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The following provides a detailed map of the courses completed under the umbrella heading, arts / Physical Education. Students learned to develop an entire school art program and produced a portfolio of projects and lesson plans. The course was divided into four areas of study--art basics, art history, final lesson plan, and student teaching.
The following provides a detailed map of the courses completed under the umbrella heading, arts / Physical Education. Students learned to develop an entire school art program and produced a portfolio of projects and lesson plans. The course was divided into four areas of study--art basics, art history, final lesson plan, and student teaching.
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The following provides a detailed map of the courses completed under the umbrella heading, arts / Physical Education. Students learned to develop an entire school art program and produced a portfolio of projects and lesson plans. The course was divided into four areas of study--art basics, art history, final lesson plan, and student teaching.
Авторское право:
Attribution Non-Commercial (BY-NC)
Доступные форматы
Скачайте в формате PDF, TXT или читайте онлайн в Scribd
A Green 1
Alexandria Green
Instructor: Donna Cucunato
Tapestry of a Liberal Studies Education, 497
25 April 2011
Reflection I
Arts/Physical Education
The following provides a detailed map of the courses completed under the umbrella heading,
arts/physical education. Providing the broad range of departments represented therein, I found it
particularly important to provide course summaries.
‘Course Title: Teaching the Visual Arts, ART 350
Professor: Jamie Kough ded
Date: Fall 2009 vet wnisaneet
Description: Explored the peneL creativity in the visual arts and how they could be taught
effectively at all age levels (K—12, high school, and special education). Students learned to
develop an entire school art program and produced a portfolio of projects and lesson plans. The
course was divided into four areas of study-—art basics, art history, final lesson plan, and student
teaching. Each unit built upon the previous, a model for scaffolding in the classroom.
Course Title: Music, Movement and Drama for Teachers, LBST 310
Professor: Brandi Merchant
Description; This course examined the connected relationships of music, movement, and drama
and their importance as teaching tools in the K-8 classroom. The course explored and evaluated
basic music theorysand State Content Standards and Frameworkein designing and developing
lesson plans. Choreographic studies were infused with drama to create theater and/or individual
expression using everyday curriculum. Video viewing, audio listening, and applied arts activities
were utilized weekly.
Course Tit
Professor:
Date: Fall 2009 é
Description: This course was designed to provide students with a basic understanding of the
purpose of physical education and methods for implementing a physical education curriculum in
the elementary school. Analyses were made of fundamental movements, which when modified
make up the skills of all sport and dance activities. The California Physical Education
Framework served as a foundation for developing lesson plans.
* Physical Education for the Elementary School, AT 307
Donna Cucunato
Course Title: Health Education for Teachers, EDUC 431 ONLINE
Professor: Howard Keith
Date: Spring 2010
Description: This course provided teachers with a basic understanding of their role in the total
school health program and how to create an emotionally healthy classroom environment. Topiescor
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that were examined included: suicide, eating disorders, chronic and communicable disease,
dating violence and heulth risk behaviors such as drug use, The course also examined the
California Education Codes regarding parents! rights in the areas of sexuality education, laws
regarding child abuse reporting lepal responsibilities regarding student safety.
I. Metacognitive Reflection
Providing opportunities for students to excel in the arts, physical education, and health
refines the skills necessary to take part in the world-creativity, teamwork, and self worth. As
result, they are invaluable parts of a child’s education, These areas of study should be validated
Ives, rather than used as “supplement.” They offer opportunities of
‘multiple intelligence? \apping into parts of the brain that otherwise would not be activated. For
example, creativity is lost if not fostered as a child. With the onset of puberty, the pressure to
assimilate is so heavy that it is repressed. Unfortunately, these activities are the first to be cut
‘under the pressures of achievement testing. Ironically, these are the most praised and memorable
activities in elementary school. The aforementioned courses provided strong reasoning for the
arts, physical education, and health in school. They emphasized learning as a mind/body
connectiog§\s philosophy that is since rooted in my-theughts-about education.
