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summary
Time in Art

Time can be represented in two ways: objectively (as in reality) and subjectively (as
experienced individually). In literary works this second way is preferred, the way leading
to creation of time in art. Every event displays a temporal succession (the beginning,
duration, and end) which can never be altered in reality. However, in works of art the
linear flow of time is disrupted so that what constitutes the end comes to the beginning,
the present precedes the past or the past is presented as something happening right now.
Sometimes an author sublimates an immense interval of several centuries into a very short
period. An author can make time flow more slowly or faster, he can paint it as lasting
incessantly or as intervals. A peculiar trick with time takes place in literary works: now
one time plane emerges, now another, at one point a real meaning appears, and figurative
ones at others, temporal forms are accumulated in some parts and completely omitted in
others.
Different approaches produce different types of time in art. Some of them distinguish
concrete time in art, general time in art, an art time abstraction, poetic transformations of

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time in art, others differentiate the authors time and that of his characters, the third ones
discriminate between the time of the story and the time of narration, whereas the fourth
type indicates the existence of the readers time. Two terms for this are used in German
scholarship Erzhlzeit and erzhlte Zeit. The term Erzhlzeit represents the real time of
performing the action (of reading or narrating), whereas erzhlte Zeit represents historical
time, the time of the subject-matter, the time referred to. If Erzhlzeit and erzhlte Zeit
correspond, the time in question is zeitdeckende Erzhlen, which is especially typical of
stage forms of narration. For identifying time in dramatic works we use two expressions
the time of performance (Erzhlzeit) and the performing time (erzhlte Zeit). On the level
of literary genres, three primary kinds of time in art are distinguished lyrical, prose and
dramatic time.

81

: http://www.kostyor.ru/tales/tale48.html
: http://deseterac.uzice.net//zidanjeravanice.htm
01: http://www.lukoshko.net/legends/leg1.shtml
: http://pge.rastko.net/dirs/pge/pge05/100001/e100001.htm

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-. 131 .
. www: , . . .
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19902: , . . . : . 320 .
. www: , .:
: http://www.repetitor.org/materials/dostoevsky4.html
1975: , . . . In: : 1974.
: . 360 . . 213228.
1980: , . .
. In: ( ). : . 154
. . 5058.
1970: , . . . (

X I X X X .). In: : . . 12.
. 8387.
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. : . . 160172.
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82

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In: , . : .
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1983: , . . . : . 176 .
1993: , . . (
. . ). In: . :
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1972: , . .
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: . . . . .
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: . . 200209.
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1. . 6666.
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1970: , . .
. ( ). In:
. . . 114. . 227245.
1974: , . .
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. . ). In: . -:
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. : www: , . .
. http://reader.boom.ru/tomash/tema10.htm
. : www: , . .
: http://reader.boom.ru/tomash/tema8.htm
. www: , . . http://reader.boom.
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1976: , . . . : .
146 .
1979: , . . : .
: - . 34 .
1981: , . .
: . : .
160 .
. - www: , . --:
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83

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