44
44
44
44
44
44
>

44
48
44
44
# >

>

4
4
N >

>

>
>

N >

>

f
F3
>
> >

f
>
> >

f
b
b
b
b
46
44
44
- (flutter)
44
4
4
. . b
- (flutter)
j
j j
b b
>
>
>
>
> n >
> >
43
F
> n >
>
..
^
b
b > >
43
F
> n > 3 b
b
b
. b > b n 4 b
v
3
. b > b > n > 4 b
v
. b > ..b ^
J
# J
4
4
- (flutter)
b b
b b
.
. . .
43
> >
> >

43
b > ..
J
f
b > .. b
J
f
b > ..
J
f
div.
j
b
>
f
j
b
>
> > 3
4
44
^ n b > > 3
4
>
b
b
>
44
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
.
.
.
b > n > 3 b ..
b
.
.
.
4
b
v
F
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3 b.
.
.
.
4
> n >
v
F>
44
# - - . b >
.
J J
>
n - b - . b
J
J
43
b > .. n . . 3
J J 4
J
.
.

b > ....b n
n # . .
3
J J J 4
j

>
>
44
44
l.v.
>
J
f
>
.
J
f
b > n n >
- - > .. ^
# J .
44 .
F
> .
.
78
& 78
43
>
J J
p
f
>
J J
p
f
>
# - - .. b b ....b n ^
J
44
44
44
949 triumphant
Picc.
Fl.
Ob.
1
2
1
2
E. Hn.
1
2
Cl.
3
Bsn.
1
2
C. Bn.
1
2
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Timp.
Perc. 2
Hp.
Pno.
b ~~~~~~~~~~~~~~~~ b ~~~~~~~~~~~~~~~~~~
^
^
w^
44 J
JJ
&
b ~~~~~~~~~~~~~~~~ b ~~~~~~~~~~~~~~~~~~~~~~~
#
^
^

44 J
J
J
J

&
p
p
3
^
w
n # . # #
b # .
4
#
J b J n . b
&4
#
3
3
3
^ # .
#
4
# J
J b J n .
&4

3
^ # .
b
44
J
&
J
4 ^ .
& 4 # J n J
b
? 44 b . b
b
J
J
? 44 b j j
b
v .
49 triumphant
> ^
4 ^
&4 J R
5
a2
> ^
4
&4 R
5
a2
.
^
44 b j
&
J
j
4 ^ .
& 4 J b
b ^ .
B 44 b ? b
b
J
J
? 44
j
b . j
v
b
? 44
j
b
49 triumphant
? 44 ^ ^ > J^
b
f
4
&4
Vla.
Vc.
D. B.
n. b
n. b
n . b
n. b
p
^
> ^
R
n
n
n . b
v
p
n . b
2.
> ^
RJ
5
^ .
b n .
44
J
J
&
div.
^ # .
b # n ..
44
J
&
J
b ^ .
44
J J .
&
unis.
^ .
? 44 bb j
b n.
? 44 b j j
b n.
v .
49
b n
R
5
^
R
w^
w
r
b n

5
50
45
45
45
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
^ .
n b
3
3
3
b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
. n b
b
3
3
3
3
v 3

J
n

3
6
3
l.v.
>
>
.
J

r ^

p
r ^
^
45
45
45
# 45

^ .
.
^ .
b ^ .
45 .
#
6
^ .
45 .
51
j
.
>
>
45 b
v
p
45 b
v
p
^
^
44 J J
j
^j
^

44 J
J
v
b ~~~~~~~~
^.
44 .
J
~~~~~~~~
^.
#
44
J
~~~~~~~~
^ .
#
#
44 .
J
# ~~~~~~~~
44 ^ .
#
J
^
44 bb
44 b

v
o
4 ^ + +
4
>
R
5
> 4 ^ + + o
R 4
5

44 ^ j #
44 b ^ n
44 b
44
b
fl
fl
v
44
b
fl
fl
4
4 b
>
v
j
44 .
v
v
4 ^ ^

4
44
b
>

div.
.
.
l.v.

J
p

J
p
v
>
45
45
.
.
45
45
>

^ .
R
b ^
45 b
p
54 b
v
p
> 5 ^
R 4
> 5 ^
R 4
^
45 n ..
v
p
^
45 b .
p
^
54 b
b
p
45
b
v
p
45
b
v
p
5 ^
4 b
r
b n

p
> ^
5
p
w
v
>
# # ^ .
#
5
.
.

^ ..
# # #
#

J
5
p

J
5
p
p
> ^
R
w^
#w
1. v
p
w
pv
^
.
.
>^
R
> >
4
&4
? 44
triumphant
Vln. II
>^
R
.
>
>
>
>
44
&
Triangle
f
> l.v.
> l.v.
44 R
R
5
5
f
triumphant
>
>
.
49
.
44
J
&
? 44
49
Vln. I
n. b

# . # # #
n
n
b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
^ .

j
# #
5 # n
# #
4
# # J

3
3
3
3
3
6
3
# w^ 3
# J
45 n
n . # # #
.
n . b
n. b
45

52
fl
fl
l.v.
j
v
^
^ l.v.
44 J J
44
Tam-tam hard mallets

l.v.
^ ^
44
44 j j
v . .
^
b 4
b
4

6
^ . . n
6
4

b
6
b ^ . . #
b
6
4
b
4

b
6
44 b
v
44 b
v
. .
. .
53

J

J

55 haunting q = 60
rit.
46
rit.
68
68
68
45
68
45
68
6
4
5
4
6
8
6
4
5
4
6
8
45
68
45
68
6
8
6
8
Fl.
1
2
&
Ob.
1
2
&
E. Hn.
&
1
2
&
46
&
46
Cl.
Bsn.
1
2
C. Bn.
rit.
1
2
&
3
4
&
Hn.
Tuba
Timp.
1.
con sord.
. R # .
p
46
46
q = 48
r
n b - - 6 # . , n
J
4
J
45
45
rit.
46
45
68
46
45
68
46
45
68
68
rit.
55 haunting q = 60
46
rit.
45
&
46
45
Perc. 2
&
46
45
46
45
rit.
Hp.
Pno.
&
?
&
w
w
Vln. II
Vla.
Vc.
D. B.
&
&
&
46
55 haunting q = 60
46
46
46
46
46
54
55
45
q = 48
con sord.
div.
45
>

J
5
4
rit.
45
con sord.
45
l.v.
j
>
q = 48
6
4
o .
.
46
rit.
46
rit.
Vln. I
55 haunting q = 60
q = 48
rit.
68
6
4
&
Bs.
55 haunting q = 60
45
Tbn.
46
&
1
2
46
5
4 n
5
4
1
2
Tpt.
46
45
rit.
&
10
q = 48
Picc.
P
1.
w
45
45
l.v.
rit.
l.v.
j
>
>

J
l.v.
rit.
w
>
w>
w
68
68
j rit.

# w>
w
j

J
J
o
o >o o
o .

w>
j
J
o
o > o

o
w>
w
45
45
57
58
59
60
56
68
68
68
6
8
68
68
68
J B 68
68
68
attacca
11
12
II. Place of Several Mysteries

61 tumultuous q. = 80
Picc.
Fl.
1
2
1
Ob.
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
6
&8
6
&8
6
&8
6
& 8 .
.
b b j
6
&8
6
&8
Bass Clarinet
? 68
? 68
? 68
.
p
b b
J
p
.
3
4
6
&8
1
2
6
&8
6
&8
Tpt.
b
P
b > ..
con sord.
1.
Fp
con sord.
.
>
Fp
..
..
n .
b.
.
. .
b
.
# .
b.
>
fl
P (echo)
j b
j b
j b
b
b
b
b # n b j .
p
P>
6
&8
. b.
p (echo)
1
2
Hn.
> .
b b j .
p
P
2.
.
b b
P
1.
2.
.
P
.
P
.
P
.
b
b
fl
F
n .
# .
# ..
..
#.
Fp
Fp
b
b .
J
F
j
n .
F
1
2
? 68
Bs.
? 68
Tuba
? 68
Tbn.
Timp.
Perc. 2
? 68 .
6
8
6
8
6
8
>
J
Hp.
Pno.
6
&8
? 68
6
&8
? 68
3 Suspended Cymbals
soft mallets
l.v.
l.v.
5.
J
p
>5
5
P
Temple Blocks
Bongos
Vln. I
Vln. II
6
&8

B 68 .
b R
unis.
? 68
D. B.
? 68
> .l.v.
6
&8
Vc.
Vla.
.
P>

b R
b .
61
62

b R
3 soli
senza sord.
. b ...
J
F

b R
P
b.
b
b .
J
b.
J
p
2 soli

b R
b
b
J

b R

b R
b
b b b b
# b n b
Psolo
pizz.
j
j
.
.
.
.
.

.

>
>
>
>
P
63
64
65
66
67
13
Picc.
1
Fl.
2
Ob.
1
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
&
&
b .
J
&
& .
P
j
.
P
?
3
4
&
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Timp.
?
?
Perc. 2
Pno.
. .
b b b b # - .
p
F
- .
# . b . . .
- .
> . l.v.
b - .
j .
1.
. # . n . b .
- .
# - -
b - .
- -
- .
.
4
j
j
.
P
P
b b b b
J
J
1.
J
p
70
>
5 5 5 . .

l.v.
70
>
Bongos
&
&
70
& b b b b
.
F
Vla.
b
b

j
j
? .
.
. .

>
>
68
69
sul pont.
b ..
p

. .
senza sord.
unis.
.
>
b
P

b R

.
b R
b R
solob . . b n . . b . n .
b.
.
P
b b
J
70
.
P
Vibraslap
j .
# - -
# - -
&
D. B.
. b . . b .
n b
4
(echo)
1.
n - .
Vln. II
Vc.
Solo
1.
tutti (senza sord.)

div.
gradually change to
Vln. I
F
. . b
b b .
b
J
.
b n . . b . n .
? .
Hp.
.
.
b . . b.
>
& b .
J .
>
& j .
>
?
j
.
& .
1
2
F
4
. .
.
.
# #
# #
& j b
b b b
.
J
J
.
&
.
P
b b
? b R
.
b R
1
2
Hn.
70
n - .

b R
# - -
(echo)

b b
b

r
j
j
.
.
.
.

.
.
>
>
>
70
71
72
73
Picc.
&
b.
.
.
Fl.
1
2
&
Ob.
1
2
& .
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
.
& j
? b R
? .
?
1
2
&
3
4
& .
1
2
&
C. Bn.
Hn.
b
P
j b
j b
b
b R
j
.
P
# .
(echo)
.
P
3.
b R
1.
b.
P
b .
.

b b
b b j
.
& # .
.
P
&
b .
b R
j
.
P
n .
b b n
J .
4
P
a2 >
# n b b b n b

b # n b n
F
1.
r
j
r

>
>
fl
F
r
j
r

>
>
fl
F
F
. >
j >r
r
b
b b
J
J
>
>
R
J R
F

b R
b R
b b n
J
F
.
P
&
Perc. 2
Tbn.
Bs.
Tuba
Timp.
Hp.
Pno.
Vln. II
Vla.
Solo
Vc.
D. B.
o
b > .
5.
5.
> +
R
Large Suspended Cymbal

soft mallets
>o .l.v.
&
&
? .
>
n .
b .
. n .
b .
b > .
change to
b .
b b n > .
.
.
4
74
. # .
b .
change to
.
b

j

>
75
b > .
tutti
.
>
r j
j

.
.
>
76
77
.
>
sul pont.
sul pont.
b.
change to
> +
J
sul pont.
.
B
F
B b.
.
& b
F
b .
b # n b
j
b
> +
R
o
& .
F>
?
unis.
ord.
Vln. I
o
b > .
>o .
> +
J
P
j
P
Vibraslap
>l.v..
j

fl
j

fl
1
2
b b
Tpt.
14
b
b
# b n b
78
.
p>
79
15
80
Picc.
Fl.
1
2
Ob.
1
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
9
16
68
9
16
68
9
16
9
16
68
# n # b n # n n
F
68
&
.
& J
p
j
& .
p
j
& .
p
p.
& j
J
p..
& J
p
?
.
.
.
j .
.
p
?
80
1
2
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
&
& j .
.
p
&
Perc. 2
Pno.
9
b # n b b 16 b b n b
p
P
9
.
16 .
b
P b
9
16
6
8
6
8
68

F
b
F
b
F
b n # n b
b
b b b n # n b
b b b n # n b
9
16
68
9
16
6
8
9
16
6
8
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
?
J
5J
+
.
+
.
Medium Suspended Cymbal
&
9
16
68
9
16
68
&
9
16
68
9
16
68
9
16
9
16
68
#
n # b n # n n
F
68
Vln. I
&
Vln. II
&
Vla.
b
p
tutti
arco
D. B.
68
a2
80
Vc.
68
80
Hp.
16
b n

b
.
.
P
P
9
16
1.
&
80
Timp.
a2
? b
p
80
ord.
b
P
b b n # n b b
P
b
b b
b
81
82
ord.
9 b b n b 68 b b b b n
16
F
9
68
16
b b n b
b b b b n
F
b b n
9
6
b 8 b b b b n
16
83
84
85
# n b
# n b
# n b
16
86
Picc.
1
Fl.
2
Ob.
1
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
&
&

& j .
f>
&
&
P
# .
P
?
j
ffl
?
j
ffl
?
86
.
& j
# R
2.
2.
# .
1.
# .
# . #
.
F
>
b
2
# .
# .

