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ISSUE 01
FEB 2016
S$19.95
(inclusive of 7% GST)
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CONTENT
Places
Artea Afternoon
Discovering Nepal
People
The Hipster Blend
10
Art
Last Minute Love Notes
12
I Ink Therefore I Am
14
16
18
Keeping In Tune
20
Food
The Future of Our Food
22
24
12
16
EDITORIAL
From the Editor
Before MUSE became what it is today, the concept of this young, new magazine
was still unknown to us for it was hard to find our theme within the colliding
ideas that came from nine distinctive, eclectic minds. Beneath the clutter and
confusion, we managed to discover some common ground: hard work, passion
and creativity. This had sparked a sudden, rare moment of absolute clarity, and
along came MUSE. Simple. Timeless. Powerful.
MUSE is the embodiment of artistic experience, creative individuals and stories of gain and loss. It is an advocate for originality, an explorer of uncharted
grounds and a source of inspiration for every artist, struggling or not. MUSE will
remind you that the richness and fulfilment in our lives come from the Places,
People, Food and Art that are stripped of pretence and exterior faade. In this
inaugural issue of MUSE, we will take you on a journey to Nepal, guide you on
how to make your own Valentines Day scrapbook and explore the trend of hipster cafs.
Kimberly Lim
Chief Editor
I hope that this issue of MUSE will inspire and resonate, following you on the
creative journey that awaits ahead.
Our Muses
Angela Loh
Layout Designer
Saleha Noor
Sub-Editor
Rebecca Leo
Sub-Editor
Farhan Hamid
Writer
Kyra Tayer
Writer
Colin Chan
Photo-Editor
MUSE 1
PEOPLE
LONG LIVE
THELONGbOARD
Chye Ping Xuan takes you for a ride through the trend of longboarding,
an unconventional mode of transport
MUSE 8
MUSE 9
ART
MUSE 16
to compete in DanceWorks!, an
annual anti-drug dance competition,
and although she did not know
how to dance, she agreed to try.
Despite not winning, Andreas
became so enamoured with this
newfound expression, that she
made the decision to drop out of
school to pursue her dreams.
I was just chasing my passion, she
recalled, her eyes glimmering with
zeal, as she gestured animatedly
with her hands, the untameable
movement telling of a dancers
indescribable passion. I was so
into (dance) to the point that
everything else stopped. I didnt
want to stop dancing at all.
She had actively sought out
rehearsals, joined and trained for
countless of competitions. It was
simply easier to stop everything
else and concentrate solely on
dance.
The next eight years was a steep
climb towards success; the struggle
that came with being a young,
penniless dancer, who competed
tirelessly for prize money that
served as her paycheck.
Its hard to survive, she continued.
Especially in Singapore.
Following ones passion is almost
futile in Singapore, observed
Ong Keng Seng, director of the
Singapore International Festival of
Arts, in an interview with 938Live
on October 2015. Even if one tries,
Singapores high cost of living
would force on him the tried and
tested method of doing whatever it
takes to earn a living.
Even with the odds stacked
dauntingly against her, Andreas
persevered and it has more than
paid off, if her first-place awards
are anything to go by.
From
dancing
in
Universal
Studios Singapores parades, to
choreographing for commercial
performances under brand names
such as Chanel and Este Lauder, she
has almost become a brand name
herself, quickly becoming one of
the most recognised dancers.
MUSE 17