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Commissioned

by The University of Florida Symphony Orchestra,


Raymond Chobaz, conductor, in celebration of their 100th anniversary season

Dream Theater

Paul Richards

Dream Theater

Paul Richards

I. Threshold


II. Place of Several Mysteries
III. Edge of Silence

IV. Dream Theater

1
11
33
43


Instrumentation

Piccolo
2 Flutes
2 Oboes
English Horn
3 Clarinets in Bb (3: Eb Clarinet, Bass Clarinet)
2 Bassoons
Contra-bassoon
4 Horn s in F
3 Trumpets in C
2 Trombones
Bass Trombone
Tuba
Timpani
3 Percussionists
Harp
Piano
Strings

Duration: 15 minutes

Program note:

As the University of Florida Symphony Orchestra planned celebrations for its 100th
anniversary, conductor Raymond Chobaz asked me to write a new work inspired by visual
art of my choosing. With assistance from the curatorial staff at the Harn Museum of Art,
four works by photographer and former faculty member Jerry Uelsmann were selected,
each serving as a starting point for the creation of musical movements that reflect
something of the technique, narrative content, or atmosphere found in the art works.

Uelsmanns composited black-and-white photographs are, in the artists words,
obviously symbolic, but not symbolically obvious, showing us a surreal world that arises
from the seamless integration of multiple image sources. I find them extremely compelling,
rewarding both on first inspection and after intense scrutiny, where subtle details emerge
for the patient viewer. The four photographs in Dream Theater are examples of
Uelsmanns recent pieces, dating from 1999-2008.

Each movement of the composition, which is played without pause, takes its title
from the photograph that informs it. The opening movement, Threshold, begins with a
chorale that will reappear elsewhere in the composition, developing that material in a
gradual crescendo throughout the movement, reacting to the suggestion of birth,
emergence, and transcendence in the photograph. Place of Several Mysteries responds to
the storm and sea imagery in the photograph, along with the sprinkling of several
unexpected, primal images throughout the canvas. Edge of Silence is a contemplative
movement built upon notions of reflection, imitation, and rippling water. The final
photograph, Dream Theater, shows a baroque opera house from Bohemia, along with
other images. A collage of musical ideas from the preceding three movements are layered
atop a 1723 overture by Czech composer Jan Zelenka (ZWV 188), concluding with the
chorale that opened the work.

This work was made possible only through the collaborative support of numerous
people: The University of Florida Symphony Orchestra and Raymond Chobaz, who
commissioned the piece; the Harn Museum staff, especially photography curator Thomas
Southall; and Jerry Uelsmann, whose astounding output and creative vision is a wonder to
behold.

All images are copyrighted by Jerry Uelsmann. Used with permission.


Performance notes:

Images: if desired, the photographic images can be displayed during the performance, the
image changing with the change in movements.


Crotales: an octave-and-a-half set is required for the piece, with sounding pitches C6-G7,
(written as C4-G5).


Prepared piano: a quarter should be balanced on the two lowest piano strings (A and Bb)
so that the quarter rattles when these keys are struck (used in the first and last movements;
quarter can remain in place throughout the piece).


Cello seagull effect: in the second movement, the solo cello is asked to produce a
seagull effect



This is a harmonic glissando on the A string, beginning in the position indicated. The
position of the hand should not change throughout the glissando, so that new partials are
caught during the descent. Accelerate and decelerate as indicated (aligned with the
crescendo and descrescendo), lasting approximately the duration indicated in the score.


Natural harmonic glissando: in the second movement, the strings are asked to produce a
natural harmonic glissando on the A string



Players should make a slow glissando up and down the A string, as indicated, allowing
natural harmonics to speak as they are past. Uncoordinated with the rest of the ensemble
and repeated freely, this should last as long as indicated in the score.


Balance and dynamics in the final movement: in imitation of a baroque orchestra, the
strings are divisi throughout the final movement, with half of the section presenting the
Zelenka overture. Dynamics throughout this movement, and elsewhere in the composition,
are designed to create crossfade effects, where ideas emerge from, and retreat into the
texture, rather than appearing and disappearing suddenly. Careful attention to all dynamic
indications will produce the desired effect.

commissioned by The University of Florida Symphony Orchestra, Raymond Chobaz, conductor

Dream Theater

Score

I. Threshold

haunting q = 48

Paul Richards

Piccolo

& 45

46

44

Flute

1
2

& 45

46

44

Oboe

1
2

& 45

6
4

4
4

English Horn

& 45

46

44

1
2

& 45

46

44

Eb

& 45

46

44

1
2

?5
4

46

44

Contrabassoon

?5
4

46

44

j 4
4

j 44

44

Clarinet

Bassoon

haunting q = 48

j
#

j
#

1
2

& 45

3
4

& 45

1
2

& 45

& 45

1
2

?5
4

Bass

?5
4

Tuba

?5
4

Timpani

?5
4

& 45

Percussion 2

& 45

Horn in F

Trumpet in C

Trombone

dark

dark

Piano

Violin II

Viola

Cello

Double Bass

4.

46

>

46

44

46

44

6
4

4
4

6
4

4
4

46

44

46

44

46

44

j 46

44

Large Bass Drum


soft mallets
l.v.
l.v.

45 w

l.v.

l.v.

l.v.

l.v.

& 45

46

44

?5
4

46

44

46

44

& 45
?5
4

prepare piano: balance a quarter on the two lowest piano strings (A and Bb), quarter should rattle when those keys are struck
leave on for the entire piece

w
>

>

haunting q = 48

Violin I


j #

46

haunting q = 48

Harp

46 # ..

haunting q = 48

3
# >
#

& 45
& 45
B 45
?5
4
?5
4


>

b n

#
3

div. a 3
b n
#

3

div. a 3

..
.

..
.

# b n
# # n n
J
3

# b n
# # n n
J
3


>

..
.

..
.

>

# b n
# b n
J
3
# b b n
# n
J
3


#

b
#

2010 Paul Richards. All rights reserved.

>

46

..
64 .

b #
# n b n #

3

44

44

.. b b b n #

.
#
46 J # n
3
46
46
46

j 44

44
44
44

37

foreboding q = 60

Picc.

& 44

1
Fl.
2

& 44

1
Ob.
2

& 44

E. Hn.

& 44

1
2

1.

.
J

b ~~~~~~~~~
>
J
J
P

43

& 44

43

Eb

& 44

1
2

?4
4

C. Bn.

?4
4

#
<
<


<
<

Cl.

Bsn.

7 foreboding q = 60

1.

# j
pfl
b j
pfl

1.
>+
J
P

espr.

rall.

>r
. . . . .
. # # n n # n 43 . # . n
3
5

1. free, joyous, rhapsodic

>
#
p

43

b ~~~
>
J 44
p
44

44

44

44

43

44

3
4

4
4

3
4

4
4

43

44

43

44

rall.

1
2

& 44

3
4

& 44

1
2

4
&4

3
4

4
4

4
&4

3
4

4
4

1
2

? 44

43

44

Bs.

? 44

43

44

Tuba

? 44

43

44

Timp.

? 44

43

44

& 44

43

Perc. 2

& 44

43

44

43

Hn.

Tpt.

Tbn.

7 foreboding q = 60

7 foreboding q = 60

Hp.

Pno.

& 44

& 44

? 44

? 44

& 44

7 foreboding q = 60

Vln. I

Vln. II

Vla.

Vc.

D. B.

4
&4
B 44

l.v.

..
.

..
.

b
J
b
J

.. b n #
. b
J
3
.. #
. b n b
J
3

j j
? 44 j j
# .
. .
# . #
sul tasto
change to
? 44 j j
j
j
.
. b .
. b b n

sul tasto

change to

Crotales
hard mallets
l.v.

j
P>

>

J
P

..
.

..
.

unis.

sub.

>o o
J

P
>o o
J

unis.

sub.

# j
pfl
ord.

ord.

b j
pfl
10

43

43

rall.

rall.

34 J
43

44

44

44

44

> l.v.

J 44
p
44

rall.

43

o
34

43

l.v.
j 44
>

o
o >

p
o
o >

44
44
44

43

44

43

44

12

13

11

Picc.

Fl.

1
2

Ob.

1
2

E. Hn.

4
&4

Eb

4
&4

Bsn.

1
2

C. Bn.

a tempo

4
& 4 J

&4

1
2
Cl.

~~~
44 J
&

&4
14

1
2

4
&4

3
4

43

44

43

43

43

free, joyous, rhapsodic

Eb Clarinet

? 44 # j
.

? 44 j
.

14

j
#
# .
j
.

#
#
<

<

a tempo

# >
Pespr.
j
3
b n bn .. b b
J
fl
P
b
j
n - b
3
fl
P

43

rall.

42

44

44

42

44

44

42

44

44

42

44

44

42

gliss. (smear)
. . . . . b r . .
>

. n # 3 # n # n # # n 4 .. # . # > n n J 2 #
4
4
4
3
3
3
p

44

43
42

3
4

4
4

rall.

44
44
44

2
4

4
4

42

44

43

44

43

44

42

44

3
4

4
4

2
4

4
4

4
&4

3
4

4
4

2
4

4
4

1
2

? 44

43

44

42

44

Bs.

? 44

43

44

42

44

Tuba

? 44

43

44

42

44

Timp.

? 44

43

44

42

44

43

44

42

44

43

44

43

44

43

44

43

44

4
&4

1
2

4
&4

Hn.

Tpt.

Tbn.

14

4
&4

Perc. 2

4
&4

4
4
14

Hp.

Pno.

Vln. II

a tempo

4
&4
? 44
4
&4
? 44
14

Vln. I

a tempo

4
&4
4
&4

Vla.

B 44

Vc.

? 44

D. B.

? 44

a tempo

p>

l.v.

>

> l.v.

l.v.

> l.v.

j
>

l.v.

> l.v.

J

Marimba
hard mallets

>
b
J
P

>o
>o

o
o

>o
>o

o .
o .

>o o
J

>o o
J

change to

j
j
j
j
# . n # . . # .
#. # #
psul tasto
change to

j
j
j j
b n . b n . # . b n . b
psul tasto
change to
j
j j
j

. b n . b
b n . b n .
p
sul tasto

14

15

16

b n

ord.

b n

j
n # .. # n
fl
P
ord.

43

ord.

j
b
fl
P

b
J
P

17

43
43
43

43

43

3
4

o
p
o

o
p

44

Vibraphone

rall.

44

44

42

44

42

44

42

44

rall.

44

motor on fast
medium mallets
l.v.

42

(no pedal; allow note to decay)


2

44

rall.

p
o

44

42

44

42

44

o
J
42 44

o
42 J 44

44

44

42

44

4
4

2
4

4
4

18

19

20

521 gathering energy


b ~~~~~
Picc.

4
&4

1
Fl.
2

4
&4

1
Ob.
2

4
&4

E. Hn.

4
&4

1
2

4
&4

Cl.
Eb

1
Bsn.
2

C. Bn.

>

q = 72

J
P

& 4 J

? 44 b . .. b b b J
J
P
? 44 b . j . b - b J
P

Hn.
3
4
1
2
Tpt.
3

1
2
Tbn.
Bs.

Tuba

Perc. 2

Pno.

Vln. II

D. B.

43


p> >


> >

? 44 b .
J

? 44
j
b .

? 44

? 44

5
r
4
&4
P>
4

&4

4
4

>

gathering energy q = 72

4
&4

>

4
&4 R
5
P
? 44

? 44

4
&4
4
&4

> >

p

> >

> >

>

F
>

o o
o > >

Fo
>

? 44 b .
J
P
sul tasto
? 44 b .
J
P

.. b b
J

b b

b -

b -

change to

j . b

change to

21

22

23

ord.
b - - . >
J
F

3
4
43

38

fl

<

>

R
5

43

j
j 3
j
b . . 4 . b
<

j
j
3
b . j 4 b
b.

43

43

43

j
b
P

hard mallets

38
38
38
3
8
3
8
38
38
38

43

Tam-tam scrape with triangle beater


l.v.

38

>

>

R

43

38

25

26

43

34

28

j
.
.
J
j
..
.
J

j
.

38

43

38

j
43 .

.
34 J
43

38

. . 3 .
J 4 J
J
P

b
.

# . b n ..
b.
J
J

. b b n b . j
J

27

43

.
F
P

n
. b >
. b n .
J # J
# J

- - ord.
b b .. >
# .. b b >
J
J
J
F
ord.
b - - . >
n . b >
J
J
J
F
24

b .. .
b .
J
J
b . j
b . J

> j

b b # .. b b b b n n n .. J .. J 43 .. J

43

3
8

o o
o > >
-

3
8
#
P
3
.. b

8
J
. j
b
38
b

>

b > n # # n .. b n # .. .. 3 ..
J
J 4 J
J
J

po o
o > >

b -

Bb Clarinet

Po
>

>o

b 38

P
3
43
8

F>
>

38

43

o o
o > >

change to

~~
b b > # .. b b b n n
J
J
b ~~
b > . b b n
J
J

b .. .. 3 .. b

J
J 4 J

o o
o > >

34

o o
o > >

.
b B 44 J J .
P

pfl


> >
Xylophone
hard mallets

F

J
p

>o

gathering energy q = 72

div.
sul tasto

Vc.

sul tasto

Vla.

21

Vln. I

4
&4

21

Hp.

P 6
# 3
34
8
#

21 gathering energy q = 72

Timp.

4
&4

38

4
&4

b .
4
& 4 J J .
P
1.

1
2

b -

43

^

J R
5
F

-
.
b b .. >
# J .
J
F
b - - . >
.
J
J
F
- - >j
b .. n # # n ..
J
J
- >
F
(sneak in)
4.

(sneak in) (sneak in)


- >
j
b b ..
# ..
b J

21 gathering energy q = 72

b b

5
F

j
.. b
.b
J

j
.b

38

38

38

38

38

29

Picc.

Fl.

1
2

Ob.

1
2

E. Hn.

1
2
Cl.
3

Bsn.

1
2

C. Bn.

1
2
Hn.
3
4

1
2
Tpt.
3

1
2
Tbn.
Bs.

Tuba

Timp.

Perc. 2

Hp.

Pno.

Vln. I

Vln. II

Vla.

3
&8
3
&8

f
.
.

^ .

31 playful q = 60

43
43

44

f
~~

3 .. 3 #

&8
4 J
f
~~
.
38 3 # J

&
4
f
~~

38 # .. 3 # #

&
4 J
f
# ~~
3 . 3 #

&8
4 J
f
? 38 .. 43

J
f
? 38 . 43
j

f 31 playful q = 60
.

38 . 3 # # J

&
4
f

3 .

& 8 . 43 J
f
3
& 8 43 b b . n #
>
. .
F
3

& 8 43
.
#
? 38 b . 43 J
f
j
? 38 b . 43

f
? 38
3
j
4
b.

f 31 playful q = 60
? 38 . 43 J +
b
>
f
Tambourine
38 > .

Fp
>.
3
& 8 .
f
3
8

3
&8
? 38
3
&8
? 38
3
&8
3
&8
B 38

Vc.

? 38

D. B.

? 38

43
3
4
43
43

> .
.

43

43

43

j

#

43

J
j
b

44

44

44

44

44

4
4

. # # #
< < < P
F

3
. . . .
.. n # # 44 # # b n n # b n # b n b n .. a n
< < < b 3
3
P
44

1.

44

+
b >
J
F
3.+
j

>
F
rit.

4
4

44

4
4

rit.

45
45
45
45
5
4

5
4

44

44

44

b >

44
44

>
#
n
unis.

F
P
# >

P3 F
3
# # >

# < <
F
P<
3

45

# >

45

45

45

45

. .
. # n

>

rit.

Fp
.
. # . b b >
3

. . . n
# #

44

44

32

33

31

45

45

5
4

&

45

44

45

45

44 # #
p

45

rit.

div.
gliss.

45

45

45

+
>
b
J
F+
j

>
F

44

45

# #
b b n

44

45

Fp

Fp

44
44

F 6
>
#

# # # n J n
J

F
P 6
3
3
>
>
# .. n # # # n b # n b n
# . n . . b n
b
< < <
>
Fp
Fp
F
3
>. b n 3
b b

. . . < < # < >


>
Fp
Fp
F
>
b b # # >

3
Fp
Fp
>
>
#

#
b #

rit.

44

31 playful q = 60

3
. 4

f
.
43
f

b .. 3
b. 4

f
3
b. 4

f
30

^ .
.

2.

31 playful q = 60

44
P

^
J
f
^ . l.v.
.

Fp

# >

45

Fp
>

45

Fp

>
b b b
>
Fp
Fp
5
5
# # # b > b


b b b n
n
5
Fp
P

34

45
?

45
45

735 gathering energy


Picc.

Fl.

1
2

Ob.

1
2

E. Hn.

1
2
Cl.
3

Bsn.

1
2

C. Bn.

5
&4 J
f

54 n J
&
f
54 a2 j
& n

f
54 j
&
f

#
5
&4 J
f
54
& J
f
? 45

J
f
? 45

q = 80

Hn.
3
4
1
2
Tpt.

5
&4

1
2

Bs.

Tbn.

Tuba

Perc. 2

Hp.

Pno.

45

45

44

45

44 b > j

fl
F
44
b j
F> fl
44

.. 45 b n n ..
J
Fp
j . 45 # n ..
. b
Fp
54

? 45
? 45

44

45

44

45

45

44
44

j j
45 b b .

.
>f fl

44

Crotales

f>
>
>
5
& 4 44
R
5
F
Vibraslap
>l.v.
5
5 . 44

4
F
gathering energy q = 80
>
>
35

5
44
&4 J
f
f
? 45
44

>
>
5 4 R
&4
4
? 45
35

J
f

J
f
j


J
f

gathering energy q = 80

Vln. I

5
&4

Vln. II

5
&4

Vla.

5
&4

Vc.

? 45

D. B.

? 45

35

44

45

44
44

44

45

> .
.

45

>

R
45
5

45

