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n thlsbookarclho bslquess'efrods o, warier Bos. Pub caiions. Notyics were provided by lhe band
basd on lhen beler thal nusc s a very percona rhing and rhat each ndivduatshoutd be a towed ro detemine tor themsetves
whal ach sng means.The band thanks you lor your nleresr n lhen music, anddeciphednQ ils trans ation is enftety up to yuu.
AbumAn:O1999Sony
Boor An Layotl
nl
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VchdelqdT.dt
Allsongswrflen by Kom
BFOS PUBLICAIIONS
Fighls Resefred
O2OOO WAFNER
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mf
C5
end Riff A
---\
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Elec.
mf
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hold- - - - - {
Verse:
N.C.
1. How
2. I
*Elec.
Gtr.4 (left)
did
it
don't know
start? Well,
why I'm
I don't
so f**-in
I
I
just
feel
don't know why
Riff B
mf
w/whammy pedal
Elec.
mf
w/whammy pedal
Trash-4-
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@ 1999 GOATI{EAD?
the
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ModeratelY slow
-Intro: w/ad
lib. vocal
.l
=76
p*s
Play 3 times
E5
Elec.
Gtr.
I
nfw/dist.
A fdbk.
Verse:
**Music sounds
lv/RiffA
Ffs
(Elec. Gtr.
8 times
Es
don't
Elec. Gtr.2
I)
want
this to
B5
go
F#s
Bkgd.VocalFig.l-
(Go
a- way.
I'm
It's
so
gon-
scared,
na_
____r
.)ll'l}v
l-
l-l
go
a- way. _
4w/dist.
E5
I
We all
crum-ble,
we
crum-ble
grave -
1------
:IP
-2-
@ 1999 GOATHEAD?
26
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27
WAKEUP
Chord frames for slash notation
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Intro:
) = fi2
B5
Rhy. Fig. 1Elec.
*Elec. Gtr.
*Music sounds
Ri11
Gtr.2
lrl
"t
//
ml
J
Pre-chorus:
rv/RiffA (Elec. Gtr.
Rhy. Fig.
l) &
(Elec. Gtr. 2)
B5
Interlude
Wake
l:
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f** _
F#s
D5
Rhy. Fig.2
Elec. Gtr. 1
Elec. Gtr.2
Elec.
Wake
up!
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the
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cf5
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3 times
DmC
['m
just
all
It',s
watch
re -
lat
mg you
-ed to
a fool in a fool in -
Feel - ing
Feel - ing
were
a_
noth
ing.
side,
side.
don't
the
Feelsee -
ing
ing
- know what _
things _
all
all
nev
to
- er_
hide.
try.
ends.
Pre-chorus:
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Ds
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Rhy. Fig.3
Rhy. Fig.34
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UNISON
BENDr Play
both notes
and
immediately
bend the
lower note to
the same pitch
as the higher
READING TABLATURE: Tablature illustrates the six strings ol the guitar. Notes
and chords are indicated by the placement of fret numbers on a given string(s).
SPECIFIED
INTERVAI-:
The pitch of a
note or a
chord is
lowered to an
unspecitied
interval.
note.
HARTONICS
DOUBLE
NOTE BENO:
Play both
notes and
immediately
bend both
strings
BENDI]IG ]IOTES
NATURAL
HARMONIC:
A finger ol the fret
hand lightly
touches the note
or notes indicated
in the bb and is
playd by the pick
hand.
simultaneously.
PREBEND
(Ghosl Bend):
Bend to ihe
specitied note,
belore the string
is picked.
WHOLE STEP:
Play the note and
bend string one
whole step.
WHOLE STEP
AND A HALF:
Play the note and
bend string a
whole step and
a half.
ffi
PREBEND AND
RELEASE: Bend
the string, play it,
then release to
the original note.
(Microlone): PIay
the note and
bend string
slighlly to the
equivalent ot half
a fret.
MORE
THAN ONE
STRING:
Play the
note and
bend string
while playing an additional note (or
notes) on another string(s). Upon
release, relieve pressure from
additional note(s), causing original
nole to sound alone.
A,H,
ARTIFICIAL
HARMONIC:
The lirst tab
number is lretled,
then the pick
hand produces
the harmonic by
using a linger to
lightly touch the
same string at the second tab
number (in parenthesis) and is then
picked by another tinger.
BENDS
REVERSE BEND:
Play the already-
INVOLVING
STATIONARY
NOTES: Play
notes and
bend lower
pitch, then
hold until
release begins (indicated at the
point where line becomes solid)
A.H,
(lsna)
A,H,
(6ya)
A,H.
(8w)
ARTIFICIAL
.PINCH'
HARMONIC:
A note is
fretted as
indicated by
TRETOLO BAR
t-\ u_-:-.,^f
SLIGHT BEND
BENDS
INVOLVING
BEND AND
RELEASE:
Play the note
and gradually
bend to the
next pitch,
then release
to the original
note. Only the first note is attacked
SPECIFIED
INTERVAL:
The pitch ot a
note or chord
is lowered to
a specified
interval and
then may or
may not
return to the original pitch. The
activity of the tremolo bar is
graphically represented by peaks
and valleys.
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