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The yics conta ned

n thlsbookarclho bslquess'efrods o, warier Bos. Pub caiions. Notyics were provided by lhe band
basd on lhen beler thal nusc s a very percona rhing and rhat each ndivduatshoutd be a towed ro detemine tor themsetves
whal ach sng means.The band thanks you lor your nleresr n lhen music, anddeciphednQ ils trans ation is enftety up to yuu.

Transcibed by Danny Begelman and Jefl Jacobson


Specarthanks ro Gayle Bou ewarc ol The Fim

Pojcl ManageBi Aabn Srang and Jeannelle Delisa


Music Edilor Colcan Bryan
M u sic EnFnainm
Phologphy: Kevin KeBlak

AbumAn:O1999Sony

Boor An Layotl

nl

nc.

VchdelqdT.dt

Allsongswrflen by Kom

1s99 Goarhad? Musid


isle red by zomba Enlepdses lnc.)
A I Rights Fsefred
lnre udes created by Tron

(All qhls adfrin

BFOS PUBLICAIIONS
Fighls Resefred

O2OOO WAFNER

Any dup ical on adaplalion o.arnqmenl ol the comp6lions


conhind in rhis conectun requnes fie wrinen consnl oflhe Publsher
No pan oflhis book may be photocopid or rcprodlced in any way w lhoul pemisson
Unaulhorzed uses are an inningemenl or the U S. Copydghl Act and arc punishabt by aw

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TRASH
All gtrs.

are 7-sring gtrs.


tuned down 1 whole step:

Chord frames for slash notation

c5

cil5 D5
H+]+l H+iii Hiiii

@=a @=n
@=o @=e
@=c @=o
@=c

Intro:

r 33

Moderately slow .l =88


B5
Rhy. Fig.

Elec.

ddee,@hil Riff

mf

C5

end Rhy. Fig.

end Riff A

---\

w/whammy pedal

Elec.

Gtr.3 (lefi) Rhy. Fig.lA

mf

end Rhy. Fig. 1A

cleantone

hold- - - - - {

*Music sounds a whole step lower than written.

Verse:
N.C.

1. How

2. I
*Elec.

Gtr.4 (left)

did

it

don't know

start? Well,
why I'm

I don't
so f**-in

I
I

just
feel
don't know why

Riff B

mf

w/whammy pedal

Elec.

Gtr.5 (righr) Riff


C

mf

w/whammy pedal

*Elec. Gtr 4 sounds one octave higher due to whammy pedal.

Trash-4-

{ffe

@ 1999 GOATI{EAD?

MUSIC (All Rights Administered by ZOMBA ENTERPRISES INC.)

All Rights Reserved

the
it

crev hurts

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25

IT'S GONNA GO AWAY


All gtrs. are 7-string gtrs.
tuned down 1 whole step.

@=a @=r
@=o @=e
@=c @=o
@=c

ModeratelY slow
-Intro: w/ad
lib. vocal

.l

=76

p*s

Play 3 times
E5

Elec.

Gtr.

I
nfw/dist.

A fdbk.

*Chords implied by bass gtr.

Verse:

**Music sounds

lv/RiffA

Ffs

(Elec. Gtr.

whole step lower than written

8 times

Es

don't

Elec. Gtr.2

I)

want

this to

B5

go

F#s

Bkgd.VocalFig.l-

(Go

a- way.

I'm
It's

so

gon-

scared,

na_

____r

.)ll'l}v
l-

l-l

go

a- way. _

4w/dist.

ilBkgd. Vocal Fig. l, 13 times


85

E5
I

can't take what's go-ing

We all

crum-ble,

we

crum-ble

grave -

1------

nt's Gonna Go Away

:IP

-2-

@ 1999 GOATHEAD?

MUSIC (All Rights Administered by ZOMBA ENTERPRISES INC.)

All Rights Reserved

26

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27

WAKEUP
Chord frames for slash notation

!5

vPz

gtrs. are 7-string gtrs.


tuned down I whole step:

Ff,5

ffi

EffiiT

All

@=e @=r

@=r

@=e
@=o

@=c
@=c

Moderately
Intro:

) = fi2

B5
Rhy. Fig. 1Elec.

*Elec. Gtr.