~~~~~~~~~~~~~~~~~~
j
j . 45 .
fl

~~~~~~~~~~~~~~~~~~

5
j
j
. 4 b b.
fl

~~~~~~~~~~~~~~~~~~
j j
5
# . 4 .
>
funis.fl

5
j j
4 b b.

.
>f fl

j j
45 b b .

.
>f fl

36

>
j
44 .. # #
J

f>
44
j

>f #
44
b
f>
44
b
f>
a2

F
>
44 b
b
f>
44
44
b
f>
44

37

>

J J
p
f
>

J J
p
f

>
j

.. # #
J
>

> #

j
j
b - n - . b >

j
j
b - n - . b >

j
b

J

j
j
b - n - .

j
j
b - n - .

> .
JJ
p f
> .
JJ
p f

#
b
<
< n
<
< n
<

>
J
f
>
J
f

.
b J

44

.
J

.
sub. p
- # . n . # . .
sub. p
- # . n . # .

b - n ..
J - >

.
j
b - n .. # # - # n .
.
J
<
<

n j b .
b n .
J-

j
b

>
b
b
>

j j

- - . n < < #
n j b .
b n .
J-

<

b
n
<

# ..
sub. p
n

.
# . . # .
sub. p
. . . sub. p
b .
# n# .
. . . sub. p

>

J

.
.

> .
.
J

>

> > > >


44

44 > .. # n # .
J
J
f
j
j
44 b >
b n .

f
44 > # n # .
J
J
f
44
b
f>
44
b
f>

>

j
j
b n . b >

j
j
b n . b >

38

j
j
b n .

b . .

40

78
78
78
78
78
78
78
78
78
78
78

78

>

7
8
78

#
sub. p

n.
sub. p
.
.

# n # . #
# .
J
J
sub. p
.
j j

b n . b . n .

sub. p
.
j j
b

. n.

b n.

sub. p
39

78

>

J

.
.

. .
> .. #
n #. # # n
J J

>
b

# < n < # < 78


f
3
# < n < # < 78
f

44

44

78

j
j
.
>
>
> >

.
.

78

>

J

78

# # n
< <
F
3
# n
< <
F
F 3

b
# n #
< < <
f 3

78

b j
- - . >

78

.
.

78

.
b n
J
f
b .
J
f

j
j
j

.

. .
>
>
>
> > >

44
44

>
J
f
>
J
f

#.
.
sub. p
b . . n .
J J
sub. p

44 .

Tam-tam scrape with triangle beater


l.v.

>
J
f
>
J
f


44 >
J
F
j
44
#

F>
j
44

F>
44
j

>

44 #
>
f
44

f>
44

44

>
45
R
45

44

45

? 45 J
F
54

&

45

#

P
6

#

P

44

44

44

? 45

44

35 gathering energy q = 80

Timp.

44

45

o
54
& J
f
5 o
& 4 j

f
5

&4

>
J
45 J R
p 5f
p
>
J
45 J R
p 5f
p

45

44

35 gathering energy q = 80

1
2

>
44 R
5
f
a2
>
44 R
5
f
44

n . 7
8
f 3
b . 78
f 3
n . 7
8
f 3
b .
<
3
f
.
b
<
41

78
78

Picc.

Fl.

1
2

1
Ob.
2

E. Hn.

1
2
Cl.
3

Bsn.

1
2

C. Bn.

1
2
Hn.
3
4

& 78
& 78

J
p

J
p

> .
J
f
> .
J
f

& 78
& 78
& 78

b
b b b
b
F

b b
6

6
F
~~~~~~~~~~~~~~~~~
>
.
b .

~~~~~~~~~~~~~~~~~
> .
b

& 78

? 7 b b > .
8

b
? 7 b > .
8

& 78
& 78

b b > .
& 78 <b .
Fp
>
7
& 8 # b < b .
<
Fp
Fp

>

b.

B7
8 b b.
< < >

>

44 J J
p
f
>
44 J J
p
f
b > .... b n
b
44
J
f
4 > ..
4
J
f
b > .... b n
44
J
f
44 b > ..
J
f
j

44 b
b

>

f
44
j
b

>f

43

4
4

43

4
4

?7
8

Tuba

?7
8

44 b >
F
44 b >
F
F
>
b
44 b
>
f
44
b
f>
44

Timp.

?7
8

44

1
2
Tpt.
3

1
2
Tbn.
Bs.

Perc. 2

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

D. B.

& 78 .
>
>
& 78

?7
8
& 78

44

>

?7
8

43

44

~~~~~~~~~~~~~~~~
# n b > .
7
&8

b ~~~~~~~~~~~~~~~~
>
n b b.
& 78

~~~~~~~~~~~~~~~~
>
# n b.
B 78

? 78 n b b > .

>
b
? 78 n b .

42

44
44
43

44
44
44
44
44

>

>

>

>

>

>

>

>

>
43

>

>

>

>

>

>

>

43

j
. b
- - . b >
j
- - . b >


> # >
3
4

# 4

#
3

3
4
F
3

- -

a2

- -

-j j
b .

J J - .

j j

- - .

- -


^ > >
b
b
b n 43 b

v > >
3
b > n > 4 b
v

43


b
b

j
43 b

43
>
>

43

j
j
b

>
>


>
>

43

b
>

>

J

j
j
.

>
>
> >

.

.
.

>

43

> .
.
J

>
>


J 43

> n >

# . b > .. ^
J

43
43

> .

44

>

>

>
>

>

> >

4
#
4
6

45

&

(flutter)
-

>
>
>
>

>

>

> >


>
>

# >

. . b

>

>

. . b
b

47

44

44

>
>

44

>

>

44

44
44
44
44
44
44
44

>

44

48

44

44

# >

>

4
4

N >

>

>

>

N >

>

f
F3
>
> >


f
>
> >


f
b
b
b
b

46

44

44

- (flutter)

44

4
4

. . b

- (flutter)

j
j j
b b
>
>
>
>

> n >
> >
43
F
> n >
>

..
^
b

b > >

43
F
> n > 3 b
b
b

. b > b n 4 b
v
3
. b > b > n > 4 b
v

. b > ..b ^
J
# J

4
4

- (flutter)
b b
b b

.
. . .

43
> >
> >


43

b > ..
J
f
b > .. b
J
f
b > ..
J
f
div.
j
b

>

f
j
b

>

> > 3
4

44

^ n b > > 3
4

>
b
b
>

44

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
.
.
.
b > n > 3 b ..
b

.
.
.
4
b

v
F
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3 b.
.
.
.
4

> n >
v
F>

44

# - - . b >

.
J J
>

n - b - . b
J
J

43

b > .. n . . 3
J J 4
J

.
.



b > ....b n
n # . .
3
J J J 4

j

>
>
44
44

l.v.

>
J
f
>
.
J
f
b > n n >

- - > .. ^
# J .

44 .

F
> .
.

78
& 78

43

>

J J
p
f
>

J J
p
f
>
# - - .. b b ....b n ^
J

44
44
44

949 triumphant
Picc.

Fl.

Ob.

1
2

1
2

E. Hn.

1
2
Cl.
3

Bsn.

1
2

C. Bn.

1
2
Hn.
3
4

1
2
Tpt.
3

1
2
Tbn.
Bs.

Tuba

Timp.

Perc. 2

Hp.

Pno.

b ~~~~~~~~~~~~~~~~ b ~~~~~~~~~~~~~~~~~~

^
^
w^
44 J
JJ
&

b ~~~~~~~~~~~~~~~~ b ~~~~~~~~~~~~~~~~~~~~~~~
#

^
^


44 J
J
J
J


&

p
p
3

^
w
n # . # #
b # .
4
#
J b J n . b
&4
#
3
3

3
^ # .

#
4
# J
J b J n .
&4

3

^ # .
b
44
J
&
J

4 ^ .
& 4 # J n J

b
? 44 b . b

b
J
J

? 44 b j j
b

v .

49 triumphant
> ^
4 ^
&4 J R
5

a2
> ^
4
&4 R
5

a2
.

^
44 b j
&
J

j
4 ^ .
& 4 J b

b ^ .
B 44 b ? b
b
J
J

? 44
j
b . j
v
b

? 44
j
b

49 triumphant
? 44 ^ ^ > J^
b
f
4
&4

Vla.

Vc.

D. B.

n. b

n. b

n . b
n. b

p
^

> ^
R

n
n

n . b

v
p

n . b

2.

> ^
RJ
5

^ .
b n .
44
J
J

&

div.
^ # .

b # n ..
44
J

&
J

b ^ .
44
J J .
&

unis.
^ .

? 44 bb j

b n.

? 44 b j j
b n.

v .

49

b n
R
5

^
R

w^
w

r
b n

5

50

45
45

45

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
^ .
n b

3
3
3
b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
. n b
b
3
3
3
3
v 3


J
n

3

6
3

l.v.

>
>
.
J

r ^

p
r ^

^
45

45
45

# 45

^ .
.

^ .

b ^ .
45 .
#
6

^ .
45 .

51

j
.
>
>

45 b
v
p
45 b
v
p

^
^
44 J J

j
^j
^

44 J
J
v

b ~~~~~~~~
^.

44 .
J
~~~~~~~~
^.
#
44
J

~~~~~~~~
^ .
#
#
44 .
J

# ~~~~~~~~
44 ^ .
#
J

^
44 bb

44 b

v

o
4 ^ + +
4

>
R
5

> 4 ^ + + o

R 4
5


44 ^ j #

44 b ^ n

44 b

44

b
fl
fl

v
44

b
fl
fl

4
4 b

>
v

j
44 .

v
v

4 ^ ^

4

44

b
>

div.

.
.

l.v.


J
p

J
p

v
>
45

45

.
.

45

45

>

^ .
R

b ^
45 b
p
54 b
v
p
> 5 ^
R 4

> 5 ^
R 4

^
45 n ..
v
p
^
45 b .
p
^
54 b
b
p
45
b
v
p
45
b
v
p
5 ^
4 b

r
b n

p
> ^

5
p

w
v
>

# # ^ .

#
5

.
.


^ ..
# # #
#


J
5
p

J
5
p

p
> ^
R

w^
#w
1. v
p
w
pv
^

.
.

>^
R

> >
4
&4

? 44

triumphant

Vln. II

>^
R

.
>
>

>
>
44
&
Triangle
f
> l.v.
> l.v.
44 R
R

5
5
f
triumphant
>
>

.
49

.
44
J
&

? 44

49

Vln. I

n. b

# . # # #
n
n

b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
^ .


j
# #
5 # n
# #

4
# # J

3
3
3
3
3
6
3

# w^ 3

# J
45 n

n . # # #
.

n . b
n. b

45


52

fl

fl

l.v.

j
v

^
^ l.v.
44 J J

44

Tam-tam hard mallets


l.v.

^ ^
44

44 j j

v . .
^

b 4

b
4

6

^ . . n
6

4

b
6

b ^ . . #
b
6

4
b

4

b
6

44 b
v

44 b
v

. .

. .

53


J


J

55 haunting q = 60

rit.

46

rit.

68

68

68

45

68

45

68

6
4

5
4

6
8

6
4

5
4

6
8

45

68

45

68

6
8

6
8

Fl.

1
2

&

Ob.

1
2

&

E. Hn.

&

1
2

&

46

&

46

Cl.

Bsn.

1
2

C. Bn.

rit.

1
2

&

3
4

&

Hn.

Tuba

Timp.

1.
con sord.

. R # .
p

46

46

q = 48

r
n b - - 6 # . , n
J
4
J

45
45

rit.

46

45

68

46

45

68

46

45

68

68

rit.

55 haunting q = 60

46

rit.

45

&

46

45

Perc. 2

&

46

45

46

45

rit.

Hp.

Pno.

&

?
&

w
w

Vln. II

Vla.

Vc.

D. B.

&
&

&

46

55 haunting q = 60

46

46

46

46

46

54

55

45

q = 48
con sord.
div.

45

>

J

5
4

rit.

45

con sord.

45

l.v.
j
>

q = 48

6
4

o .
.

46

rit.

46

rit.