J
p
# .
# .
1
2
&
3
4
&
1
2
&
&
Hn.
Tpt.
1
2
Tbn.
Bs.
Tuba
86
Timp.
? .
P
.

Tambourine
Perc. 2
> .l.v.

P
86
Hp.
Pno.
Vln. II
Vla.
Vc.
D. B.
&
&
86
Vln. I
change to
& .
p>
&
B j
fl
f
?
.
>
f
? .
f>
sul pont.
P
j
j

86
.
F
.
F
87
j

p
.
P
.
P
> .
55
88
.
P
89
sim.
. J .
P
Tam-tam
scrape with triangle beater
l.v.
ord.
gliss.
>5 5
Temple Blocks
Vibraslap
l.v.
div.
change to
J b b
. . .
F
90
91
92
17
Picc.
&
Fl.
1
2
&
Ob.
1
2
&
E. Hn.
&
1
2
&
Bs.
&
Cl.
1
Bsn.
2
C. Bn.
1.
.
F
. . b .
? R
P
?
.
P
?
.
.
b b
# >
f
>
n .
~~~~~~~~~~~~~~
1.
b b.
.
J
F
J
p
1
2
&
3
4
&
1
2
&
&
Perc. 2
&
Hn.
Tpt.
1
2
Tbn.
Bs.
Tuba
Timp.
Hp.
Pno.
&
?
Vln. II
Vla.
Vc.
D. B.
.
J
sul pont.
Vln. I
j
.
P
& ..
p
&
93
.
J
F
.
J
B j
> .
J
F
ord.
unis.
> .
J
F

j
j
94
#
b
95
96
P
div.
..
97
j .
.
J
F
.
J
F

j
P

j
A-Ab
Fb-F
E-Eb
..
98
18
99
Picc.
&
1
Fl.
2
&
Ob.
1
2
~~~~~~~~~~~~~~~
F
1.
.
& J
F
E. Hn.
&
1
2
&
Bs.
&
Cl.
1
Bsn.
2
C. Bn.
.
P
.
.
b b
P
? .
? .
?
99
b b

J
P
j
.
.
P
.
P
b.
fl
b b
b
fl
.
P
&
3
4
&
1
2
&
&
Tpt.
1
2
Tbn.
Bs.
Tuba
99
Timp.
? .
Perc. 2
Hp.
Pno.
&
P
?
Vln. II
Vla.
Vc.
&

b R
? .
P>
99
.
>
Ffl
fl
fl
.
P>
.
.
..
.
b
b
fl
n .
# ..
#.
Fp
.
.
104
suddenly still
.
P
.
P
j
..
.
p
j
.
.
p
+
.
j
.
..
.
104
suddenly still
+
r
.
P
Large Bass Drum

deadstroke
Fp
# .
l.v.
104
suddenly still
b -
..

b R
b

b

Psolo
pizz.
D. B.
.
J
p
.
J
p
.
b.
P
.
& .
P
B
?
l.v.
>
55
P
# b
b
&
99
Vln. I
3 Suspended Cymbals
99
.
5l.v.
J
p
b .
.
P
Hn.
n .
R
r
# .
1
2

fl fl
P
2.
b b j
P
.
104
suddenly still
100
b
J
F
b
J
F
.

b R
3 soli
..
.
J
F
.
>
.
101
b
b
J
b.
2 soli

b R
b
J
b.
J
p
j

>
.
102
104
suddenly still
b R
b .
.
>
.
103
104
19
&
1
Fl.
2
&
1
Ob.
2
&
&
&
1
2
&
3
4
&
1
2
&
&
1
2
? ..
Picc.
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
Hn.
Tpt.
Tbn.
Bs.
&
?
?
Perc. 2
Triangle
l.v.
.
P
. j. .
>
Bongos
.
p
j
.

&
&
Vln. I
&
Vln. II
&
Vla.
105
112 tumultuous
D. B.
o
O
106
107
108
112 tumultuous
> .l.v.
Vibraslap
112 tumultuous
. .
Large Bass Drum
b b
109
110
111
tutti
pizz.
. .
112 tumultuous
. .

.
F>
.
F>
? .
Vc.
.
F>
&
b > b b b .
Solo
..
"seagull effect"
solo
..
Pno.
F
b > b b b .
..
Hp.
b > b b b .
..
..
Timp.
..
Tuba
112 tumultuous
112
113
b b
20
Picc.
&
Fl.
1
2
&
Ob.
1
2
p
b
& J
p
E. Hn.
&
1
2
&
Bs.
&
Cl.
Bsn.
2
C. Bn.
b ..
?
?
b ..
p
.
.
.
- .
..
b - .
.
J
b - .
- .
- .
b - .
- .
- .
b - .
- .
b - .
- .
- .
b - .
- .
- .
- .
. b b ..
- . -
b ..
-
.. b b ..
-
b ..
-
..
-
1
2
& .
3
4
& .
1
2
& .
&
..
F
Hn.
Tpt.
1
2
Tbn.
Bs.
Tuba
Timp.
Perc. 2
Hp.
Pno.
Tam-tam
hard mallets
l.v.
>.
F
- .
F
senza sord.
b - .
b b - ..
.
J
j

.
l.v.
>

p
>.
> >
.
Bongos
quasi improvisatory; quiet, as if from far away
.
F>
>.
l.v.
>
j
.
> .
> > >
l.v.
.
F>
b b ..
&
& j
Vln. II
& .
D. B.
a2
l.v.
& .
Vc.
.
F>
Vln. I
Vla.
a2
b b
P
sul pont.
.
tutti
unis. sul pont.
b b j
b b j
b b j
b.
b.
b.
b.
b.
b.
b.
b b j
b.
b.
? .
.
114
.
115
.
116
.
117
b b
b.
.
118
j
.
119
21
Picc.
Fl.
1
2
Ob.
1
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
1
2
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Timp.
Perc. 2
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
D. B.
.
& . J
b ..
.
J
&
b ..
& . J
&
..
& .
&
?
?
?
&
..
..
..
..
..
b. .
&
.. b .. ..
&
senza sord.
& . j. .
..
b ..
..
..
..
..
.
.
..
..
.. b ..
>

P
.
F>
&
&
..
..
. div.
b .. ..
&
..
b ..
div.
? .
> > >
l.v.
.
F>
.. b > ..
> .
.. b .
120
b b
J
124
b b j
.
>
R
.
.
b
b R b
f
b .
>
R
.
J
>
b
R
>

R
>

R
>

R
>

R
>

R
> +
R J
f
124
124
>+
R
.
J
.
J
>+
> +
R J
b b j
b b j
b b
f
b
b
b
..
..
124
b R
.
122
> > >

J
f
..
b R
F
change to
b b
.
121
change to
b R
f
b .
..
l.v.
b b
b b j
>.
>
>
j
.
& j
l.v.
l.v.
b .
>.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 124
.
J
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
..
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
..
b
J
b b j
.
f
F
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
..
b .
b
.. ..
..
..
b .
ord.
b
J
ord.
. b
f
123
124
f
.
b R
b.
.
125
22
Picc.
&
15
16
68
Fl.
1
2
&
15
16
68
Ob.
1
2
&
15
16
68
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
& .
& j
.
&
1
2
&
&
Tbn.
Bs.
Tuba
? .
3
4
1
2
>
?
?
?
b.
> .
f
>
b
.
f
.
.
J
p
.
J
p
.
b .
J
p
. .
J
p
>
J
.
b.
>
.
> b
1.
> b 15 j
b 16 .
? .
#
>
>
b R
b.
>
>

J
> .
15 .
16
b.
> b
> b j
b .
.
>
#
>
>
R .
b
15 b J .
16
>
15 .
16
J
15 .
16
b.
J
J .
> .
b
>
b.
J
15
16
j .
b.

6 R
8
68 b >
J
n b b 68 .
>
j
b .
b
>
> .
b.
68
6
8
6
8 b.
>
68
> b
.

J
>
R # n

>
b
>
b > .
b.
>
68
15
16
68
Perc. 2
15
16
68
15
16
68
& .
F
?
.
.
b ..
.
b ..
15 .
16
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
D. B.
& j .
p
? j .
& .
unis.
b
>
f
unis.

& .
b >
f
.
B .
?
>
f
? .
b.
b n b
> >
b n b
> >
15
16
.
.
b ..
15
16
15
16
.
E-Eb
68 .
68
b.
..
.
68
68
b.

> b
15
16
.
b ..
b .
>
j.
b.

J
>
>
b R
68 b .
>
68
n
>
b
>
.
>
R # n j. b
> .
j.
68 .
15
16
15
16 .
>
15
16
68
> b r
.
15 b r .
16
>
15 .
16
15
16
b .
>
>.
b .
>
f
b.

>
>
b R
l.v.
Timp.
1.
.
f>
> b
j
b .
68 b
>
>
>
>
.
.
. >
.
15 b j
n b 68 j
b b j
b b j
16
.
.
.
.
R
R
R
R
b
b
b
. . b
. b
> .
> .
>
>
b.
>
>
B . b R
&
Tpt.
.
.
& .
1
2
Hn.
> b
j
b .
15 b r n b r n b 68
n b
16
>
>
> b > b
>
.
b.
..
.
n b
> b
>
j
j
15 j
68 .
16

>
>
>
>
>
>
>
> b
>
b >
15 . b . n b .
68 . b b
. b . n b . b . n b 16
. b b .

.
J
J
J
f
.
b.
.
b.
. 15
b J .
J .
b.
.
b.
.
6
16
8 b
>
>
>
>
>
>
>
>
>
>
>
>
.
.
15
6
.
.
b.
b.
.
.
.
.
16 .
8 .
126
127
128
129
130
131
23
Picc.
&
15
16
Fl.
1
2
&
15
16
Ob.
1
2
&
15
16
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
1
2
Hn.
3
4
& b b j. .
>
. >
& j
# n
. b >J b
.
b.
&
>
>
B R
? .
>
>
.
? >
J
15 .
16
15 .
16
J
>
& b .
15
16
>
>.
&
15
16
15
16
15
16
15
16
15
16
15
16
Perc. 2
Tpt.
1
2
Tbn.
Bs.
Tuba
Timp.
Hp.
Pno.
?
?
.
>
& .
?
&
b J .
.
b
b
>
>
b R
.
b b
>
68 b > > .
J
134
>
r
n b 68 b
j .
J 68
.
>
..

