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kernel version 1.00, October 29, MM

c 2000, Shrisha Rao

This edition, along with all its prefatory material and indices, is copyrighted
under Title XVII, United States Code, and similar laws in other countries.
Permission is hereby given to make single copies for individual, non-profit uses
in private study, scholarship, and research as allowed under the law, provided
that such reproduction be done of this entire publication, especially including this
notice. All other uses, as well as storage or archival of this material in any
publicly accessible medium, are expressly forbidden unless prior written consent
is obtained.

Table of Contents

Foreword
Contributors

i
vii

Foreword
Narayan.a
arya Madhva composed by Sr
The Sumadhvavijaya is a biographical account of Ac
Trivikrama Panditacarya, who was a contemporary of Acharya
Panditacarya, the son of Sr
Madhva. The generally accepted dates for Madhva are 1238-1317 CE, while those for
Narayan.a Panditacarya are 1295-1370 CE. It is very likely that the young Narayan.a was
arya Madhvas life
associated with many of the events covered in detailed descriptions of Ac
especially those which occur in sarga-s twelve through sixteen of the Sumadhvavijaya.
This is evident from the wealth of detail and close observation that one notices here, in contrast to the earlier sections where the descriptions are very brief or accompanied by only
poetic embellishments. There is no doubt that the entire family the father Trivikrama,

Sankara
the brother of Trivikrama, and Narayan.a the son, were tremendously impressed by
arya Madhva, whose beauty, physique, personality, strength, endurance,
the personality of Ac
pleasant and attractive manners, erudition, and all round scholarship, etc., find repeated mention in the compositions of all these authors. Narayan.a Panditacarya has used nearly a thousand synonyms in describing Madhva in the Sumadhvavijaya, essentially referring to his
vast knowledge and great intellect. Thus, there is no doubt that the Sumadhvavijaya is a
arya Madhva as seen at close quarters, by a gifted aufirst-person account of the life of Ac
thor, at least in the latter portions of the text, while the earlier portions are based on authentic
hearsay from his immediate disciples.
arya Madhva, he of the multifaceted and divine personality,
Writing the biography of Ac
would have been a difficult assignment for anyone. The requirements of presenting the extraordinary life in its different aspects the precocious child born to pious parents after a
long wait and ardent prayers to Lord Anantesvara; his early renunciation of the world, confronting the-then powerful Advaita head-on without any compromises; the series of miraculous doings indicating his divinity; his detailed and authentic knowledge about the ancient
scriptures like the Vedas, Upanis.ads and Itihasa would not be easy. It certainly would need
a fine balance between factual presentation coupled with admiration for the glorious personality, a clear summary of esoteric and protracted discussions with opponents, and a portrait
of the subjects personal traits, where the full and marvelous personality is delineated in a
word picture. It is not for nothing that it is believed that Madhva is present himself in the
form of Sumadhvavijaya and no one, even the other great personages of the order ever tried
to write another similar work. The composition has secured great respect and acceptance
i

comparable to the original compositions of Madhva himself from all succeeding savants of
Tattvavada.
It is worth noting the explanation given by Narayan.a Pan.d.itacharya himself about the manner of his writing the composition. In the Bhavaprakashika, an auto-commentary on the
Sumadhvavijaya, he says:
Whatever has been stated here has been mostly narrated to me by more than
one source: I have seen so with my own eyes, thus has been said in most cases.
Whenever there was a difference between the accounts given by two sources, I
have accepted the one which was stronger (more reliable). I have neither said
things here just for poetic embellishment, nor to praise the Guru, nor to show
my own scholarship. Therefore, readers ought not to doubt the authenticity of
my account here.
It is clear from this that Narayan.a Pan.d.itacharya composed the account after he had carefully analysed the data available. The organization of the text also indicates this the first
nine sarga-s carry accounts which are not very detailed in nature, with circumstantial details
generally not available. For instance, we notice that the installation of Lord Kr.s.n.a in Udupi,
a major action of Madhva, has been described in only four sloka-s. It would appear that the
events described in these chapters had happened long before the Sumadhvavijaya was composed. In particular, the poet starts his account of this momentous event from a description
of the immersion of the icon of Lord Kr.s.n.a in the Madhvasarovara for washing, and provides
no hint about how it was obtained. (There are many stories attributable to great saints subsequently, describing the circumstances of the finding.) All the events right up to Madhvas
two visits to Badarikasrama apparently had taken place long before and could be known
only from anecdotes narrated by his disciples. The tenth sarga seems to be a summary of
some then-prevalent compositions describing the earlier incidents associated with Madhvas
visits to the northern part of the country. The eleventh sarga is an exposition1 in highly poetic language of the philosophical position of the Tattvavada concept of moks.a. The sarga-s
twelve, et seq. clearly show details of names, places (mostly in Kerala and South Canara),
and sequences of events which became known to the author by direct experience or by listening to first-hand accounts. The detailed description of Madhvas daily routine given in the
. a based on an incident of a bright light being seen in the moon-less sky when Madhva was
Ascribed to Ses
giving a discourse, as explained in the Bhavaprakas ika.
1

