From Drums to Light

for string orchestra and percussion

Amanda Feery

From Drums to Light Sound, light, radio frequencies and electromagnetic radiation can all be measured in hertz, or cycles per second. From Drums to Light, an expression used amongst radio engineers, describes a very broad frequency range, from the low frequencies of drums that our ears hear, to the high band of frequencies of light that our eyes receive. I wanted to explore the high band of frequencies through shimmering, metallic textures in pitched percussion and string harmonics, alongside lower frequencies in the drums and lower string instruments. Duration - 7 Instrumentation Percussion 1 Vibraphone 1 Percussion 2 Vibraphone 2 Percussion 3 Marimba 1 Percussion 4 - Marimba 2 Percussion 5 Crotales, Drum Kit, Glockenspiel and Triangle Violin (1-4) Viola (1-2) Cello (1-2) Double Bass Performance Notes Percussion 5 Drum Kit notation

Violins - glissandi in bars 131-136 Please finish on the bottom pitch of the starting string

Percussion 1 (Vib 1)

&4 4

q = 60

! w

! w ! ! !

! w ! ! !

Percussion 2 (Vib 2)

&4 w 4 P ?4 4 ?4 4

(strike with soft mallet)

Percussion 3 (Marimba 1)

! !

! ! !

! !

w w F

w w

! ! w w !

w w

w w

2 4 ! 2 4 ! 2 4 ! 2 4 ! 2 4 ! 2 4 ! 2 4 ! 2 4 ! 2 4 ! 2 4 ! 2 4 ! 2 4 ! 2 4 ! 2 4 !

4 4 4 w 4 w 4 4 4 4 4 4 4 4 4 4 4 4 4 4
bowed

bowed

w w w ! ! ! !

w w ! !

w . . ! ! w !

! !

! ! w w

! ! ww !

! ! ww !

! ! ! !

Percussion 4 (Marimba 2)

Percussion 5

&4 4 > P &4 ! 4 &4 4 !

triangle

w w F

glockenspiel

crotales bowed

w F

Violin 1

! ! ! ! ! ! ! !

! ! ! ! ! ! ! !

! ! ! ! ! ! ! !

! ! ! ! ! ! ! !

! ! ! ! ! ! ! !

! ! ! ! ! ! ! !

! ! ! ! ! ! ! !

! ! ! ! ! ! ! !

! ! ! ! ! ! ! !

! ! !

! ! ! o w

! ! ! o w ! ! ! !

! ! !

Violin 2

4 &4 &4 4 4 &4 B4 4 ?4 4 ?4 4 ?4 4 ! ! ! ! ! !

Violin 3

Violin 4

creeping in o o w 4 w 4 "

Viola 2

4 4 4 4 4 4 4 4

! ! ! !

! ! ! !

! ! ! !

Cello 1

Cello 2

Bass

2 b.16
16

Vib. 1

&

Vib. 2

w & w
16

w w w
&

w w ! !
triangle

w w w w

w w w w

w w w > !

w w #w .

w w . w

w . # w . J .
bowed

. . ! ! ! O w O w O w o w ! ! ! ! ! ! ! !

w w w w . #w .

. 5 . 4 ! ! 5 4 5 4 5 4 ! 5 4 5 4 5 4 5 4 5 4 ! ! ! ! 5 4 5 4 5 4 5 4

5 4

Mar. 1

? ?

! !

. P !
&

. w . P
bowed

Mar. 2

w w

16

Perc. 5

& & !

! ! O w ! O w o w ! ! ! !

16

! O w ! O w o w ! ! ! !

crotales

triangle

. > !

crotales

16

Vln. 1

& & O & w " & B ? ? ? o w

! !
creeping in

O ##w "

creeping in

O O w o w ! ! ! !

Vln. 2

O ##w pp

creeping in

O w O w O w o w

O w O w O w o w ! ! ! ! ! ! ! !

O w O w O w o w

O w O w O w o w ! ! ! !

O w O w O w o w

##O w pp O w o w

creeping in

Vln. 3

O w o w

Vln. 4

Vla. 2

! ! ! !

! ! ! !

! ! ! !

Vlc. 1

Vlc. 2

Cb.