> b
.
68 >
b b j. b
.
.
j
N .
j
.
68
.
>b b
68
6
8
68
Vln. II
Vla.
b.
>
134
Vc.
D. B.
>
? .
b .
132
b.
>
9 >
j
16
b
.
R
> . .
9
.
b 16 . .
b
b
>
>
b > 9 . b b >
R
R
16
68
68
68
b >
J
> .
J 68
9 .
b n 16
> b
b 68
>
9 J .
16
b.
>
.
J
68
9
16
9
16
68
9
16
6
8
9
16
b r
> b
b 68
>
9 >b b .
J
J
16 b
bn
> b
68
j
9
16 b .
>
9
16
68
68
j 6
. 8
68
9
16
68
68
9
16
68
15
16
68
9
16
68
15
16
68
9
16
68
15
16
..
J
>
68
15
16
.
b ..
15 j
16
.
b
> b
>b b .
b
9 j
16
.
..
J
15
16

.
J
b b
>
>
b. .
J
>
.
j
. . b
68
68
b b
Fp
>b b
.
9 .
16
.
9 .
16
D-Db
134
68 .
68
68
68
15
16
>
15 .
16
b b j
.
b J .
>
.
133
j
.
J .
b.
b ...
.
b.
68
.
> 6
b ...
.
15
68
r
r
& b n b 16
>
>
> b > n b
>n b > b b
j
j 6
15 j
& 16
8 .
>
>
>
> b >
b
B .
..
b
j .
> b .
.
>
>
j
b
b
R b . b
R
> .
>
r .
.
b
b
>
>
. b R
. b
j
b .
9
16
Fp
b b ..
134
Vln. I
b
>
68
6
8
..
>
6
n b 8 b j.
r .
> b
15 .
16
.
b ..
15 .
16
& .
.
68 .
b.
68 .
> b
1
2
68
>
J # n b j
>
. . .
6 b.
.
J
b 8
>
>
. b R 68 .
r
15 >
16 b .
&
15 > b
16
b j.
.
15 j
16
. . b
15
16
b.
J
>
>
15 R .
b 16
b .
134
b
>
68 .
>
.
>
b b.
b
>
b.
134
b.
b
>
Db-D
j 6
b ... 8
G-Gb
j 6
. 8
9
16
b.
b.
9
16
68
9
16
68
>
.
b >
b .
9 .
16
n b ...
>b b
.
>
b
>
b.
135
bn b
>
b.
>
b.
9
6
16
b b r 8
>
>
>
.
b n >
b .
> b.
b
9 b j.
16
> .
b.
.
136
9 j
j 6
16
b . b . 8
>
>
j
b . 68
9 > b J .
16
b
9 .
16
137
>
.
J
6
8
68
Picc.
1
Fl.
2
1
Ob.
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
1
2
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
& 68
b ..
& 68
Fp
b ..
6
&8
..
b b ..
j
& 68 b .
j

> b .

> b
Fp
j .
b .
b b
j
> b .
b
>
>
.
.
>
j
b
.
j
.
J b . b J b .
>
.
.
>
.
.
B 6 .
8
? 6 b b.
8 b
>
>
? 6 b J
8
r
& 68
> .

> b
& 68
b
>
b.
b b
>
> .
.
bb J
b b.
>
b.
> b
.
& 68
> b b
> b b
?6
8
b.
>
& 68
?6
8 b.
>
b.
b .
b > .
. b b J
> bb.
b
j
b
>
.
>
b b
>
bb .
> b
b j.
f
a2
b.
>
b.
b.
>
>
b .
J
>
.
.
j
b .
. .
b
>
b .
> bb.
b
b.
b > b
b b .
> b
j

j
b.
>
b.
>
15 j
b
16
b .
>
15 j .
16
>
?6
8
68
Perc.
6
8
Hp.
Pno.
Vln. I
Vln. II
6
& 8 .
? 68
6
&8
b ..
b.
B 68 b .
Vc.
? 68
b
>
? 68 .
b ..
.
C-Cb
b.
b.
>
b b b ....
>
b.
b.
>
> b b
>
bb
> b
>
b b
> b
>
> .
b b > .
b b .
b.
b .
b.
>
b.
138
b
>
b.
>
b.
139
b > . b b > .
b. b b
>
> bb.
.
b
.
140
.
b.
> b b >
15
16
15 j
16
.
15 .
16
.
b bb ...
>
15 b .
16
b.
>
15
16
15 .
16
68
> 6
8
j
. 68
b r . 68
.
j
.
j .
b.
>
68
68
>
68
j
. 68
>
6
j 8
.
>
j 68
.
68
68
68
b.
5 . 68
J
.
b bb ...
>
. 68
Cb-C
. 68
68
j
b . 68
b .
>
15 n
b b 16
r r 68
> b
>
>bb
> >
.
b.
> b b >
>.
> .
b b
b.
>
> bb.
b
b b
b.
>.
>
> .
> bb.
b.
b.
141
15 .
16
b.
b.
>
b > .
b bb ....
>
15
16

soft mallets
>
15
16
b.
F
b.
15
r .
16
>bb
Glockenspiel
hard mallets
6
& 8 b
> b
>
6
& 8 b.
b.
? 68
Vla.
D. B.
J .
15
16
15
j 16
b.
>
15
16 j .
b.
>
f
b.
>
.
Timp.
& 68
15 .
b 16
j
15 b .
16
>
b.
>
. 68
J
n >
..
J 68
b .
b J
>
> . .
b J
15
b
16
15 b > b b J .
J 16
b.
.
. 6
J 8
. > 6
j
. 8
b . >J
. .
15
16 .
> bb.
b
68
j 6
. 8
b .
b
>
>
b.
. b b J .
.
?6
8
24
>
. 15 n >
.
j
16 J .
J
>
> .b . .
bb .
> b
.
15 .
16
Tuba
.
.
15
16
F
bb
j .
> b .
b > .
. b b J
15 .
16
F
b ..
..
.
>
j
& 68
. b . b
.
b b
>
> .
.
bb J
b.
b .
..
Fp
b ..
..
Fp
6
& 8 j.
b.
> .
15 n > .
16
J b b J
15 j b
j
16
b . b .
>.
>
>
> . 15 > b b . >
16 b J
b.
142
15 .
16
b.
143
> . 6
8
J
j
.
>
J . >
68
68
. 68
25
144
Picc.
Fl.
1
2
Ob.
1
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
1
2
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Timp.
Perc. 2
n
& 68 J
n
6
J
&8
b
6
&8 J
& 68 n j
& 68 Jj
6
& 8 n j
B 6
8 J
? 6 n j
8
? 6 n j
8
144
& 68 J
j
& 68 b
& 68 Jj
j
6
&8
? 6 n j
8
?6
8 j
n
?6 j
8
n
144
^
?6 J
8
f
Pno.
.
.
>
R
r

>
Vln. II
Vla.
Vc.
D. B.
.
.
>
R
r
b
>
> +
R
j +
& 68 n
v
f
> l.v.
68 .
f
& 68 b
? 6 n j
8
n
6
&8
? 6 n j
8
n

J
j

fl
> +
R
b
b
f
b .
J
F
j
b
J
Ffl
b
a2
b
.
f
.
. ..
b b
b .
. .
b n
.
fl
b.
fl
.
.
#
fl . .
# ..
f
b ..
b .
#.
b n ..
.
..
.
.
- #
..
4
4
# # n J
j
#
fl
.
f
& 68 j b
j
.
6
&8
B 68 b
b R
? 68
b .
n n
v
? 68 n j .
144
j
b
f
F

.
b
F

b R
F
b .
145
j .
b
f
.
f>
b b
b ..
J .
J
f
div. gliss.
j
..
b .
J
f
div.
.
146
gliss.

b R
f
.
f
.
# ..
.
f
# b J
3.
b ..
b b
b b b b
.
f
.
P>
Temple Blocks
> >
5 5 5 5 5
.
p
P
F
.
fl fl fl
f
> +
J
j b b j
144
Vln. I
b b j b b
f
a2
# . .
n . . - b -
68
144
Hp.

b R
j

>
.
147
.
>

b R
b

b R
.
148
j

>
149
152
&
1
Fl.
2
&
1
2
&
Picc.
Ob.
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
&
& .
?
?
1
2
Tbn.
Bs.
Tuba
Timp.
b .
..
. # . .
#.
& n.
>
B ..
?
?
b n
J J
.
f
? .
> .
l.v.
n n #
4
n # #
- ..
# # - -
. .
b # n ..
b - .
.
- #
- .
# - -
- ..
# - -
b . .
b b ..
n # #
4
a2
a2
r
b
.
f
rip up
b . # .
. fl
b .
~~~~~~~~~~
# > ..
J
.
b b
b .
b b . # . .
fl
- .
# - -
.
f
.
f

R
P
Bongos
&
&
Vln. II
&
B .
?
? .
>

b R
152
b
f
.
b
f

b R
b
b
150
j

>
151
j
.
j .
.
>

b R
152
j .
# - -
152
~~~~~~~~~~
# > .

J
- .
l.v.
b ~~~~~~~~~~
>.

# .
J
~~~~~~~~~~
j
#.

>
~~~~~~~~~~
# # > ..
J
n b . b . # .
b R
.
f
152
b .
b . .
b - .
r
f rip up
b b .
J
P
..
b R
# - -
b b . .
b ..
- .
b . .
.
Tam-tam
l.v.
>
555 5
P
D. B.
j

P
j
26
b . . .
b .
152
.
f
Vibraslap
&
Vc.
b .
# #
.
>
Vln. I
Vla.
. .
#
b n # - ..
b b
b R
b
P
& b . . .
>
Perc. 2
Pno.
Hp.
& .
1
2
? b b b
3
4
. . .
b > .
&
Tpt.
b . . n
# # b b n ..
P
b . # . # - .
#
P
& j b b j
1
2
Hn.
b . b . b - .
#
P
. .
b
# b b b - ..
b
j .
b

b R

b R
j .

b R
b
b
b
r
j
.
.
. j.

.
>
>
>
153
154
155
27
Picc.
1
Fl.
2
Ob.
1
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
1
2
Hn.
3
4
&
.
n b b
> b .
b
.
b. .
b b b > n b
b
# >
.
b > .
b.
& .
j
b b j
b b j
b b
b b
f
. .
.
> b > # b n n
# .
> b b n b b n b b n ..
n # > n # b n n b .
b .
n
.
.
.
#
. ..
>
&
.
>.
& .
?
?
?
& #
>
j
.
b b
& #
>
b > ..
a2
j
b
.
f
3.
Tuba
Perc. 2
Timp.
Hp.
Pno.
Vln. I
> .
&
?
>
& .
div.
Vln. II
Vla.
Vc.
D. B.
&
f>
?
.
f
>
j
.
f
.
b
> .
>
. b .
.
.
J
.
f
.
J
>
b
J
>
b .
.
b
> .
.
b b >
b .
b
b > ..
b n . b .
b .
b b >
> b
# >
156
.
>
157
>
b
J
.
f
> b
b
.
f
5 5 5 5
>
f>
P
> .
n b b.
n > b b b #
.
> b n b
b b # ..
# > # b n b n .
b .
.
n n b
n > b b b # .
& b.
.
>
.
. .
.
.
b
>
>
b > .
b b > b
# > n b b .
B .
& .
?
b
b

b

? .
>
b > .
.
J
b b
n n .
&
Bs.
Tbn.
>
b
J
&
1
2
>
# n n b # b n b b # ..
b n b # ..
>
& b ..
&
1
2
Tpt.
.
>
158
j
.
.
>
159
j
.
28
Picc.
Fl.
1
2
Ob.
1
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
b n > ..
J
&
f
j
.
&
>f
&
b b
& j
f
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
& ..
f>
& .