ii

thirteenth sarga appears to be an eyewitness account. The final sarga is clearly one where
the poet has considerable detailed information. Incidents described here include: bathing in
the sea (described in fourteen sloka-s); defeating the Gan.d.avat.a brothers; going around the
Kan.t.heswara temple on the shoulders of a young boy; defeating Purvavat.a, Shivagni etc.;
renovating the Parant temple; getting the pond in Yerki Mat.ha filled by rain; composing the
Kr.s.n.a mr.ta Maharn.ava and the Karma Nirn.aya in Vaidyanatheswara and Ujire, etc. Only the
incidents of Madhvas establishing the validity of the Vedas on the banks of the Gomat river
(possibly the one near Dwaraka) and of his lifting and carrying the huge boulder near Kalasa
seem to be distant to the poet, and may have been included here rather than in the tenth sarga,
where a number of such wondrous incidents have been described, for convenience.
The poet, while discussing the basis of his accounts of the superhuman actions of Aca rya
Madhva, says thus in the Bhavaprakas`ika:
Of these (miracles) seen by humans, some were forgotten by the action of deva
maya, and even of those which were not forgotten, we did not come to know all
of them. Even out of what we heard, we have not described some as they are to
be treated as divine secrets.
Therefore, the poet urges that his work be considered a historiography rather than a hagiography regardless of the miracles described in it, and indeed, his sincerity and skill are clearly
discernible in his careful approach to the subject and mastery of presentation.
There is authentic evidence available today about many events described in the Sumadhvavijaya, of which we just mention the following:
arya
1. The huge stone boulder (6.1 meters 3.6 meters 10.98 meters) carried by Ac
Madhva near Kalasa is still there with an inscription on it. This evidence has also
appeared in a Gazetteer of the erstwhile princely state of Mysore dated 1901 CE. The
incident is narrated in the 16th sarga shlokas 7-9.
2. The names Nadillaya (Madhyageha Bhat.t.a), Paje (Pajaka Ks.etra), Kunjaru (Vimana
Giri), etc., exist even today. Similarly, names such as Gan.d.avat.a, Purvavat.a, etc., still
continue to be used in the area.
arya
Even so, we should add that the historical accuracy of some accounts like that of Ac
Madhva meeting the Muslim king, his meeting Iswara Deva, etc., need authentic verification, though nothing is presently known that contradicts them clearly. The actual period of
iii

 kurmam
Madhva itself had been under considerable doubt, till it was revealed that the Sr
inscriptions clearly indicate that Madhvas dates are 1238-1317 CE. It has been opined that
Iswara Deva was Mahadeva, a Yadava king who ruled Devagiri from 1260-1271 CE, while
the Muslim king was Jalaluddin Khilji of Delhi (1290-1296 CE). It appears unlikely that
Madhvas northern trip, apparently distant in time to Narayan.a Pan.d.ita, was so late in his
life; Balban in Agra is dated 1249-1266 CE and seems to fit in better.
It is also argued that the identities of Vidyasan.kara, Padmatrtha, etc., who feature in the
Sumadhvavijaya as prominent scholars of Advaita who lost to Madhva, are not clear as pertaining to the heads of Advaita Mat.has in that period. (The records of the Advaitic Mat.ha-s
and lineages are not clear until after the time of Madhva.) But people remember winners and
not losers! It is also highly unlikely that the traditional Mat.ha guru parampara-s, which extol
their past ascetics, would highlight defeats and ignominy of some of them. An example is the
famous debate between Vidyaran.ya and Aks.obhya Trtha (adjudicated by Vedanta Desika),
where the latter won, but which would not be acknowledged by neutral scholarship, but for
the inscriptional evidence and the records available in the neutral ground of Visis.t.a dvaita
tradition.
There are some other aspects of the Sumadhvavijaya which deserve special mention in this
introduction.
As Mm. Dr. B.N.K. Sharma says (private communication), [Madhvas] biography, unlike
. kara and others, has a perfect historical perspective and
others of its kind pertaining to San
never indulges in anachronisms and episodes of a compromising nature to the subject. We
get, according to Dr. Sharma (ibid.), a pen-picture of Madhva saying that he had all the
mahapurus.alaks.an.a-s. Madhva was a great sportsman, and also a good wrestler, mountaineer, etc. The early incidents of digesting horsegram as a baby still on mothers milk,
eating thousands of plantains and drinking pots of milk as a young lad, and eating all the
food offered by several hosts in Badarinath as well as keeping a complete fast with total
Veda
silence for 48 days in that extremely cold and difficult place before going to meet Sr
Vyasa all portray Madhva as one who was not an ordinary person dependent on food.
Similarly, Madhva is said to have shown that God is present everywhere, even as a toddler of
two years, by his actions in visiting the temples. The attachment of his parents to the beautiful child, and their sorrow when he renounced the world at the young age of eight years, are
poignant, but Madhva maintains his dignity and conviction without hurting them.