3
28

Vib. 1

5 &4 5 &4

b.28

. .

4 4 4 4 4 4 4 4 4 4

q = 80

! ! ! ! !

! ! ! ! !

. . . . J P hard mallets for vibes F . . ! ! ! ! !

strike (use hard mallet)

w w ! ! !

#. ! ! !

# J ! ! ! f

shimmering,metalic sound desired

Vib. 2

! ! !

! ! !

28

Mar. 1

5 . &4 5 &4 w

Mar. 2

28

Perc. 5

5 &4
triangle

28

snare on >> > 5 > 4 # &4 4 R P f

. J J J !

. . ! ! J hard mallets for glockenspiel F glockenspiel f shimmering,metalic sound desired ! ! ! ! !

(use hard mallet)

28

Vln. 1

5 O & 4 .. 5 O .. &4 5 O. & 4 . o 5 . &4 5 B4 ?5 4 ?5 4 ?4 5

4 4

strings should remain in the background until bar 48, when the cresendo moves to forte

!
ord.

!
lighter bow pressure

grind into string sul ponticello

Vln. 2

4 . 4 4 .. 4 4 4 4 4 4 4 4 4 4 4 ! ! ! ! !

Vln. 3

O ! ! ! !

grind into string sul ponticello

w o p O w p ! ! ! ! !

w o O w ! ! ! ! !

pp

w o

w o

O a#w pp w o ! ! ! w ! !

O w w o ! ! ! w ! !

O w w o ! ! ! w ! !

! ! ! ! ! ! pp w

! ! !
sul ponticello

Vln. 4

Vla. 2

Vlc. 1

Vlc. 2

! !

Cb.

4
b. 37
37

Vib. 1

& &

. ! ! !

#w w

# ! ! !

! ! ! . . ! O w w o O w O w

strike (use hard mallet)

Vib. 2

! ! !

# #

! !

37

Mar. 1

& &

Mar. 2

37

Perc. 5

. & . & !

37

w w !

! O w P

> F

> F

# # # # # # > # # > > > > > > # # > ! # > # # # > > > !

! O ##w w o O w O w w o

# J R f O w w o O w O w w o O w F

37

Vln. 1

O & ##w & w o & & B ? ? ?

grind into string sul ponticello

O w w o !

ord.

back to lighter bow pressure

grind into string sul ponticello

Vln. 2

w o P

ord.

back to lighter bow pressure

Vln. 3

! ! !
grind into string

O w P O w

ord.

back to lighter bow pressure

O w F O w F w o F @ F w o F

w o F

Vln. 4

O w P ! w ! !

Vla. 2

!
ord.

Vlc. 1

P w o !

back to lighter bow pressure

w o

. @ w o !

@ w o !

. @ w o !

Vlc. 2

! !

Cb.

5
b. 44
44

Vib. 1

& &

! !

! !

! !

soft drone sound desired

soft mallet

soft mallet

Vib. 2

44

Mar. 1

# # # # # # # # & # # # > > > > > > > > > > > > > > &

ww F

@ F

Mar. 2

44

Perc. 5

&

# # # # # # # # # # # > > # > > > > > > > > > > > > ! ! ! ! > @ @ . o ! @ @ o @. o @ o .. @ @ o @ @ o O # # @ O @ @ o @ @ o @

44

& # # # # J R > > > O & w & w o O & w O & w B ? ? ? o j o o o O w .. . o . o @ J j o o @ o @ J @ j @ o J @ o ! O w @ o @ . o

44

Vln. 1

Vln. 2

Vln. 3

Vln. 4

Vla. 2

Vlc. 1

. @

@ @ o

@ @ o

@ j o

Vlc. 2

. o

j @ @ o o !

@ o

@ o.

j @ @. o o !

Cb.

