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XIX
(30.04.2014 .)
. 2014
320
60
ISSN: 0869-1284
XX
: , ., 30.04.2014. - .:
.-. 162 .
300 .
320
60
ISSN: 0869-1284
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38
Netusova T.M.
Russian State University for the Humanities (RSUH),
Postgraduate student of the 2d year.
VISUAL DATA AS A NEW SOCIOLOGICAL SOURCE OF INFORMATION ABOUT
REALITY.
Everyday we face up with a great variety of pictures and photos the main and the most
widely spread means to transfer info via symbols and graphics. This can be a billboard in the
streets, photos of celebrities in magazines, logos and the like. One of the forms of visual data we'd
like to dwell on hereafter is photography and amateur photography in particular.
Photography in general is a great source of sociological info and a way to convey info to
make it as easy to comprehend as possible. Since early times photos have been researched
thoroughly by different scientists both philosophers and sociologists. Let us name just a few of
them. It all started in 1960-1970 when the visual turn [1, p.1] occurred when the image assumed a
privileged status in its ability to reflect and communicate the world. A period of thinking that
involved a shift in emphasis, methods, and research philosophy. Such an insight had major
implications for image research, as critically minded theorists began to move away from the imageappreciation domains of art history to methods that would show how images carefully assembled
their meanings to act as ideological vehicles. Thanks to this period the names below became
renowned:
Pierre Bourdieu (Photography: A Middle-Brow Art) explored social functions of
photography and production of photo character in a daily life;
Roland Barthes (Camera lucida) extracted symbolic meaning of a photograph (which he
called the studium) that was purely personal and dependent on the individual and pierces the
viewer (which he called the punctum);
Walter Benjamin (The Work of Art in the Age of Mechanical Reproduction) discusses the
concept of authenticity, particularly in application to reproduction. Even the most perfect
reproduction of a work of art is lacking in one element: its presence in time and space, its unique
existence at the place where it happens to be. [2] He thus introduces the idea of the "aura" of a
work and its absence in a reproduction;
Susan Sontag (On Photography) expresses her sociological views on the history and
present-day role of photography in capitalist societies as of the 1970s.
In Russia in the field of visual sociology are well-known such names as V.L.Krutkin,
E.Petrovskaya, O.Gavrishina, V.I.Ilin, P. Sztompka.
Amateur photography is a more concrete type of photographs among dozens of categories,
many with lots of sub-categories, such as Black &White, Camera Phone, Documentary, Macro,
People, Travel, Underwater and the like. [3] Although visual sociology is in a full bloom in the
West at the moment and at its infancy in Russia amateur photography is not well operationalized.
However we should use the point of view of Roland Barthes who said that an amateur photography
is a photo with a lack of konotat meaning [4, p.11-17] in fact a picture without any sociological
value. To enrich this definition its better to make other conditions. We assume that one cant make
profit with the help of a true amateur photo. Moreover the photographer shouldnt be a professional
in the sphere of photos that means that self made pictures are for private using only [5].
Due to modern technologies we are now able to take pictures anytime and anywhere: under
the water while diving, in an absolute dark at night and even on the move while cycling for
example. Thanks to digital revolution its incredibly easy to take a picture and show it immediately.
Wi-fi smart cameras have already stepped forward and have made a wish of millions of people
come true: sharing the freshly taken photo on the web, instantly in just a few clicks on the screen,
and showing it to the whole world on facebook is just as simple as a click on a button to make a
shot. If we combine two core ideas a) a camera now follows every mans step in a daily life and b)
people do love and have already got used to taking pictures on the move (e.g. lomography and
39
Instagram lovers) well have loads of pictures made by ordinary people describing their daily life
what they do, who they meet with, what they see, cherish and whatnot.
In 2012 the sociological research conducted by the author was based on such photos. More
than 300 photos were gathered from citizens of Moscow aged 45-52 years to make sure that all
steps of photography revolution were presented (Black and White analog photography, colored
analog photography and digital photography).