*Music sounds

Ri11

Gtr.2

lrl

"t
//
ml
J

whole step lower than written.

Pre-chorus:
rv/RiffA (Elec. Gtr.
Rhy. Fig.

l) &

(Elec. Gtr. 2)

B5

Interlude

Wake

l:

the

f** _

F#s

D5

Rhy. Fig.2
Elec. Gtr. 1
Elec. Gtr.2

Elec.

Wake

up!

)-"j

the

f** -

cf5

Riff B

Gtr.3

WakeUp-5-1

-.

1999 GOATIIEAD? MUSIC

,p!

(All Rights Administered by zoMBA ENTERpRISES INC.)


All Rights Reserved

)-)

B5

r_1 type2
l

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Ktu unq i,uop 'au llal

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Ktu urul t.uop 'au IIaj

----/-

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GUITAR TAB GLOSSARY **


TABLATU RE EXPLAI{ATIOII
UN.

UNISON
BENDr Play
both notes
and
immediately
bend the
lower note to
the same pitch
as the higher

READING TABLATURE: Tablature illustrates the six strings ol the guitar. Notes
and chords are indicated by the placement of fret numbers on a given string(s).

SPECIFIED
INTERVAI-:
The pitch of a
note or a
chord is
lowered to an

unspecitied
interval.

note.

HARTONICS

DOUBLE
NOTE BENO:
Play both
notes and
immediately
bend both
strings

BENDI]IG ]IOTES

NATURAL
HARMONIC:
A finger ol the fret
hand lightly
touches the note
or notes indicated
in the bb and is
playd by the pick
hand.

simultaneously.

PREBEND
(Ghosl Bend):
Bend to ihe
specitied note,
belore the string
is picked.

HALF STEP: Play


the note and
bend string one
halt step.*

WHOLE STEP:
Play the note and
bend string one
whole step.

WHOLE STEP
AND A HALF:
Play the note and
bend string a
whole step and
a half.

ffi

PREBEND AND
RELEASE: Bend
the string, play it,
then release to
the original note.

(Microlone): PIay
the note and
bend string
slighlly to the
equivalent ot half
a fret.

*A half step is the smallest interval in


Western music; it is equal to one fret.
A whole step equals two frets.

MORE
THAN ONE
STRING:
Play the
note and
bend string
while playing an additional note (or
notes) on another string(s). Upon
release, relieve pressure from
additional note(s), causing original
nole to sound alone.

A,H,

ARTIFICIAL
HARMONIC:
The lirst tab
number is lretled,
then the pick
hand produces
the harmonic by
using a linger to
lightly touch the
same string at the second tab
number (in parenthesis) and is then
picked by another tinger.

BENDS

REVERSE BEND:
Play the already-

bent string, then


immediately drop
it down to the
fretled note.

INVOLVING
STATIONARY
NOTES: Play
notes and
bend lower
pitch, then
hold until
release begins (indicated at the
point where line becomes solid)

A.H,
(lsna)

A,H,

(6ya)

A,H.

(8w)

ARTIFICIAL

.PINCH'

HARMONIC:
A note is
fretted as

indicated by

TRETOLO BAR

t-\ u_-:-.,^f
SLIGHT BEND

BENDS
INVOLVING

BEND AND
RELEASE:
Play the note

and gradually
bend to the
next pitch,
then release
to the original
note. Only the first note is attacked

SPECIFIED
INTERVAL:
The pitch ot a
note or chord
is lowered to
a specified
interval and
then may or
may not
return to the original pitch. The
activity of the tremolo bar is
graphically represented by peaks
and valleys.

o 1990 Beam Me Up Music


eio CPP/Belwin, lnc, Miami, Florida 33014
lnternational Copyright Secured Made in U.S.A. All Righls Reseruod

the tab, then


the pick
hand
produces the harmonic by
squeezing the pick firmly while using
the tip of the index finger in the pick
attack. It parenthesis are found
around the fiened note, it does not
sound. No parenthesis means bolh
the fretted note and A.H. are heard
simultaneously.

"By

Kenn Chipkin and Aaron Stang

t.d .

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rsBN 0 7692 9466-9

All rights for


Zomba Enlerprises lnc.

controlled by
Musik"Edition Discolon GmbH
(BMG UFA Musikverlag, Miinchen)

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