? b
?
?
b b
b # n b
1
2
&
3
4
&
1
2
&
Hn.
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Timp.
?
?
j

P
> . l.v.
Perc. 2
Pno.
Large Suspended Cymbal soft mallets
9
16
1.
68
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
9
16
68
j .
.
p
162
9 .
16
68
# n b n b n
.
P
P
68
P
2.
68 b b b b n
P
6
.
8
b
b b n
p
P
b b
b n
68 b b b
.
p
P
68
.
b
P
6
9
16
9
16
68
9
16
+
5 .
J
162
+
J .
P
9
16
68
&
&
9
16
68
9
16
68
9
16
68
9
16
68
9
16 .
162
9
16
j .
.
p
.
J .
p
j .
.
p
.
f
9
16
j
b > b # # b n n n n # b n # n b
b # #
b b # b n n b n # b n .
.
p
&
f>
B
Vibraslap
Hp.
9
16
j .
.
p
# n b
b b
162
# b
#
sul pont.
change to
.
n > .
.
J
.
&
p
f
change to
.sul pont.
b > .
.
.
.
.
&
J
p
f
n > .
.
B
J
b
f
p
?
b
# b n b b
parco
? .
.
.
.
b
>
>
p
160
161
162
bb
# n b
# n b
# n b
# n b
# n b
162
Vln. I
Vln. II
Vla.
Vc.
D. B.
9
16
9
16
9
16
9
16
68 b b b b n b n b
6
b bn b 8 b b
P
68
b bn b
b b
P
b b n b 68 b b
163
ord.
164
b b b b n b n n b n b b b
b b n # n b
b b n # n b
b b n # n b
165
29
Picc.
1
Fl.
2
&
&
9
16
9 .
16
9
& # 16
F
9
& 16
F
a2
Ob.
1
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
b # n n b # n
&
F
&
? b
F
?
b
F
?
9
16
9
16
9
16
9
16
9
16
9
16
3
4
&
1
2
&
&
9
16
9
16
Perc. 2
Tpt.
1
2
Tbn.
Bs.
Tuba
Timp.
Hp.
Pno.
68
68
68
6
8
9
16
68
9
16
68
9
16
68
&
9
16
68
9
16
68
&
9
16
68
9
16
68
Vln. II
Vla.
Vc.
D. B.
9
16
68
9
16
9
16
9
16
b n

9
&
16
b b n 9 b b b n b n n
b
& b
16 b
b
F
9
B b 16
b b n
F
?
9
16

b b n
div.
F
?
9
16
b

b b n
F
? b 16
9 b b n
F
166
167
div.
ord.
Vln. I
> b b
n
> b b
n
b 6 # # # # # n b n # n b
8
F
f
6
# b n b 8 # # b n # n n # # n n > #
f
68
# n b
# n b > #

f
# > b n
b
b # n b n b 6 b # n n b # n b # n b n # # n n b b # # n n b
8
f
68
b n # n b # n b > #

b n b
f
>
b b n b 6 b b b n # n b b # n b #
8
f
68
b b n b
b
b b n # n b b # n b > #
f
>
b
6
b
b
b #
8
f
6
&
9
16
a2
1
2
Hn.
68
68
68
ord.
b 6 # n # n # n # n # n # n b n #
8
f
b
b 6 b b b n b b b n b n n
8 b
b
b
f
b 68 b
f
68 b
b
f
68
b
b
f
b 68 b
f

168
n n b
# # n
n n b
n n b
n n b
n n b
>
b
b n b # b n b b n b
b n b b
b
b b n # n b
b n # n b
b
b b n # n b
b b n # n b
169
# n n
b b b > b n b
b b n n b b
b # n b # n n b
>
b # n b > # n n b
b # n b # n n b
>
b # n b > # n n b
170
30
& b # # n n R
F
b # # n n n b b
b b # n b n b .
&
J
# n b j .
& # b n # n b n # n r
b
.
# # n # n n b
& # # n n #
b j
j
a2
b # n # b n n # # b n # n
# n
b
b # # n n n # # n n b
&
j
& # # n n #

b n # b # # n n # n
b

? # b n # b n # n b b n b # n
R
b b
f
? r
b
.
# b n
b b # n b # n b
r
? b b #
.
.
.
b n n b
v
173
Picc.
Fl.
1
2
Ob.
1
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
1
2
&
3
4
&
1
2
&
&
Perc. 2
&
Hn.
Tpt.
1
2
Tbn.
Bs.
Tuba
Timp.
Hp.
Pno.
173
b
f
a2
r
j

>
>
J
R
r
j
b
>
Vln. II
Vla.
Vc.
D. B.
.
v
> +
^ +
J R
f
Tambourine
.
173

.
j
j
b R
b R
b .
.
f>
r j
>
fl
>

J
R
r j
b
>
fl
b .
.
f>
j
.
fl
F
.
J
F
j
.
b
fl
F
j
. .. ..
p
. j. .
p
j .
.
J
.
f>
> +
.
J
P
.
. .
j
.
> +
> +
R J
j
.
f>
> .l.v.
173
b
b
.
b j
b j
+
r .
.
P
Large Bass Drum

deadstroke
&
b b # # b n n n b b n b b # n
j
b b
b b n b n b
b
&
b # n b
j
b
& b b b b b n n b n b # b bn n b n b
b # n
b
.
B # b n #
b n # n
173
Vln. I
a2
.
b
f
unis.
.
j
b
f
unis.

b R
f
172
173
j .
b

b R
? b b #
b b
n
b n b b # n b # n
b
>
f
b # n b # n
? r
.
b b b
>
f
pizz.
r
b # n b j .
? b b #
.
n
b
>
171
j .
b

b R
b . .
b . .
174
j

>
175
j
. .
>
176
31suddenly still
Picc.
&
43
Fl.
1
2
&
43
Ob.
1
2
&
43
E. Hn.
&
43
1
2
&
43
Bs.
&
43
Cl.
Bsn.
2
C. Bn.
suddenly still
. . .
b b n b
p
1.
n b
. j j .
b
3
4
3
4
43
1
2
&
43
3
4
&
3
4
1
2
&
3
4
&
43
1
2
? ..
43
43
Hn.
Tpt.
Tbn.
Bs.
Tuba
..
..
..
..
..
..
..
..
..
..
..
suddenly still
Timp.
Perc. 2
Pno.
43
43
l.v.
. j. .
43
&
43
43
43
43
43
189
190
191
.l.v.
Triangle
&
&
Bongos
Tam-tam
sul A
harmonic glissando; repeat ad lib, uncoordinated with ensemble
./.. # O
.. /
j
. j. . .
.
&
./.. # O
.. /
sul A
Vla.
Solo
Vc.
B
&
?
"seagull effect"
solo
o
O
&
./.. # O
.. /
sul A tutti
./.. # O
.. /
sul A
D. B.
3
4
sul A
Vln. II
suddenly still
Vln. I
suddenly still
Hp.
j
.
j
.
?
177
178
179
180
181
./.. # O
182
.. /
183
184
185
186
187
188
43
43
43
43
43
43
attacca
32
33
34
III. Edge of Silence

192 eerie q = 56
Picc.
& 43
44
45
44
45
44
74
Fl.
1
2
& 43
44
45
44
45
44
Ob.
1
2
3
&4
4
4
5
4
4
4
5
4
4
4
E. Hn.
& 43
44
45
44
45
1
2
& 43
44
45
44
45
Bs.
& 43
44
45
44
1
2
? 43
44
45
44
C. Bn.
? 43
44
45
Cl.
Bsn.
192 eerie q = 56
rit.
44
74
44
7
4
4
4
44
74
44
44
74
44
45
44
74
44
45
44
74
44
44
45
44
74
44
44
rit.
1
2
& 43
44
45
44
45
44
74
3
4
& 43
44
45
44
45
44
74
44
1
2
& 43
44
45
44
45
44
74
44
& 43
44
45
44
45
44
74
44
1
2
? 43
44
45
44
45
44
74
44
Bs.
? 43
44
45
44
45
44
74
44
Hn.
Tpt.
Tbn.
Tuba
?3
4
Timp.
? 43
192 eerie q = 56
Perc.
2
Crotales
Pno.
& 43
Vln. II
Vla.
Vc.
D. B.
5
4
4
4
5
4
4
4
7
4
44
45
44
45
44
74
45
# > l.v.
J 44
45
# > l.v.
J 44
74
44
45
44
45
44
74
44
45
+(dampen)

44
#
44
45
45
44
45
j
45
? 43
44
#
44 #
& 43
44
? 43 # .
#.
>
>
& 43 # O ..
pizz.
3
& 4 # J
pizz.
3
B 4 j
#
# >O .
? 43 .
div.
? 43 # .
#.
>
like drops of water
192
44 O
44
44
O
44
44
193
45
45 OJ
45
45
j
# 44 w
#
w
>
j
45
44 w
w
192 eerie q = 56
Vln. I
44 w
& 43 # ..
#
w
>
Vibraphone motor on fast
hard rubber mallets
# > . l.v.
3
44
&4
(no pedal; allow note to decay)

44
43
192 eerie q = 56
Hp.
4
4
O
45 J
j
45
194
# j 44 w
#
w
>
>
# O
J
# J
j
54
j
45
44
j 44
#
45
O
44
44
195
j
# 44 w
#
w
>
45 OJ
45
# >O
J
# j
#
>
44 O
j
45
O
45 J
j
45
196
4
4
44
# 7
4
44
74
74 w
w
44 O
j 44
#
O
44
44
197
rit.
74
#
44
44
# >O
J
# j
#
>
74 w
w
44
# #
# j 44 w
#
w
>
>
# O
J
# J
rit.
rit.
74 O
74
74
O
74
74
O
J
198
O
J
44
44
44
44
44
44
44
44
44
44
35
199
Picc.
& 44
# >
a tempo
>
J
alternate regular and harmonic fingering; "shimmer"

o
o
# > > o o o
J J
4
#O #O O
& 4 #O #O
1.
Fl.
1
2
1
Ob.
2
E. Hn.
1
2
Cl.
Bs.
& 44
& 44
& 44
& 44
1
2
C. Bn.
1
2
& 44
3
4
j j

>
j j

>
& 44
1
2
& 44
& 44
1
2
?4
4
Bs.
?4
4
Tuba
?4
4
Timp.
?4
4
Tpt.
Tbn.
199
Perc. 2
& 44 ## ..
>
& 44
Pno.
>
# #
(echo)
?4
4
199
Hp.
a tempo
?4
4 .
.
>
199
a tempo
6
4
- j
6 #
4
J
46
46 w
w
>
rit.
46 ww
w>
w
46 w
w
>
46
43
3
4
43
43
43
43
j
43
43
46
43
46
43
46
43
6
4
3
4
#
#
>
#
# # #
.
.
w
w
.
.
#w
#w
>
# # n w> l.v.
# n w
pedal; allow note to decay)

* (no
Marimba
&
>
.
.
w
w
w
w
>
46
46
46
j
43
46
rit.
43
43
3
4
43
43
j 3
4
46 w
w
43
46
43
46
43
46
43
6
4
3
4
201
202
203
Vln. I
Vln. II
& 44
Vla.
B 44
Vc.
?4
4
D. B.
?4
4
199
200
46 ww
6
j
b 4 b

J
rit.
6
>
rit.
medium yarn mallets
w
46 w
con sord.
& 44
46
J 3
4
>
J 3
4
46
#
#
>
# #
#
-
46
rit.
.
.
J-
46
J 4
43
+
w
w
>
a tempo
& 44 #
p
?4
4
& 44
like a bell
j j

>
j j

>
Hn.
# w>
o
o
# >
# > o o o o o
J J
J
#O #O
#O #O O O O
j j

>
j j

>
a tempo
?4
4
>
?4
4
>
199
# >
J J
1.
Bsn.
# >
J
# > o o o
J J
#O #O O
204
b >
a tempo
205
Picc.
Fl.
Ob.
1
2
1
2
E. Hn.
1
2
Cl.
Bs.
1
Bsn.
2
C. Bn.
& 43
p
>
b
3 b
&4
p>
& 43
& 43
Hn.
3
4
1
2
Tpt.
b >
& 43
& 43
? 43 b
b
p>
? 43
b
p>
205 a tempo
1
2
b
b
1.
& 43
& 43
& 43
b
b
p
j
J 85
p
j