6
48

Vib. 1

. & @ . &

b. 48

@ @

w @ w ww @

w @ w ww @

@ ww @

# @

Vib. 2

48

Mar. 1

Mar. 2

48

> # # # # # ## # # # ## # # & # # # > > # > > > > > > # # # # & # # # # # # # # # # # # > > > # > > > > > & r r r ## # # # # # # # # # ## ## & 3 > > > > > > O & # f O @ o@. @ @ o @ @ @ o O # @ # O o@. .. O @ w J @ @ o w @ o @. o @ o O @ o J J @ j O O # # o O @ w O @ w @ j @ @ o o w @ o @. o . @ o @. o O # @ @ o o@ O # . O @ w O @ w @ o w @ @ j @ o o @ o # @ O j j . o o o O @ ! ! ! !

ww

Perc. 5

48

48

Vln. 1

Vln. 2

& @ o f & @ f & f B @ o f ? J @ @ f ? ? o f

Vln. 3

Vln. 4

Vla. 2

Vlc. 1

J @ o.

Vlc. 2

@ @ o o o

@. o

w o w @ o

Cb.

w @ o f

7
52

Vib. 1

Vib. 2

Mar. 1

Mar. 2

ww @ f 52 & # # # > > > f > > # # # # & # f

52

& w @ w f &

b. 52

@ ww @

#@

w @ w ww @

# #

Perc. 5

&

52

r # & O & # @ & o

# # # > > > ! !

# # > # # > > >

ww @ P ! ! ! !

w @ w P

# > > O # @ @ o

3 3 3 j > >

# # > >
3 3

52

Vln. 1

O ##w w @ o O @ w O @ w

O w w @ o O @ w O @ w w @

! ! ! ! ! ! ! w F

Vln. 2

Vln. 3

O & w @ O & w @ B @ o ? w @ ? ? w @ o @

Vln. 4

Vla. 2

w @

Vlc. 1

w @ w @ o w @ o

w @ w @ o w "

Vlc. 2

Cb.

w @ o

8
56

b. 56

Vib. 1

& w @ w & ww @ ! ! !
use bow

w @ w ww @ ! ! !

w @ w ww @ ! ! !

w w @ ww @

@ .. @ ww @

w @ w w @ w

.@ . w @ w

w@ w w w @

Vib. 2

56

Mar. 1

& &

! ! !

! ! !

! ! !

! ! ! !

! ! !

Mar. 2

56

Perc. 5

& &

56

gliss. . P gliss. # P

# P> > . f . f . f . ! w ww

use stick

56

Vln. 1

& & & & B ? ? ? w

! ! ! ! ! ! ! w

! ! ! ! ! ! ! w

! ! ! ! ! ! !
&

# w

j . .

#w

# . !

Vln. 2

Vln. 3

w P P

gliss.

gliss.

Vln. 4

# !

# j ! ! w .

Vla. 2

Vlc. 1

gliss.

Vlc. 2

ww F w

.. > .

Cb.

9
64

Vib. 1

& w@ w

b. 64

w@ w w@ w

w@ w w @ w

Vib. 2

64

& w @ w & &

w @ w " ! ! !

Mar. 1

! ! !

! ! !

w @ w "

! ! !

? ?

Mar. 2

64

Perc. 5

&

64

> & # # # # # # # # # > > >P >

col legno battuto

> > P

64

Vln. 1

& &

Vln. 2

col legno battuto

P3

# J

#J

J # # J #J #

J J # J #J

Vln. 3

& # J J 3 P
col legno battuto

# # J J J
3 3

Vln. 4

& P B & ?

col legno battuto

j j ! ! J
3 3

j #

Vla. 2

col legno battuto

Vlc. 1

J P .

# J

# # J J J . . j .. >
3

Vlc. 2

Cb.

>

.. .

> >

# #

10
b. 68 C
68

Vib. 1

& &

q = 100

! !

! !

! ! # # J J # # J J !

! ! ! ! > ## R

! ! # J J

Vib. 2

68

Mar. 1

Mar. 2

68

> ? J F > ? J F &

use mallet

#> J J ! > > ! ! ! ! ! ! ! snap pizz. # +

Perc. 5

68

3 j # # j j # j & > > F

68

Vln. 1

& & & & B & ?

! ! ! ! ! ! !

! ! ! ! ! ! J f

! ! ! ! ! !

! ! ! ! ! ! !

Vln. 2

Vln. 3

Vln. 4

Vla. 2

Vlc. 1

Vlc. 2

Cb.

> ? ># # # # # . > # # # # n > # J J J f

11
73

Vib. 1

& &

b. 73

! ! > # J # J J

! ! > J

! ! > # J J # J

! !

