Вы находитесь на странице: 1из 5

IVORY ANDTHAT4ERASWASNOTBLACK4HE,ATINWORDFORIVORYISEBUR ANDTHE


/%$DEFINESEBURIN AN%NGLISHWORDTHATFIRSTAPPEAREDIN AShIVORY
AND OX BLOODv )T IS POSSIBLE THAT #HAPMAN A WAS APPROPRIATING THE WORD
EBURDIRECTLYFROM,ATINORB USEDEBURINORACONTRACTIONTHEREOFTOFITTHE
METERFORTWOSYLLABLES )NEITHERCASEAPRINTERMIGHTHAVENOTUNDERSTOOD
THINKINGITAMISPRINTORERROROFSOMEKIND ANDCHANGEDITTOEBON4HEPOS
SIBILITYOFEBURIN CONTRACTEDOROTHERWISE BEINGATPLAYHEREFINDSSUPPORTIN
THEFACTTHATAT6 ONLYJUSTAFEWLINESINTOHERNARRATIONOFHERTALE 4ERAS
SPEAKSOFTHEIDEALMIXTUREOFhWHITEANDCRIMSONv
"2)!.342)!2 5NIVERSITYOF.ORTH&LORIDA
#OPYRIGHT(ELDREF0UBLICATIONS
+%97/2$3

'EORGE#HAPMAN (EROAND,EANDER MISAPPELLATION 4ERAS


7/2+3#)4%$
-ARLOWE #HRISTOPHER4HE#OLLECTED0OEMSOF#HRISTOPHER-ARLOWE%D0ATRICK#HENEYAND
"RIAN3TRIAR.EW9ORK/XFORD50 
-ARLOWES0OEMS%D,#-ARTIN,ONDON-ETHUEN 
4HE0OEMS%D-ILLAR-AC,URE,ONDON-ETHUEN 

(OLDENS)RONYIN3ALINGERS4(%#!4#(%2).4(%29%
*$3ALINGERWROTEWHATCRITIC2OBERT"ENNETTINHISARTICLEh!N/VERVIEW
OF4HE#ATCHERINTHE2YEvCALLShONEOFTHEMOSTWIDELYREADANDDISCUSSED
WORKSINTHE!MERICANLITERARYCANONvANDINTRODUCEDTHEWORLDTOANANTIHERO
WHOBECAMEACULTFAVORITEWITHREADERS3ALINGERFOUNDHISVOICEIN(OLDEN
#AULFIELD AND WAS SUBSEQUENTLY AND UNWILLINGLY LAUDED AS HAVING GIVEN A
VOICE TO A GENERATION (OLDEN WAS AND STILL IS HELD UP AS A CULTURAL ICON
BECAUSEHEISNOTTHESTEREOTYPICALTEENFOUNDINMANYNOVELS(OLDENISABOY
BORDERINGONBEINGANADULTWHOFIGHTSEVERYSTEPOFTHEPROCESSWITHEXTREME
EMOTIONS BIZARREREACTIONS ANDOBSESSIVELYING3ALINGERINVESTS(OLDENWITH
ASENSITIVITYTHATPREVENTSHIMFROMFINDINGHISPLACEINTHEWORLD AFEELING
TOWHICHMANYTEENAGERSCANRELATE4HEIRONYOF(OLDENISTHATTHEHARDER
HETRIESTOKEEPHISFAMILYANDFRIENDSATARMSLENGTH THECLOSERHECOMESTO
MAKINGUNEXPECTEDDISCOVERIESABOUTTHEMANDEVENHIMSELF
(OLDEN IS A YOUNG MAN WHO APPROACHES ALL LIFE SITUATIONS ON A DEEPER
PLANETHANMOSTTEENSHISAGE MAKINGITALMOSTIMPOSSIBLEFORHIMTORELATE


