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  • Techniques For Analysing A Visual Text

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    Silvia
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    Body language and gaze Facial expressions, gestures, stance or position - can convey the attitude, feelings or personality of the individual shown. Colour, Hue and Tone in black and white images examine the use of contrast, light and darkness. Rule of thirds Divide an image into thirds from the top and sides and look at the placement of people and / or objects.

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    Techniques for Analysing a Visual Text

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    Body language and gaze Facial expressions, gestures, stance or position - can convey the attitude, feelings or personality of the individual shown. Colour, Hue and Tone in black and white images examine the use of contrast, light and darkness. Rule of thirds Divide an image into thirds from the top and sides and look at the placement of people and / or objects.

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    45 просмотров2 страницы

    Techniques For Analysing A Visual Text

    Загружено:

    Silvia
    Body language and gaze Facial expressions, gestures, stance or position - can convey the attitude, feelings or personality of the individual shown. Colour, Hue and Tone in black and white images examine the use of contrast, light and darkness. Rule of thirds Divide an image into thirds from the top and sides and look at the placement of people and / or objects.

    Авторское право:

    © All Rights Reserved
    Скачайте в формате DOCX, PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    из 2

    TechniquesforAnalysingaVisualText

    Angle

    SeeFraming.

    Bodylanguageandgaze

    Facialexpressions,gestures,stanceorpositioncanconveytheattitude,feelingsorpersonalityofthe
    individualshown.Takenoteofthedirectionofthesubjectseyes.

    Composition

    Whatisincludedisdeliberatelyplaced(alsoappliestowhatisomitted).Considerallinclusionsand
    omissionse.g.surroundings,objects,clothingetc.

    Colour,HueandTone

    Inblack&whiteimagesexaminetheuseofcontrast,lightanddarkness.Inacolourimage,coloursare
    usedtosignifyfeelingsandevokearesponse.E.g.Red=passion,anger,hell,vitality,etc.blue=peace,
    harmonyorcoldness.

    Contrast

    Thearrangementofoppositeelements(lightanddark,largeandsmall,roughandsmooth)tocreate
    interest,excitementordrama.

    Framing

    Thesamecamerashotsandanglesrelevanttofilm.Closeups,extremecloseups,mediumshots,long
    shots,tiltedupordownshotsetc.

    Omissions

    Whathasbeendeliberatelyleftout.

    Orientation,Pointof
    view

    Relatestoframingandangle:istheresponderpositionedabovetheimage(lookingdown),beloworat
    eyelevel?

    Positioning

    Considerwhichobjectshavebeenplacedintheforeground,middlegroundorbackground.

    Ruleofthirds

    Divideanimageintothirdsfromthetopandsidesandlookattheplacementofpeopleand/orobjects.
    Anobjectinthetopthirdisusuallyempoweredwhereasanythinginthebottomthirdisdisempowered.

    Salience

    Thepartthatyoureyesarefirstdrawntointhevisual.Colour,imageandlayoutdeterminewhatthe
    salientimageis.

    Symbolism

    Theuseofanimagetorepresentoneormore(oftencomplex)ideas.

    Vectors

    Thelinethatoureyestakewhenlookingatavisual.Composersdeliberatelydirectourreadingpath
    throughthevectors.E.g.Ifallofthesubjectsaretall,longanduprightoureyesfollowstraightvectors
    thatleadtothetopoftheframe.Thiscouldmakethesubjectseempowerfulorinflexible.

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