! !

Vib. 2

73

Mar. 1

? ?

Mar. 2

> > > # # # # # # # # # # J J J J J J J J J ! ! !

# > > n # # # # J > > # # J J J ! # # n # J ! # # # # j > > ! ! ! ! ! ! j # # # .. # > + > # # j +

73

Perc. 5

&

73

j & . > & & & & B & ? ! ! ! ! ! ! > # # J

# # j j > > > ! ! ! ! ! ! ! # .. # .. ! ! ! ! ! !

! ! ! ! ! ! # # .. R

73

Vln. 1

Vln. 2

Vln. 3

Vln. 4

Vla. 2

Vlc. 1

Vlc. 2

Cb.

? # # j J +

# j +

# n #

12
78

Vib. 1

& &

b. 78

! ! #
3

! ! > J

! !

! ! #> # # # > # J J J # J ! # # > ! ! ! ! !

?

Vib. 2

78

Mar. 1

? # #> # ? #> > J J

Mar. 2

#
3

> # # J !

> # J J !

> J

78

Perc. 5

&

!
3

78

& . # > & & & & B & ? ! ! ! ! ! ! # # # # ># # # > j #

# # # # > > > ! ! ! ! ! ! ! ! ! ! ! !

78

Vln. 1

Vln. 2

Vln. 3

Vln. 4

Vla. 2

Vlc. 1

Vlc. 2

Cb.

j ## # + >

. # j # # n # # # . R # # + > >

##. .

tambura sul tasto (slap palm against fingerboard)

> # J
tambura sul tasto (slap palm against fingerboard)

# j ## +

13
82

Vib. 1

& &

b. 82

! ! J

! ! > # # # J J J J J > # # J

! ! # J J ! # # > > > >

3 3

! ! ! ! ! !

! ! ! ! ! !

Vib. 2

82

Mar. 1

? # J ? # J

Mar. 2

> # # J J ! ! ! ! ! ! . > !

#> J

82

Perc. 5

& & > & & & & B ? # #. .

82

# # # # > ! ! ! ! !

82

Vln. 1

! ! ! ! ! # #. . .

! ! ! ! ! !

! ! ! ! ! ! # #

Vln. 2

Vln. 3

Vln. 4

Vla. 2

Vlc. 1

Vlc. 2

? # #> # # > # # # J ? #> # # n #

Cb.

j # .. J +

> # > # #> n # # J # P # j # # # + P

14
87

Vib. 1

& &

b. 87

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4

Vib. 2

87

Mar. 1

? ?

Mar. 2

87

Perc. 5

& &

87

87

Vln. 1

& & & & B ? ?

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! !

! ! ! ! !

Vln. 2

Vln. 3

Vln. 4

Vla. 2

Vlc. 1

Vlc. 2

Cb.

# # > > F ? # j + + J F

# # j . j j . # # .. > > j # + + +

j +

2 4 > > > > > > F 2 # # # # 4 > > > > > > F ! ! 2 4

15
92

Vib. 1

2 &4 2 &4

b. 92

! ! ! ! ! !

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

q = 90 with force, motoric

! ! ! ! ! !

! ! ! ! ! !

Vib. 2

92

Mar. 1

?4 2 ?4 2

Mar. 2

92

Perc. 5

2 &4 2 &4 2 &4 2 &4 2 &4 2 &4 2 B4 ?2 4 ?2 4 ?4 2

92

92

Vln. 1

! ! ! ! ! ! ! !

! ! ! ! !

! ! ! ! !

Vln. 2

Vln. 3

Vln. 4

Vla. 2

Vlc. 1

4 # # 4 4 4 4 4 # # > > > > > ! !

Vlc. 2

Cb.

16
95

Vib. 1

& &

b. 95

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

Vib. 2

95

Mar. 1

? ?

Mar. 2

95

Perc. 5

& &

95

95

Vln. 1

& & &

# # # > > > > > > > > F # # # > > > > > > > > F # # # > > > > > > > > F > > > > > > > > > > > >

Vln. 2

Vln. 3

Vln. 4

& > > F B > > F

Vla. 2

Vlc. 1

? ? ?