2.
b 5
8
p
b
5
8
p
85
3
4
43
43
85
85
43 b
p
34
b
p
b
p>
j
b
p>
j
b
p>
b
b
b

p
b
p
j
b
p
j
j
b
p
J
p
j

5
8
85
85
85
43
1.
>
J
p
43
85
p
b
43
85
43
b 85

p
b j 85
p
43
1.
85
43
>
J J
p
>j

J J
>
p
>
J J
p
85

p
b
p
85
85
85
36
b .
45
b .
2.
5
4
45
45
.
p
85
85
5
j 4
45
j 45
85
45
45
45
45
3
&4
5
8
3
4
5
8
5
4
1
2
? 43
85
43
85
45
Bs.
? 43
85
43
85
45
Tuba
? 43
85
43
85
45
Timp.
? 43
85
43
85
45
& 43
85
43
85
45
Perc. 2
& 43
Tbn.
205 a tempo
& 43
+Glockenspiel
jdeadstroke +
b j
b
b
fl
Pfl
205 a tempo
Hp.
Pno.
b 85
J
Vla.
D. B.
43
+
b j
fl
+
58 b
J
45
85
45
85
43
85
45
? 43
85
43
85
45
85 b
b
85
b
J
& 43 b
p
b
? 43
& 43 b
p con sord.
& 43 b j
p
3
B4
? 43 b b j
J
fl
P
pizz. (dampen; do not let ring)
unis.
j
? 43 b b j
b
fl
Pfl
205
206
85
43 b
43
j
b
85 b
Vc.
con sord.
Vln. II
85
& 43
205 a tempo
Vln. I
+
34 b
J
j
b b
43 b
b j 85
fl
b j 85
fl
43
43 b j
fl
207
43 b j
fl
208
j
j
b
85 b
43 b j
b
85
b
J
j
b
b
fl
div.
209
b j
fl
b j
fl
unis.
85
45
85 b
j
b
45
j
b
fl
b j
fl
210
45
5
b j 45
b b 8
con sord.
5
b j 45
b b 8 J
j
b
fl
j
b
b
fl
211
85
45
85
45
212
37
Picc.
& 45
1
Fl.
2
& 45
w
w
1
2
& 45
E. Hn.
& 45
1
2
& 45
Ob.
Cl.
Bs.
& 45
1
2
?5
4
Bsn.
C. Bn.
1
2
Hn.
3
4
214
J 5
8
J 85
85
rit.
43
46
43
46

85 J J #
J 5
j 8
1.
.
B 5 #
8
j 8
214 a tempo
j
85
85
?5
4 w
rit.o
5
& 4 #
& 45
a tempo
43
# J
43
46
#
43
3
4
6
4
43
46
43
46
6
4
6
4
3
4
5
8
3
4
1
2
?5
4
85
43
Bs.
?5
4
85
43
46
Tuba
?5
4
85
43
46
Timp.
?5
4
43
46
& 45
& 45
Tpt.
Tbn.
Perc.
rit.
& 45
& 45
Pno.
85
Hp.
85
& 45
& 45
214 a tempo
rit.
#
?5 >
4
p
& 45 n w
>
>
n
w
?5
4
& 45 n w
w
>
j
& 45
pfl
j
5
B 4 n
>
div.
Vln. II
Vla.
214 a tempo
j 5
8
85
j 5
5
J 8
214 a tempo
rit.div.
Vln. I
Vibraphone
85 # j #
85
Vc.
?5
4
D. B.
?5
4
213
85
43
43
.
.
43
.
.
#
#
.
214
#
J
senza sord.
div. a 3
&
.
.
.
.
43
#
#
J
O ..
.
.
43
.
.
43
43 # # O ..
34 # O .
# .
34 .
43
O.
.
215
rit.
46
# n
216
4
4
44
- - - - -
J
44
46
4
4
44
44
44
j

*
46 n b b
rit.
j
64 w

bw
>
(do not roll)
44
4
4
- -
rit.
n w>
64 n w
44
con sord.
1. like a bell
46
44
- b
b
44
44
J
j

46 bb ww
>
rit.
>
64 # www
44
44
44
44
44
44
44
44
46 n n wO
>
46 n n wO
>
j
O
j
O
44
>
46 b w
>
46 b w
44
43 # # # 46 b n ww
>
*
# j

85
unis.
Osenza sord.O .
85
senza sord.
5
8 O
O ..
arco
.
85
arco
43
44
(con sord.)
1. like a bell
5
8
1
2
b w>
46
44
46
>
# # 46 n w
43
46
43
rit.
217
44
44
44
218
Picc.
Fl.
Ob.
1
2
1
2
E. Hn.
1
2
Cl.
Bs.
Bsn.
1
2
C. Bn.
& 44
> .
a tempo
& 44
& 44
& 44
> .
1.
1.
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Timp.
& 44
B4
4
?4
4
& 44
B4
4
?4
4 .
>
P
?4
4
.
>
P
?4
4 .
P>
> l.v.
& 44 .
Pno.
l.v.
>
# n >
p
P
>
j
# n #
>
p
P
>
P
>
#
#
p
P
>
38
J b b b
P>
p

>
P

>
P
l.v.

>
> l.v.

>
P

>
P
l.v.

>
> l.v.

>
P

>
P
l.v.

>
> l.v.

& 44
& 44
?4
4
& 44
?4
4
& 44
Vln. II
& 44
Vla.
B 44
sul A
molto vib.
b J
sul D
molto vib.
j
#
sul G
P
molto vib.
#.
?4
4
P
?4
4
b .
J
F
b b
J b b b
P>
p
molto vib.
#
#
218
219
220
Vln. I
D. B.
P
>
218 a tempo
Vc.
218 a tempo
Hp.
& 44
Perc. 2
j
# n
>
p
P
& 44
& 44
& 44
& 44
218 a tempo
b b n >
218 a tempo
1
2
>
221
F
j
.
F
.
J
F
39
Picc.
&
Fl.
1
2
&
Ob.
1
2
&
E. Hn.
1
2
Cl.
Bs.
rit.
j
& - - P
like a bell # # # # #
& J- - P
&
?
P
?
like a bell
b -
1
2
C. Bn.
b -
44
44
44
44
44
4
4
4
4
44
43
225 a tempo
44
1
2
&
3
4
&
43
44
1
2
&
43
44
&
43
44
43
44
44
44
44
Hn.
Tpt.
1
2
Tbn.
Bs.
Tuba
Timp.
Perc.
rit.
J
43
3 j
- 4
j
#

34 J
43
225 a tempo
3
4 J
1. like a bell
Bsn.
J
43
43
?
?
?
w
p
w
p
rit.
43 j
34 j
43
43
&
&
43
&
43
225 a tempo
p>
?
P
Hp.
Pno.
&
&
?
rit.
ord. vib.
Vln. I
&
Vla.
Vc.
sub.
D. B.
w
P
ord. vib.
bw
sub.
ord. vib.
? nw
?
w
P
w
P
w
p
w
222
43
43
43
#

P
43
223
>
>
43 j
224
>
225 a tempo
O
p>
O
p>
div.
arco
>
pizz.
>
p
>arco
pizz.
p>
O
O
div.
225
p
O
p>
>
>
p
>
>
p
>
#
7
>O
>
>
43 J
43 J
34 j
43 J
ord. vib.
& #w
sub.
sub.
Vln. II
225 a tempo
rit.
>
226
>
.
#
C-C#
>
44
>O 4
4
p
4
O 4
p>
44
# >O
O
p>
O ..
# # O
p>
>
>
p
..
>
>
p
>
>
p
..
227
>
p>
44
O.
.
44
>
#
44
J
6
p
4
>
44
>O
44
>
# > .
#.
.
.
#
#
>
#
228
> 4
4
>
p
> 4
4
>
p
Picc.
& 44
1
2
& 44
Fl.
Ob.
1
2
rall.
& 44
45
45
a tempo
molto
rall.
- - - 45 #
- - - - p
P
54
E. Hn.
& 44
1
2
& 44
Bs.
& 44
like a bell
- - 45 - # #
- p
P- - -
45
1
2
?4
4
45
Cl.
Bsn.
C. Bn.
?4
4
1
2
& 44
3
4
j

.
F
like a bell
44 b >
>
>
a2
4 > b
b b
4
6
F
a2
> >
b b 44 b
6
F
>
4
4 b
>
>
4 >

4
6
F
.
F
.
v
a2
.
v
.
45
45
& 44
5
4
1
2
& 44
5
4
& 44
45
1
2
B4
4
45
Hn.
Tpt.
Tbn.
Bs.
Tuba
Timp.
?4
4
?4
4
& 44
& 44 n # ww
p>
44
Hp.
Pno.
Vln. I
Vln. II
Vc.
D. B.
a tempo
molto
rall.
& 44
rall.
w
45 w
P>
45
Ow>
45
P
Ow
b w>
B 44 b www
>
p
?4
4 w
?4
4
molto
rall.
w
229
>
45 b w
P>
O
p
.
v
.
v
f
j j
.
v
C#-C
E-Eb
F#-F
B-Bb
G#-G
j

.
j
.
.
J
O.
J
F
j
O.
F. j
J
.
F
.j
J
F
.j
J
F
4
4
44
44
44
.
.
F
n
b
b
>
44
232
a tempo
44

J
j

j

v

v
l.v.
.
v
..
v
arco unis.
sul G, C
(non-div.)
arco unis.
.
v
231
l.v.
.
v
b
b
> b >
glorious
> >
44
44 b
b
> >
44
J

J
div.
&
232 glorious
44
l.v.
a tempo
44 %
f>
44
44
l.v.
44
232 glorious

b b
44
a tempo
l.v.
44
Large Bass Drum

hard mallets
44
Large China-type Cymbal

medium yarn mallets
a2
44 > >
a2
4 b >
4
>
senza sord.
4 b
4
> >
44
b >
>
.
v
232 glorious
a tempo
44
.
v
230
j

.
motor off
j

.
*
45 wO
P>
w>
54 n ww
w
>
P
>
45 b w
>
P
& 44 wO
a tempo
>
45 J
P
45
molto
a
tempo
rall.
rall.
w>
w
w
w
& 44
45
P
G-G#
?4
45 # w
4 w
w
#w
>
5
4
& 4 # # n # n # n 4 #
p
P

? 4 # # n # n # n 45 #
4
# >
?4 n
4 J
p
4
4
44
a2 senza sord.
gradually slow down motor (if possible)
w
45 w
P>
w
w
div.
Vla.
45
Perc.
5
4
rall.
molto
rall.
45
?4
4
a tempo
44
rall.
40
232 glorious
a tempo
44
j
..
J v
j
.
v
232
41
Picc.
Fl.
Ob.
1
2
1
2
E. Hn.
1
2
Cl.
Bs.
Bsn.
1
2
C. Bn.
1
2
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Timp.
>
& b
> >
> b > >

&
> b > >

&
&
>
>
&
&
?
?
Vln. II
Vla.
Vc.
D. B.
&

J
j
&
&
.
v
l.v.
.
v
> > >
..
v
j
.
v
233
n > .
fl

n .
>
3
>rall.
b
b
>
>
b >

> . >

J
3
> . >

J
rall.
a tempo
> . . >
.
.
v
> v
v v
j
.
>
>
fl
fl
fl

n .
>
3
a tempo

n .
>
3
3
>
>

>
3
. v v >
v
v
a tempo
j
v v >
w
v
f
.
v
a tempo
> b > > >

v v
A-A#
Eb-E
F-Fb
> > > > b
>

a tempo
>
b
>
>
rall.
>
v
l.v.
l.v.
F
# b b

>
3
>
b
b
> > >
fl
(non-div.)
j .j

J v J
v v
j j
.
v
v v
w
>
f
v
rall.
>
#

>
> > b >
.
.
>
j

>
j
.
>
235
>j
.
.
J
236

v v
a tempo
3

>
3
>

. .
>

v v

>
v v

>
vmoltov
l.v.
w
>
f
l.v.
l.v.
.
v v
rit.
rit.
>

b > >
>
> > b >
j

>
237
J
v
>
.
>
vmolto v
>
j>

>
rit.
rall.
>
F

>
vmoltov
w
v
v
rall.
>
#

l.v.
.
.
>
>
F

>
vmoltov

>
vmoltov
j
.
>
>
l.v.
# b

>
vmoltov

>
vmolto v
>
>
molto
j
.
>
>
rall.
l.v.
l.v.
>
rit.
j
.
>
>

>
v v
molto
molto
b
. b J
.
>j
.
.
J
j
.
>
>
F
> . .
.
. J
>
3
molto
> 3 >
b
>

3
molto
3

>
molto
>
>
3
>
a tempo
molto

.
>
3

# >
>
F
> . .
.
. J
>
3
rall.
v
>
v v
a tempo
> . >

J
b > >
rall.
J
v
j
.
>
>

> v
v v
l.v.
>
j>

j
.
>
>
l.v.
j
.
>
>
v
>
v v

>

>
>
molto
v
>
v v
w
v
>
b > . . >
.
. J
. v v >
>
>
v
234
l.v.
Tam-tam
l.v.
j
.
>
>
.
v
> v
v v
rall.
j
.
>
>
. v v >
v
v
>
b >

rit.
>

3
3
molto
>

rall.
> . .
j
. J
v
6

>
>

>
3

>
v v
a tempo
> .
. .
>
3
> .
. .
>
3
> j 3
. >

>

>>
>
>
j
.
>
>
.
v
> v
v v
>>
b
> .
j
. .
>
v
3
6

>
>
# >
>
>
3
6

# >
>
j
.
>
>
rall.
>>
b
l.v.
w
>
f
>
.
v
> v
v v
> b > >
rall.
l.v.
b
& b
> > >
?
j
J
?
>

b
> > >>
&
rall.
>

a tempo
> > > >
>
b
> > >
> >
b
> >
l.v.
%
>
f
>
Perc. 2
Vln. I
> >
& b
> > >
v
?
Pno.
b
> >
b > b > > >
6
>
j
b
> > >
>
> > >

