‘THE EARLY HISTORY AND USE OF THE ‘GVIOLONE, Jodlle Morton at od, music ae shown at i ts fae Sr sre ol, aa) rapt sry ot a sa Candee rth oa Siete sie iene ome pest em sist Sa, fee rage et Early Desrptin ofthe G Vine “The ety hry, deeapment, sd poms pratie of ‘he vi pmb foi as boes sencod wd eile Retype die eit ig ele — as cused i vat tt, a & pre come Vile might cover lh lou f+ ena compan ‘pram, te, end tat. Te copalsn of te sly {aos wn cose cha at aa ae ta ‘yam nvidia alone an, den tn Wi ited ewe done deere ting, womina” tang clanidenton may enor mde ed onthe Inerunee' op tg pc) for example ‘dered bust val hha ting duc may be ‘lsd aa Dinatamat Thr re fut dinette of "rn Wn hs Bo iy of a Cg Caner ‘deere OO 2 et mn, a ti at ‘Sines Sey mace d mo o B ly ‘in eb ads ea nn Se Wael Sop oy vireo. tiuzat rotessor of Conservatory Doctor of Law tournaiesunor-me7 Jo 101200 Astensasig jo sossojod 2 1zznit a O4IA sung oa, wt ae eae ix teat: soe wi wore nas Got ‘ase we oon chal only te oo ses er "oof aes ‘ namomene ena srrapcdig to Be ua h aici ee ts srs dead i Nipernunings nD Bn ArHoneer‘as vila curtomary ws 0 Ganus, en, eine a {art lower (and therfoe in) ha the prevouly dacoted Instrument, and as «tec, he note 8 forth 90 {Tater described above). Thay sven tains wore Ikely ‘ling two iret yrs that were ino, concur, by ‘layer a that ine’ The fit yt comesponds to th woof ‘Denied Wed ery oy 20. cE Pct ema ue yam ieee os VITO D. Liuzzi Professor of Cousorvatery Law Journaliie 20/8 It 3ht by te at ur of he set emu, inet a precedence ortho Aang Ge fc te sng cameo tak prcdece over tho eal ban) Een mor king y comping treat edge a gute fo went ent) {be thf of he eves cnay (us decbd In ie i if fe i if it fe gE il 4 i i H i Hi i i E i t { i # Snead pan aa = o tiezey Professor of Conser rvatery surnaliet Boctererta Me ago SuseHL 38 AARIMLAE, i Hee ay | et we at Bune inl Spay io fe wana mas eal pes oF ‘unterce the organ” Bat none ofthe ely primary sree ever A a Al Nagi tory ctor of Lavyglournalist Mia tago Seren ett 70014 CoN , Professor, vouserve Begamba} aod violone may jn fact refee to any one of several and instruments, So wo must exerete caution when the lower ange descends blow D, oat of the D bass v's ‘ang, dus rouge lowerpithed inane, "efi sssarting tho mui tel, itis worthwhile to conser the upper aed lower extet of ie vclns's range (e Figure 1). igure 1 G iste tuning and ange COpeting picks ae notated with whoo ete. "Topper agar ngs notaed wid bac note, Based on the above exiteria, ther it a sizeable body of known. style of musical composition was specially for a slo bars Vial, necomitating a ower range extending to Low G?, the suta- ‘lity of this repetoe for G violone should not be surprising. ranges Rognon published Sea de wart! psscge! fi (1620), in the tration of many lt-sxteenth-eenaryinstrus- erofessor of Consers Doctor of Law-Journa o Via Lago Sassano, 36" aHEH, em Oe Hunn pe EE jaca at jel nual He i ee AHH He Hania 38 jet i H Haedth sie Hh BE ‘telnet ti ri way Tle ie ul His 3 GHG Te tii vftory me bli Vis Lage Sasenno, 26 iB Professor of Consen Doctor of Law. Jour i nu Stab EeS H ili, eat aac a ein Meet ve ee, 1619, a OE uentranccainih i ig ih pete u i tt a TPG Pani eran Ht i ay a ij Ha : ali UY ibe ill al hate) i! 1] CRRAJuve eon adequate fox rendering mow consort bus in roel accepted tat wee cours are ‘he eweiac of tone ‘ering ely then, in order to oud tbat, each # 2 8 i E i i ‘i f f cs sot exceed hgh 3 Briaonie, cobeon Conor Mus, provides rato of his {het Broaing hugh th colin, on Obterves very quik {y ta the ase lines of much ofthe the, our, and Gve-par tnd £1 seems to be the general upper imi. a puts to be played on 1G vlons, mon ofthe wating wil Ke on amt Cy Bnet Vl Mi” Bary hon Dt a Wi Cone, ben Cn Me eta v9 es Set a). TE i i i ‘Pater Holman has ahve tht there were a lest two grat ‘tas alls (ic) in oe athe English cour, ince Jerome Lanier tnd Mono Fernbowco I were cach pid £20 fo