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  • Scanderbeg: Or, Love and Liberty - Thomas Whincop (1747)

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    In the 18th Century when the Ottomans were suffering reverses in Central Europe, there was a revival of interest in the earlier struggle of the 15th century Albanian national hero, Scanderbeg, against them in Albania. Not only did Scanderbeg serve as the subject for operas by Vivaldi and two French composers, Francouer and Lacepede, but he was also the hero in three English plays dealing with his defence of the fortress in Kruje against the forces of Sultan Amurith in 1450. The first to be written, but never performed, was Scanderbeg or Love and Liberty by Thomas Whincop who was rector of a London church. According to the preface to the play, which was printed in 1747, the reason for its non-performance was due to the difficulties encountered by his widow in getting a theatre to put on a performance, and to the "caprices" of theatre managers. An account of the life of Scanderbeg is given along with drawings of scenes from the play, one of which depicts Scanderbeg wearing a turban and mounted on a horse. (Peter Rennie)

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    In the 18th Century when the Ottomans were suffering reverses in Central Europe, there was a revival of interest in the earlier struggle of the 15th century Albanian national hero, Scanderbeg, against them in Albania. Not only did Scanderbeg serve as the subject for operas by Vivaldi and two French composers, Francouer and Lacepede, but he was also the hero in three English plays dealing with his defence of the fortress in Kruje against the forces of Sultan Amurith in 1450. The first to be written, but never performed, was Scanderbeg or Love and Liberty by Thomas Whincop who was rector of a London church. According to the preface to the play, which was printed in 1747, the reason for its non-performance was due to the difficulties encountered by his widow in getting a theatre to put on a performance, and to the "caprices" of theatre managers. An account of the life of Scanderbeg is given along with drawings of scenes from the play, one of which depicts Scanderbeg wearing a turban and mounted on a horse. (Peter Rennie)

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    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    594 просмотров384 страницы

    Scanderbeg: Or, Love and Liberty - Thomas Whincop (1747)

    Загружено:

    xhibi
    In the 18th Century when the Ottomans were suffering reverses in Central Europe, there was a revival of interest in the earlier struggle of the 15th century Albanian national hero, Scanderbeg, against them in Albania. Not only did Scanderbeg serve as the subject for operas by Vivaldi and two French composers, Francouer and Lacepede, but he was also the hero in three English plays dealing with his defence of the fortress in Kruje against the forces of Sultan Amurith in 1450. The first to be written, but never performed, was Scanderbeg or Love and Liberty by Thomas Whincop who was rector of a London church. According to the preface to the play, which was printed in 1747, the reason for its non-performance was due to the difficulties encountered by his widow in getting a theatre to put on a performance, and to the "caprices" of theatre managers. An account of the life of Scanderbeg is given along with drawings of scenes from the play, one of which depicts Scanderbeg wearing a turban and mounted on a horse. (Peter Rennie)

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    из 384

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