& b
> > >
>
& b
> >
b b
6
> > >

&
Hp.
>>
b
> >
> b > > >

rall.
>
molto
>
molto
3
>

. . >
molto
j
>
..
>
vmoltov
j
..
>
>
vmoltov
238
239
a tempo
> .
240 eerie
Picc.
1
Fl.
2
&
&
E. Hn.
&
1
2
&
Cl.
Bs.
Bsn.
1
2
C. Bn.
J
P
&
1
2
Ob.
P
>
>
ww
P
.
P>
.
P>
.
P>
240 eerie
1
2
&
3
4
&
1
2
&
&
Hn.
Tpt.
1
2
Tbn.
Bs.
Tuba
a tempo
j
b
>
P
j

P>
P>
P>
P>
a tempo
w
P
Crotales
>
&
.
.
Vibraphone motor on fast

medium rubber mallets
Perc.
2
&
Hp.
Pno.
?
&
>
w
Vln. II
Vla.
Vc.
D. B.
45
45
P>
.
.
240
>
j
>
5
4
4
4
45
44
45
44
5
4
4
4
5
4
4
4
45
44
45
45
.
.
>
.
.
O ..
O ..
www
241
>
>O
j
O
>
>
j
>
rit.
5
4
w l.v.
w
rit.
>
b
54
b
45
45 w
w
www
242
O
45
54 O
rit.
ww
45 w
45
45
44
44
>
44 ww
l.v.
>
gw
44 gggg ww
gradually slow down motor (if possible)

J
*
motor off
44
44
44
44
45
w
w
O
rit.
4
4
45
O ..
unis.
4
4
>O
j
O
>
44
5
4
O ..
>O
44
45
.
.
> o o o
O
O
O
>
44
>
44
44 > .
44
l.v.
> >
J
1.
1.
a tempo
>
J
J
45
O
P>
div. a 3
b ww
w
B
P
?
P>
&
45
a tempo
&
45
rit.
>
45
54
240 eerie
Vln. I
>
eerie
240
&
240 eerie
Timp.
..
&
42
243
44
w
w
>
4
4 w
>
4
4 w
>
Large Bass Drum
w
w
O>
44 w
4
O 4 wO
>
4 www
4
O
Ow
wO
www
w
244
245
attacca
43
44
IV. Dream Theater

~
>
78 # .
7
8
# ~
> . .
b # . j
.
F
3
&
246 theatrical q = 60
Picc.
1
Fl.
2
1
Ob.
2
E. Hn.
1
2
&
&
&
&
# a2~
# > b
Cl.
Eb
Bsn.
1
2
C. Bn.
?
?
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
&
b # j
a2
r

v
theatrical q = 60
>
&
p
& b
>
p
? # >
p
?
?
>
J
f
Triangle
Perc. 2
r

v
j

p
Pno.
Vln. II
Vla.
Vc.
D. B.
7
8
7
8
b >
n
>
p
n >
&
p
j
J
p
# ~~~~~~~~~~~~
>
. # . . > . b . . 7
&
8
3
3
>~~~~~~~~~~~~ . . . b > . b . . 7
8
&
3
3
unis.
b ~~~~~~~~~~~~
b >
. . . n > . b n b . . 7
B
8
3
3
. . n > . # n # . . 7
? # >
8
b . . . # . .
>
fl
fl
r
j

v
p
3
246
44
4
4
44
>
J
f
r
b
r
b
p
> b b
. .
>
42
p
3
>
b b #
b b
2
4
# j
# j
# ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
.
J
42
7
4
4
r
b
v
p
>
J
f
>
42
2
4

fl .
3
b
fl .
2
4
r
b
42
~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~~~~ . . b~~~~~~~~~~~~~~~~~~~~~
. . .
>
. >
. . . b > . > 4 b >
4
3
42
b ~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~
>
. . .
b >
. . . b > . n > 4 n >
. # . . b
4
~~~~~~~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~
. . .
. . . >
n >
. # . . b > . > 4 b >
4
n >
p
7
8
>
p
7
8
b . . > . > 4 # >

4
3
3
p
gliss.
3
3
4
.
4 #
>
fl . # > . >
p
j
44
v
p
247
. . >
3 p
gliss.

fl . . # >
b . .

r
b
v
2
4
248

fl . .
&
v
. .

3
# #
fl .
.
#
5
8
5
8
r
b b . .
v
85
5
8
.
fl .

fl . .
5
8
5
8
5
8
85
85
5
8
85
5
8
85
85
5
8
r
b
85
5
8
b
v
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
. # . .
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
b >
. . .
3
# ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
. # . .
2 >
4
3
42 #
>
p
2
4
>
p
2
4
85
42
85
85
2
4
5
8
85
2
4
42
>
b
v
>
2
4
p
>
24 J
85
2 b >
4
p
2
4 n
>
p
>
b
2
4
p
2 b
4
>
p
a2
42 #
>
p
42
>
42
3
. .

.
fl . p>
. .
#
>
3 p
44
# . .
p
. . >
#
4
4
>
44
7
8
.
v
~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~ .
.
>
44 b >
J
J
5
5
44
r

v
v
5
5
4
r
4

v
v
# . .
>

4
4
p
3
. .
b >
4
#
4
4
4
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
b >
. . .
#
24
b ~~~~~~~~~~~~~~~~~~~~~~
. . .
. . b >
# . n
3
>
. . b b > n . n >

4 n b
4
3
3
p
3
3
4
4 b
# . .
> . >
>
p
fl
b . . > . > 4 #
# 4 #
>
p
3
3
j 44
v
p
j 44
v
p
78
> .
gliss. (smear)
.
# n . # > . n > b
# > .
42
3
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ .
>
# . .
2
4
n b . . >
>
b > .
J
J
3
~~~~~~~~~~~~~~~~~~~~~~
. . .
. . . b >
# ~~~
>
4 # bb
4
# j
7
8
44
78
&
l.v.
w
>
f
p
div.
?
>
p
Eb Clarinet
78
>
Vln. I
78
>
78 J
f
7
8
l.v.
7
8
Hp.
78
# . . b > .. n b b n # . . 7

8
3
3
3
3
. . n . b n b . . 78
>
fl
fl
. . n > . # n # . . 7
b . # 8
3
3
j 78
v
p
j 78
v
p
&
78
> >
#
44 # .
b ~~~~~~~~~~~~~~~~~~
a2 >
b
4
4
~~~~~~~~~~~~~~~~~~
44 b >
78
7
8
&
Timp.
p
j
r

v
j
.
F
~~
7
7 # #
8
# # j
>
&
246
1
2
. .

fl . .
249
b . .
fl
b
v
85
5
8
5
8
85
5
8
5
8
45
b >
& 85
b >
& 85
b > .
.
44
F
j
.
44
poco rall.
Picc.
1
Fl.
2
Ob.
1
2
E. Hn.
1
2
Cl.
Eb
Bsn.
1
2
C. Bn.
1
2
Hn.
3
4
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Timp.
Perc. 2
Hp.
Pno.
Vln. I
Vla.
Vc.
Solo
D. B.
poco rall.
85
85
& 85
l.v.
& 85
44
44
251
>
>
>
> .
b >
5
&8
div.
b >
& 85
? 85
#
>
? 85
#
>
? 85 b
v
? 85 b
v
>
> .
>
>
j
a tempo
b
1.
1.
a tempo
b J
1.
44 w
F
..
..
..

>
.
42
.. 42
..
42
2
4
42
Xylophone hard mallets
..
..
..
252
b ..
251
2
4
2
4
2
4
2
4
42
42
2
4
42
42
+.

J
+
j
.
42
42
+.
J
p
3. +
j
.
p
>
. b
..
42
>
. b b

3
3
1.
b ..
con sord.
1.
44
w
w
a tempo
..
44
P
w
44
2.
Wind Chimes
l.v.
Metal
44
251
a tempo
44 .
P
w
44
F
4 n.
JB4
p
P
w
44
F
4
j
4
P
j 44
solo
44
v
P
j

v
250
J
p
..

44
b j j
b
() poco vrall.
>
b >
J
5
&8
div.
b > .
b >
& 85
& 85
4
4
251
44
? 85
div.
P
44
w
F
44
w
F
44
44
>.
? 85
44
J
44 j
j
4
4
J
F
j
4
4
F
j 44
4
4
w
F
44
w
F
l.v.
poco rall.
4
4
251
>
a tempo
F
j
4P j
J
4
F
44 J
j
.
44
b
v
p v
>
> . l.v.
85
f
5
&8
& 85
Vln. II
> .
>
>
b
.
5
&8
>
>
b > .
b >
5
&8
> .
>
^
& 85
>
b >
5
&8
^
? 85
j
b
v J
? 85
j
b
v
poco rall.
>
b > .
b
.
& 85 n
& 85 b n
..
>
>
>
b > ..
5 b
&8
5
& 8 b
b.
>
>
?5
8 #
>
>
?5
8
j
b
> v >
? 85
j
b
v
?5
8
251
>o
b ..
b b ..
..

..

..
o
J
..
253
254
42
42
42
42
42
42
42
42
42
42
.. 42
42
42
42
42
42
42
Picc.
& 42
44
Fl.
1
2
& 42
44
Ob.
1
2
E. Hn.
1
2
Cl.
Eb
Bsn.
1
2
~~~~
2
& 4 b
& 42
4
4
44
2 j
&4

P
& 42
? 42 .
4
4
44
2.
44
>
J
F
1. >
J
F
44
1
2
& 42
44
3
4
2
&4
4
4
1
2
& 42
44
1
2
?2
4
4
4
Bs.
? 42
44
Tuba
? 42
44
Timp.
? 42
44
42
44
Tbn.
Perc. 2
Hp.
Pno.
2
&4
2
&4
2
4
& 42
? 42
& 42
? 42
4
4
4
4
4
4
44
44