Vln. I

55 haunting q = 60

q = 48

rit.

68

6
4

&

Bs.

55 haunting q = 60

45

Tbn.

46

&

1
2

46

5
4 n

5
4

1
2
Tpt.

46

45

rit.

&

10

q = 48

Picc.

P
1.
w

45

45

l.v.

rit.

l.v.
j
>

>

J

l.v.

rit.

w
>

w>
w

68

68

j rit.

# w>
w

j

J
J

o
o >o o
o .

w>

j
J

o
o > o

o
w>
w

45

45

57

58

59

60

56

68

68
68
6
8
68

68
68

J B 68

68
68

attacca

11

12

II. Place of Several Mysteries


61 tumultuous q. = 80

Picc.

Fl.

1
2

1
Ob.
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

6
&8

6
&8

6
&8

6
& 8 .

.
b b j

6
&8

6
&8

Bass Clarinet

? 68

? 68

? 68

61 tumultuous q. = 80

.
p
b b
J

p
.

3
4

6
&8

1
2

6
&8

6
&8

Tpt.

b
P

b > ..

con sord.

1.

Fp

con sord.

.
>
Fp

..

..

n .

b.

.
. .
b
.
# .
b.
>
fl
P (echo)
j b
j b
j b
b
b
b

b # n b j .

p
P>

6
&8

. b.

p (echo)

1
2
Hn.

> .

b b j .

p
P
2.

.
b b
P

1.

2.

.
P

.
P

.
P

.
b

b
fl
F

n .
# .

# ..

..

#.
Fp

Fp

b
b .
J
F
j
n .
F

1
2

? 68

Bs.

? 68

Tuba

? 68

Tbn.

61 tumultuous q. = 80

Timp.

Perc. 2

? 68 .

6
8

6
8
6
8

>
J

61 tumultuous q. = 80

Hp.

Pno.

6
&8
? 68
6
&8
? 68

3 Suspended Cymbals
soft mallets
l.v.
l.v.

5.
J
p

>5
5
P

Temple Blocks

Bongos

Vln. I

Vln. II

6
&8


B 68 .
b R

unis.

? 68

D. B.

? 68

> .l.v.

6
&8

Vc.

61 tumultuous q. = 80

Vla.

.
P>


b R
b .

61

62


b R

3 soli
senza sord.

. b ...
J
F


b R
P

b.
b
b .
J
b.
J
p

2 soli


b R

b
b
J


b R


b R

b
b b b b
# b n b

Psolo
pizz.
j
j
.
.
.
.

.

.

>
>
>
>
P
63

64

65

66

67

13
Picc.

1
Fl.
2

Ob.

1
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

&

&

b .
J

&
& .

P
j

.
P
?

3
4

&

Tpt.
3

1
2
Tbn.
Bs.

Tuba

Timp.

?
?

Perc. 2

Pno.

. .
b b b b # - .
p
F

- .

# . b . . .

- .

> . l.v.

b - .

j .

1.
. # . n . b .

- .

# - -

b - .

- -

- .

.
4

j
j

.
P
P
b b b b
J
J

1.

J
p

70

>
5 5 5 . .

Tam-tam scrape with triangle beater


l.v.

70

>

Bongos

&

&

70

& b b b b
.
F

Vla.

b
b

j
j
? .
.
. .

>
>
68

69

sul pont.

b ..
p


. .

senza sord.
unis.

.
>

b
P

b R



.
b R
b R
solob . . b n . . b . n .
b.

.
P
b b
J

70

.
P

Vibraslap

j .

# - -

# - -

&

D. B.

. b . . b .

n b
4

(echo)
1.

n - .

Vln. II

Vc.

Solo

1.

tutti (senza sord.)


div.
gradually change to

Vln. I

F
. . b

b b .
b

J
.

b n . . b . n .

? .

Hp.

.
.

b . . b.

>
& b .
J .
>
& j .
>
?

j
.

& .

1
2

F
4
. .
.

.
# #
# #
& j b
b b b

.
J
J
.

&
.
P

b b

? b R
.
b R

1
2
Hn.

70

n - .


b R

# - -

(echo)


b b
b

r
j
j
.
.

.
.

.
.
>
>
>
70

71

72

73

Picc.

&

b.

.
.

Fl.

1
2

&

Ob.

1
2

& .

E. Hn.

1
2
Cl.
Bs.

1
Bsn.

.
& j

? b R
? .
?

1
2

&

3
4

& .

1
2

&

C. Bn.

Hn.

b
P

j b
j b
b

b R
j

.
P

# .

(echo)

.
P

3.

b R

1.

b.
P

b .

.

b b
b b j

.
& # .

.
P

&

b .

b R
j

.
P

n .

b b n
J .

4
P
a2 >
# n b b b n b

b # n b n
F
1.
r
j
r

>
>
fl
F
r
j
r

>
>
fl
F
F
. >
j >r
r

b
b b
J
J

>
>
R
J R
F



b R
b R

b b n
J
F

.
P

&

Perc. 2

Tbn.
Bs.

Tuba

Timp.

Hp.

Pno.

Vln. II

Vla.

Solo
Vc.

D. B.

o
b > .

5.

5.

> +
R

Large Suspended Cymbal


soft mallets

>o .l.v.

&

&

? .
>

n .

b .

. n .

b .

b > .

change to

b .

b b n > .

.
.
4

74

. # .

b .

change to

.
b


j

>

75

b > .

tutti

.
>

r j
j


.
.
>
76

77

.
>

sul pont.

sul pont.

b.

change to

> +
J

sul pont.

.
B
F
B b.

.
& b
F

b .

b # n b

j
b

> +
R

o
& .
F>
?

unis.
ord.

Vln. I

o
b > .

>o .

> +
J
P
j
P
Vibraslap
>l.v..

j

fl
j

fl

1
2

b b

Tpt.

14

b
b
# b n b

78

.
p>

79

15
80
Picc.

Fl.

1
2

Ob.

1
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

9
16

68

9
16

68

9
16

9
16

68
# n # b n # n n
F
68

&

.
& J
p
j
& .
p
j
& .
p
p.
& j

J
p..

& J
p
?

.
.
.

j .
.
p
?

80

1
2
Hn.
3
4

1
2
Tpt.
3

1
2
Tbn.
Bs.

Tuba

&

& j .
.
p

&

Perc. 2

Pno.

9
b # n b b 16 b b n b
p
P
9

.
16 .
b
P b
9

16

6
8
6
8
68


F
b
F
b
F

b n # n b
b

b b b n # n b
b b b n # n b

9
16

68

9
16

6
8

9
16

6
8

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

?
J

5J

+
.

+
.

Medium Suspended Cymbal

&

9
16

68

9
16

68

&

9
16

68

9
16

68

9
16

9
16

68
#
n # b n # n n
F
68

Vln. I

&

Vln. II

&

Vla.

b
p

tutti
arco

D. B.

68

a2

80

Vc.

68

80

Hp.

16
b n

b
.
.
P
P
9

16
1.

&

80

Timp.

a2

? b
p

80

ord.

b
P

b b n # n b b
P
b

b b
b
81

82

ord.

9 b b n b 68 b b b b n
16

F
9
68

16
b b n b
b b b b n
F
b b n
9
6
b 8 b b b b n
16
83

84

85

# n b
# n b
# n b

16

86
Picc.

1
Fl.
2

Ob.

1
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

&

&


& j .
f>
&

&

P
# .

P
?
j

ffl
?
j

ffl
?
86

.
& j
# R

2.

2.

# .

1.

# .

# . #

.
F

>

b
2

# .

# .


J
p

# .

# .

1
2

&

3
4

&

1
2

&

&

Hn.

Tpt.

1
2
Tbn.
Bs.

Tuba

86

Timp.

? .
P
.

Tambourine

Perc. 2

> .l.v.

P
86

Hp.

Pno.

Vln. II

Vla.

Vc.

D. B.

&

&

86
Vln. I

change to

& .
p>
&

B j
fl
f
?
.
>
f
? .
f>

sul pont.

P
j

j

86

.
F
.
F

87

j

p

.
P

.
P

> .

55

88

.
P

89

sim.

. J .
P

Tam-tam
scrape with triangle beater
l.v.

ord.
gliss.

>5 5

Temple Blocks

Vibraslap
l.v.

div.

change to
J b b
. . .
F

90

91

92

17
Picc.

&

Fl.

1
2

&

Ob.

1
2

&

E. Hn.

&

1
2

&

Bs.

&

Cl.

1
Bsn.
2

C. Bn.

1.

.
F

. . b .

? R
P
?
.

P
?

.
.
b b

# >
f

>

n .

~~~~~~~~~~~~~~
1.

b b.

.
J
F

J
p

1
2

&

3
4

&

1
2

&

&

Perc. 2

&

Hn.

Tpt.

1
2
Tbn.
Bs.

Tuba

Timp.

Hp.

Pno.

&
?

Vln. II

Vla.

Vc.

D. B.

.
J

sul pont.

Vln. I

j
.
P

& ..

p
&

93

.
J

F
.
J

B j

> .

J
F

ord.
unis.

> .

J
F




j
j

94

#
b

95

96

P
div.
..

97

j .

.
J
F
.

J
F

j

P

j

A-Ab
Fb-F
E-Eb

..

98

18

99
Picc.

&

1
Fl.
2

&

Ob.

1
2

~~~~~~~~~~~~~~~

F
1.
.
& J
F

E. Hn.

&

1
2

&

Bs.

&

Cl.

1
Bsn.
2

C. Bn.

.
P

.
.

b b
P

? .
? .
?

99

b b

J
P
j
.

.
P

.
P

b.

fl

b b

b
fl

.
P

&

3
4

&

1
2

&

&

Tpt.

1
2
Tbn.
Bs.

Tuba

99

Timp.

? .

Perc. 2

Hp.

Pno.

&
P
?

Vln. II

Vla.

Vc.

&


b R

? .
P>

99

.
>

Ffl

fl

fl

.
P>

.
.

..

.
b

b
fl

n .

# ..

#.
Fp
.
.

104
suddenly still

.
P

.
P
j
..
.
p
j
.
.
p

+
.

j
.

..
.

104
suddenly still

+
r
.
P

Large Bass Drum


deadstroke

Fp

# .

l.v.

104
suddenly still

b -

..


b R

b

b

Psolo
pizz.

D. B.

.
J
p
.
J
p
.

b.

P
.
& .
P
B
?

l.v.

>
55
P

# b
b

&

99
Vln. I

3 Suspended Cymbals

99

.
5l.v.
J
p

b .

.
P

Hn.

n .
R

r
# .

1
2


fl fl
P
2.

b b j
P
.

104
suddenly still

100

b
J
F
b
J
F
.


b R

3 soli

..
.
J
F

.
>

.
101

b
b
J

b.

2 soli


b R

b
J

b.
J
p

j

>

.
102

104
suddenly still

b R

b .

.
>

.
103

104

19
&

1
Fl.
2

&

1
Ob.
2

&

&

&

1
2

&

3
4

&

1
2

&

&

1
2

? ..

Picc.

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

Hn.

Tpt.

Tbn.
Bs.

&

?
?

Perc. 2

Triangle

l.v.
.
P

. j. .

>

Bongos

.
p

j
.

&

&

Vln. I

&

Vln. II

&

Vla.

105

112 tumultuous

D. B.

o
O

106

107

108

112 tumultuous

> .l.v.

Vibraslap

112 tumultuous

. .

Large Bass Drum

b b

109

110

111

tutti
pizz.

. .

112 tumultuous

. .

.
F>

.
F>

? .

Vc.

.
F>

&

b > b b b .

Solo

..

"seagull effect"
solo

..

Pno.

F
b > b b b .

..

Hp.

b > b b b .

..

..

Timp.

..

Tuba

112 tumultuous

112

113

b b

20
Picc.

&

Fl.

1
2

&

Ob.

1
2

p
b
& J
p

E. Hn.

&

1
2

&

Bs.

&

Cl.

Bsn.
2

C. Bn.

b ..

?
?

b ..
p

.
.
.
- .

..

b - .

.
J

b - .

- .

- .

b - .

- .

- .

b - .

- .

b - .

- .

- .

b - .

- .

- .

- .

. b b ..
- . -

b ..
-

.. b b ..
-

b ..
-

..
-

1
2

& .

3
4

& .

1
2

& .

&

..
F

Hn.

Tpt.

1
2
Tbn.
Bs.

Tuba

Timp.

Perc. 2

Hp.

Pno.

Tam-tam
hard mallets
l.v.

>.
F

- .
F

senza sord.

b - .
b b - ..

.
J
j

.

l.v.

>

p

>.

> >
.

Bongos
quasi improvisatory; quiet, as if from far away

.
F>

>.

l.v.

>
j
.

> .

> > >

l.v.

.
F>

b b ..

&

& j

Vln. II

& .

D. B.

a2

l.v.

& .

Vc.

.
F>

Vln. I

Vla.

a2

b b

P
sul pont.
.

tutti
unis. sul pont.

b b j

b b j

b b j

b.

b.

b.

b.

b.

b.

b.

b b j

b.

b.

? .

.
114

.
115

.
116

.
117

b b

b.

.
118

j
.

119

21
Picc.

Fl.

1
2

Ob.

1
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

1
2
Hn.
3
4

1
2
Tpt.
3

1
2
Tbn.
Bs.

Tuba

Timp.

Perc. 2

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

D. B.

.
& . J

b ..
.

J
&

b ..
& . J

&

..

& .

&

?
?
?
&

..

..

..

..

..

b. .
&

.. b .. ..
&

senza sord.
& . j. .

..

b ..

..

..
..

..

.
.

..

..

.. b ..

>

P
.
F>

&

&

..

..

. div.
b .. ..

&

..

b ..

div.

? .

> > >

l.v.

.
F>

.. b > ..

> .
.. b .

120

b b
J

124

b b j
.

>
R

.
.

b
b R b
f
b .

>
R

.
J

>
b
R

>

R

>

R

>

R

>

R

>

R

> +
R J

f
124

124

>+
R

.
J

.
J

>+
> +
R J

b b j
b b j
b b
f
b
b
b

..

..

124

b R

.
122

> > >


J
f

..

b R
F

change to

b b

.
121

change to

b R
f
b .

..

l.v.

b b

b b j

>.

>
>
j
.

& j

l.v.

l.v.

b .

>.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 124

.
J

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
..

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
..
b
J

b b j
.

f
F

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
..

b .

b
.. ..

..

..

b .

ord.
b
J
ord.

. b
f

123

124

f
.

b R

b.

.
125

22
Picc.

&

15
16

68

Fl.

1
2

&

15
16

68

Ob.

1
2

&

15
16

68

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

& .
& j
.

&

1
2

&

&

Tbn.
Bs.

Tuba

? .

3
4

1
2

>

?
?
?

b.

> .

f
>
b
.
f
.

.
J
p
.
J
p
.
b .
J
p
. .
J
p

>

J
.

b.

>
.

> b

1.

> b 15 j
b 16 .

? .

#
>
>

b R

b.

>
>

J

> .

