Form in Tonal Music AN INTRODUCTION TO ANALYSIS DOUGLASS M. GREEN Rinehart and Winston, Inc. + SAN FRANCISCO + TORONTO + LONDONCopyright @ 1965 by Holt, Rinchart and Winston, Ine. sights reserved of Congress Catalog Card Number 65-11159 0-05-046105-7 din the United States of America 006 1914151211 How all's to one thing wrought! Gerard Manley Hopkins (ON A PIECE OF siusiCPreface ‘American college student, upon. taking up the study of rmusical analysis, pliced under an unnecessary hardship. When attempting to master the he ha ly been given help ct phrases in the har jeteenth century, he learns step by step how to fashion them, how to choose them, Before attempting to repro- enth-ceneury motet, he labors painstakingly through by bit the requisite skills. But on being led to the although much of the technique of the analyst fs no form of a given composition the student generally suffers from inadequate ilivections as to how to proceed. like its predecessors in that it music, More ~ gebieving the real aim of fs piece of music unencumbered by a should or should not have, and to disco might be said in innocence, many emarciens have bean