44
44
~~~~
& 42 b
Vln. I
Vln. II
Vla.
Vc.
Solo
D. B.
& 42
& 42
& 42
44
B 42 .
& 42
? 42 .
? 42
? 42
255
44
4
4
B
4
4
? 2 .
4
44
44
44
4
4
F
>o
J
F
>
44
>
257
>o
J
>

>o
J
257
>

257
256
# b
>
F
3
#
F
3
257
# #
F
.
.
.
.
b ..
. # . b .
b.
b.
p
>
>o
J
>
. #
.
. # .
.
P
P
. .
f
. .
f
. b .
f
3
# . . .
f
# . . b .
. # . . b .
3
>o
J
>

. # .
b .
>

>

>
J
F
>
J
F
j
F
>o
J
>

b.
>
+
b.
F
Tambourine
> . ^
F
>

>o
J
>

b .
b .
258
l.v.

l.v.
46
b.
.. # #
5
5
r >
r
# > #
>
3
>
>
b >
b R n R
5
5
F
5
5
3
r >
r
b
n b
#
>
>
F
3
>
> n b >
b R
R
5
5
F
3
>
>
b >
b R n R
5
5
F
5
.
.
.
.
.
.
#

F 6
.
.
r> r >
n b
~~~~
.. #
~~~~
. #
~~~~
# .. # #
~~~~
. #
.
b .
.
.
f
.. .. ..
f
.
n # . b ..
44
. # . . .. .
#
b .
3
f
. # . . b .
b .
>
J
F
>
J
F
# #
R
R
5
5
p
5
5
r
r
>
J
F
>
J
F
3
>
> r>
# b # n # b
#
R
5
F
5
3
>
>
b >
b n
R
R
3
5
5
F
257
3
o
>
.
. .
>
>
# # n # # # # n
R
R
3
5
F
5
3
3
5
5
o
r
r
b #
# # b > > n > . # . .

F
>
J
F
>
J
F
? 42
Tpt.
>
J
F
>
J
F
257
C. Bn.
Hn.
>
J
F
>
J
F
b .
b.
b.
259
47
Picc.
Fl.
1
2
Ob.
1
2
& J
& J
& n ..
p
1.
E. Hn.
Cl.
Eb
&
p
? .
&
1.
Bsn.
1
2
C. Bn.
..
&
1.
1
2
b
. b b

1.
..
&
3
4
&
1
2
&
Tpt.
3
1
2
Tbn.
Bs.
Tuba
Timp.
Perc. 2
Hp.
Pno.
Vln. I
Vla.
Vc.
Solo
D. B.
&
&
&
?
&
& ..
p
o
o
J
>
? .
..
..
..
..
..
pizz.
b n b
b R
b

b
b R
soft mallets
b n b
B .
p
? .
>
&
&
p
&
Vln. II

. J
1.
..
2.
1
2
Hn.
#
##
260
261
262
~~~~~~
>
# . . . j
&
.
F
3
# ~~~~~~~~~
. . .
78 # >
# # . j
F
3
263
Picc.
Fl.
1
2
&
Ob.
1
2
& ..
E. Hn.
Cl.
Eb
Bsn.
1
2
C. Bn.
&
Hn.
3
4
78
>
&
p
&
78
r
j

v
p
# . . > . . .
a2
>
& b
p
>
&
senza sord.
1
2
Tpt.
3
1
2
Tbn.
Bs.
Tuba
p
B # >
p
?
?
?
>
J
f
Triangle
Perc. 2
263
Hp.
Pno.
Solo
Vln. I
Solo
Vln. II
Solo
Vla.
Vc.
Solo
D. B.
&
78
78
78
78
j

p
7
8
Large Bass Drum
78
n >
> . b b . n .
# . . > ..
3
3
p
. . b > . b > b >
p
3
3
b . . > # > # >
# .. # n
p
3
3
r
#
r
#
#
R
v
^

J
p
>
J
f
l.v.
>
3
. . >
. # . >
b
r
n
v
r
n
&
78
.
263
v

& ..
~~~~~~~~~~~~~~~~~~
>
>
. . . b . . .
&
3
3
sub.
~~~~~~~~~~~~~~~~~~
>
. . . b > . . .
&
3
3

& ..
b ~~~~~~~~~~~~~~~~~~
.
>
b
. . b > . n . .
&
3
3
sub.
# ~~~~~~~~~~~~~~~~~~ 3
> . .
>
.
. # . .
&
~~~~~~~~~~~~~~~~~~
>
. # . .
3
sub.
arco
~~~~~~~~~~~~~~~~~~
>
. # . .
B
3
. .
B # >
B
p
? >
b > . . .
.
n > a . .
3
3
3
b . . > . . .
n
3
3
p
?
?
b > . . .
5
5
r

v
r

v
263
p
j
p
>
J
f
>.
4 J
4
4 J
4
44
>
P
4
j
4
>
P
44
78
Metal Wind Chimes
44
j 4
j
4
>
P
j 44
j
l.v.
>
48
a2
. . n > .. b n b > n >

b b
#
>
n b
>
7 J
8
f
7
8
b >
# ~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
>
. # . . > .
44 J
m
~~~~~~~~~~~~~~~~~~~~~~~ . .3 . >j~~~~~~~~~~~~~~~~~~ m
>b
.
.. ..
4 J

. 3. . >
>
# ~~~~~~~~~~~~~~~~~~~~~~
# ~~~~~~~~~~~~~~~~~~~~~~~
>
j
. # . . # > .
44 J
3
6
~~~~~~~~~~~~~~~~~~~~~
7
6
6
>
1.
.
b
# #
44 J
#
b# #

j
j
b#
b
>
>
# ~~~~~~~~~~~~~~
# ~
# ~~~~~~~~~~~~~~~~~~~~~~~
>
>
4
#
# >
J 4

5
5
4
r
r
j
4
#
J
J
v
p
v
>
P
5
5
j 44
j
r
r
j
>
v
v
p
. . b > . n b > n >

# . . # > .
b >
44 J
3
p
p
3
3
44
p
>
p
n >
#
p
3
j 78
p
j 78
w
>
f
7
8
. . b b > n . n . .
78

3
3
3
>
# . . . . . 78
fl
3
. . n > a . . . 7
bn 8
3
r

v
263
Timp.
78
b#

&
b # j
>
gliss. (smear)
> .
&
a2
5
?
r
j
v
p
263
1
2
78
a2
1
2
78
> .
l.v.
4
4
4
4
44 gg
ggg
gg
g
44 gggg
gg
ggg
g
44
43
43
1.
m ..
43
43
# .
J
3
4
265
266
m ..
p
1.
43
44
44
44
44
4
4
44
43
44
43
44
3
4
43
44
4
4
3
4
4
4
43
44
3
4
4
4
43
44
43
44
3
4
4
4
3
4
43
4
4
4
4
43
b
b b b
34 . b . .
264
43
5
3
j 4
j
r
r
4
4
#
n
.
b ~~~~~~~~~~~~~~~~~~~~~~~# v
>
~~~~~~~~~~~~~~~~~~~~~~~ v
m ..
. . . n > . b n b > n >
. # . . >
m
>
m
b
..
78
.. n 44 .. 43
3
3
3
b ~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
. . . n > . b n b > n >
. # . . >
>
b
n 4 m .. m .. 3 m ..
..
78
4
4
3
3
3
# ~~~~~~~~~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
>
. . . n > . b n b > n >
. # . . > .
78 b
44 J
43
3
3
3
~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
>
3
. . . ..
. # . . > . b > b >
4
7 n >
8
4
4
3
3
3
~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
3
. . . > ..
. # . . > . b > b >
4
78 n >
4
4
3
3
3
~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~~~~~~~~~
>
. . . .
78 n >
44 J
. . . b > . b > b >
43
3
b ~~~~~~~~~~~~~~~~~~~~~~~ 3
~~~~~~~~~~~~~~~~~~~~~~~
3
>
. . . n > . b n b > n >
. # . . # >R n
78 b
44
43
3
3
3
b ~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
>
. . . n > . b n b > n >
. # . . # >R n
78 b
44
43
3
3
3
#
~~~~~~~~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
>
. . . n > . b n b > n >

. # . . # > .
78 b
44 J
43
3
3
3
b . . > # > # >

. # . >
?
78 n >
.
J 44
43
3
3
p
3
p
. . > > n >
b . . >
78 # >
#. #
J 44
43
3
3
3
p
p
5
5
78
r
r
j
44
43
#
v
p
v
5
5
78
3
j 4
j
r
r
j
4
4
#
>
v
v
p
78
1.
3
4
44
m ..
p
m ..
p
267
44
44
44
44
44
44
44
4
4
44
44
44
44
44
44
44
44
44
49
268
Picc.
Fl.
1
2
Ob.
1
2
4
&4
4
&4
1
2
4
&4
Eb
1
Bsn.
2
C. Bn.
4
&4
E. Hn.
Cl.
4
&4
4
&4
268
4
&4
3
4
4
&4
1
2
4
&4
4
&4
1
2
B 44
Tpt.
Tbn.
Bs.
? 44
Tuba
? 44
Timp.
? 44
4
4
268
Perc. 2
1.

F

F
Pno.
Vln. II
Vla.
Vc.
Solo
D. B.
# n # . n
< < < - . F
3
- b . . #
F
J
p
j

p
j

p
.
. # .
J

F
3

J
p

J
p
j

p
# ..
P>
>
5 5
3
p
Temple Blocks
4
4
Suspended Cymbals
soft mallets
l.v.
l.v.
>
Bongos
J ..
j
.j -
p
j
. p
3.
4
&4
? 44
4
&4
p
4
&4
# div. a 3b
#

p3
n bb

n bb

B 44
B 44
? 44
? 44
? 44
? 44
pizz.
.
F>
268
.
>
F
.
>
pizz.
269

>.
.
>

..
..
#

p
unis.
con sord.
n #
..

# ..
J
(echo)
n # ...
J
p
..
J
p
270
# div. a 3b
#

p3
4
&4
.
R
# b . .

4
&4
j
. p
P>
4
4
(echo)
1.
..
J
p
..
..
..
n # ..
b . b
< <
F < - p.
3
- b . .
F p
. J
>
P
p
b
.
. # .
J
j

p
j

p
2.
4
&4
P
? 44
j 
P>
268
Vln. I
268
Hp.
# J.
. .
F
? 44
. J
F>
? 44
1
2
Hn.
arco
..
J
p
J ..
J ..
271
272
Picc.
Fl.
1
2
Ob.
1
2
&
&
m
..
& R

b
m
..
50

275
1.
bm ..
m ..

78
46
78
7
8
44
46
44
6
4
4
4
78
46
44
44
E. Hn.
&
1
2
&
78
46
&
78
46
78
46
78
46
78
46
78
46
Cl.
Eb
Bsn.
1
2
b
b
1
2
&
3
4
&
1
2
&
&
C. Bn.
Hn.
Tpt.
1
2
Tbn.
Bs.
Tuba
Timp.
2
Perc.
Hp.
Pno.
?
&
?
Vln. II
&
Solo
D. B.
? J
p
pizz.
275
m ..
46
7
8
6
4
78
46
78
7
8
6
4
275
p
j
# .
m ..
b
J
#
J
274
44
44
44
44
44
44
4
4
44
4
4
w.
44
l.v.
rit.
44
44
4
4
46
44
78
46
44
44
44
46
44
46
44
7
8
6
4
4
4
78
46
44
78
46
44
78
46
44
7
8
6
4
4
4
78
46
44
78
46
44
&
46
44
78
Medium Suspended Cymbal
275
6
4
44
rit.
78
nw
p
nw
w
p
78
273
46
b ww
b
J
bm ..
. . 7 b b - # ..
n 8 n #
3
46
n b
Marimba hard mallets

j
b
46
p
46
b - -
3
.
. 78 n # - - .
rit.
78
46
espr.
j
5
p
P
#
# - -
7
8
con sord.
#
.
. 7 b n # - - ..
8
gliss. (smear)
. . . . . .
.
. # # n # # n . b . b n n 44
free, joyous, rhapsodic
m ..
?
?
&
?
Vc.
& R
B
Vla.
J
p
&
# - -
Large China-type Cymbal

soft mallets
l.v.
Tam-tam
l.v.
275
con sord.
con sord.
&
Vln. I
b b j
# .
p
3
?
3
rit.
275
78
46
78
46
78
78
276
rit.
277
51
Picc.
Fl.
Ob.
1
2
1
2
E. Hn.
1
2
Cl.
Eb
Bsn.
1
2
C. Bn.
& 44
a tempo
& 44
1.
~~~~~~~~~~~~~~

& 44 .. .
J
& 44
& 44
Hn.
1.
> # .
# . # . .

& 44 #
J
p
1.