15 .
16

b.

> b

> b j
b .

.
>

#
>
>

R .
b

15 b J .
16

>
15 .
16
J
15 .
16

b.
J

J .

> .

b
>

b.
J

15
16

j .

b.

6 R
8
68 b >
J

n b b 68 .
>

j
b .

b
>
> .

b.

68

6
8

6
8 b.
>
68

> b

.

J

>
R # n

>

b
>
b > .

b.
>

68

15
16

68

Perc. 2

15
16

68

15
16

68

& .
F
?
.

.
b ..

.
b ..

15 .
16

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

D. B.

& j .
p
? j .

& .

unis.

b
>
f
unis.

& .
b >
f
.
B .
?

>
f
? .

b.

b n b
> >

b n b
> >

15
16
.

.
b ..

15
16

15
16

.
E-Eb

68 .
68
b.

..
.

68

68

b.

> b

15
16

.
b ..

b .
>

j.

b.

J

>
>
b R

68 b .
>
68

n
>

b
>
.
>
R # n j. b

> .
j.

68 .

15
16

15
16 .
>
15
16

68

> b r
.

15 b r .
16
>

15 .
16

15
16

b .
>

>.

b .
>
f

b.

>
>

b R

l.v.

Timp.

1.

.
f>

> b
j
b .

68 b
>
>
>
>
.
.
. >
.
15 b j
n b 68 j
b b j
b b j
16

.
.
.
.

R
R
R
R
b
b
b
. . b
. b
> .
> .
>
>

b.

>
>
B . b R

&

Tpt.

.
.

& .

1
2
Hn.

> b
j
b .

15 b r n b r n b 68
n b
16

>
>
> b > b
>

.
b.

..
.

n b

> b
>

j
j
15 j
68 .
16

>
>
>
>
>
>
>
> b
>

b >

15 . b . n b .
68 . b b

. b . n b . b . n b 16
. b b .

.
J
J
J
f
.
b.
.
b.
. 15
b J .
J .
b.
.
b.
.
6
16
8 b

>
>
>
>
>
>
>
>
>
>
>
>
.
.

15
6
.
.
b.
b.
.
.
.
.
16 .
8 .

126

127

128

129

130

131

23
Picc.

&

15
16

Fl.

1
2

&

15
16

Ob.

1
2

&

15
16

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

1
2
Hn.
3
4

& b b j. .
>
. >
& j
# n
. b >J b
.
b.

&

>
>
B R

? .

>
>
.

? >
J

15 .
16

15 .
16
J

>
& b .

15
16

>
>.

&

15
16

15
16

15
16

15
16

15
16

15
16

Perc. 2

Tpt.

1
2
Tbn.
Bs.

Tuba

Timp.

Hp.

Pno.

?
?

.
>

& .
?
&

b J .

.
b
b
>
>

b R

.
b b
>
68 b > > .
J

134

>
r
n b 68 b

j .

J 68

.
>

..


> b
.
68 >
b b j. b
.
.

j
N .

j
.

68
.

>b b
68

6
8

68

Vln. II

Vla.

b.
>

134

Vc.

D. B.

>

? .

b .

132

b.
>

9 >
j
16
b
.
R
> . .
9
.
b 16 . .

b
b
>
>
b > 9 . b b >
R
R
16

68
68
68

b >
J

> .

J 68

9 .
b n 16
> b

b 68
>

9 J .
16

b.
>

.
J

68

9
16

9
16

68

9
16

6
8

9
16
b r
> b

b 68
>

9 >b b .
J
J
16 b

bn
> b

68

j
9
16 b .
>
9
16

68
68

j 6
. 8
68

9
16

68

68

9
16

68

15
16

68

9
16

68

15
16

68

9
16

68

15
16

..
J

>

68

15
16

.
b ..

15 j
16
.

b
> b

>b b .
b

9 j
16
.

..
J

15
16


.
J
b b
>
>
b. .
J

>
.
j

. . b

68

68

b b

Fp

>b b

.
9 .
16

.
9 .
16

D-Db

134

68 .
68

68

68

15
16

>

15 .
16

b b j
.

b J .

>

.
133

j
.

J .

b.

b ...
.

b.

68
.

> 6

b ...
.

15
68
r
r

& b n b 16

>
>
> b > n b
>n b > b b

j
j 6
15 j
& 16

8 .

>
>
>
> b >

b
B .

..

b
j .
> b .
.
>
>
j
b
b

R b . b

R
> .
>

r .
.
b
b
>
>

. b R
. b

j
b .

9
16

Fp
b b ..

134

Vln. I

b
>

68

6
8

..

>
6
n b 8 b j.

r .

> b

15 .
16

.
b ..

15 .
16

& .

.
68 .

b.
68 .

> b

1
2

68

>
J # n b j

>
. . .
6 b.
.
J
b 8
>
>
. b R 68 .

r
15 >
16 b .

&

15 > b
16
b j.

.
15 j
16
. . b
15
16
b.
J

>
>
15 R .
b 16

b .

134

b
>

68 .

>
.
>

b b.

b
>

b.

134

b.

b
>

Db-D

j 6
b ... 8
G-Gb

j 6
. 8

9
16
b.

b.

9
16

68

9
16

68

>

.
b >

b .

9 .
16

n b ...

>b b

.
>

b
>

b.

135

bn b
>

b.
>

b.

9
6
16
b b r 8

>
>
>

.
b n >
b .

> b.
b

9 b j.
16

> .

b.

.
136

9 j
j 6
16
b . b . 8
>
>
j
b . 68

9 > b J .
16
b
9 .
16

137

>

.
J

6
8
68

Picc.

1
Fl.
2

1
Ob.
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

1
2
Hn.
3
4
1
2
Tpt.
3

1
2
Tbn.
Bs.

& 68

b ..
& 68
Fp
b ..
6
&8

..

b b ..

j
& 68 b .

j

> b .


> b

Fp

j .
b .

b b
j
> b .

b
>

>
.
.
>
j
b

.
j
.

J b . b J b .
>
.
.
>

.
.

B 6 .
8

? 6 b b.
8 b
>
>
? 6 b J
8
r
& 68

> .


> b

& 68

b
>

b.
b b
>
> .
.
bb J

b b.

>
b.

> b

.
& 68
> b b

> b b

?6
8

b.
>

& 68

?6
8 b.
>

b.

b .

b > .
. b b J

> bb.
b
j
b
>

.
>

b b
>

bb .
> b
b j.
f

a2

b.
>

b.

b.
>

>
b .
J
>
.

.
j
b .
. .
b
>

b .

> bb.
b

b.

b > b

b b .
> b

j

j

b.
>
b.
>

15 j
b
16
b .
>

15 j .
16

>

?6
8

68

Perc.

6
8

Hp.

Pno.

Vln. I

Vln. II

6
& 8 .
? 68
6
&8

b ..

b.

B 68 b .

Vc.

? 68

b
>

? 68 .

b ..

.
C-Cb

b.
b.
>

b b b ....
>

b.
b.
>

> b b
>

bb
> b
>

b b
> b
>

> .

b b > .

b b .

b.

b .

b.

>

b.
138

b
>

b.

>

b.
139

b > . b b > .

b. b b
>
> bb.
.
b
.
140

.
b.
> b b >

15
16

15 j
16
.

15 .
16

.
b bb ...
>

15 b .
16
b.
>
15
16

15 .
16

68

> 6
8
j
. 68

b r . 68
.

j
.
j .

b.
>

68

68
>
68

j
. 68
>
6
j 8
.
>
j 68
.

68

68
68

b.

5 . 68
J
.
b bb ...
>

. 68

Cb-C

. 68
68

j
b . 68
b .
>

15 n
b b 16
r r 68
> b
>
>bb
> >
.
b.
> b b >

>.
> .

b b
b.
>
> bb.
b

b b

b.
>.
>
> .
> bb.

b.

b.
141

15 .
16

b.
b.
>

b > .

b bb ....
>

15
16

Large Suspended Cymbal


soft mallets

>

15
16

b.
F

b.

15
r .
16
>bb

Glockenspiel
hard mallets

6
& 8 b
> b
>
6
& 8 b.

b.

? 68

Vla.

D. B.

J .

15
16

15
j 16

b.
>
15
16 j .
b.

>
f

b.
>
.

Timp.

& 68

15 .
b 16

j
15 b .
16
>

b.
>

. 68
J

n >

..
J 68

b .
b J
>
> . .
b J
15
b

16

15 b > b b J .
J 16

b.

.
. 6
J 8

. > 6
j
. 8
b . >J
. .

15
16 .

> bb.
b

68

j 6
. 8

b .
b
>
>
b.
. b b J .
.

?6
8

24

>
. 15 n >
.
j
16 J .
J
>
> .b . .

bb .
> b

.
15 .
16

Tuba

.
.
15
16

F
bb
j .
> b .

b > .
. b b J

15 .
16

F
b ..

..

.
>
j
& 68

. b . b
.
b b
>
> .
.
bb J

b.
b .

..

Fp
b ..

..

Fp
6
& 8 j.

b.

> .
15 n > .
16
J b b J

15 j b
j
16

b . b .
>.
>
>
> . 15 > b b . >

16 b J

b.
142

15 .
16

b.
143

> . 6
8
J

j
.
>
J . >

68
68

. 68

25
144
Picc.

Fl.

1
2

Ob.

1
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

1
2
Hn.
3
4

1
2
Tpt.
3

1
2
Tbn.
Bs.

Tuba

Timp.

Perc. 2

n
& 68 J

n
6
J
&8

b
6
&8 J

& 68 n j

& 68 Jj

6
& 8 n j

B 6
8 J

? 6 n j
8

? 6 n j
8

144

& 68 J

j
& 68 b

& 68 Jj

j
6
&8

? 6 n j
8

?6
8 j
n

?6 j
8
n

144
^
?6 J
8
f

Pno.

.
.

>
R

r

>

Vln. II

Vla.

Vc.

D. B.

.
.

>
R
r
b
>

> +
R

j +
& 68 n
v
f
> l.v.
68 .
f

& 68 b

? 6 n j
8
n

6
&8
? 6 n j
8
n


J
j

fl

> +
R

b
b

f
b .

J
F
j
b
J
Ffl

b
a2

b
.
f
.
. ..

b b
b .

. .
b n

.
fl

b.
fl

.
.

#
fl . .

# ..
f

b ..

b .

#.

b n ..

.
..

.
.

- #

..

4
4

# # n J

j
#
fl

.
f

& 68 j b

j
.
6
&8

B 68 b
b R

? 68
b .
n n
v

? 68 n j .

144

j
b
f
F

.

b
F


b R
F

b .

145

j .
b

f
.
f>

b b
b ..
J .
J
f
div. gliss.

j
..
b .
J
f
div.

.
146

gliss.


b R
f

.
f
.

# ..

.
f

# b J

3.

b ..

b b

b b b b

.
f

.
P>

Temple Blocks

> >
5 5 5 5 5
.
p
P
F

.
fl fl fl
f

> +
J

j b b j

144

Vln. I

b b j b b

f
a2

# . .
n . . - b -

68

144

Hp.


b R

j

>

.
147

.
>


b R
b


b R

.
148

j

>

149

152

&

1
Fl.
2

&

1
2

&

Picc.

Ob.

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

&

& .

?
?

1
2

Tbn.
Bs.

Tuba

Timp.

b .

..

. # . .

#.

& n.
>
B ..
?
?

b n
J J

.
f

? .

> .

l.v.

n n #
4

n # #

- ..

# # - -

. .
b # n ..

b - .
.

- #

- .

# - -

- ..

# - -

b . .
b b ..

n # #
4

a2

a2

r
b

.
f

rip up

b . # .
. fl

b .

~~~~~~~~~~
# > ..

J
.

b b

b .

b b . # . .
fl

- .

# - -

.
f

.
f


R
P
Bongos

&

&

Vln. II

&

B .
?

? .
>


b R

152

b
f
.
b
f

b R

b
b

150

j

>

151

j
.

j .

.
>


b R

152

j .

# - -

152

~~~~~~~~~~
# > .

J

- .

l.v.

b ~~~~~~~~~~
>.

# .
J

~~~~~~~~~~
j
#.

>
~~~~~~~~~~

# # > ..
J

n b . b . # .

b R

.
f

152

b .

b . .
b - .
r

f rip up

b b .
J
P

..

b R

# - -

b b . .
b ..

- .

b . .
.

Tam-tam
scrape with triangle beater
l.v.

>
555 5
P

D. B.

j

P
j

26

b . . .

b .

152

.
f

Vibraslap

&

Vc.

b .

# #
.
>

Vln. I

Vla.

. .
#

b n # - ..
b b

b R
b
P

& b . . .
>

Perc. 2

Pno.

Hp.

& .

1
2

? b b b

3
4

. . .

b > .

&

Tpt.

b . . n

# # b b n ..

P
b . # . # - .
#
P

& j b b j

1
2
Hn.

b . b . b - .
#
P

. .
b
# b b b - ..
b

j .
b


b R


b R

j .


b R

b
b
b

r
j
.

.
. j.

.
>
>
>

153

154

155

27
Picc.

1
Fl.
2

Ob.

1
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

1
2
Hn.
3
4

&

.
n b b

> b .
b

.
b. .
b b b > n b
b

# >

.
b > .
b.

& .

j
b b j

b b j
b b
b b

f
. .
.
> b > # b n n
# .
> b b n b b n b b n ..
n # > n # b n n b .
b .
n

.
.
.
#
. ..
>

&

.
>.

& .

?
?
?

& #
>

j
.

b b

& #
>

b > ..

a2

j
b
.
f

3.

Tuba

Perc. 2

Timp.

Hp.

Pno.

Vln. I

> .

&
?

>
& .

div.

Vln. II

Vla.

Vc.

D. B.

&
f>
?

.
f

>

j
.
f

.
b

> .

>
. b .
.

.
J

.
f

.
J

>
b
J

>

b .

.
b

> .

.
b b >

b .
b

b > ..

b n . b .
b .

b b >

> b

# >

156

.
>

157

>
b
J

.
f

> b
b

.
f

5 5 5 5
>
f>
P

> .

n b b.

n > b b b #
.

> b n b

b b # ..

# > # b n b n .
b .

.
n n b

n > b b b # .

& b.
.
>

.
. .
.
.
b
>
>
b > .
b b > b
# > n b b .
B .
& .

?
b
b

b





? .
>

b > .

.
J

b b

n n .

&

Bs.

Tbn.

>
b
J

&

1
2

>
# n n b # b n b b # ..

b n b # ..

>
& b ..

&

1
2
Tpt.

.
>

158

j
.

.
>

159

j
.

28
Picc.

Fl.

1
2

Ob.

1
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

b n > ..
J
&
f

j
.
&
>f

&

b b
& j
f
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
& ..
f>
& .

? b
?
?

b b

b # n b

1
2

&

3
4

&

1
2

&

Hn.

Tpt.
3

1
2
Tbn.
Bs.

Tuba

Timp.

?
?

j

P

> . l.v.

