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Salvador Dali's first piece of artwork "landscape Near Figueras" displays unity of hue (in calm, green pigmentary colors) a repeating motif of a triangle appears in the piece of artwork: composing the rooftops of the houses. "The Persistence of Memory" is a surrealist's representation of soft pocket watches melting.
Salvador Dali's first piece of artwork "landscape Near Figueras" displays unity of hue (in calm, green pigmentary colors) a repeating motif of a triangle appears in the piece of artwork: composing the rooftops of the houses. "The Persistence of Memory" is a surrealist's representation of soft pocket watches melting.
Salvador Dali's first piece of artwork "landscape Near Figueras" displays unity of hue (in calm, green pigmentary colors) a repeating motif of a triangle appears in the piece of artwork: composing the rooftops of the houses. "The Persistence of Memory" is a surrealist's representation of soft pocket watches melting.
Elements & Principles of Design in Salvador Dalis Works Isaac Valdez A2
Salvador Dals first piece of artwork Landscape Near Figueras which
was rendered on a postage card during his sixth year of life (part of his said developmental period) displays unity of hue (in calm, green pigmentary colors) in the representational form of a landscape with grass, trees, clouds, a sky, and some houses in the background. A repeating motif of a triangle appears in the piece of artwork: composing the rooftops of the houses, defining the mountains behind the houses from the clouds, separating the trees from the trodden-down grasses, and bounding the grasses appearing in the bottom right corner of the artwork. This piece of artwork would be classified as impressionist artwork, since it displays brushstrokes to be interpreted as the passing of time through a given place in space yet, at the same time, merging the artists rendering of what he or she perceives reality as being in a directly perceptual sense. The use of many green shades and tints in this piece of artwork emphasizes the white clouds and red rooftops near the center of the render plane and subordinates the texturing of the mountainsides. One of Salvador Dals most recognizable works, The Persistence of Memory (also informally known as The Soft Watches or The Melting Watches, which, contrary to the belief of many that Dal was influenced by research into relativity of Albert Einstein, Dal claims was inspired by observing Camembert cheese melting in the sun from a surrealists perspective, is a surrealists representation of soft pocket watches melting.
Isaac Valdez
Art I
All three representations of pocket watches which appear in the artwork
display a similar pattern of being set to the time which appears to be 6:50. In the piece of artwork the clocks appear to be folding under their own weight thus giving the impression of weight to the clocks. In order to balance this mass throughout the piece, what appears to be a representation of a mountain or heavy, rocky crag is depicted in the background to establish visual balance of mass. Centered in the painting is what some interpret as Dals representation of himself; interestingly, the creature appears to be dreaming. This has led some to believe that the melting of pocket watches in the piece of artwork is a symbol of the perception of timelessness as an individual would experience in dreams. Interestingly, about a decade after the demonstration of mass, lowlatency incineration of tens of thousands of humans via nuclear power by the United States against the Japanese city of Hiroshima, Dalis use of paranoiddelusional brainstorming led him to create a recursively famous painting: The Chromosome of a Highly-coloured Fish's Eye Starting the Harmonious Disintegration of the Persistence of Memory. This work displays the pocket watches from his aforementioned work The Persistence of Memory fallen into what appears to be a representation of a water-like fluid substance. In this representation of a fluid also appears a representation of bricks which, although very similar, are not exactly the same to one another, which possible symbolizes the arrhythmic nature of equal, but not same quantum particles. A sense of proportion and depth emerges from observing similarly
Isaac Valdez
Art I
shaped polygons representing planes descending back into space.
Representations of horns appearing to be travelling at fast speeds in the background is a reminder of the influence of fear in Dalis paranoid-critical method of surrealist rendering and that mass destruction, which antitypically appears imminent in The Chromosome of a Highly-coloured Fishs Eye Starting the Harmonious Disintegration of the Persistence of Memory, is typically reminded of by the nuking of two cities in Japan through the use of nuclear weaponry. It is probable that Dalis paranoid-critical delusionary technique influenced the style of The Disintegration of the Persistence of Memory. Citations Brommer, Gerald F. Discovering Art History. 2nd ed. Worcester, Massachusetts: Davis Publications. Print. "Salvador Dali Art Gallery." Salvador Dali Art Gallery. Salvador Dali Art Gallery. Web. 8 Apr. 2016. <http://www.daligallery.com/about/surreal_years.html> The Dali Dimension: Decoding the Mind of a Genius. Dir. Dali Salvador. Perf. Salvador Dali. Salvador Dali, 2008. DVD.