# # # > > > > > > > > # # # > > > > > > > > ! ! !

Vlc. 2

Cb.

17
98

Vib. 1

& &

b. 98

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

Vib. 2

98

Mar. 1

? ?

Mar. 2

98

Perc. 5

& &

98

98

Vln. 1

& & &

# # # > > >> > > > > > > # # # > > >> > > > > > > # # # > > >> > > > > > >

Vln. 2

Vln. 3

Vln. 4

& > > >> > > > > > > B # n # n # n # n # n # n # n # n # n > > >> > > > > > > > # > > > # > # > > > > > > # > > > # > > # > > > > > ! ! !

Vla. 2

Vlc. 1

? ? ?

Vlc. 2

Cb.

18
101

Vib. 1

& &

b. 101

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

Vib. 2

101

Mar. 1

? ?

Mar. 2

101

Perc. 5

& &

101

101

Vln. 1

& & &

# > > # > # > > > > > > > > > > # > > # > # > > > > > > > > > > # > > # > # > > > > > > > > > >

Vln. 2

Vln. 3

Vln. 4

& >> > > > > > >> > >> > B ? ? ? # > n # n # n # > # n # n # >n # n # > n > > > > > > > > > > > # > > > > # > > > > # > > > > > # > > > > # > > > > # > > > ! ! !

Vla. 2

Vlc. 1

Vlc. 2

Cb.

19
104

Vib. 1

& &

b.104

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

Vib. 2

104

Mar. 1

? ?

Mar. 2

104

Perc. 5

& &

104

104

Vln. 1

& & &

# > # > # > > > > > > > # > # > # > > > > > > > # > # > # > > > > > > > >

Vln. 2

Vln. 3

Vln. 4

& > > > > > > > > > > B ? ? ? # n # n # > n # n # > n # n # n > # > > > > > > > > # > > # > > > # > > > > > # > > # > > > # > > > > ! ! !

Vla. 2

Vlc. 1

Vlc. 2

Cb.

20
107

b.107

Vib. 1

& &

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

Vib. 2

107

Mar. 1

? ?

Mar. 2

107

Perc. 5

& &

107

107

Vln. 1

& & &

# # #

> # > # > > > > > # > # > > > > > # > # > > > > >> > > > # n # > n >

> > > > > > > > >

Vln. 2

Vln. 3

Vln. 4

& B ? ? ?

Vla. 2

#> > n #> n

# > n #> n #> n > # > > > # > > !

Vlc. 1

> > # > # > > > > > # > # > > > ! !

Vlc. 2

Cb.

21
110

Vib. 1

& &

b.110

! ! ! ! ! !

bowed

w ! !
bowed

. w ! ! # !

Vib. 2

110

Mar. 1

? ?

! !

. . ! ! #. !

bowed

Mar. 2

110

Perc. 5

& &

110

j F !

# !

110

Vln. 1

& & &

Vln. 2

# > > f # > > f # > > f

# #

# # ! !

# # ! !

# #.

> > F

sul ponticello

Vln. 3

! . . . . !

Vln. 4

& > > f B > # n # n > f # > > f # > > f !

# # !

# #

Vla. 2

Vlc. 1

? ? ?

Vlc. 2

Cb.

22
115

Vib. 1

& &

b.115

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

Vib. 2

115

Mar. 1

? ?

Mar. 2

115

Perc. 5

& &

115

115

Vln. 1

& > > > >

sul ponticello

> > > >

> > >

Vln. 2

& # # # # # # > > > > > > > > > > > F & & B ? ? ? ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

Vln. 3

Vln. 4

Vla. 2

Vlc. 1

Vlc. 2

Cb.

23
118

Vib. 1

& &

! ! ! ! ! !

! ! ! ! ! !

! ! ! ! ! !

Vib. 2

118

Mar. 1

? ?

Mar. 2

118

Perc. 5

& &

118

118

Vln. 1

& > > > > > >

Vln. 2

& # # # # > > > > > > # > > > & & B ? ? ? # > > > # > > > # > > > > > > > F ! ! !

# >

Vln. 3

Vln. 4

Vla. 2

# n # >n # > >n # # n # >n # > >n # # n # >n # n # > > > > > > F # > > > > > # > > > > > # > > > F # > > > > > # > > > > > # > > > F ! ! !

