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LA POSTMODERNIDAD AMERICANA
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ROBERT VENTURI
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CHARLES MOORE
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ROBERT STERN
LA POSTMODERNIDAD AMERICANA
1. The use of ornament... justified in historical or cultural terms... innate human need.
2. The manipulation of forms to introduce an explicit historical reference... that the
history of buildings is the history of meaning in architecture... go beyond modes of
spatial organization or structural expression.
3. The conscious and eclectic utilization of the formal strategies of orthodox
Modernism, together with the strategies of the premodern period.
4. The preference for incomplete or compromised geometries, voluntary distortion,
and the recognition of growth of buildings over time.
5. The use of rich colors and various materials that effect a materialization of
architectures imagery and perceptible qualities.
6. The emphasis on intermediate spaces, that is, the pochs of circulation, and on
the borders, that is, on the thickness of the wall.
7. The configuration of spaces in terms of light and view as of use.
8. The adjustment of specific images charged with carrying the ideas of the building.
ROBERT STERN
LA POSTMODERNIDAD AMERICANA
LA POSTMODERNIDAD AMERICANA
-Jencks, Charles, El lenguaje postmoderno de la arquitectura, Editorial Gustavo Gili, Barcelona, 1984
-Stern, Robert, Gray Architecture as Post-Modernism, or, Up and Down from Orthodoxy, LArchitecture
dAujourdhui, n. 186, 1976.
-Habermas, Jrgen, Modern and Postmodern Architecture, en Habermas, Jrgen, The New
Conservatism: Cultural Criticism and the Historians Debate, The MIT Press, Cambridge, 1989.
-Moore, Charles, La Casa: Forma y diseo, Editorial Gustavo Gili, Barcelona, 1999, p.
BIBLIOGRAFIA