Perc. 2

Pno.

Large Suspended Cymbal soft mallets

9
16

1.

68

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

9
16

68

j .
.
p

162

9 .
16

68
# n b n b n
.
P
P
68

P
2.
68 b b b b n

P
6
.

8
b

b b n
p
P
b b

b n
68 b b b
.
p
P
68

.
b
P
6

9
16

9
16

68

9
16

+
5 .
J

162
+
J .
P

9
16

68

&

&

9
16

68

9
16

68

9
16

68

9
16

68

9
16 .

162

9
16

j .
.
p
.
J .
p
j .
.
p

.
f

9
16

j
b > b # # b n n n n # b n # n b

b # #
b b # b n n b n # b n .

.
p

&
f>
B

Vibraslap

Hp.

9
16

j .
.
p

# n b

b b

162

# b
#

sul pont.
change to
.
n > .
.
J
.

&
p
f

change to
.sul pont.
b > .
.
.
.
.
&
J

p
f
n > .
.
B
J
b

f
p
?
b

# b n b b

parco
? .
.
.
.
b
>
>
p
160
161
162

bb
# n b
# n b
# n b
# n b
# n b

162

Vln. I

Vln. II

Vla.

Vc.

D. B.

9
16
9
16
9
16
9
16

68 b b b b n b n b

6
b bn b 8 b b
P

68

b bn b
b b
P

b b n b 68 b b

163

ord.

164

b b b b n b n n b n b b b
b b n # n b
b b n # n b
b b n # n b
165

29
Picc.

1
Fl.
2

&
&

9
16

9 .
16

9
& # 16
F
9
& 16
F
a2

Ob.

1
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

b # n n b # n
&
F

&

? b
F
?

b
F
?

9
16
9
16
9
16
9
16
9
16
9
16

3
4

&

1
2

&

&

9
16

9
16

Perc. 2

Tpt.

1
2
Tbn.
Bs.

Tuba

Timp.

Hp.

Pno.

68

68

68

6
8

9
16

68

9
16

68

9
16

68

&

9
16

68

9
16

68

&

9
16

68

9
16

68

Vln. II

Vla.

Vc.

D. B.

9
16

68

9
16

9
16

9
16

b n

9
&
16

b b n 9 b b b n b n n
b

& b
16 b
b
F

9
B b 16
b b n
F
?
9

16



b b n
div.
F
?
9

16

b

b b n
F
? b 16
9 b b n
F
166
167
div.
ord.

Vln. I

> b b
n

> b b
n

b 6 # # # # # n b n # n b

8
F

f
6
# b n b 8 # # b n # n n # # n n > #
f

68

# n b
# n b > #



f

# > b n
b

b # n b n b 6 b # n n b # n b # n b n # # n n b b # # n n b
8

f
68

b n # n b # n b > #

b n b
f

>
b b n b 6 b b b n # n b b # n b #
8

f
68

b b n b
b
b b n # n b b # n b > #

f
>
b

6
b

b
b #
8

f
6

&

9
16

a2

1
2
Hn.

68

68
68

ord.
b 6 # n # n # n # n # n # n b n #
8
f
b

b 6 b b b n b b b n b n n
8 b
b
b
f

b 68 b
f
68 b
b
f
68
b
b
f
b 68 b
f


168

n n b

# # n
n n b
n n b
n n b
n n b

>
b
b n b # b n b b n b
b n b b
b

b b n # n b
b n # n b
b
b b n # n b
b b n # n b
169

# n n

b b b > b n b
b b n n b b

b # n b # n n b
>

b # n b > # n n b

b # n b # n n b
>

b # n b > # n n b

170

30

& b # # n n R
F
b # # n n n b b
b b # n b n b .
&
J

# n b j .
& # b n # n b n # n r
b

.
# # n # n n b
& # # n n #
b j

j
a2
b # n # b n n # # b n # n

# n
b
b # # n n n # # n n b
&

j
& # # n n #

b n # b # # n n # n
b

? # b n # b n # n b b n b # n
R
b b
f

? r
b
.
# b n
b b # n b # n b

r
? b b #

.
.
.
b n n b
v
173

Picc.

Fl.

1
2

Ob.

1
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

1
2

&

3
4

&

1
2

&

&

Perc. 2

&

Hn.

Tpt.

1
2
Tbn.
Bs.

Tuba

Timp.

Hp.

Pno.

Large Suspended Cymbal

173

b
f
a2
r
j

>

>
J
R

r
j
b
>

Vln. II

Vla.

Vc.

D. B.

.
v

> +
^ +
J R
f
Tambourine
.

173


.
j
j

b R
b R

b .

.
f>

r j
>
fl

>

J
R
r j
b

>
fl

b .

.
f>

j
.
fl
F

.
J
F
j
.
b
fl
F

j
. .. ..
p
. j. .
p
j .

.
J

.
f>
> +
.
J
P
.

. .

j
.

> +
> +
R J

j
.
f>

> .l.v.

173

b
b
.
b j
b j

+
r .
.
P

Large Bass Drum


deadstroke

&

b b # # b n n n b b n b b # n
j

b b
b b n b n b
b
&

b # n b
j
b
& b b b b b n n b n b # b bn n b n b

b # n
b

.
B # b n #
b n # n

173

Vln. I

a2

.
b
f
unis.
.
j
b
f

unis.


b R
f

172

173

j .
b


b R

? b b #
b b
n

b n b b # n b # n
b

>
f

b # n b # n
? r

.
b b b

>
f

pizz.
r
b # n b j .
? b b #

.
n

b
>

171

j .
b


b R

b . .

b . .

174

j

>

175

j
. .
>
176

31suddenly still
Picc.

&

43

Fl.

1
2

&

43

Ob.

1
2

&

43

E. Hn.

&

43

1
2

&

43

Bs.

&

43

Cl.

Bsn.
2

C. Bn.

suddenly still

. . .
b b n b
p

1.

n b

. j j .
b

3
4

3
4

43

1
2

&

43

3
4

&

3
4

1
2

&

3
4

&

43

1
2

? ..

43

43

Hn.

Tpt.

Tbn.
Bs.

Tuba

..

..

..

..

..

..

..

..

..

..

..

suddenly still

Timp.

Perc. 2

Pno.

43

43

l.v.
. j. .

43

&

43

43

43

43

43

189

190

191

.l.v.

Triangle

&

&

Bongos

Tam-tam
scrape with triangle beater

sul A
harmonic glissando; repeat ad lib, uncoordinated with ensemble

./.. # O

.. /

j
. j. . .
.

&

./.. # O

.. /

sul A
harmonic glissando; repeat ad lib, uncoordinated with ensemble

Vla.

Solo
Vc.

B
&
?

"seagull effect"
solo

o
O

&

./.. # O

.. /

sul A tutti
harmonic glissando; repeat ad lib, uncoordinated with ensemble

./.. # O

.. /

sul A
harmonic glissando; repeat ad lib, uncoordinated with ensemble

D. B.

3
4

sul A
harmonic glissando; repeat ad lib, uncoordinated with ensemble

Vln. II

suddenly still

Vln. I

suddenly still

Hp.

j
.

j
.

?
177

178

179

180

181

./.. # O

182

.. /
183

184

185

186

187

188

43
43

43
43

43
43

attacca

32

33

34

III. Edge of Silence


192 eerie q = 56

Picc.

& 43

44

45

44

45

44

74

Fl.

1
2

& 43

44

45

44

45

44

Ob.

1
2

3
&4

4
4

5
4

4
4

5
4

4
4

E. Hn.

& 43

44

45

44

45

1
2

& 43

44

45

44

45

Bs.

& 43

44

45

44

1
2

? 43

44

45

44

C. Bn.

? 43

44

45

Cl.

Bsn.

192 eerie q = 56

rit.

44

74

44

7
4

4
4

44

74

44

44

74

44

45

44

74

44

45

44

74

44

44

45

44

74

44

44

rit.

1
2

& 43

44

45

44

45

44

74

3
4

& 43

44

45

44

45

44

74

44

1
2

& 43

44

45

44

45

44

74

44

& 43

44

45

44

45

44

74

44

1
2

? 43

44

45

44

45

44

74

44

Bs.

? 43

44

45

44

45

44

74

44

Hn.

Tpt.

Tbn.

Tuba

?3
4

Timp.

? 43

192 eerie q = 56

Perc.
2

Crotales

Pno.

& 43

Vln. II

Vla.

Vc.

D. B.

5
4

4
4

5
4

4
4

7
4

44

45

44

45

44

74

45

# > l.v.
J 44

45

# > l.v.
J 44

74

44

45

44

45

44

74

44

45

+(dampen)

44
#

44

45

45

44

45

j
45

? 43

44
#

44 #

& 43

44

? 43 # .
#.
>

>
& 43 # O ..

pizz.
3
& 4 # J

pizz.
3
B 4 j
#

# >O .
? 43 .

div.
? 43 # .
#.
>

like drops of water

192

44 O

44

44

O
44
44

193

45

45 OJ

45
45

j
# 44 w
#
w
>

j
45

44 w
w

192 eerie q = 56

Vln. I

44 w
& 43 # ..
#
w
>
Vibraphone motor on fast
hard rubber mallets
# > . l.v.
3
44

&4

(no pedal; allow note to decay)


44

43
192 eerie q = 56

Hp.

4
4

O
45 J
j
45

194

# j 44 w
#
w
>
>
# O
J

# J

j
54

j
45

44

j 44
#

45

O
44

44

195

j
# 44 w
#
w
>

45 OJ

45

# >O
J

# j
#
>

44 O

j
45

O
45 J
j
45

196

4
4

44

# 7
4

44

74

74 w
w

44 O

j 44
#

O
44

44

197

rit.

74
#

44

44

# >O
J

# j
#
>

74 w
w

44
# #

# j 44 w
#
w
>
>
# O
J

# J

rit.

rit.

74 O

74
74

O
74

74

O
J

198

O
J

44

44
44
44
44
44
44
44
44
44

35
199
Picc.

& 44

# >

a tempo

>
J

alternate regular and harmonic fingering; "shimmer"


o
o
# > > o o o
J J
4
#O #O O
& 4 #O #O
1.

Fl.

1
2

1
Ob.
2

E. Hn.

1
2
Cl.
Bs.

& 44

& 44
& 44
& 44

1
2

C. Bn.

1
2

& 44

3
4

j j

>
j j

>

& 44

1
2

& 44

& 44

1
2

?4
4

Bs.

?4
4

Tuba

?4
4

Timp.

?4
4

Tpt.

Tbn.

199

Perc. 2

& 44 ## ..
>
& 44

Pno.

>

# #

(echo)

?4
4
199

Hp.

a tempo

?4
4 .
.
>
199

a tempo

6
4

- j
6 #
4
J

46

46 w

w
>

rit.

46 ww

w>
w

46 w

w
>

46

43
3
4
43
43
43
43

j
43

43

46

43

46

43

46

43

6
4

3
4

#
#
>
#

# # #

.
.

w
w

.
.

#w
#w
>
# # n w> l.v.
# n w

pedal; allow note to decay)


* (no
Marimba
&

>

.
.

w
w

w
w
>

46

46

46

j
43

46

rit.

43
43
3
4
43
43

j 3
4

46 w
w

43

46

43

46

43

46

43

6
4

3
4

201

202

203

Vln. I

Vln. II

& 44

Vla.

B 44

Vc.

?4
4

D. B.

?4
4

199

200

46 ww

6
j
b 4 b

J

rit.
6

>

rit.

medium yarn mallets

w
46 w

con sord.

& 44

46

J 3
4

>

J 3
4

46

#
#
>

# #

#
-

46

rit.

.
.

J-

46

J 4

43

+
w
w
>

a tempo

& 44 #
p
?4
4
& 44

like a bell

j j

>
j j

>

Hn.

# w>

o
o
# >
# > o o o o o
J J
J
#O #O
#O #O O O O

j j

>
j j

>

a tempo

?4
4
>
?4
4
>
199

# >
J J

1.

Bsn.

# >
J

# > o o o
J J
#O #O O

204

b >

a tempo

205

Picc.

Fl.

Ob.

1
2

1
2

E. Hn.

1
2
Cl.
Bs.

1
Bsn.
2

C. Bn.

& 43

p
>
b
3 b
&4
p>
& 43
& 43

Hn.
3
4

1
2
Tpt.

b >

& 43
& 43
? 43 b
b
p>
? 43
b
p>

205 a tempo

1
2

b
b

1.

& 43
& 43
& 43

b
b
p
j

J 85
p
j

2.
b 5
8
p
b
5
8
p
85

3
4

43
43

85

85

43 b
p
34
b
p

b
p>

j
b
p>
j
b
p>

b
b

b

p
b
p
j

b
p
j

j
b
p

J
p
j

5
8

85

85

85

43

1.
>
J
p

43

85

p
b

43

85

43

b 85

p
b j 85
p

43

1.

85

43

>

J J
p
>j

J J
>
p
>

J J
p

85

p
b
p

85
85
85

36

b .

45

b .

2.

5
4
45

45

.
p

85
85

5
j 4

45
j 45

85

45

45

45

45

3
&4

5
8

3
4

5
8

5
4

1
2

? 43

85

43

85

45

Bs.

? 43

85

43

85

45

Tuba

? 43

85

43

85

45

Timp.

? 43

85

43

85

45

& 43

85

43

85

45

Perc. 2

& 43

Tbn.

205 a tempo

& 43

+Glockenspiel
jdeadstroke +
b j
b
b
fl
Pfl

205 a tempo

Hp.

Pno.

b 85
J

Vla.

D. B.

43

+
b j
fl

+
58 b
J

45

85

45

85

43

85

45

? 43

85

43

85

45

85 b

b
85

b
J

& 43 b
p
b
? 43

& 43 b
p con sord.

& 43 b j
p
3

B4

? 43 b b j
J
fl
P
pizz. (dampen; do not let ring)
unis.
j
? 43 b b j
b
fl
Pfl
205

206

85

43 b

43
j
b

85 b

pizz. (dampen; do not let ring)

Vc.

con sord.

Vln. II

85

& 43

205 a tempo

Vln. I

+
34 b
J

j
b b

43 b

b j 85
fl
b j 85
fl

43

43 b j
fl

207

43 b j
fl

208

j
j
b

85 b
43 b j
b

85

b
J
j
b
b
fl
div.

209

b j
fl

b j
fl
unis.

85

45

85 b

j
b

45

j
b
fl

b j
fl

210

45

5
b j 45
b b 8

con sord.

5
b j 45
b b 8 J

j
b
fl
j
b
b
fl

211

85

45

85

45

212

37
Picc.

& 45

1
Fl.
2

& 45

w
w

1
2

& 45

E. Hn.

& 45

1
2

& 45

Ob.

Cl.
Bs.

& 45

1
2

?5
4

Bsn.

C. Bn.

1
2
Hn.
3
4

214
J 5
8

J 85

85

rit.

