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to fling out his left leg as far as possible towards the north, and then
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15

:
1.
(, ;
; );
2. - ;
3. .
:
1. . / . . . . . ., 2009.
2. . / . . .. ., 2004.
3. Beckett S. Novels. Murphy; Watt; Mercier and Camier / introduction
by Colm Toibin, series editor Paul Auster. N.-Y., 2006.
4. Cohn R. Samuel Beckett: The Comic Gamut. New Brunswick ; N- Y.,
1962.
5. Graver L. Samuel Beckett: The Critical Heritage. Taylor and Francis,
2005.
6. Knowlson J. Damned to fame: an authorized biography of Samuel
Beckett. London, 1996.
7. Mercier V. The Irish Comic Tradition. Oxford, 1992.
8. Moorjani A.B. Narrative games in Strategies in Beckett's "Watt" //
L'Esprit Createur. 1977. Vol. XVII, N 3. . 235-244.
9. Weller S. Beckett, literature, and the ethics of alterity. N.-Y., 2006.

16

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:
1. .. . . . . ., 2008.
2. .. :
. ., 2001.
3. Green M., Swan J. The Triumph of Pierrot: the Commedia
dellArte and the Modern Imagination. The United States of
America: The Pennsylvania State University Press, 1993.
4. Rudlin J. Commedia dellarte: An Actors Handbook. UK, 2002.

31

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waste lands .

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which had driven this part of the world deep into itself in the first place,
no doubt. The surface of the earth had become distorted black glass,
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haunted mansion in these strange latter days; all of Mid-World had
become The Drawers; all of Mid-World had become a waste land,
haunting and haunted.)
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:
1. . : " " : 2 . /
. . . ., 2002.
2.

..

//

, 2010. . 30-44.
3. King S. The Waste Lands. New York, 2003.

39

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()

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, .
:
1. . . , //
. 1979. 7. . 66110.
2. Conard R. C. Understanding Heinrich Bll. Columbia, 1992.
3. McCarthy J-A. The Tin Drum myth and reality, or the eternal
return // Remapping reality: chaos and creativity in science and
literature. Amsterdam, 2006. P. 265322.
4. Sells M. A. Mystical languages of the unsaying. Chicago, 1994.

46

1.
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(1391-1452)

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[Cyriac of Ancona, 1-365].
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51

1. . .
// . ., 1972.
. 360-369.
2. Belozerskaya M. To wake the Dead. A Renaissance Merchant
and the Birth of Archeology. N.-Y., 2009.
3. Cyriac of Ancona. Later travels / Edited and translated by E.
W. Bodnar. L., 2003.
4.

Lehmann-Hartleben K. Cyriacus of Ancona and Aristotle in


Samothrace // Hesperia. 1943. Vol. 12, 2. P. 155-196.

52

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...Equal hope
And hazard in the glorious enterprise,
Joined with me once, now misery hath joined
In equal ruin.
(I, 88 91) [Milton 2003: 138]
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64

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11. . . . . . : 55 . . 44: 1921
1922. . 5-. ., 1982.

65

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13. . ., .. :
//
XX : : II .
.-. . , 2009. . 258-264.
14. . ., . . : .
. 2- ., . .
--, 1999.
15. . . . , 2009.
16. Milton J. Paradise Lost // Milton J. The English Poems. Oxford
University Press, 2003. P. 136-156.
17. The Oxford Dictionary of English Etymology / Edited by S. T. Onions
etc. Oxford ; Hong Kong, 2005/2006.

66

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73

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2. . . // .
I . ( ). ., 2000. . 3.
. 114-172.
3. . . . .,
2009.
4.

. . // .
1989. 1. . 56-82.

74

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[

1986:

86].


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1. . . / .-. . . . .,
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4. . . :
. ., 1990.
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. . ., 1977.
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90

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(My last duchess),

.
Thats my last Duchess painted
on the wall ,
Looking as if she were alive. I call
That piece a wonder, now: Fra
Pandolfs hands
Worked busily a day, and there she
stands.
Willt please you sit and look at her?..


