Академический Документы
Профессиональный Документы
Культура Документы
SATURDAY
8:30 am 9:15 am
JULY 21
Mapping the Self: An Artists Identity and Process, with graduating student Rukhshan Haque: CC 207 Media Room A Toolbox of Creative Resistance, with graduating student Jen Berger: Upper Garden If Love Were Mail, with graduating student Laura DiPiazzo: Manor Oak Room My Psychopelagic Daydream: A Personal Meditation, with graduating student Jeffrey Donato: Haybarn Theatre .the.spaces.inbetween. with graduating student Dana Heffern: Haybarn Theatre and Gallery There's More Than One Way To Be Jewish: Queering Jewish Identity, with graduating student Jenni Person: Haybarn Theatre Magnifying States of Ecstasy, with graduating student Stacey Thalden: CC 207 Media Room Alive and Well, with graduating student Margaret Nomentana: Pratt Well Art Life: How Being an Artist has Impacted My Role as an Educator and Socially Engaged Collaborator, with graduating student Meghan Murphy: Cottage
SUNDAY
9:00 am 9:45 am
JULY 22
Once Upon A Time: Discovering, Creating, Performing Stories, with graduating student Belinda Thomson: Clockhouse In Absence: A Rumbera in Diaspora, with graduating student Maria Urrutia: Upper Garden
10:00 am 10:45 am
11:00 am 11:45 pm Hush Arbor: Composing Living Legacies In Spirituals, Sound And Song with graduating student Imani Uzuri: Haybarn Theatre 1:15 pm 2:00 pm 2:30 pm 3:15 pm 3:30 pm 4:30 pm 4:45 pm 5: 30 pm Cartoonist: Heal Thyself, with graduating student John Kovaleski: Haybarn Theatre Elements of Self, with graduating student Kristen Young: Haybarn Theatre The Ouroboros, with graduating student Heather Geoffrey: Haybarn Theatre Shadows, Modernism and the Blonde: Embodied Performance and Everyday Life, with graduating student Britta Wheeler: Haybarn Theatre Commencement: Outside under the Tent Emcee: Faculty Member Peter Hocking Presidential Award for Activism: President Barbara Vacarr Commencement Speaker: Faculty Member Pam Hall Presenting Graduates Conferring of Degrees: President Barbara Vacarr Dessert Reception, followed by dancing : Haybarn Theatre Page 2 of 7
7:00 pm 9:00 pm
MONDAY
1:00 pm 2:30 pm
JULY 23
Artists in Place with Caitlin Strokosch, Executive Director of the Alliance of Artists Communities: Haybarn Theatre Flash and The Empty Room: A performative lecture and movement workshop on the body in crisis with faculty member Michael Sakamoto: Haybarn
7:15 pm 9:15 pm
TUESDAY
1:30 pm 3:00 pm
JULY 24
Recruiting the Visual: Re-Thinking the Rural: Towards an Encyclopeadia of Local Knowledge with faculty member Pam Hall: Haybarn
WEDNESDAY
1:15 pm 3:45 pm 6:30 pm 7:30 pm 6:30 pm 10 pm
JULY 25
On Being Stuck, with faculty member Kira Obolensky and Lynne Constantine: Manor Oak Room Art Crawl: Maps for art across campus at Help Desk Community Raku Firing with Alumni Artist Malley Weber and student Jeffrey Rudnick: Music Building
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Mapping the Self: An Artists Identity and Process, with graduating student Rikhshan Haque. Our art and art process can be a window to look within and a way to reflect outward what is unmanifested inside. Join me as I discuss finding and reconnecting with parts of the self through my art practice and how this in turn can positively affect the practice itself. Finding and honoring your identity (or identities) in your work can be a crucial step in the development of your art practice. This includes understanding and creating a space for your own unique process to come out. Finally, I will close with a short hands-on workshop that reflects the future direction of my art practice. My Psychopelagic Daydream: A Personal Meditation, with graduating student Jeffrey Donato. Looking at the mind as the last, great, mostly unexplored frontier of the human experience, and equating that to the ocean and it's boundless mystery, I think I have come up with a clever way to integrate some natural science into a metaphorical expression of classic psychology and universal mythological ideas. This little excursion into my brain, which I will be reading to you, will preface the work I have done in creating my own grand fairy tale. The second half of my presentation will be a slideshow of the story I've created with musical accompaniment. Once Upon A Time: Discovering, Creating, Performing Stories, with graduating student Belinda Thomson. Stories are everywhere. We find them in books, movies, conversations, art work, memories and in the moments and quiet spaces of our living and breathing. I am an artist engaged in the art and craft of storytelling. It permeates both my personal and professional life. I tell stories for the pleasure of conjuring up memories for myself as teller and my audience as listener. I want to take us both to places in our past that remember and celebrate those whose existence has allowed us to grow and thrive in our current time and place. This presentation will showcase a variety of media representative of my storytelling practice. The Ouroboros, with graduating student Heather Geoffrey. The Ouroboros is the re-telling of an ancient tale that has whispered throughout the journey that is my life. I experience and engage in the process and creation of art as medicine. My artistic creations are born of the relationship between worlds or the places where they touch; a