TOANYONEONANORMALLEVEL(ISEFFORTSTOCONNECTWITHANYSTEREOTYPICALKID
HISAGERESULTINABJECTFAILURE+ICKEDOUTOFYETANOTHERPREPSCHOOL (OLDEN
DECIDESTORISKALONELYODYSSEYTHROUGH.EW9ORK#ITYRATHERTHANADMITTO
HISPARENTSTHATHEHASFAILEDONCEAGAIN!LTHOUGH(OLDENLABELSHISPARENTS
PHONIESANDREPRESENTATIVESOFEVERYTHINGWRONGWITHSOCIETY ANDCLAIMSTO
WANTTOHAVENOTHINGTODOWITHTHEM HISTREKCANBESEENASAMEANSOFNOT
HAVINGTOFACETHEIRCENSUREANDDISAPPOINTMENTOVERTHISNEWDEBACLE-ORE
IMPORTANT THEYAREPARTOFTHEADULTWORLDFROMWHICHHEDESPERATELYWANTS
TOKEEPHISDISTANCE
&AMILYHASFAILED(OLDEN4HATIS ALLEXCEPTHISTEN YEAR OLDSISTER 0HOEBE
WHOREPRESENTSINNOCENCEANDPURITYINAWORLDTHATREEKSOFPHONINESSAND
CORRUPTION3HEISTHEONLYFAMILYMEMBERWITHWHOM(OLDENWANTSTOKEEP
ANY KIND OF MEANINGFUL CONNECTION 4HROUGH HIS RELATIONSHIP WITH 0HOEBE
(OLDEN LONGS FOR THE INNOCENCE OF CHILDHOOD THAT WILL SOON BE LOST TO HIM
7HENHEISWATCHINGHISSISTERREACHFORTHEGOLDRINGONTHECAROUSEL HEHAS
ANEPIPHANYh4HETHINGWITHKIDSIS IFTHEYWANTTOGRABFORTHEGOLDRING
YOUHAVETOLETTHEMDOIT!NDNOTSAYANYTHINGv (OLDENSINNOCENCE
DIEDWITHHISBROTHER!LLIE ANDLYINGANDAVOIDANCEHAVEBECOMETHENORMIN
HISLIFE RATHERTHANTHEINNOCENTINVINCIBILITYOFCHILDHOOD
!LTHOUGHHECLAIMSTOWANTTOBELEFTALONE (OLDENWANTSMORETHANANY
THING TO MAKE A CONNECTION WITH SOMEONE ANYONE (IS NUMEROUS ATTEMPTS
THROUGHTHENOVELPROVEHOWINEPTHEISATACCOMPLISHINGTHISGOAL(ELONGS
FOR*ANE WHOMHEADMIRESFORBUCKINGTHERULESBYKEEPINGHERKINGSINTHE
BACKROWWHENPLAYINGCHECKERSBECAUSEhSHEJUSTLIKEDTHEWAYTHEYLOOKED
WHENTHEYWEREALLINTHEBACKROWv YET HEREFUSESTOCALLHERBECAUSEHE
FEARSTHATSHEMIGHTNOTREMEMBERHIMASKINDLYASHEDOESHER4OCONSIDER
THATSHEMIGHTNOTREMEMBERHIMWOULDBEACRUSHINGBLOWFORSOMEONEAS
FRAGILEAS(OLDEN3ALLY WHOEMBODIESEVERYTHING(OLDENDESPISES ISTREATED
TOAWHIMSICALMARRIAGEPROPOSALBECAUSEh)DIDNTEVENLIKEHER ANDYETALL
OFASUDDEN)FELTLIKE)WASINLOVEWITHHERANDWANTEDTOMARRYHERv
EMPHASIS IN ORIGINAL  (E HITS BOTTOM BY SOLICITING A PROSTITUTE JUST TO HAVE
SOMEONETOCONVERSEWITHANDISBEATENUPBYHERPIMPFORREFUSINGTOPAY
MORE MONEY THAN ORIGINALLY NEGOTIATED )T SEEMS (OLDEN ALMOST ENJOYS THE
PHYSICALBEATINGSHEPROVOKES EARLIERBYANTAGONIZINGHISROOMMATE 3TRAD
LATER ANDTHENAGAINWITHTHEPIMP -AURICE(EFEELSSURPRISINGLYFREEAFTER
THESEBEATINGS ASTHOUGHHEKNOWSHEDESERVESTHEMANDISSATISFIEDWHENTHE
PHYSICALHURTHAPPENS
(OLDEN FINDS HIS ONLY REAL SOLACE IN WRITING )T BECOMES OBVIOUS WHEN
(OLDEN RELATES HIS VIOLENT REACTION TO !LLIES DEATH THAT THIS EVENT WAS THE
STARTING POINT OF MOST OF HIS PROBLEMS 4HE ESSAY HE WRITES FOR HIS ROOM
MATE 3TRADLATER BECOMESAMEMORIALTOHISDEADBROTHER!NGER DEPRESSION
SADNESS ANDTHEIDEATHATTHEREISNOONEWHOTRULYUNDERSTANDSDRIVEHIMTO