During Black and white period of photography pictures of young amateur photographers
were devoted to: friends, school, competitions, hiking, New Year, summer holidays, village
sceneries, animals, parents and daily life in general. This can tell us that school childrens daily life
and in fact their subjective reality consisted of different sport events, Pioneer camps and pastime
with peers. That was absolutely true compared to results of the interview made with a compared
sample.
Colored analog photography became available in Russia in the middle of 90s. Judging by the
researched pictures the amateur photographers of that time had a family with children, a well-paid
job, an opportunity to spend vacation at a seaside resort and pretty often they gathered with close
and distant relatives on family occasions. It should be mentioned that during hardships and heavy
workload the number of amateur pictures is going down. That means that an amateur photography
is a kind of an indicator of happy and successful life: the more content with your life you are the
more pictures you are likely to take and vice versa.
The digital photography is quiet remarkable as not only the technical progress changed but all
daily practices of amateur photographers did: starting from the process of taking pictures without a
film and ending up with the process of showing pictures on a laptop screen. The respondents
showed a bit different life via their amateur pictures. Its obvious that their life has changed
dramatically compared to those of 70s or 90s. In 2010s they have children and even grand children
and their pictures changed either. With the digital photography they prefer a more realistic view
with no PhotoShop filters. Alongside with classic ideas of photos (family, occasions, peers,
holidays, county/village) that were popular during black and white and colored analog photography
period the new and remarkably digital ideas of photos occur. Among them are the following: home
planted flowers, fruits and vegetables, nature views (macro snowflakes and mushrooms), portraits,
animals and pictures that were snapped as by a photo correspondent. Such digital turn in photo plots
show us the need to implement creative view of respondents in life, to fix something that was
almost impossible during the period of black and white analog photography and to produce not only
memorabilia photos.
The results of the stated sociological research tell us that amateur photography is a new visual
chronicle with the help of which sociologists may tell not only what the daily life was in the late
80s. But it may also tell what the values an ordinary engineer in the USSR aged 30 were, and what
he cherished in his life, what he actually did, liked and bought, what he was proud of and what he
would like to forget and hide. Of course such tasks can be solved with the help of sociological and
psychological tests but such drawbacks as time consuming, not sincere respondents, big data to
analyze and the like may be lacked with the help of only one sociological visual method, results of
which were described above.
References
[1] N.Cambpell, J.E.Schroeder Encyclopedia of consumer culture [Electronic resource].
Electronic
data.
Sage,
cop.
2011.
Mode
access:
http://www.academia.edu/494433/Visual_Culture
[2] Walter Benjamin (1968). Hannah Arendt, ed. "The Work of Art in the Age of Mechanical
Reproduction", Illuminations. London: Fontana. pp. 214218.
[3] Types of photography [Electronic resource]. Electronic data. Wavelength Media, cop.
2014. Mode access: http://www.mediacollege.com/photography/types/
[4] Barthes R. Camera lucida. Patent translation// Reader / ed. V.L. Krutikin. Izhevsk: 2007.
155 p.
40
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:
1. McGinn, Colin (1981). The mechanism of reference.// Synthese 49, p. 157-186.
2. J.K. Gundel Information structure and Referential Givenness/Newness: How Much
Belongs in the Grammar //Proceedings of the 10th International conference on Head-Driven Phrase
Structure Grammar, Michigan State University (pp. 122142).
3. ..
:
XIX : : 10.02.19. - -, 2005. - 162 .
4. ..
// , 2: , . 4, 2009. . 3
5. https://sites.google.com/site/agrammaroferrors/1-1-the-noun-phrase/1-10/1-10-2-1
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[ ].
52
URL:http://www.revolucionomuerte.org/index.php/discursos/comandante-hugo-chavez/6245lea-el-texto-integro-del-discurso-del-comandante-chavez-en-cadena-nacional-del-8-de-diciembrede-2012 ( : 11.04.2014).
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59
:
Hatchling , , fledgling
;
Lamb , hogget ;
Wether ;
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, yearling : deer
(), horse (), sheep (), cow ().
