Film 1. 'Droom' by iloobia.

The film starts off with the title Droom placed in the middle of the frame on a black background. The size of the text seems standard, being not to big or small. They have picked a font with an overlapping old movie effect added to it which fits with the gloomy tone of the film; it looks as if it could be handwritten. The frame lasts for 3-4 seconds and is the only title at the start of the piece. At the end of the film, the title Droom appears in a shot on a black background to the left of the frame, next to a circular bit of light that moves around on the right, the font and the effect on the text being the same as the one used at the start of the film. The circular bit of light may be a sign of the dream ending and a torch being shone into the characters eyes, but we dont know for certain. The next title shot shows the star billing in a similar way that the main title was shown, with the circular bit of light to the right of the frame and the text to the left. The next shot is crediting the Sound and Image. The frame has still got the area of light in it, but they have both been moved to different positions; this shot includes more movement, probably because they wanted to show the audience what they could do with the image as the credit was being shown. The final title frame ends with the company name in a very similar way to the other ending titles; the text is shown at the bottom right hand on this one. Film 2 'The World Turns by Nick Ray Rutter. The film starts with no title or credits, we go all the way through to the end of the film to find the first star credit placed in the centre of the frame on a black background, the font looks a lot like Times New Roman, and the size of the text is standard. Another star is then shown in exactly the same way followed by the title of the film in a significantly larger font, the director probably wanted the title of the film to be one of the most appealing bits of information to show to the audience, by placing it in the centre of the frame, making the font bigger and choosing to show it at the start of the credits, he has achieved this. After the title of the film, the writer and director Nick Ray Rutter is credited, this is done in a similar way to the star billings, apart from the written and directed by piece of text is smaller than the name that follows it, this is because the name is the most important bit of information. The producer is then credited in the same way as the director. All of the credits that have been shown so far have been about 3 seconds.

The credits then start to come in lists of 5-7, dramatically decreasing the font size and increasing the length of the frame to 5-6 seconds. These credits are jobs such as the production designer, director of photography and the editor etc. The cast is then credited in the same format, placed in the middle of the frame. The extras are then credited; the list of people is dramatically increased due to the small roles given to them. The shot time is increased to 8 seconds. Other roles within production, management, and coordination are then credited in a similar format to the extras, placed in the centre of the frame. They then give credits to certain companies and places that they have used to make the film; the length of each shot has dramatically decreased to about 3 seconds. The third to last frame shows 9 large logos to show what companies have been involved; they are conventionally placed in a square shape. The second to last frame shows the special thanks credits; this frame lasts for about 10 seconds due to the large amount of text. The last frame credits the production company with the name of the company saloon made the most prominent bit of text because it is large and purple. These credits are more towards the depth of a full length film, this is because the film lasted 20 minutes and took many people to make it. Film 3 'Paper Hearts' by Rob Brown. This short film starts off by saying the production companies, Kodak and IdeasTap present A Highly Unlikely Production. This is placed in the bottom left of the frame on a black background and is typed in a normal, Verdana looking font. It is quite small but is still easy enough to read. The frame then fades into the first scene where we see a kid being chased by a man; we find out that this guy is the childs Dad after a bystander stops them. This gives us an idea of what their relationship is like in less than a minute. Shortly after the child is reunited with his father there is a cut to black and the title of the film Paper Hearts fades in. Its typed in a Verdana style font and is placed in the middle of the frame. The size of the text is standard. The scene before the title is shown sets us up for the name of the film, Paper Hearts, probably having something to do between the father and son relationship. The first credit at the end of the film is for the writer and director. The text is placed on a black background in the centre of the frame with the name Rob Brown in bold writing. This is done because they want the name to stand out more than the other information in the frame. Several other credits such as the Producer, Cinematographer, Editor, Production Designer, and Connected

Pictures are shown in exactly the same way, and they last on screen for approximately 2-3 seconds. We then get nearly all of the credits in smaller writing, placed in the centre of the frame like you are scrolling down on a word document; it is typical of a full-length film to do this, so it is unusual for a film that only lasts 8 minutes to use this method. The list starts off with the star billings, listed under Cast, shortly followed by the crew, they include The Producer, Script Editor, and Assistant Director etc. The names of the people involved have been typed in bold writing, which gets across to the audience that its the most important bit of information. The Extras and Runners are then shown in the same way. Credits to the companies involved are then showed in the same way, closely followed by the logos of the companies that are placed in a conventional square shape. Special thanks to people and places are credited in the same way as before, then the film ends; interestingly not crediting the production company again.