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19. PAN,
20. TILT
21. PEDESTRIAN (CRAB)
22. CRANE
23. BOOM
24. DOLLY
25. TRUCK
26. ZOOM
27. ARC (HOSEPIPE)
- AUDIO
- TRANSITION
- FILM GRAMMER
34. MASTER SHOT Shoot that shows most or all of the scene and most or all
of the characters.
35. INSERT A close shot of detail to be inserted in a shot containing more
comprehensive action.
36. JUMP CUT Transitional device in which two similar images taken at
different times are cut together so that the elision of intervening time is
apparent. From this the audience infers that time has passed.
37. ESTABLISHING SHOT A shot that establishes a scene's geographical
and human contents.
38. EYE-LINE SHOT A shot that shows us what a character is seeing.
39. POV Point of View shot
40. REACTION SHOT A shot that shows a character "reacting" rather than
acting. The reaction shot is usually a close-up of the emotional reaction
registered on the face of the person most affected by the dialogue or
action.
41. CUTAWAY A cut to a person or action that is not the central focus of
attention, perhaps to a spectator. Sometimes used by editors to delete
unwanted footage.
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