providing ‘hr, in 1624 and 1626 respectively *" Ax mentioned above, there ar no writen source that crcl confirm ting or prove that a regular bag vil in England at that oe was tunedin D. ‘Bot we might logically infra a great base vol way larger size han aboberinatrme thal wan sefced 10 as bass vl ‘kot since Continental sources che D/E and GIA ferent, Seeing Th Ben Pl nt 12, Th ase ety a ese TE Tot ‘ipo Ont Cit er uy ee te Ser en, nd Tt Pir T Pa tb Eg Crt ‘sate (odd Sasson ee BOSE Professor of Conservator Doctor of Law-Jqurnaltet, | | ace a | 8 aest von, i sn seme 1 ink hee Bgl es Probl aot eer woe bes dug “Te taly Brg oon operas el prefer ‘thr fan {anal brit Ordo Gibons fais re fet Decl Bes" hae ar srl ee nd pl, ‘ikke acl ut” px nt pick extending Sows Tow Aan aly sag corte oh Gp) ta wi 8 ‘diz pry lyng ov fe Unotaely,he y Tian even hugh lst flow A night ply a atest Su dont soe etna ho eh fn rely. louie tte many Hilian and Plenih vl plays who Fock he Engle and aut oars thea 15008 ent cs ee ii a ope i, be Jeet sed ge, Based ca Gbbont's wn 8 lage tear ants t eende Gow A negation with fhe ay oe coo prte f f Sine at efit wlan low Coe srt re wold ave ee repulae or ‘Sele bss pnt “Tithe pa ae vil wat oreo Englih mia an Jat pony ws ys ping by Pa Ly ‘etd cio tle buen shown soxompanying femme ft Gwe Pa 1), Lys al male ln is ‘Src layed, td tren payed wind, {Su to big rca the ave. The cer figure in fring ac crt progr oe vos to ele {loepte te fy he ber xboard behind Ni, an {Sor ents i vous sae owe a Sid Alangly sound he sen, ene of tem pang a dog Th ‘ont ie fl pi of he pling: hs eps ao ied evervar wif commanixina hs me The paling {Saal nash pot i people sd bet ei Sa Svinctagy lin, S tae traa reson wale ta ay made «mae epic th of wk ‘ely igor an andr bass ol sper sows SS et an ppt Yo stay ‘BostorofLaw-Journaliee ‘Par Lly+“The Cone," 160. By kind pio he Corel tis, Lomo.‘Sei body lng entmetr. The Body Ing ofeach inaa- rent prove bean excllent ear of compariao,bocane i ‘ltr roughly to what would bean “deal” sing leagih fr the {nsrument, but without he perceal variation of india at. ‘pe (That wl be farther cased below) A final pot that {fr incloion n thie comparison the inatrament in qesion was wedournalist fy 3698 Int 3 a ‘Siaa)- ALYHS Hpgig a3 Hii i dine ae ane a rlentudity, Al i nate ai uta naa ie pega fel He lan in Huta uae Walaa ini ts aH i bleu [Bese Eiaianeaat PUMA| arrmeone otiograruy of Pinan soucus rep “oat a ari ct 1 Vn: Di Mar a6 1, 0115, {Rie hse Nels Crh ih: Uy Ly, Go. m7, Joie Mam Nees ee sas lay hin och Nob, 152 ‘lates Strela Sle ae: 153, USSR Ya Unity as ray Ns, Cute Sr gl arn, Vink, 15 Sen Man See parm hd cn Dg Tre oa Rona 18, Stace: Plt ton May, 16 Jn hats Dot seh ace at is a Atom tmp Pont ee Nw Sama Foe mer ui Bachied, Adriano. Concision| nel mono dell organo, Bolo- ‘8, 1609, Sai, Adio, Logon mona, 1 ein Bolg, Cerone, Ped. 1 melopeo y man, Naple, 1613, Praoras, Michael, Syngme Béutcum Vol 2: Ds Organogra- ‘Pic, Welfedbtsl 1615, Merseans, Maria, Harmonie Unversle. Pasi, 1636, Hise, Daniel, Nowe matoa.Tobingen 162, ysyreumnop-me7 10 Aiote 38409) izzy “G OLAfesta ae mtn ga st ots de Vio Bele” Bons Vesna Acme opre vet xia, Ve: ‘adr Vin, 1622, Cena ine pls itl fx ‘aloe “Dace nancy” tan Aen“ Sram pyre Bn x aan” “Ea vox sur Ao folos“P mo pak ven La ela te ig” a a conan” Satna y Serer Butclameo d, rine Lr, Conon, Fo tn, Veo Barolonco Nags, 168, Coto eee ‘ius fr OYA vik, ve “Pun pe bs a” ‘Resi cll ppp bu 0” ‘Somme pre pr wl" ta Saas a per bao nop RECENT RESEARCH ON THE VIOL sddoatd o John Hen von der Mee, ef. Renato Moves. ‘Tue Brice Cremona, 1996:3-24, ‘Brookes, Virgina, “The Four Pat Faas of John Ward: One ‘Compove ox Two?” Celt 26 (1998). 52-68, CCunninghase, Carlie, “Variety and Unity in the Pantsian of John Copa.” Chee 26 (1998) 69-77 (Gyr Mary, “Omameation in Baglsh Ly Viot Musi, Prt TE Sines Relies, Fal, and Oter rie or th Led Band” “suphen Bin’s Cope of PusaseSuh Baty sae 7 9) Ne