Scribd Logo
Загрузить

Добро пожаловать в Scribd!

  • Mozart's Jupiter Symphony, 1st Movement - A Map

    Загружено:

    Will Thong
    2K просмотров2 страницы
    A map and revision guide to Mozart's Jupiter Symphony. First movement only because I didn't do the third. I recommend that you read the thing whilst listening to a recording and also reading a clean copy of the score. It's only an outline, so it's missing most bits.

    Авторское право

    © Attribution Non-Commercial (BY-NC)

    Доступные форматы

    PDF, TXT или читайте онлайн в Scribd

    Этот документ был вам полезен?

    Это неприемлемый материал?

    Пожаловаться на этот документ
    A map and revision guide to Mozart's Jupiter Symphony. First movement only because I didn't do the third. I recommend that you read the thing whilst listening to a recording and also reading a clean copy of the score. It's only an outline, so it's missing most bits.

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    2K просмотров2 страницы

    Mozart's Jupiter Symphony, 1st Movement - A Map

    Загружено:

    Will Thong
    A map and revision guide to Mozart's Jupiter Symphony. First movement only because I didn't do the third. I recommend that you read the thing whilst listening to a recording and also reading a clean copy of the score. It's only an outline, so it's missing most bits.

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    из 2

    Will Thong 1

    Mozart's Symphony No. 41, 1st Movement


    A Map
    Exposition (1-120)
    1st Subject (1-23)
    Harmonic rhythm speeds up (15-23)
    Transition (24-55)
    Appoggiatura (31-34)
    Dominant pedal note (39-47)
    2nd Subject (56-120)
    1st Section (16-80)
    Pivot chord (V7c) between C and Cm
    2nd Section (81-88)
    3rd Section (89-100)
    4th Section – Bacio de Mano theme (101-120)
    Codetta in G major (191-120)
    Development (121-188)
    Theme from 2nd subject, 4th section (bacio de mano) developed (121-188)
    Focus on development of 107-108 with fragmentation, imitation and modulation (129-161)
    Theme from 9 used (133-139)
    False recapitulation, similar to the transition, but in F major (162-171)
    Theme from 9 developed in violins with descending chromatic lines in the bass (171-180)
    Motif from 107 used again in sequence to lead into recap (181-189)
    Will Thong 2
    Recapitulation (189-313)
    1st Subject (189-211)
    Transition, this time in C minor rather than major (212-243)
    Recapitulation diverges significantly from original version (228-234)
    nd
    2 Subject (244-298)
    1st Section, this time with a modulation to C major instead of G major (244-268)
    2nd Section, this time with a modulation to F minor instead of C minor (269-276)
    3rd Section, this time in C major instead of G major (277-288)
    4th Section, this time in C major instead of G major (289-298)
    Codetta (299-308)
    Coda (309-313)

    Вам также может понравиться