Vlc. 1

Vlc. 2

Cb.

24
121

Vib. 1

& &

b.121

! ! ! ! ! !

! ! ! ! ! !

! !

bowed

Vib. 2

121

Mar. 1

? ?

bowed

Mar. 2

121

Perc. 5

& &

121

j F !

bowed

121

Vln. 1

& & &

# > # > > >

Vln. 2

# > # > # > > > > > f # > # > # > > > > > f > > > # > n # n # > n # > f f f f

> # > > f

Vln. 3

Vln. 4

& > > > > B ? ? ? # n # > n # n # > > >

Vla. 2

Vlc. 1

# > > > > # > > > # > > > > # > > > ! !

Vlc. 2

Cb.

25
124

Vib. 1

& &

b.124

Vib. 2

! ! # !

w w ! ! !

! ! ! ! !

! ! ! ! !

bowed

w # ! ! ! ! ! ! ! >
sul ponticello

bowed

124

Mar. 1

? ?

F ! ! !

Mar. 2

124

Perc. 5

& &

124

j > > f > # #

j j > > #> . #> .

sul ponticello

124

Vln. 1

& & &

# # !

# # !

j j j j j # # > > > > > j j j j j # # > > > > > ! !

gliss.

sul ponticello

gliss.

Vln. 2

Vln. 3

> j j # > > j j > j j > j j > j j > > J J

sul ponticello

gliss.

Vln. 4

& B ? ?

# # #

j j j > > > > j j j > > > > j j # j # > > > > j j # j # > > > > # j # J > J > >

sul ponticello

gliss.

Vla. 2

Vlc. 1

Vlc. 2

Cb.

26
130

Vib. 1

&

b.130

w . ! ! ! ! #> . #> . ! ! ! >

w # ! ! ! ! . . . . ! ! ! #
3

#w w ! ! ! ! #> . #> . > > w w w w ! ! ! w

. . ! ! ! !

w #. ! ! ! ! #> #> > . . @ > . . @ ! ! ! w @ @

Vib. 2

. &
130

Mar. 1

? ?

! ! ! ! . .

Mar. 2

130

Perc. 5

& &

130

glissandi to finish at the bottom pitch of starting string

130

Vln. 1

& &

! ! !

Vln. 2

Vln. 3

. & & B ? ? ? . ! ! !

> >

Vln. 4

Vla. 2

Vlc. 1

Vlc. 2

Cb.

# >
3

27
b.136
136

Vib. 1

& &

! ! ! ! ! !

! ! f > f

! !

! !

Vib. 2

136

Mar. 1

? ?

# # # > > > > > > > > > > # # # ! ! # @ @ . @ @ # @ @ @ . @ #. @ # @ @ ! ! @ @ @ #. @ @ @ ! ! # @

Mar. 2

136

Perc. 5

& &

136

136

Vln. 1

& & & & B ? ?

w @ w @ w @ w @ ! ! !

Vln. 2

Vln. 3

Vln. 4

@ > > > > > > > > > > > # n # n # # n # n # n # # n # n # n # n # n > > > > > > > > > > > # > > # > > > # > > > > > > # # > > > > > > > > > > # > > > > # > > > >

Vla. 2

Vlc. 1

Vlc. 2

Cb.

? w @

> # > > > # @

28
b.140

140

Vib. 1

& &

! !

! !

! !

! !

Vib. 2

140

Mar. 1

? # # # # ? > > ># > > # > > > > > # > > > > > # > >

Mar. 2

140

Perc. 5

& & & @ . & @ & @ . @

! ! # @ # @ . @ @ J @ . @

! ! # @ # @ . @ @ @ . @ # @

! ! @ # @ @ @ @ @

! !

140

140

Vln. 1

Vln. 2

Vln. 3

Vln. 4

& > > >> > B # n # n # > > >> >

> > > > > > > > > > > > # # n # > > > > > > > > > > > >

Vla. 2

Vlc. 1

? ?

Vlc. 2

Cb.

# # > > > > > > ? > > ># > > # >

# # # # > > > > > > > > > > > > > > > > > # # > > > > > > > > > > > > > > > # > > > > > # > >