‘Movement is inextricably part of mental processing. Talking, writing, and acting out
ideas are all valid ways to process newly leamed information. All three actions constitute muscle
movement in their own right. Verbal communication engages the muscles in the mouth, written
communication engages the fine motor skills of the fingers, and acting engages the gross motor
skills of the body. Though some children learn best while engaging fine motor skills, others excel
when their gross motor skills are put to the test. Too oftegyghildren become disinterested because Ghote
the traditional teaching model caters solely to the former group of students. Evé#-se, those whch ts
‘students experience boredom with the vast amount of sear work in the classroom. To avoid
disinterest, teachers can employ the active learning model, which uses the arts as a part of the
teaching process. In Music, Movement, and Drama for Teachers, it was emphasized that the arts
have power to commit information to memory unlike traditional methods. For example, using the
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patterns {9 listen for (ie, “What color is the basket? How many times do I say the word time?”
Next, she sequeneés the song using “I sing, you sing” (one line at a time, then two, then four,
ctc.). Then, a second period of focused listening involvedlstudents closing their eyes, singing the
words silently in their heads while the teacher sings aloud. Finally, students and teacher-sing °°
aloud together. I will never underestimate the power of a memory bank of songs! As long as the
‘concept is attained first, there is no harm in rote memorization.
In itself, competition is not inherently good or bad. It is the nature by which the
competitive spirit is utilized that makes it so. Motivated intrinsically or extrinsically, children
gain some understanding of self-worthiness and physicality through competitive sport
participation. In Physical Education for the Elementary School, conversation was had about how
to facilitate healthy competition. Using social referencing, children lear to react to victory and
failure from coaches, parents, and peers, This process of socialization lends itself to the positive
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and negative effects of competition in youth sports. As parents are enrolling their children in
sports at ages younger than ever before, children are beginning the process of specialization
‘much sooner. Instead of sampling a variety of sports, the focus shifts to one in hopes of achieving
excellence. Beyond basic fitness, sampling is the goal of a well-implemented physical education
program. Children will excel in some sports and struggle in others. Different children will shine
by way of varying activities. Adon€uishepositive coaching, lowering the affective filter, and an
element of fun, tg, creates a healthy competitive environment. For me, this was a lesson in
behavioral teaching methods, With the pressures of testing, all too many classrooms have grades
posted, achievement ladders, etc. For struggling students, this is detrimental to a healthy
competitive spirit. Children need to be given the chance to shine in their areas of strength, not
called out for their weaknesses. I-can-be a Positive coach on the field, during instructional time,
Agar, (and in tutoring sessions boul!
Qn ‘Something curious happens when children draw. They are communicating an idea much
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larger than can be expressed with elementary level vocabulary. This is espegially true for young
children who are beginning writers--the drawing expresses the main idee writing is the
support. Colors exude feeling, line expresses emotion, shape delineates constraints, In Teaching
the Visual Arts, the Pofesion gmphasized that there are no mistakes in art. She forbid the use of
erasers claiming that whieh is “out of place” can be used, molded, and layered to create
something new. This is especially important for children ‘round the age of 7-8 because this is
when an obsession with “correctness” develops. Moreover, we were discouraged from using the
{erm “like” in evaluating a work of art. Liking or not liking a finished work does not pay tribute
to the artistic process. It does not denote use of line, color, value, perspective, composition, ete.
‘What a valuable lesson! The product of leaning is not nearly as important as the process, If
taught effectively, art lowers one’s affective filter becuse there is no “right answer” to bubble. I
$Ga1 — —struggled with this as a student of art. Lwmnted tg Conroe ‘However, Iam not Monet. am
Green. By receiving undying positive reinforcement, | overcame my obsession with perfection in
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os Keeping children moving enhances the learning process by increasing circulation,
allowing time for the information to be committed to long term memory, and stimulating the
release of good chemicals in the body. In Health Education for Teachers, a particular focus was
on the relation between physical and mental health. Stretching before a stint of sedentary
instruction provides oxygen flow to the brain and thus, narrows children’s attention on the task at
hand. Once instruction ensues, the number of minutes a student can stay focused is equal to his!
her age plus two. Elementary school teachers must plan their instruction time accordingly. After
that staggeringly short amount of time, students need a chance to process new information. The
site of the hippocampus in the brain absorbs and sorts the information before distributing it to
various places in the cortex for long term memory. If the hippocampus is overloaded, new
learning will not occur. By consciously reducing the amount of sedentary instruction, the
probably of overloading the hippocampus is slim. Among other neurological benefits, exercise
increases the number of capillaries around the neurons facilitating oxygen flow, releases
endorphins increasing alertness, and produces the neurotransmitter dopamine improving mood.
Incorporating movement into the classroom seems like a no-brainer next to all its benefits. I vow
to keep my students healthy by adding movement into everyday activities,
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