?4
4
?4
1.+
& 44 w
3
4
& 44
1
2
& 44
& 44
B4
4
Tpt.
1
2
Tbn.
Bs.
?4
4
Timp.
?4
4
Perc. 2
Hp.
Pno.
a tempo
& 44
& 44
. b b
Xylophone hard mallets
44
& 44
a tempo
?4
4
& 44
?4
4
Vln. I
Solo
Vln. II
Vla.
Vc.
Solo
D. B.
B 44
?4
4
?4
4
?4
4
?4
4
r

#
v
r
#
v
r
#
v
r
#
v
R
r
..
..
# #
R v
r
# #
v
r
#
v
278
279
>
R
r
>
r
>
5
r
n
>
5
r
#
v
r
#
v
r
#
v
r

v
r

v
r

v
280
# #
R v
# #
R v
# #
R v
sub.
sub.
n
R
sub. p
n
R
sub. p
n >
R
..
sub.
p
>
r

>
r

>
b
.
b.
..
281
#
J
1.
r

>
sub.
# .. ..
J
1.
>
b ~~~~ ~~~~ b ~~~

b ^
^ b b ^
R
R
5
5
5
5
~~~~
b
~~~~ b ~~~
^
b
^ b b ^
R
R
R
5
5
5
5
b ~~~~ ~~~~ b ~~~

senza sord.
b ^
^ b b ^
R
R
R
5
5
~~~~5 # 5
5
#
~~~~ ~~~
^
r
^
^
#
#
n
R
..
5
5
5
# ~~~~ # ~~~~ ~~~
^
r
^
^
R
R
5
5
5
# ~~~~5 # ~~~~
~~~
^
r
^
^
#
# R
n
R
5
5
5
~~~~5
~~~~ b ~~~
b ^ # ^ b b ^
R
R
R
5
5
5
~~~~5
b ~~~
~~~~
b ^ # ^ b b ^
R
R
R
5
5
5
5
^
^
^
b
R
R
R
..
b

.
J
.
J
Tam-tam
l.v.
280
5
5
# # #
R v
280
>
p f
n >
R
r

v
^
R
~~~~~~~~~~~~~~
..
& 44 .. .
..
J
~~~~~~~~~~~~~~

& 44 .. .
J
& 44
B 44
~~~~ b ~~~
^ b b ^
R
5
5
~~~~ b ~~~
^ b n b ^
#
~~~~~~~~~~~~~~
.. ..
& 44 .. .
J
~~~~~~~~~~~~~~

& 44 .. .
J
& 44
280
a tempo
Solo
b ~~~~
b ^
R
5
bb ~~~~
^
senza sord.
?4
4
Tuba
#
R
~~~~ b ~~~ sub. p>

b ~~~~
^
n
# ^ b n b ^
# b
R
R
R
R
5
5
>
5
5
~~~~ ~~~~
~~~
^
^ # ^
>
b
R
R
R
R
5
5
5
5
~~~~
~~~~ ~~~
>
b ^ # # n ^ b n b ^ n # # .
R
R
R
R
>
5
5
5
5
b ~~~~
~~~~ # ~~~
b ^
b ^ # n ^ b >
R
R
R
R
5
5
5
5
p
5
5
5
r
# >
b ^
# #
#
R v
R
R
v 5
5
5
5
5
r
r
r

#
R # v
>
v
v
280
a2
>
r ^
^
b ^
b b #
R
R
R
5
5
5
5
a2
5
5
5
5
r
r
r
r
b # # >
v
v
^v
^
senza sord. b
^
>
# b n b n
# R
R
R
R
5
5
5
5
senza sord.
5
5
5
r ^
r
b # r b r b
>
v
v
a tempo
1
2
280
Crotales
l.v.
.
P>
P
> .
.
l.v.
# .. ..
J
# .. ..
J
o>
.
>o .
b
3
J J #
#
P
# n #
J
P3
#
P3
# n #
J
P3
#
282
P3
52
Picc.
&
45
285
44
Fl.
1
2
&
45
Ob.
1
2
&
45
E. Hn.
&
45
44 # ..
p
44
1
2
&
45
Eb
&
45
44
1
2
..

44
44
45
45
44
p
44
&
45
3
4
&
45
1
2
&
45
&
45
Cl.
Bsn.
o o o
O
O
O
5
p
..
..
1.
1
2
C. Bn.
Hn.
Tpt.
1
2
Tbn.
Bs.
Tuba
Timp.
Perc. 2
Hp.
Pno.
Vln. I
Vln. II
b
R
5
p
5
r
?
b
p
?
Solo
D. B.
r
b
45
44
44
44
44
45
&
&
?
&
?
&
&
&
&
o
p
>
B #
? >
45
45
>
n #
R
>
n #
R
b n >
R
b n >
R
b n >
R
b n >
R
45
45
45
45
n > .
R
n > .
R
b b > .
R
b b > .
R
b b > .
R
b b > .
R
283
45
45
P
p
j
(non-div.)
45
>
F
j
(non-div.)

54
F>
b >
45
F
b >
5
4
F
b >
45
F
b >
45
F
284
44
4
4
44
44
44
44
44 # ..
p
44
44
p
44
44
44
44
p
4
4
44
p
44
..
..
..

..
b
J
l.v.
285
o
J
44
o
J
4
4
285
285
5
4
45
? >
>
?
5
4
285
.
44 #
J
44 .
J
44
&
.j 45
45
? >
Vc.
.
J
.

3
3
>
B #
Vla.
b
R
1. +
>
J
F
..
285
286
53
Picc.
Fl.
1
2
&
1
Ob.
2
&
E. Hn.
&
1
2
&
Eb
&
Cl.
Bsn.
1
2
&
..
# ..
1.
# # n
b ..
1
2
&
3
4
&
&
1.
1
2
&
Hn.
Tpt.
1
2
Tbn.
Bs.
Tuba
Timp.
Hp.
Pno.
Solo
Vln. I
Solo
Vln. II
D. B.
45 # w n
p
j

J
44
44
44
44
44
44
44
44
j
44
J
44
45
45
44
45 # J

54
44
5
4
4
4
45
44
45
44
5
4
&
5
4
4
4
45
44
b
7
?
&
&
..
?
?
?
n b b
3 Suspended Cymbals
soft mallets
l.v.
n b
45
45
l.v.
291
291
4
4
44
l.v.
44
291
Large Bass Drum

soft mallets
l.v.
>
45
44
5
4
4
4
(piano prepared as before)
45
45
45
45
44
b ..
287
m
..
m ..
J
3
p
288

J
p
R
p
J
p
J
p
289
45
45
44
44
45
44
45
45
45
44
44
solo
45
44
44
45
44
45
290
solo
44
P
44
j
>
291
~~~
44 .. .
J
44
&
b b

n b
n b
&
&
&
()
b
&
con sord.
b ..
b
&
7
Solo
n
45 #
p
45 # #
p
54
w
p
45 n # #
p
54
291
Vc.
w
P
&
Vla.
45
45
soft mallets
Perc. 2
C. Bn.
j
#
J
#w
P
#
# ..
m
..
..
. .
J
p
P
nm .. .
3
P
.
.
w
l.v.
>

J
P
con sord.
P
w
con sord.
j

P
con sord.
j

P
w
con sord.
j .
P>
j .
P>
291
>
..

J
. >
. >
292
Picc.
&
42
85
44
Fl.
1
2
&
2
4
5
8
4
4
Ob.
1
2
&
42
85
E. Hn.
&
42
85
1
2
&
2
4
Eb
&
42
Cl.
1
2
Bsn.
2
C. Bn.
4
4
43
44
3
4
4
4
5
4
3
4
4
4
5
4
3
4
4
4
3
4
4
4
43
44
44
2
4
5
8
2
4
5
8
2
4
5
8
2
4
42
42
42
42
2
4
2
4
3
4
5
4
45
4
4
5
4
4
4
4
4
5
8
4
4
85
44
85
85
85
5
8
5
8
44
44
4
4
85
44
&
2
4
5
8
4
4
Perc. 2
&
42
85
44
42
>
2
4
42
&
w
w
()
l.v.
.. ~~~
.
& J
J

&
J

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& J

j
&

293
42
85
42
>
42
42
2
4
42
42
294
42
2
4
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2
4
P>
295
5
4
298 haunting q = 48
5
4
45

>
(dampen)
45
l.v.
j 4
4
>
44
>
298 haunting q = 48
.
>
l.v.
.
.
rit.
>

.
.
45
~~~
44 .. . 45
J
4
4
5
4
45
45
5
4
44
44
4
4
44
4
4
5
& 4
5
4
44

44
297
&
45
con sord.
>o
>o
o
o .
o > o o .
o .
o
o > o
o
o > o
o .
o .
45
5
4
298
299
300
301
5
4
3
4
43
.
.
43
43
3 #
4
J
3 #
4
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3
j

4
J
43
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j
3
o
o > o o
o .
o .
43
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rit.
4
4
44
45
4
4
44
44
44
43
44
44
>

l.v.
4 U
4 w
rit.
molto
rit.
3
4
44
3
4
l.v.
con sord.
43
43
298 haunting q = 48
43
3
4 .
43
.
>
.
.
43
molto
rit.
45
j 4
j
5
8 4
>
j 4
j
5
8 4
>
296
.
J
85
85
45
45
44
.
85
J
5
8
5
4
P
2 5 . j
4
8
P
2
4
85 .
8
P
85 .
P
85 .
85 .
42
4
4
85
2
4
85
l.v.
5
8
45
85 . j 44
>
5
4
42
45
4
4
45
rit.
5
4
45
44
298 haunting q = 48
3
4
43
D. B.
rit.
85
Solo
Vc.
Vla.
44
4
4
B J
Vln. II
5
8
Solo
43
45
Vln. I
Solo
44
Pno.
Hp.
44
&
&
45
Timp.
43
44
&
Tuba
1
2
Bs.
4
4
5
4
Tbn.
1
2
&
Tpt.
44
3
4
54
&
molto
rit.
45
1
2
Hn.
298 haunting q = 48
3
4
43
.
.
4
4
U
U
w
44
44
44
molto
rit.
44 w
3
U
44 w
3
U
# # 44 w
3
3
U
# # 44 w
o .
o .
4
4
43
3
4
302
303
4
4
44
3
4
44 w
o .
molto
rit.
Uo
Uo
44
4
4
44
4
4
304

Dream Theater

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Dream Theater

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Commissioned

by The University of Florida Symphony Orchestra,

commissioned by The University of Florida Symphony Orchestra, Raymond Chobaz, conductor

Large Bass Drum

2010 Paul Richards. All rights reserved.

1. free, joyous, rhapsodic

free, joyous, rhapsodic

(no pedal; allow note to decay)

521 gathering energy

Tam-tam scrape with triangle beater

(sneak in) (sneak in)

. . . < < # < >

735 gathering energy

> > > >

# < n < # < 78

Tam-tam scrape with triangle beater

Tam-tam hard mallets

II. Place of Several Mysteries

Tam-tam scrape with triangle beater

tutti (senza sord.)

Large Suspended Cymbal

Medium Suspended Cymbal

Large Bass Drum

Large Bass Drum

> > >

> > >

> > >

Large Suspended Cymbal

Large Suspended Cymbal soft mallets

Large Suspended Cymbal

Large Bass Drum

III. Edge of Silence

like drops of water

(no pedal; allow note to decay)

alternate regular and harmonic fingering; "shimmer"

pedal; allow note to decay)

medium yarn mallets

pizz. (dampen; do not let ring)

(do not roll)

Large Bass Drum

Large China-type Cymbal

gradually slow down motor (if possible)

> b > >

> b > >

> > >

> b > > >

> > > > b

> > b >

> > b >

> b > >

> > > >

b > b > > >

> > >

> > >

> > >

> b > > >

Vibraphone motor on fast

gradually slow down motor (if possible)

Large Bass Drum

IV. Dream Theater

b . . > . > 4 # >

Xylophone hard mallets

Tam-tam scrape with triangle beater

# # b > > n > . # . .

b ~~ b ~

b ~~ b ~

~~ b ~ sub. p>