place that I have come to refer to as The Borderlands. I believe that these places of in-between hold valuable information regarding the origins of medicine and disease, spirit and matter, and the relationships that exist between all that is. It is this source that is the wellspring from which my artistic and spiritual practices are fed, and through which I feed the source of my origins. I welcome you to the Borderlands, where the story of the Ouroboros sings me to sleep at night, and matches its footsteps with mine during the day. Together we dance. .the.spaces.inbetween. with graduating student Dana Heffern. My work discusses the concepts of Self and Other. I draw on artists who use the theme of identity as well as writers and philosophers who understand the nature of death. These queries have led me to create artwork and writings steeped in themes of dystopia, illness and disability. Conversely, I am also freckly, funny, and hyper. I am spiritual, diseased and I am especially strong. I am motivated to create by the spaces in between happiness and despair, illness and wellness, insider and outsider, culture and subculture. It is the spaces in between these places where I live artistically. In this text I ask questions of myself about the philosophical relationship between identity and societies collective humanness. I am fascinated by who I am in relationship to how you see me: and so I am especially fascinated in you. Shadows, Modernism and the Blonde: Embodied Performance and Everyday Life, with graduating student Britta Wheeler. Elaborating themes of identity and the social construction of the self, I will share the trajectory of the development of my artwork. Starting with an interdisciplinary inquiry in and from memoir, I examined the content and themes of my everyday life. Explanation and theoretical examination led into an embodied performance practice and the development of two art/life personae who inhabit different planes of the cultural and historical landscape. There's More Than One Way To Be Jewish: Queering Jewish Identity, with graduating student Jenni Person. A poetry performance exploring diverse ideas about Jewish identity in the context of queer theory, removing binary measures and definitions. A Toolbox of Creative Resistance, with graduating student Jen Berger. Using theatrical and participatory techniques, this presentation will share the story of the artists journey from activist to socially engaged artist. The presentation will also July 17, 2012 Page 5 of 7
explore the practice and ideology of moving a creative practice out of the studio and into the public with the intention of engaging a public audience.
Presidential Award for Activism. President Barbara Vacarr, during the MFAIA commencement, will present the second annual Presidential Award for Activism to Peter Schumann, the founder of the Internationally renowned Bread & Puppet Theater. Bread & Puppet was the Theater in Residence at Goddard from 1970 to 1974. Over the course of its 50-year history, the company has participated in thousands of protests, parades, marches, pageants and circuses across the globe. The company has inspired countless activists and artists to imaginative action with the goal of creating a more just and sustainable future. The Presidential Award for Activism was created to recognize Goddard alumni or individuals who have made significant contributions in the field of social justice and who embody the mission and values of Goddard College. This annual award was given for the first time in 2011 to Holocaust Survivor Stephan Ross from the class of 1955. Recruiting the Visual: Re-Thinking the Rural: Towards an Encyclopedia of Local Knowledge, with faculty member Pam Hall. My current research and creation practice investigates the role of visual arts as a way to produce, share and democratize knowledge to expand how we think about what knowledge IS and who is invited to participate in its production. I am especially interested in non-art and non-urban communities where notions of both art and knowledge are often exceptionalized, mystified and are rarely challenged- so I am working to create an Encyclopedia of Local Knowledge with more than 80 multi-generational collaborators on the west coast of Newfoundland. In a moment of environmental and social crisis in these coastal communities once reliant on the fisheries, I am working to gather diverse local knowledge(s) and make them visible within both rural and urban dialogues. This workshop will examine how contemporary art practice might be put to work to empower, enable and engage the rural and the local as an important site for art and knowledge-making, research practice, and as a location for enabling more inclusive dialogues about sustainable futures. Dialogue and discussion will engage the challenges and opportunities of community-based and collaborative research and creation- including questions of research methods, authorship, copyright, editorial /curatorial control and legacy. Together we will imagine visual and performative tools and strategies that might enable and mobilize a diverse range of local voices and knowledges, and that will demonstrate the generative and dialogical contributions that art can make towards a restorative sustainability of place.
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