43

46

43

46


85 J J #

J 5

j 8

1.
.
B 5 #
8

j 8

214 a tempo
j
85

85

?5
4 w

rit.o
5
& 4 #

& 45

a tempo

43

# J

43

46

#
43

3
4

6
4

43

46

43

46

6
4
6
4

3
4

5
8

3
4

1
2

?5
4

85

43

Bs.

?5
4

85

43

46

Tuba

?5
4

85

43

46

Timp.

?5
4

43

46

& 45

& 45

Tpt.

Tbn.

Perc.

rit.

& 45

& 45

Pno.

85

Hp.

85

& 45

& 45

214 a tempo

rit.

#
?5 >

4
p
& 45 n w
>
>
n
w
?5
4
& 45 n w
w
>

j
& 45

pfl
j
5
B 4 n
>

div.
pizz. (dampen; do not let ring)

Vln. II

Vla.

214 a tempo

j 5
8
85

j 5

5
J 8

214 a tempo

rit.div.

Vln. I

Vibraphone

85 # j #

85

Vc.

?5
4

D. B.

?5
4

213

85

43

43

.
.

43

.
.

#
#

.
214

#
J

senza sord.
div. a 3

&

.
.
.
.

43

#
#
J

O ..

.
.

43

.
.

43

43 # # O ..

34 # O .
# .

34 .

43

O.
.

215

rit.

46

# n

216

4
4

44

- - - - -
J

44

46

4
4

44

44

44

j

*

46 n b b

rit.
j
64 w

bw
>

(do not roll)

44

4
4

- -

rit.

n w>
64 n w

44

con sord.
1. like a bell

46

44

- b
b

44

44

J
j

46 bb ww
>
rit.
>
64 # www

44
44
44
44
44
44
44
44

46 n n wO
>
46 n n wO
>

j
O

j
O

44

>
46 b w

>
46 b w

44

43 # # # 46 b n ww
>
*

# j

85

unis.
Osenza sord.O .

85

senza sord.
5

8 O
O ..

arco
.
85
arco

43

44

(con sord.)
1. like a bell

5
8

1
2

b w>
46

44

46

>
# # 46 n w

43

46

43

rit.

217

44
44
44

218

Picc.

Fl.

Ob.

1
2

1
2

E. Hn.
1
2
Cl.
Bs.

Bsn.

1
2

C. Bn.

& 44

> .

a tempo

& 44
& 44
& 44

> .

1.

1.

Hn.
3
4

1
2
Tpt.
3

1
2
Tbn.
Bs.

Tuba

Timp.

& 44

B4
4
?4
4

& 44
B4
4

?4
4 .
>
P
?4
4
.
>
P

?4
4 .
P>
> l.v.
& 44 .

Pno.

l.v.

>

# n >
p

P
>

j
# n #
>

p
P

>

P
>

#
#
p

P
>

38

J b b b

P>
p


>
P

>
P
l.v.


>
> l.v.


>
P


>
P

l.v.


>
> l.v.


>
P


>
P

l.v.


>
> l.v.

& 44

& 44

?4
4

& 44

?4
4

& 44

Vln. II

& 44

Vla.

B 44

sul A
molto vib.

b J

sul D
molto vib.

j
#
sul G
P
molto vib.
#.
?4
4
P
?4
4

b .
J
F

b b

J b b b

P>
p

molto vib.

#
#

218

219

220

Vln. I

D. B.

P
>

218 a tempo

Vc.

218 a tempo

Hp.

& 44

Perc. 2

j
# n
>

p
P

& 44

& 44

& 44

& 44

218 a tempo

b b n >

218 a tempo

1
2

>

221

F
j
.
F
.
J
F

39
Picc.

&

Fl.

1
2

&

Ob.

1
2

&

E. Hn.

1
2
Cl.
Bs.

rit.

j
& - - P
like a bell # # # # #
& J- - P

&
?
P
?

like a bell

b -

1
2

C. Bn.

b -

44

44

44

44

44

4
4

4
4

44

43

225 a tempo

44

1
2

&

3
4

&

43

44

1
2

&

43

44

&

43

44

43

44

44

44

44

Hn.

Tpt.

1
2
Tbn.
Bs.

Tuba

Timp.

Perc.

rit.

J
43

3 j
- 4

j
#

34 J

43

225 a tempo

3
4 J

1. like a bell

Bsn.

J
43

43

?
?
?

w
p

w
p

rit.

43 j

34 j

43
43

&

&

43

&

43

225 a tempo

p>

?
P

Hp.

Pno.

&

&

?
rit.
ord. vib.

Vln. I

&

Vla.

Vc.

sub.

D. B.

w
P

ord. vib.

bw
sub.
ord. vib.
? nw
?

w
P
w
P

w
p

w
222

43

43

43

#

P

43

223

>

>

43 j

224

>

225 a tempo

O
p>
O
p>

div.
arco

>

pizz.
>
p
>arco

pizz.
p>

O
O

div.

225

p
O
p>
>

>
p
>

>
p

>

#
7

>O

>

>

43 J

43 J

34 j

43 J

ord. vib.
& #w
sub.
sub.

Vln. II

225 a tempo

rit.

>

226

>

.
#

C-C#

>

44

>O 4
4
p
4
O 4
p>
44

# >O

O
p>

O ..

# # O
p>

>

>
p

..

>

>
p

>

>
p

..
227

>

p>

44

O.
.

44

>

#
44
J
6

p
4

>
44

>O

44

>

# > .
#.

.
.

#
#
>
#

228

> 4
4
>
p
> 4
4
>
p

Picc.

& 44

1
2

& 44

Fl.

Ob.

1
2

rall.

& 44

45

45

a tempo

molto
rall.

- - - 45 #

- - - - p
P
54

E. Hn.

& 44

1
2

& 44

Bs.

& 44

like a bell
- - 45 - # #

- p
P- - -
45

1
2

?4
4

45

Cl.

Bsn.

C. Bn.

?4
4

1
2

& 44

3
4

j

.
F

like a bell

44 b >
>

>
a2
4 > b
b b
4

6
F
a2
> >

b b 44 b

6
F
>
4

4 b
>

>
4 >

4

6
F

.
F

.
v
a2
.

v
.

45

45

& 44

5
4

1
2

& 44

5
4

& 44

45

1
2

B4
4

45

Hn.

Tpt.

Tbn.
Bs.

Tuba

Timp.

?4
4

?4
4
& 44

& 44 n # ww
p>

44

Hp.

Pno.

Vln. I

Vln. II

Vc.

D. B.

a tempo

molto
rall.

& 44

rall.

w
45 w
P>

45

Ow>
45
P

Ow

b w>
B 44 b www
>
p
?4
4 w
?4
4

molto
rall.

w
229

>
45 b w
P>

O
p

.
v
.
v
f

j j
.
v

C#-C
E-Eb
F#-F
B-Bb
G#-G

j

.
j
.
.
J

O.
J
F
j
O.
F. j

J
.
F
.j

J
F
.j

J
F

4
4

44

44

44

.
.

F
n

b
b

>

44

232

a tempo

44


J
j

j


v


v
l.v.

.
v

..
v

arco unis.
sul G, C
(non-div.)

arco unis.

.
v

231

l.v.

.
v

b
b

> b >

glorious

> >
44

44 b
b
> >

44

J

J

div.

&

232 glorious

44

l.v.

a tempo

44 %
f>
44

44

l.v.

44

232 glorious


b b

44

a tempo
l.v.

44

Large Bass Drum


hard mallets

44

Large China-type Cymbal


medium yarn mallets

a2
44 > >

a2
4 b >
4
>

senza sord.
4 b
4
> >

44
b >
>

.
v

232 glorious

a tempo

44

.
v

230

j

.
motor off
j

.
*

45 wO
P>
w>
54 n ww
w
>
P
>
45 b w
>
P

& 44 wO

a tempo

>

45 J
P

45
molto
a
tempo
rall.
rall.
w>
w
w
w
& 44
45
P
G-G#
?4
45 # w
4 w
w
#w
>
5
4
& 4 # # n # n # n 4 #
p
P


? 4 # # n # n # n 45 #
4
# >
?4 n
4 J
p
4
4

44

a2 senza sord.

gradually slow down motor (if possible)

w
45 w
P>

w
w

div.

Vla.

45

Perc.

5
4

rall.

molto
rall.

45

?4
4

a tempo

44

rall.

40

232 glorious

a tempo

44

j
..
J v
j
.
v

232

41
Picc.

Fl.

Ob.

1
2

1
2

E. Hn.

1
2
Cl.
Bs.

Bsn.

1
2

C. Bn.

1
2
Hn.
3
4

1
2
Tpt.
3

1
2
Tbn.
Bs.

Tuba

Timp.

>
& b
> >

> b > >


&

> b > >


&

&
>

>
&

&

?
?

Vln. II

Vla.

Vc.

D. B.

&


J
j

&
&

.
v

l.v.

.
v

> > >

..
v

j
.
v
233

n > .

fl


n .
>
3

>rall.

b
b

>

>
b >

> . >

J

3
> . >

J

rall.

a tempo

> . . >
.

.
v
> v
v v

j
.
>
>

fl

fl

fl


n .
>
3
a tempo


n .
>
3

3
>

>


>
3

. v v >
v
v
a tempo

j
v v >

w
v
f

.
v

a tempo

> b > > >


v v

A-A#
Eb-E
F-Fb

> > > > b

>

a tempo

>
b
>

>

rall.

>
v
l.v.

l.v.

F
# b b


>

3
>
b
b
> > >
fl

(non-div.)

j .j


J v J
v v

j j

.
v
v v

w
>
f

v
rall.
>
#

>

> > b >

.
.
>

j


>

j
.
>

235

>j
.
.
J

236


v v

a tempo

3

>

3
>


. .

>


v v


>
v v


>
vmoltov

l.v.

w
>
f

l.v.

l.v.

.
v v

rit.

rit.
>

b > >

>

> > b >

j


>

237

J
v

>

.
>
vmolto v

>

j>

>

rit.

rall.

>
F


>
vmoltov

w
v

v
rall.
>
#

l.v.

.
.
>

>
F


>
vmoltov


>
vmoltov

j
.
>
>

l.v.

# b


>
vmoltov


>
vmolto v

>
>

molto

j
.
>
>

rall.

l.v.

l.v.

>

rit.

j
.
>
>


>
v v

molto

molto

b
. b J
.
>j
.
.
J

j
.
>

>
F

> . .

.
. J
>
3
molto
> 3 >
b
>

3
molto
3


>
molto
>
>
3

>

a tempo

molto


.
>
3

# >

>
F

> . .

.
. J
>
3

rall.

v
>
v v

a tempo
> . >

J

b > >
rall.

J
v

j
.
>
>


> v
v v

l.v.

>

j>

j
.
>
>

l.v.

j
.
>
>

v
>
v v


>

>

>

molto

v
>
v v

w
v

>

b > . . >

.
. J

. v v >
>
>
v

234

l.v.

Tam-tam
l.v.

j
.
>
>

.
v
> v
v v

rall.

j
.
>
>

. v v >
v
v

>
b >

rit.
>

3

3
molto

>

rall.

> . .
j

. J
v

6

>
>


>
3


>
v v

a tempo
> .
. .
>
3
> .
. .
>
3
> j 3
. >


>


>>

>

>

j
.
>
>

.
v
> v
v v

>>
b

> .
j
. .

>
v
3
6

>
>
# >
>
>
3
6


# >

>

j
.
>
>

rall.

>>
b

l.v.

w
>
f

>

.
v
> v
v v

> b > >

rall.

l.v.

b
& b
> > >

?
j

J
?

>

b
> > >>

&

rall.

>

a tempo

> > > >

>
b
> > >

> >
b
> >

l.v.

%
>
f

>

Perc. 2

Vln. I

> >

& b
> > >

v
?

Pno.

b
> >

b > b > > >

6
>
j
b

> > >

>

> > >


& b
> > >

>
& b
> >

b b
6

> > >


&

Hp.

>>
b
> >

> b > > >


rall.

>

molto

>

molto

3
>


. . >
molto
j
>

..
>
vmoltov
j
..
>
>
vmoltov

238

239

a tempo

> .

240 eerie
Picc.

1
Fl.
2

&

&

E. Hn.

&

1
2

&

Cl.
Bs.

Bsn.

1
2

C. Bn.

J
P

&

1
2

Ob.

P
>

>
ww
P

.
P>
.
P>

.
P>

240 eerie
1
2

&

3
4

&

1
2

&

&

Hn.

Tpt.

1
2
Tbn.
Bs.

Tuba

a tempo

j
b
>
P
j

P>

P>

P>

P>

a tempo

w
P
Crotales
>

&

.
.

Vibraphone motor on fast


medium rubber mallets

Perc.
2

&

Hp.

Pno.

?
&

>
w

Vln. II

Vla.

Vc.

D. B.

45

45

P>

.
.
240

>
j

>

5
4

4
4

45

44

45

44

5
4

4
4

5
4

4
4

45

44

45

45

.
.

>

.
.

O ..

O ..

www

241

>

>O

j
O
>

>
j

>

rit.

5
4

w l.v.
w

rit.

>
b
54
b

45
45 w
w

www

242

O
45

54 O
rit.

ww
45 w
45

45

44

44

>
44 ww

l.v.

>
gw
44 gggg ww

gradually slow down motor (if possible)


J
*

motor off

44

44

44

44

45

w
w
O

rit.

4
4

45

O ..

unis.

4
4

>O

j
O
>

44

5
4

O ..

>O

44

45

.
.

> o o o
O
O
O

>

44

>

44

44 > .

44

l.v.

> >
J

1.

1.

a tempo

>
J
J

45

O
P>
div. a 3
b ww
w
B
P
?

P>
&

45

a tempo

&

45

rit.

>
45

54

240 eerie
Vln. I

>

eerie

240

&

240 eerie

Timp.

..

&

42

243

44
w
w
>

4
4 w
>

4
4 w
>

Large Bass Drum

w
w

O>
44 w

4
O 4 wO
>

4 www
4
O

Ow

wO

www

w
244

245

attacca

43

44

IV. Dream Theater


~
>
78 # .

7
8

# ~
> . .
b # . j
.
F
3

&
246 theatrical q = 60

Picc.

1
Fl.
2

1
Ob.
2

E. Hn.

1
2

&

&

&

&

# a2~
# > b

Cl.

Eb

Bsn.

1
2

C. Bn.

?
?

Hn.
3
4

1
2
Tpt.
3

1
2
Tbn.
Bs.

Tuba

&

b # j

a2

r

v

theatrical q = 60

>
&
p
& b
>
p
? # >
p
?
?

>
J
f

Triangle

Perc. 2

r

v

j

p

Pno.

Vln. II

Vla.

Vc.

D. B.

7
8

7
8

b >

n
>
p
n >

&

p
j

J
p

# ~~~~~~~~~~~~
>
. # . . > . b . . 7
&
8
3
3

>~~~~~~~~~~~~ . . . b > . b . . 7

8
&
3
3
unis.
b ~~~~~~~~~~~~
b >
. . . n > . b n b . . 7
B
8
3
3

. . n > . # n # . . 7
? # >
8

b . . . # . .
>
fl
fl

r
j


v

p
3

246

44
4
4
44

>
J
f

r
b

r
b

p
> b b

. .
>
42
p
3
>
b b #
b b
2
4
# j

# j

# ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
.
J
42
7

4
4

r
b
v

p
>
J
f

>

42
2
4


fl .
3
b

fl .

