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Enclosed Garden
Dry landscape
Catalonian people
Section one Waking up
Waking up
start of the day
silence
connection with the land
praying for land
repetition through cannon used to reinforce
First phrase
upstage opposite prompt low level
waking up, stretching
Second phrase
moving on the diagonal
getting ready for the days work
Third phrase
Group huddle upstage prompt
little 'sobbing' movement
faster adulation of the body
extension of idea when the run forwards
Components
movement
motif
spatial elements
dynamic
aural
setting and environment
dancer (significant in Jardi)
Contracted movement
pain and hardship
Phrase one
Ploughing movement, harvesting
Phrase two
supporting each other
male trio
Phrase three
male solo to show physical labour
swinging and hitting action frustration
Transition
Horizontal movement sweeping across the floor . Female dancer feeding in and out of male
dancers in a horizontal line
unison everyone moving at the same time
unity- how something makes the work whole
ABA form
Music Drumming instrumental time signature
repetitive nature, working vigorous, weight bearing
Section three Female emotional response
Phrase one
Begins with female dancer transitioning into the third section by weaving in and out of the
male dancers on the diagonal
Female vocals accompany this section
weeping movement, uses the dress to enhance the feminine movement
curved hunched lines
Literal sobbing actions hands covering the face
circling of the torso through the convex shape
the burden of heart ache all day every day, still trying to remain strong for the family
weight on the shoulders
Section four Community
Jiri Killian style singling a dancer out as the rest of the company dances
Female solo breaks out showing individual hardship
partner work
linear floor patterns, diagonals
horizontal movement pathways
praying for the rain
Phrase one
Everyone in unison
slight cannon movement
showing the hard work of the group
Phrase two
Female solo
pushing through movements
struggling to ge through life's adversities
Phrase three
Partners on the diagonal
support
assisting one another
first time we see the partnering
Phrase four
transition zig-zag pathway coming from downstage
sharp hitting of the shoulders, heavy
Burden, heavy, weighted action
repetitive movement
partner work is an extension of this phrase
Phrase five
Goes back into the cannon unison idea
sweeping across horizontal pathway
TO DO :
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