,
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:

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Oh sir, she smiled, no doubt,

, ,

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,
?

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commands;

, ;

Then all smiles stopped together. There she


stands

.
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As if alive. Willt please you rise? 5

.
?

92

(as if she were alive,


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.) ,
.

-
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(Italian in England)
, ,
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But when I saw that woman's face,

Its calm simplicity of grace,

Our Italy's own attitude


60

In which she walked thus far, and


stood,

Planting each naked foot so firm,


To crush the snake and spare the
worm.

, ,

.

(to crush the snake, 60 .),


(spare the worm, 60 .).
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93

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: ,

(Porphyria`s lover).
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But passion sometimes would prevail,
Nor could tonights gay feast restrain

A sudden thought of one so pale 30

For love of her, and all in vain:

, ,

So, she was come through wind and


rain.

:
.

Be sure I looked up at her eyes


Happy and proud; at last I knew 34
Porphyria worshiped me: surprise
Made my heart swell, and still it grew
While I debated what to do.

That moment she was mine, mine, fair,


Perfectly pure and good: I found

,
, .
,
: ,
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, .
, ,
:
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A thing to do, and all her hair


94

In one long yellow string I wound

Three times her little throat around,


And strangled her.

.

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(The Patriot), ,
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.
I go in the rain, and, more than needs,

, , ,

96

A rope cuts both my wrists behind,

And I think, by the feel, my forehead


bleeds,

, , , ,
, ,

For they fling, whoever has a mind,

Stones at me for my years misdeeds.

5. .. , ,

,
,
.
6.

. ,

, .


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4. . . : .
., 1978.
5. . . XIX
( ). ., 1971.
6. Curry S. S. Browning and the Dramatic Monologue. The University
Press : Cambridge, U.S.A., 1908.

98

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107

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. ., 1989.
6. . . ., 1974.
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., 1965.
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//
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10. . . //

. . -. . 9, . 1982. . 3. . 1623.
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131

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IHAEAWIFEOMYAIN)

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[ 1988: 59].
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, .

. I Hae
A Wife O My Ain .
,

(), . ,
. - (
).
I hae a wife of my ain,
I'll partake wi' naebody;
I'll take Cuckold frae nane,

,
;
,
133

I'll gie Cuckold to naebody.

,
.

I hae a penny to spend,


There-thanks to naebody!
I hae naething to lend,
I'll borrow frae naebody.

,
,
!
,
.

I am naebody's lord,
I'll be slave to naebody;
I hae a gude braid sword,
I'll tak dunts frae naebody.

,
;
,
.

I'll be merry and free,


I'll be sad for naebody;
Naebody cares for me,
I care for naebody.

,
;
,
.

1. . 1788 .

:

,
.


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134

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naebody,
spend. lend, lord, sword,
).
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136

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(I naebody, take gie, lend
borrow, lord slave, merry sad):

.
1.3. . :
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(cuckold , ,
braid , dunts , ).
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[ 1972: 87].
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137

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138

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1. . . . . .,
1976.
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3. . . : , ,
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4. . . . . .,
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5. / . .
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6. . . . .
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8. : . / . . . ., 1988.

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reckoned Will had been having a good time) [Hornby 2000: 166].
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317

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viewers to come back to the word on the page, which has the glory of
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[http://www.cercles.com/interviews/byatt.html]

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circumscribed and self-communing tis best so not like a Princess in
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in the centre of her shining Web, if you will forgive me the slightly
disagreeable Analogy [Byatt 1990: 97] / , ,
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[ 2002: 57] (. . . , . . ). Oxford
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circumscribe: to limit somebodys freedom, rights, power.

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Arachne is a lady I am greatly sympathetic to [Byatt 1990: 97].
319

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huge burden of Silk which she must spin out the silk is her life, her
home, her safety her food and drink too and if it is attacked or
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].

: http://www.cercles.com/interviews/byatt.html
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2000.

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5.

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