2
4

r
b

42

~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~~~~ . . b~~~~~~~~~~~~~~~~~~~~~
. . .
>
. >
. . . b > . > 4 b >
4
3

42

b ~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~
>
. . .
b >
. . . b > . n > 4 n >
. # . . b
4

~~~~~~~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~
. . .
. . . >
n >
. # . . b > . > 4 b >
4
n >

p
7
8
>
p
7
8

b . . > . > 4 # >


4
3
3

p
gliss.
3
3
4

.
4 #
>
fl . # > . >

p
j

44
v
p

247

. . >

3 p

gliss.


fl . . # >

b . .

r
b
v

2
4

248


fl . .

&

v
. .

3
# #
fl .

.
#

5
8

5
8

r
b b . .
v

85

5
8

.
fl .


fl . .

5
8

5
8

5
8

85

85
5
8
85

5
8

85
85
5
8

r
b

85
5
8

b
v

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
. # . .
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
b >
. . .
3

# ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
. # . .
2 >
4
3

42 #
>
p
2
4

>
p
2
4

85

42

85

85

2
4

5
8

85

2
4

42
>

b
v

>

2
4
p
>
24 J

85

2 b >
4
p
2
4 n
>
p
>
b
2
4
p
2 b
4
>
p
a2
42 #
>
p
42

>

42

3
. .

.
fl . p>

. .
#
>
3 p

44

# . .

p
. . >
#

4
4

>

44

7
8

.
v

~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~ .
.
>
44 b >
J
J

5
5
44
r


v
v
5
5
4
r
4


v
v
# . .
>


4
4
p
3
. .
b >
4
#
4

4
4

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
b >
. . .
#
24

b ~~~~~~~~~~~~~~~~~~~~~~
. . .
. . b >

# . n
3

>
. . b b > n . n >

4 n b
4
3
3
p
3
3
4

4 b
# . .
> . >
>
p
fl
b . . > . > 4 #
# 4 #
>
p
3
3
j 44

v
p
j 44

v
p

78

> .

gliss. (smear)

.
# n . # > . n > b
# > .

42
3
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ .
>
# . .
2
4

n b . . >
>
b > .
J
J
3
~~~~~~~~~~~~~~~~~~~~~~
. . .
. . . b >

# ~~~
>
4 # bb
4
# j

7
8

44

78

&

l.v.

w
>
f

p
div.
?
>
p

Eb Clarinet

78

>

246 theatrical q = 60

Vln. I

78

>
78 J
f
7
8

l.v.

7
8

246 theatrical q = 60

Hp.

78

# . . b > .. n b b n # . . 7

8
3
3

3
3
. . n . b n b . . 78
>
fl
fl

. . n > . # n # . . 7
b . # 8
3
3
j 78

v
p
j 78

v
p

&

78

> >
#
44 # .

b ~~~~~~~~~~~~~~~~~~
a2 >
b
4
4

~~~~~~~~~~~~~~~~~~
44 b >

78

7
8

&

246 theatrical q = 60

Timp.

p
j

r

v

j
.
F

~~
7

7 # #
8
# # j
>

&

246

1
2

. .


fl . .

249

b . .
fl
b
v

85
5
8
5
8
85
5
8
5
8

45

b >
& 85

b >
& 85

b > .

.
44
F
j
.

44

poco rall.

Picc.

1
Fl.
2

Ob.

1
2

E. Hn.

1
2
Cl.
Eb

Bsn.

1
2

C. Bn.

1
2
Hn.
3
4

1
2
Tpt.
3
1
2
Tbn.
Bs.

Tuba

Timp.

Perc. 2

Hp.

Pno.

Vln. I

Vla.

Vc.

Solo
D. B.

poco rall.

85
85

& 85

l.v.

& 85

44
44

251

>

>

>

> .

b >
5
&8

div.
b >
& 85

? 85
#
>

? 85
#
>

? 85 b
v

? 85 b
v

>
> .

>

>
j

a tempo

b
1.

1.

a tempo

b J

1.

44 w
F

..

..

..

>
.

42

.. 42

..

42

2
4

42

Xylophone hard mallets

..

..

..

252

b ..

251

2
4

2
4

2
4

2
4

42

42

2
4

42

42

+.


J
+
j
.

42

42

+.

J
p
3. +
j
.
p
>
. b

..

42

>
. b b

3
3
1.
b ..

con sord.
1.

44
w
w

a tempo

..

44
P
w
44

2.

Wind Chimes
l.v.
Metal

44

251

a tempo

44 .
P
w
44
F
4 n.
JB4
p
P
w
44
F

4
j
4
P

j 44

solo
44

v
P

j

v

250

J
p

..

44

b j j
b
() poco vrall.
>
b >

J
5
&8

div.
b > .
b >
& 85

& 85

4
4

251

44

? 85

div.

P
44
w
F
44
w
F

44

44

>.

? 85

44
J

44 j

j
4
4
J
F
j
4
4
F
j 44

4
4
w
F
44
w
F

l.v.

poco rall.

4
4

251

>

a tempo

F
j
4P j
J
4

F
44 J
j

.
44

b
v
p v
>
> . l.v.
85
f
5

&8

& 85
Vln. II

> .

>
>
b
.
5
&8
>
>

b > .
b >
5
&8

> .
>
^
& 85

>
b >
5
&8

^
? 85
j
b
v J

? 85
j
b
v

poco rall.
>
b > .
b
.
& 85 n

& 85 b n
..
>
>

>
b > ..
5 b
&8

5
& 8 b
b.
>
>

?5
8 #

>
>

?5
8
j
b
> v >

? 85
j
b
v

?5
8

251

>o

b ..

b b ..

..

..

..

o
J

..

253

254

42

42
42

42
42

42
42

42

42

42

.. 42

42

42

42

42

42
42

Picc.

& 42

44

Fl.

1
2

& 42

44

Ob.

1
2

E. Hn.

1
2
Cl.
Eb

Bsn.

1
2

~~~~
2
& 4 b
& 42

4
4
44

2 j
&4

P

& 42
? 42 .

4
4
44

2.

44

>
J
F
1. >

J
F

44

1
2

& 42

44

3
4

2
&4

4
4

1
2

& 42

44

1
2

?2
4

4
4

Bs.

? 42

44

Tuba

? 42

44

Timp.

? 42

44

42

44

Tbn.

Perc. 2

Hp.

Pno.

2
&4

2
&4
2
4

& 42
? 42
& 42
? 42

4
4

4
4
4
4

44
44


44
44

~~~~
& 42 b
Vln. I

Vln. II

Vla.

Vc.

Solo
D. B.

& 42

& 42
& 42

44

B 42 .
& 42

? 42 .
? 42

? 42

255

44

4
4
B

4
4

? 2 .
4

44
44
44
4
4

F
>o
J
F
>

44

>

257

>o
J

>

>o
J

257

>

257

256

# b
>
F
3

#
F
3

257

# #
F

.
.

.
.

b ..

. # . b .

b.

b.
p

>

>o
J

>

. #
.

. # .

.
P

P
. .
f

. .
f

. b .

f
3

# . . .
f

# . . b .

. # . . b .
3

>o
J

>

. # .

b .

>

>

>
J
F
>
J
F

j
F
>o
J

>

b.

>
+
b.

F
Tambourine
> . ^

F
>

>o
J

>

b .

b .

258

l.v.

Tam-tam scrape with triangle beater


l.v.

46

b.

.. # #

5
5
r >
r
# > #
>
3
>
>
b >
b R n R
5
5
F
5
5
3
r >
r
b

n b

#
>
>
F
3
>
> n b >
b R
R
5
5
F
3
>
>
b >
b R n R
5
5
F
5

.
.

.
.

.
.

#

F 6

.
.

r> r >
n b

~~~~
.. #

~~~~
. #

~~~~
# .. # #

~~~~
. #

.
b .

.
.

f
.. .. ..
f

.
n # . b ..

44

. # . . .. .
#
b .
3
f

. # . . b .
b .

>
J
F
>
J
F

# #
R
R
5
5
p
5
5

r
r

>
J
F
>
J
F

3
>
> r>
# b # n # b
#
R
5
F
5
3
>
>
b >
b n
R
R
3
5
5
F
257
3
o
>
.
. .

>
>
# # n # # # # n
R
R
3
5
F
5
3
3
5
5
o
r
r

b #

# # b > > n > . # . .


F

>
J
F
>
J
F

? 42

Tpt.

>
J
F
>
J
F

257

C. Bn.

Hn.

>
J
F
>
J
F

b .

b.

b.

259

47
Picc.

Fl.

1
2

Ob.

1
2

& J

& J

& n ..
p
1.

E. Hn.

Cl.
Eb

&
p

? .

&

1.

Bsn.

1
2

C. Bn.

..

&

1.

1
2

b
. b b

1.

..

&

3
4

&

1
2

&

Tpt.
3

1
2
Tbn.
Bs.

Tuba

Timp.

Perc. 2

Hp.

Pno.

Vln. I

Vla.

Vc.

Solo
D. B.

&

&

&
?
&

& ..
p
o

o
J

>

? .

..

..

..

..

..

pizz.

b n b
b R

b

b

b R

soft mallets
b n b

B .
p

? .

>

&

&
p

&

Vln. II


. J

1.

..

2.

1
2
Hn.

#
##

260

261

262

~~~~~~
>
# . . . j
&
.
F
3

# ~~~~~~~~~
. . .
78 # >
# # . j
F
3

263

Picc.

Fl.

1
2

&

Ob.

1
2

& ..

E. Hn.

Cl.
Eb

Bsn.

1
2

C. Bn.

&

Hn.
3
4

78

>
&
p
&

78

r
j

v
p
# . . > . . .

a2

>
& b
p
>
&

senza sord.

1
2
Tpt.
3

1
2
Tbn.
Bs.

Tuba

p
B # >
p
?
?
?

>
J
f

Triangle

Perc. 2

263

Hp.

Pno.

Solo

Vln. I

Solo

Vln. II

Solo

Vla.

Vc.

Solo
D. B.

&

78
78

78

78

j

p

7
8

Large Bass Drum

78

n >
> . b b . n .

# . . > ..

3
3
p
. . b > . b > b >

p
3
3
b . . > # > # >
# .. # n
p
3
3

r
#

r
#

#
R

v
^


J
p

>
J
f

l.v.

>

3
. . >

. # . >
b

r
n
v

r
n

&

78

.
263
v

& ..

~~~~~~~~~~~~~~~~~~
>
>
. . . b . . .
&
3
3
sub.
~~~~~~~~~~~~~~~~~~

>
. . . b > . . .
&
3
3


& ..

b ~~~~~~~~~~~~~~~~~~
.
>
b
. . b > . n . .
&
3
3
sub.
# ~~~~~~~~~~~~~~~~~~ 3
> . .
>
.
. # . .
&

~~~~~~~~~~~~~~~~~~
>
. # . .
3
sub.
arco
~~~~~~~~~~~~~~~~~~
>
. # . .
B
3

. .
B # >
B

p
? >

b > . . .
.
n > a . .
3

3
3
b . . > . . .
n
3
3

p
?
?

b > . . .

5
5

r

v
r

v
263

p
j

p
>
J
f

>.

4 J
4

4 J
4

44

>
P

4
j
4
>

P
44

78

Metal Wind Chimes

44

j 4
j
4
>

P
j 44
j

l.v.

>

48

a2

. . n > .. b n b > n >


b b
#

>
n b

>
7 J
8
f
7
8

b >

# ~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~

>
. # . . > .
44 J

m
~~~~~~~~~~~~~~~~~~~~~~~ . .3 . >j~~~~~~~~~~~~~~~~~~ m
>b

.
.. ..

4 J

. 3. . >
>

# ~~~~~~~~~~~~~~~~~~~~~~
# ~~~~~~~~~~~~~~~~~~~~~~~
>
j
. # . . # > .
44 J

3
6
~~~~~~~~~~~~~~~~~~~~~
7
6
6
>
1.

.
b
# #
44 J
#
b# #

j
j
b#
b
>
>

# ~~~~~~~~~~~~~~
# ~
# ~~~~~~~~~~~~~~~~~~~~~~~
>
>
4
#

# >

J 4


5
5
4
r
r
j

4
#

J
J
v
p
v
>

P
5
5
j 44
j
r
r
j

>
v
v
p

. . b > . n b > n >


# . . # > .
b >
44 J
3
p
p
3

3
44

p
>
p
n >
#
p
3
j 78

p
j 78

w
>
f

7
8

. . b b > n . n . .
78

3
3
3
>
# . . . . . 78
fl
3

. . n > a . . . 7
bn 8

3
r

v

263

Timp.

78

b#


&
b # j
>

gliss. (smear)
> .

&

a2
5
?
r
j

v
p
263

1
2

78

a2

1
2

78

> .

l.v.

4
4
4
4

44 gg
ggg
gg
g
44 gggg
gg
ggg
g
44

43
43

1.
m ..
43

43

# .
J

3
4

265

266

m ..
p

1.
43

44
44
44
44
4
4
44

43

44

43

44

3
4

43

44

4
4

3
4

4
4

43

44

3
4

4
4

43

44

43

44

3
4

4
4

3
4

43

4
4
4
4

43

b
b b b
34 . b . .