SPILLTHISANGSTOUTONPAPER)NSTEADOFHISPEERSSEEINGITASAWAYTOMOURN
HISLOSTBROTHER (OLDENISOSTRACIZEDFORAGAINREBELLINGAGAINSTTHERULESAND
NOTWRITINGWHATWASASSIGNED(OLDENBECOMESTHEVOICETHATREADERSWISH
THEY POSSESSED (OLDEN CAN TELL THE TRUTH BECAUSE h(OLDEN REALLY DOES IT
WITHOUTANAPOLOGYORSOMUCHASA@BYYOURLEAVEv0INSKEREMPHASIS
INORIGINAL 
7HEN (OLDEN CALLS #ARL ,UCE AN ACQUAINTANCE WHOM (OLDEN HATES AS
ALASTRESORT HECOMESTHECLOSESTTOTHETRUTHABOUTHIMSELF"YTELLINGHIM
hYOURMINDISIMMATUREv ,UCEACKNOWLEDGESTHAT(OLDENISINNEEDOF
PSYCHOANALYSISORSOMESUCHPROFESSIONALHELP BUT INTRUE(OLDENFASHION
HELAUGHSITOFF)NSTEAD (OLDENSTARTSFORMULATINGTHEIDEATHATHEWILLSOLVE
HISPROBLEMSBYRETREATINGTOhALITTLECABINSOMEWHEREWITHTHEDOUGH)MADE
ANDSTAYTHEREFORTHERESTOFMYLIFEv )NCONTRASTTOTHISISOLATION HE
ALSODREAMSOFBECOMINGTHEhCATCHERINTHERYEvANDPROTECTINGCHILDRENFROM
FALLINGINTOTHATTERRIBLEWORLDOFADULTHOOD)FHEISBEYONDHELP HECANSAVE
OTHERSFROMTHESAMEDILEMMA
4HE#ATCHERINTHE2YEBECAMEhAGENERATIONSETIQUETTEBOOKANDSOME
TIMESITSBIBLE AS3ALINGERSNAMECAMETODOMINATEBULLSESSIONSANDTOBE
SPOKEN OF IN THE WORSHIPFUL TONES ONCE RESERVED FOR (EMINGWAYv 0INSKER
 MUCHTO3ALINGERSCONSTERNATION(OLDENISEMBRACEDBYREADERSNOTAS
ADISTURBEDYOUNGMANWHODOESNOTFITINTOTHEWORLDBUTASATRAGICHERO
WHO DARES TO FLOUT SOCIETYS RULES ACKNOWLEDGING THAT THERE IS NOWHERE FOR
HIMTOGOBECAUSEhTHATSTHEWHOLETROUBLE9OUCANTEVERFINDAPLACETHATS
NICEANDPEACEFUL BECAUSETHEREISNTANYv 4HEIRONYOF4HE#ATCHER
IN THE 2YE IS THAT (OLDEN SUBCONSCIOUSLY LONGS TO BE ACCEPTED YET FEELS HE
CANNOTMAKETHECONNECTION9ETHEDOESBYMAKING3ALINGERTHEUNWILLING
ERSTWHILE GURU TO A GENERATION OF DISPLACED TEENAGERS WHO MADE (OLDEN AN
ICONOFTHEIRANGST
4HE#ATCHERINTHE2YEISNOTONLYTHESTORYOFAYOUNGMANSSADSPIRAL
INTOANERVOUSBREAKDOWN BUTITISALSOABOUTABOYWHOTAKESTHECHANCESHIS
READERSDONOTFEELCAPABLEOFRISKING(ISFAILUREMAKESHIMALLTHEMOREREAL
FORTHESESAMEREADERS
!CCORDINGTO*ACK3ALZMAN INHISFOREWORDTO.EW%SSAYSON4HE#ATCHER
INTHE2YE 3ALINGERhALLOWED(OLDENTOEXISTWITHINTHEABSURDITYOFHISSITU
ATIONWITHOUTGAININGANYANSWERSvAND INTHEPROCESS hHISLITERARYVOICEWAS
THESTRONGESTITCOULDPOSSIBLYBEvn (OLDENMAKESITOKAYNOTONLYTO
SEARCHFORTHEANSWERSANDNOTFINDTHEMBUTALSOTOADMITTHATHESTILLFEELS
(ISFINALWORDS h$ONTEVERTELLANYBODYANYTHING)FYOUDO YOUSTARTMISS
INGEVERYBODYv TELLTHEWORLDTHATHEMADECONNECTIONSANDFEELSTHE
INTENSITYOFTHEEMOTIONSTHESECONNECTIONSBRINGUPFORHIMANDTHATBLISSFUL
IGNORANCE MIGHT HAVE BEEN THE BETTER CHOICE (E IS FINALLY COMING TO GRIPS
WITHHIMSELF


,)3!02)6)4%2! 0ARADISE6ALLEY(IGH3CHOOL 0HOENIX !RIZONA


#OPYRIGHT(ELDREF0UBLICATIONS
+%97/2$3

4HE#ATCHERINTHE2YE (OLDEN#AULFIELD IRONY


7/2+3#)4%$
"ENNETT 2OBERTh!N/VERVIEWOF4HE#ATCHERINTHE2YEv%XPLORING.OVELS"ERKELEY'ALE 
0INSKER 3ANFORDh)NNOCENCEUNDER0RESSUREv.EW%SSAYSON4HE#ATCHERINTHE2YE%D*ACK
3ALZMAN.EW9ORK#AMBRIDGE50 n
3ALINGER *$4HE#ATCHERINTHE2YE"OSTON,ITTLE 
3ALZMAN *ACK ED.EW%SSAYSON4HE#ATCHERINTHE2YE.EW9ORK#AMBRIDGE50 n



Вам также может понравиться