iv

The descriptive verses on Madhva are lyrical and heartwarming. The great love of the poet
for his subject shines through brilliantly in these. One gets a narrative of the great Guru
that is profound yet simple and accessible to all, and which shows him to be all-knowing and
kind hearted to devotees, loyal to his childhood friends; with enormous powers, but choosing
to take all his disciples and his own nominal Guru along with him like an ordinary human
being. Madhva, according to his biographer, was one who always acted as he preached.
The lyrical descriptions of Madhva meeting Veda Vyasa and Narayan.a which have come
from the imagination of the poet appear as if Madhva himself wrote them such is the
linguistic skill, fervor and intensity of devotion displayed. The ability of the poet to use the
maximum flexibility of the Sanskrit language in conveying, in an appropriate manner, two
or three meanings with each set of words, while preserving the musical rhythm of the lines,
is amazing. The use of upama and other embellishments as powerful media for emphasizing
the essential aspects is resorted to freely, and in some cases the poet touches a chord in our
hearts, such as when he talks of Hanuman devoutly using both hands to carry flowers for
worshipping his beloved Rama, while he carried the Gandhamadana mountain with just one!
There is a tradition in Sanskrit that a mahakavya should have certain features like a hero who
is exemplary, descriptions of towns, ocean, mountains, sunrise/moonrise, marriage, travel,
war, etc. The sarga-s should not be too long or too short, and at the end of each, the subject
matter of the next must be indicated. The Sumadhvavijaya is seen to contain almost all the
main requirements of a mahakavya.
. kara, etc., there is more
It is also seen that in the case of many other personalities like San
than one chronicle written long after the persons demise. These thus give cause for genuine
doubts about authenticity, and rely for the most part on traditional stories preserved by word
of mouth. There are also conflicts between the accounts. The Sumadhvavijaya does not
suffer from any of these shortcomings, also because of its unique status. Thanks to the
commentary written by the author himself, the details are made clear and unambiguous. The
method adopted by the author in presenting his material is unexceptionable and shows great
mastery. There is a case for further study in fixing many historical elements mentioned here,
but the honesty and integrity of the author shines through the composition like a beacon
guiding us in the right direction.

I am very happy that the Dvaita Home Page is publishing electronically this great text for
arya Madhva. They already have to their credit the sucthe benefit of all admirers of Ac
cessful publications of the Mahabharata Tatparya Nirn.aya and the Isa vasya Upanis.ad which
1008 Vidyamanya Trtha Swamj, of the
have been widely welcomed. The late revered Sr
Palimaru/Bhan.d.a rakeri Mat.ha-s has already communicated his blessings for this great endeavour for the publication of all the Madhva sarvamula and such compositions on the Net.
I would like to add my own best wishes to them for all success in this and in future efforts.
D. Prahladacharya
Vice Chancellor
Ras.t.rya Sam
. skr.ta Vidyapt.ha, Tirupati
October 26, 2000
Dpaval.

vi

Contributors
The first fourteen sarga-s of the text were coded by Raghavendra Rachuri. The last two were
added by Krishna Kadiri. Meera Tadipatri and Anand Ravipati read proofs, and the former
also coded the An.u-Madhva-Vijaya and the Phala-Malika. Proofing was also done in parts
by Keshava Tadipatri and Shrisha Rao. The slokardhanukraman.ika (verse concordance) was
generated by Anand Ravipati using a computer program.
The latest version of this material is always available on the web at http://www.dvaita.net,
and the persons who maintain it may be reached by electronic mail at dvaita@dvaita.org
as well.

vii

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