264

43

5
3
j 4
j
r
r

4
4
#
n

.
b ~~~~~~~~~~~~~~~~~~~~~~~# v
>
~~~~~~~~~~~~~~~~~~~~~~~ v
m ..
. . . n > . b n b > n >
. # . . >
m
>
m
b

..
78
.. n 44 .. 43
3
3
3

b ~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
. . . n > . b n b > n >
. # . . >
>
b

n 4 m .. m .. 3 m ..
..

78

4
4
3
3
3

# ~~~~~~~~~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~

>
. . . n > . b n b > n >
. # . . > .
78 b
44 J
43
3
3

3
~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
>
3
. . . ..
. # . . > . b > b >
4
7 n >

8
4
4

3
3
3

~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
3
. . . > ..
. # . . > . b > b >
4
78 n >

4
4

3
3
3

~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~~~~~~~~~
>
. . . .
78 n >
44 J
. . . b > . b > b >
43
3
b ~~~~~~~~~~~~~~~~~~~~~~~ 3
~~~~~~~~~~~~~~~~~~~~~~~

3
>
. . . n > . b n b > n >
. # . . # >R n
78 b
44
43

3
3
3

b ~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
>
. . . n > . b n b > n >
. # . . # >R n
78 b
44
43

3
3
3

#
~~~~~~~~~~~~~~~~~~~~~~
b ~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
>

. . . n > . b n b > n >


. # . . # > .
78 b
44 J
43
3
3
3

b . . > # > # >


. # . >
?
78 n >
.

J 44
43
3
3

p
3

p
. . > > n >
b . . >

78 # >
#. #

J 44
43
3
3

3
p

p
5
5
78
r
r
j
44

43
#

v
p

v
5
5
78
3
j 4
j
r
r
j

4
4
#

>
v
v
p

78

1.

3
4

44

m ..

p
m ..
p

267

44
44
44
44
44
44
44
4
4
44
44
44
44
44
44
44
44
44

49
268

Picc.

Fl.

1
2

Ob.

1
2

4
&4

4
&4

1
2

4
&4

Eb

1
Bsn.
2

C. Bn.

4
&4

E. Hn.

Cl.

4
&4

4
&4

268

4
&4

3
4

4
&4

1
2

4
&4

4
&4

1
2

B 44

Tpt.

Tbn.
Bs.

? 44

Tuba

? 44

Timp.

? 44

4
4

268

Perc. 2

1.


F

F

Pno.

Vln. II

Vla.

Vc.

Solo
D. B.

# n # . n
< < < - . F
3

- b . . #
F

J
p

j

p
j

p

.
. # .
J


F
3


J
p


J
p
j

p

# ..

P>

>
5 5
3
p

Temple Blocks

4
4

Suspended Cymbals
soft mallets
l.v.
l.v.

>

Bongos

J ..

j
.j -
p

j
. p
3.

4
&4

? 44

4
&4
p
4
&4

# div. a 3b
#

p3

n bb

n bb

B 44

B 44

? 44

? 44

? 44
? 44

pizz.

.
F>

268

.
>
F

.
>
pizz.

269


>.
.
>


..
..
#

p
unis.
con sord.
n #
..


# ..
J

(echo)

n # ...

J
p

..
J
p

270

# div. a 3b
#

p3

4
&4

.
R

# b . .

4
&4

j
. p

P>

4
4

(echo)

1.

..
J
p

..
..
..

n # ..

b . b
< <
F < - p.
3

- b . .
F p

. J
>

P
p
b

.
. # .
J

j

p
j

p

2.

4
&4
P
? 44

j < b < b . . #
F <
p
3
- # . # # j
.

F
p

. J
>

P>

268

Vln. I

268

Hp.

# J.
. .
F

? 44

. J
F>
? 44

1
2
Hn.

arco

..
J
p

J ..

J ..

271

272

Picc.

Fl.

1
2

Ob.

1
2

&
&

m
..
& R

b
m
..

50

275

1.
bm ..

m ..

78

46

78

7
8

44

46

44

6
4

4
4

78

46

44

44

E. Hn.

&

1
2

&

78

46

&

78

46

78

46

78

46

78

46

78

46

Cl.
Eb

Bsn.

1
2

b
b

1
2

&

3
4

&

1
2

&

&

C. Bn.

Hn.

Tpt.

1
2
Tbn.
Bs.

Tuba

Timp.

2
Perc.

Hp.

Pno.

?
&
?

Vln. II

&

Solo
D. B.

? J
p
pizz.

275

m ..

46

7
8

6
4

78

46

78

7
8

6
4

275

p
j
# .

m ..

b
J

#
J

274

44

44

44
44
44
44

4
4

44
4
4

w.

44

l.v.

rit.

44

44

4
4

46

44

78

46

44

44

44

46

44

46

44

7
8

6
4

4
4

78

46

44

78

46

44

78

46

44

7
8

6
4

4
4

78

46

44

78

46

44

&

46

44

78

Medium Suspended Cymbal

275

6
4

44

rit.

78

nw
p
nw
w
p

78

273

46

b ww

b
J

bm ..

. . 7 b b - # ..
n 8 n #
3

46

n b

Marimba hard mallets


j
b
46

p
46

b - -

3
.
. 78 n # - - .

rit.

78

46

espr.

j
5
p

P
#

# - -

7
8

con sord.
#

.
. 7 b n # - - ..
8

gliss. (smear)
. . . . . .
.
. # # n # # n . b . b n n 44

free, joyous, rhapsodic

m ..

?
?

&

?
Vc.

& R

B
Vla.

J
p

&

# - -

Large China-type Cymbal


soft mallets
l.v.

Tam-tam
scrape with triangle beater
l.v.

275

con sord.

con sord.

&
Vln. I

b b j
# .
p
3

?
3

rit.

275

78

46

78

46

78

78

276

rit.

277

51
Picc.

Fl.

Ob.

1
2

1
2

E. Hn.

1
2
Cl.
Eb

Bsn.

1
2

C. Bn.

& 44

a tempo

& 44

1.
~~~~~~~~~~~~~~

& 44 .. .
J

& 44

& 44

Hn.

1.

> # .
# . # . .


& 44 #
J
p
1.


?4
4

?4

1.+
& 44 w

3
4

& 44

1
2

& 44

& 44

B4
4

Tpt.

1
2
Tbn.
Bs.

?4
4

Timp.

?4
4

Perc. 2

Hp.

Pno.

a tempo

& 44

& 44

. b b

Xylophone hard mallets

44
& 44

a tempo

?4
4
& 44
?4
4

Vln. I

Solo

Vln. II

Vla.

Vc.

Solo
D. B.

B 44
?4
4
?4
4
?4
4
?4
4

r

#
v
r
#
v

r
#
v
r
#
v

R
r

..

..

# #
R v

r
# #
v
r
#
v

278

279

>

R
r

>

r
>
5
r
n
>
5

r
#
v
r
#
v
r
#
v

r

v
r

v
r

v
280

# #
R v
# #
R v
# #
R v

sub.

sub.

n
R
sub. p
n
R
sub. p
n >
R

..

sub.

p
>

r

>
r

>

b
.

b.

..

281

#
J

1.

r

>

sub.

# .. ..
J

1.

>

b ~~~~ ~~~~ b ~~~


b ^
^ b b ^
R
R
5
5
5
5
~~~~
b
~~~~ b ~~~
^
b
^ b b ^

R
R
R
5
5
5
5

b ~~~~ ~~~~ b ~~~


senza sord.
b ^
^ b b ^

R
R
R
5
5
~~~~5 # 5
5
#
~~~~ ~~~
^
r
^
^
#
#
n
R
..
5
5
5
# ~~~~ # ~~~~ ~~~
^
r
^
^

R
R
5
5
5
# ~~~~5 # ~~~~
~~~
^
r
^
^

#
# R
n
R
5
5
5
~~~~5
~~~~ b ~~~
b ^ # ^ b b ^

R
R
R
5
5
5
~~~~5
b ~~~
~~~~
b ^ # ^ b b ^

R
R
R
5
5
5
5

^
^
^
b

R
R
R

..

b

.
J

.
J

Tam-tam
scrape with triangle beater
l.v.

280

5
5

# # #
R v

280

>

p f
n >
R

r

v
^
R

~~~~~~~~~~~~~~
..
& 44 .. .
..
J

~~~~~~~~~~~~~~

& 44 .. .
J

& 44

B 44

~~~~ b ~~~
^ b b ^
R
5
5
~~~~ b ~~~
^ b n b ^
#

~~~~~~~~~~~~~~
.. ..
& 44 .. .
J

~~~~~~~~~~~~~~

& 44 .. .
J

& 44

280

a tempo

Solo

b ~~~~
b ^

R
5
bb ~~~~
^

senza sord.

?4
4

Tuba

#
R

~~~~ b ~~~ sub. p>


b ~~~~
^
n
# ^ b n b ^
# b
R
R
R
R
5
5
>
5
5
~~~~ ~~~~
~~~
^
^ # ^

>

b
R
R
R
R
5
5
5
5
~~~~
~~~~ ~~~
>
b ^ # # n ^ b n b ^ n # # .
R

R
R
R
>
5
5
5
5
b ~~~~
~~~~ # ~~~
b ^
b ^ # n ^ b >
R
R
R

R
5
5
5
5
p

5
5
5
r
# >
b ^

# #
#
R v
R
R
v 5
5
5
5
5
r
r
r



#
R # v
>
v
v
280
a2
>
r ^
^
b ^

b b #
R
R
R
5
5
5
5

a2
5
5
5
5
r
r
r

r
b # # >
v
v
^v
^
senza sord. b
^
>
# b n b n
# R
R
R
R
5
5
5
5

senza sord.
5
5
5
r ^
r

b # r b r b
>
v
v

a tempo

1
2

280

Crotales
l.v.

.
P>

P
> .
.

l.v.

# .. ..
J

# .. ..
J
o>
.

>o .

b
3
J J #

#
P
# n #
J

P3

#
P3
# n #
J

P3

#
282

P3

52
Picc.

&

45

285

44

Fl.

1
2

&

45

Ob.

1
2

&

45

E. Hn.

&

45

44 # ..
p
44

1
2

&

45

Eb

&

45

44

1
2

..

44

44

45

45

44
p
44

&

45

3
4

&

45

1
2

&

45

&

45

Cl.

Bsn.

o o o
O
O
O

5
p
..

..
1.

1
2

C. Bn.

Hn.

Tpt.

1
2
Tbn.
Bs.

Tuba

Timp.

Perc. 2

Hp.

Pno.

Vln. I

Vln. II

b
R
5
p
5
r
?
b
p
?

Solo
D. B.

r
b

45

44

44

44

44

45

&

&

?
&
?
&
&
&
&

o
p

>
B #

? >

45
45

>
n #
R
>
n #
R

b n >
R
b n >
R
b n >
R
b n >
R

45

45

45

45

n > .
R
n > .
R

b b > .
R
b b > .
R
b b > .
R
b b > .
R
283

45
45

P
p
j
(non-div.)

45
>
F
j
(non-div.)

54
F>
b >

45
F
b >

5
4
F
b >

45
F
b >

45
F

284

44

4
4

44
44

44

44

44 # ..
p
44

44
p
44

44

44

44
p
4
4

44
p
44

..

..

..

..

b
J

l.v.

285

o
J

44
o
J

4
4

285

285

5
4

45

? >

>
?

5
4

285

.
44 #
J

44 .
J

44

&

.j 45

45

? >
Vc.

.
J

.

3
3

>
B #
Vla.

b
R

1. +
>
J
F

..

285

286

53
Picc.

Fl.

1
2

&

1
Ob.
2

&

E. Hn.

&

1
2

&

Eb

&

Cl.

Bsn.

1
2

&

..

# ..
1.

# # n

b ..

1
2

&

3
4

&

&

1.

1
2

&

Hn.

Tpt.

1
2
Tbn.
Bs.

Tuba

Timp.

Hp.

Pno.

Solo

Vln. I

Solo

Vln. II

D. B.

45 # w n
p

j

J

44

44

44

44

44

44

44

44

j
44
J

44

45

45

44

45 # J

54

44

5
4

4
4

45

44

45

44

5
4

&

5
4

4
4

45

44

b
7

?
&
&

..

?
?
?

n b b

3 Suspended Cymbals
soft mallets
l.v.

n b

45
45

l.v.

291

291

4
4

44

l.v.

44

291

Large Bass Drum


soft mallets
l.v.

>

45

44

5
4

4
4

(piano prepared as before)

45

45

45

45

44

b ..

287

m
..

m ..
J
3
p

288


J
p

R
p

J
p

J
p

289

45

45

44

44

45

44

45

45

45

44

44

solo

45

44

44

45

44

45

290

solo

44

P
44
j

>
291
~~~
44 .. .
J

44

&

b b

n b

n b

&

&

&
()
b

&

con sord.

b ..

b
&
7

Solo

n
45 #
p

45 # #
p
54
w
p

45 n # #
p
54

291

Vc.

w
P

&

Vla.

45

45

soft mallets

Perc. 2

C. Bn.

j
#
J

#w
P
#

# ..

m
..

..

. .
J
p
P
nm .. .
3
P

.
.
w

l.v.

>



J
P
con sord.

P
w
con sord.

j


P
con sord.

j


P
w
con sord.

j .
P>
j .
P>

291

>

..


J

. >

. >

292

Picc.

&

42

85

44

Fl.

1
2

&

2
4

5
8

4
4

Ob.

1
2

&

42

85

E. Hn.

&

42

85

1
2

&

2
4

Eb

&

42

Cl.

1
2
Bsn.
2

C. Bn.

4
4

43

44

3
4

4
4

5
4

3
4

4
4

5
4

3
4

4
4

3
4

4
4

43

44

44

2
4

5
8

2
4

5
8

2
4

5
8

2
4

42

42

42

42

2
4

2
4

3
4

5
4

45

4
4

5
4

4
4

4
4

5
8

4
4

85

44

85

85
85
5
8
5
8

44

44

4
4

85

44

&

2
4

5
8

4
4

Perc. 2

&

42

85

44

42
>

2
4
42

&

w
w
()

l.v.

.. ~~~
.
& J
J


&
J

& j


& J

& J

j
&

293

42

85

42

>
42
42
2
4
42
42

294

42

2
4
P>
2
4
P>

295

5
4

298 haunting q = 48

5
4

45


>

(dampen)

45

l.v.

j 4
4

>

44

>

298 haunting q = 48

.
>

l.v.

.
.

rit.

>

.
.

45

~~~
44 .. . 45
J

4
4

5
4

45

45

5
4

44

44
4
4

44

4
4

5
& 4

5
4

44

44

297

&

45

con sord.

>o

>o

o
o .
o > o o .
o .

o
o > o

o
o > o

o .

o .

45

5
4

298

299

300

301

5
4

3
4
43

.
.

43
43

3 #
4
J

3 #
4
J

3
j


4
J

43
J

j
j
3

o
o > o o
o .
o .
43

l.v.

rit.

4
4

44

45

4
4

44

44

44

43

44

44

>

l.v.
4 U
4 w

rit.

molto
rit.

3
4

44

3
4

l.v.

con sord.

43

43

298 haunting q = 48

43

3
4 .

43

.
>

.
.

43

molto
rit.

45

j 4
j
5
8 4
>

j 4
j
5
8 4
>

296

.
J

85
85

45

45

44

.
85
J

5
8

5
4

P
2 5 . j
4
8
P

2
4

85 .

8
P
85 .
P

85 .

85 .

42

4
4

85

2
4

85

l.v.

5
8

45

85 . j 44
>

5
4

42

45

4
4

45

rit.

5
4
45

44

298 haunting q = 48

3
4

43

D. B.

rit.

85

Solo

Vc.

Vla.

44

4
4

B J

Vln. II

5
8

Solo

43

45

Vln. I

Solo

44

Pno.

Hp.

44

&

&

45

Timp.

43

44

&

Tuba

1
2

Bs.

4
4

5
4

Tbn.

1
2

&

Tpt.

44

3
4

54

&

molto
rit.

45

1
2
Hn.

298 haunting q = 48

3
4
43

.
.

4
4

U
U
w

44

44

44

molto
rit.

44 w
3

U
44 w
3

U
# # 44 w
3

3
U
# # 44 w

o .

o .

4
4

43

3
4

302

303

4
4
44

3
4

44 w

o .

molto
rit.

Uo

Uo

44

4
4

44

4
4

304