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UPDATE
Expose. Educate. Empower. Wednesday, 25 March 2008
Wwww.publicityupdate.co.za
PUBLICITY NEWS V e g a B r a n d
Communications
Public Relations School, hosted their 2008
consultants are in a Graduation Ceremony at
spin this week as the final the Sandton Convention
countdown to the Centre. Nicole Hijbeek, an
industry’s top awards, the Account Executive for the Consumer team at GGi
annual PRISM Awards, Communications, received the prestigious Brand
commences. The event, Communications Award presented by Andy Rice, CEO
equivalent in gravitas to of Yellowwood Brand Architects. Nicole Hijbeek also
the advertising industry’s Loeries, takes place at received a special mention for being one of only two
Vodaworld in Midrand on Wednesday evening 26 Honours Graduates that received Honours with
March. The PRISM Awards, now in its 11th year, Distinction for Brand Leadership.
recognise excellence in the Public Relations and
Communication sector. Clicklhere
here for more. NEW ACCOUNTS
EDITOR’S CORNER During his talk, Masie highlighted the simplest reason
for a brand to establish a presence on YouTube: it is a
YouTube Channels as PR tools very effective means of deflecting large amounts of
traffic to the brand's official website. He gave the
By Pat McClelland example of when Oprah created her own channel -
her official website actually crashed due to the surge
YouTube was launched in in traffic!
December 2005, and now
attracts over 68-million Of course, the increasing influence of YouTube also
unique users each month - has the ability to create major PR disasters (as does
the 6th largest audience on blogging; forums; and consumer-complaint
the Internet. It was websites), but this is merely something that PRs have
acquired by Google in November 2006 and is an had to accept with the increasing influence of the
independent subsidiary of Google, Inc. At a recent talk Internet on brand reputation. Time and time again,
hosted by AMASA at the JSE on Wednesday, 5 March, companies that have chosen to ignore the negative
Google Country Manager for South Africa, Stafford publicity they receive on YouTube and the Internet in
Masie announced that we can expect to see a localised general have suffered while those that have provided
version of YouTube - YouTube.co.za - launched in South prompt and appropriate responses via the same
Africa later this year. channels have considerably dampened the potential
reputation damage. The Internet's nature has
Masie discussed the many opportunities for marketers, created a demand for a more transparent relationship
advertisers and public relations agencies that have between a company/brand and the public and
become available through the array of Google tools, platforms such as YouTube make this relatively
some of which will only be introduced to South Africa simple and cheap to create.
during 2008. In particular, he focused on how YouTube
is proving to be a highly effective platform for brands to With the recent
create and maintain a community with their target launch of YouTube
market; build a positive image; provide multimedia Mobile, and the soon-
content for little or no cost; and divert large amounts of to-be-launched
traffic to the brand's official website. The platform has South African version
already become the choice of many corporations when of YouTube, I think
it comes to product launches; showcasing product we're going to see
offerings; public relations; and hosting competitions. some exciting
developments in terms of local brands' online
YouTube's 'Brand Channels' initiative has become a presence.
popular public relations tool for brands in various
industries including the media; charity; politics; sport;
consumer; music and even royalty (the British Monarch
launched The Royal Channel in late 2007 in an effort to See you next week.
reach out to the younger generation!). These Channels DANIEL
allow brands to create 'brand-centric video GET TO KNOW THE TEAM
experiences' by customising their own YouTube page
with a unique look and feel; a 'subscriptions' feature EDITOR Daniel Munslow
that notifies subscribers when a new video is uploaded; DEPUTY EDITOR Pat McClelland
and contest functionality allowing the brand to host EDITORIAL ASSISTANT Stefanie Jason
contests and let users submit video entries. MEDIA RESEARCHER Roane Booth
MARKETING MANAGER Vanessa Evans
CondeNet UK used
YouTube Channels Daniel Munslow is on Facebook... Visit himLhere
here.
to create brand
awareness and a Daniel is a member of the Public Relations Institute of
positive industry Southern Africa (PRISA) and of the Public Relations
perception of its Consultancy Chapter (PRCC).
leading glossy
monthly magazine GET IN TOUCH
brands, Vogue; Want to make a contribution? Want to share your opinions
Glamour; GQ; and stories about the public relations industry? We want
Conde Nast to hear from you.
Brides; and Easy Living. A unique channel was created for
each magazine, each containing appropriate content for publicity@newsclip.co.za or call
You can email us atLpublicity@newsclip.co.za
that specific magazine's audience e.g. celebrity us on (011) 288-6600.
interviews on the Glamour Channel and fashion party
coverage for the Vogue Channel etc. CondeNet also went WE’RE ONLINE...
Media Update -Wwww.mediaupdate.co.za
a step further, and became the first British magazine
Publicity Update -Wwww.publicityupdate.co.za
publisher to actually create its own cookery content totallyMAd - Wwww.totallymad.co.za
especially for its Easy Living channel. The Channels also
enable users to upload their own short clips as video Data is provided for information purposes only. Newsclip shall not be responsible for any
direct or indirect or other damage of any kind whatsoever suffered or incurred by you
responses or competition entries demonstrating the related to your use of, or your inability to access or use, the content of this publication.
Although we have taken all possible steps to ensure the validity of our sources, reliance on
platform's ability to seamlessly blend User-Generated the information contained in this update is used at your own risk.
Content with traditional mainstream content in an
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