, wether () veal()
*wet-, year ()
:
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Old Norse ver, Old High German widar, German Widder, Gothic wirus "lamb"), literally
"yearling," from PIE root *wet- "year" (cf. Sanskrit vatsah "calf," Greek etalon "yearling," Latin
vitulus "calf," literally "yearling");
Veal - late 14c., from Anglo-French vel, Old French veel "a calf" (Modern French veau),
earlier vedel, from Latin vitellus, diminutive of vitulus "calf," originally "yearling," related, to
Sanskrit vatsah "calf," literally "yearling;" Gothic wirus, Old English weer.
, ,
,
(bull cow/ ; ramsheep/ - ). ,
, , ,
, ,
.
,
, ,
, ,
, .
:
1.
Oxford Concise Dictionary of English Etymology. Oxford: Oxford University Press,
1996. 552.
2.
Vaan de Michiel. Etymological Dictionary of Latin and the other Italic Languages.
Leiden. Boston. 2008. 799 .
3.
.. .
: , . I//
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: hacer ver que los toros vuelvan ( -
), habl el toro y dijo mu ( ).
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las astas (los cuernos), ir al toro por las astas (los cuernos), irse derecho al toro ( ,
), comer a lo toro ( ), mirar (ver) los toros desde el
andamio (desde el balcn, desde la barrera, de la talanquera, desde la talanquera, desde lejos)
( - ), como toro encerrado ( ), como los toros
(, , -, ), haber toros y caas ( ), echar toros
( - ), echarle a
uno el toro ( -), bramar (rugir) como un toro ( ), bufar
como un toro ( ), comer como un toro ( , ),
empujarse como los toros ().
: si le dicen que los toros vuelvan, lo cree ( ,
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), ms fierro que un toro (), ms intencionado que un toro (,
), ms suelto que toro en prado (, ).
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Berdikulov Sirojjon Nasipkulovich
Senior scientific worker-competitor of the Academy of the Ministry
of Internal Affairs of the Republic of Uzbekistan
IDEOLOGIES OF POLITICAL PARTIES OF UZBEKISTAN
Abstract: The main attention in the article is paid to the ideology of political parties
functioning in Uzbekistan. The author makes a short historical excursus from the viewpoint of the
ideologies that the political parties of Uzbekistan guided by in the process of further deepening
democratic reforms and forming a civil society. He also analyses the reflection of ideologies in the
political parties charters.
Key words: political parties, conception, ideology, civil society, ideology of parties,
liberalism, conservatism, social democracy, electorate, political pluralism.
.
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351].
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(-, 1992 .) sustainable development
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Popova Y.V. ( ..)
. .. ,
THE PRINCIPLE OF COMPLEMENTARITY
IN THE GENERAL PARAMETRIC SYSTEMS THEORY
The article represents an investigation of complementarity idea as a physical principle
introduced by N. Bohr for the description of quantum mechanics objects, and also this idea
application in the General Parametric Systems Theory which was developed by A.I. Ujemov and his
school. This idea is represented as a principle of dual system descriptions complementarity by the
example of deductive and inductive conclusions system models.
Keywords: principle of complementarity, General Parametric Systems Theory, system model,
attributive and relational system definitions, deduction, induction.
The development of modern society is determined by processes of globalization and scientific
knowledge integration. Such processes have a close connection with an appearance of scientific
crossroads which combine principles and conceptions of different theories. The system method
and general systems theory occupy a highly important place in scientific knowledge, and these two
theories had a great influence on a development of classical physics, sociology, macroeconomics,
medicine, ecology etc. One of the general systems theory variants is the General Parametric
Systems Theory (GPST), which was developed by Ukrainian philosopher and logician A. I. Ujemov
and his school.
The General Parametric Systems Theory contains many conceptions which are widely used in
other sciences. There are conceptions of system and its descriptors, two basic triads of categories on
the basis of which the GPST formalism is formulated the Language of Ternary Description, and
many others. Besides, the GPST is based on some principles, such as a principle of system
145
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