Gus G Interactive Booklet

Gus G.
- Lead & Rhythm Techniques
Gus G. - Lead & Rhythm Techniques
Presents
Lead & Rhythm Techniques

Gus G.
Method by: John McCarthy
Adapted By: Jimmy Rutkowski
Supervising Editors:
John McCarthy & Joe Palombo
Music Transcribing & Engraving: Jimmy Rutkowski
Tablature Transcriptions: Anthony Lawrence
Production Manager: Anna-Lisa Tedeschi
Layout, Graphics & Design: Jimmy Rutkowski
Photography: Rodney Dabney
Copy Editors:
Cathy McCarthy, Alex Palombo
Cover Art Direction & Design:
Paul Enea, Tovero & Marks
HL# 14037751
Produced by The Rock House Method
2010 Fred Russell Publishing, LLC All Rights Reserved
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Table of Contents
About the Instructor ...................................................................................................................... 5
Introduction ................................................................................................................................... 7
Icon Key ........................................................................................................................................ 8
Lesson 1: Tuning ...........................................................................................................................9
Lesson 2: F Major/D Minor Scale Patterns ................................................................................... 10
Lesson 3: D Natural Minor Legato Sequence ...............................................................................12
Lesson 4: Harmonic Minor & Phrygian Major\Scales & Patterns ..................................................12
Lesson 5: Phrygian Major Lead - Fire & The Fury ..................................................................... 14
Lesson 6: Soulful Bending Lead - My Lonliness ........................................................................ 15
Lesson 7: Chords & Voicings ........................................................................................................ 16
Lesson 8: Picking Chord Progression ...........................................................................................16
Lesson 9: Chorus Progression - My Lonliness ........................................................................... 17
Lesson 10: Single String Tapping Technique ................................................................................ 18
Lesson 11: Diminished Sweeping Arpeggio ..................................................................................19
Lesson 12: Diminished Chromatic Arpeggio .................................................................................19
Lesson 13: Minor Third Harmony into Diminished Riff ..................................................................20
Lesson 14: Pivoting Interval Song Rhythm ...................................................................................22
Lesson 15: Interval Song Intro ...................................................................................................... 22
Lesson 16: Phrygian Major Riff Rhythm & Lead ........................................................................... 23
Lesson 17: Chorus Interval Rhythm ..............................................................................................24
Lesson 18: Syncopated Bridge Riff Rhythm ................................................................................. 24
Lesson 19: Complete Lead - Into The Fire ................................................................................. 25
Lesson 20: Staccato Interval Rhythm ........................................................................................... 26
Lesson 21: Two Part Song Section ...............................................................................................27
Lesson 22: Complete Lead - Angels Forgive Me ....................................................................... 27
Lesson 23: Picking Open Inversion Chords ..................................................................................29
Lesson 24: Soulful Rhythm & Complete Lead .............................................................................. 29
Lesson 25: Palm Muted Chug Rhythm ......................................................................................... 30
Lesson 26: Classical Pivoting into a Complete Lead ....................................................................31
Lesson 27: Complete Song Structure - The Silent Code ............................................................33
Lesson 28: Complete Song Structure - Head Up High ...............................................................37
Lesson 29: Wide Stretch Arpeggios into Phrygian Major Run ...................................................... 40
The Rock House Catalog ..............................................................................................................41
About the Instructor
Gus G.
For many, Gus G. may have seemingly come from nowhere to land the job as Ozzy Osbournes
new guitarist; but the truth is, Gus is already a true phenomenon in European metal circles.
His undeniable work ethic and his instant likeability won the Greek guitar god a raft of admirers
throughout the industry.
His career includes stints with Arch Enemy, Nightrage, Mystic Prophecy , Dream Evil and of
course the hugely successful Firewind. Gus s singular playing style and ef fortless ability has
garnered him a legion of fans across the globe.
He knew from a young age that he wanted to make music a career and at 18 years old he made
the trip from his home in Greece to enroll at Berkley College of Music.Although Gus was only at
the college for a short amount of time, the knowledge he gained serves him well.
Working with melodic death metal act Nightrage let Gus show what he could do and it wasnt
long before Gus was one of the most talked about guitar players on the Euro-metal scene. He
then hooked up with famed Gothenberg producer Fredrik Nordstrom to form power metal legends Dream Evil. The band quickly signed to Century Media and soon hit stages around the
world, opening for fellow power metal bands Blind Guardian and Hammerfall.
After three successful albums Gus chose to dedicate more time to his true love, his band Firewind,
a project hed been working with since 1998.At this time, he also ended his working relationships
with Mystic Prophecy, a band he also made three albums with.

Firewind signed with Leviathan Records who put out the bands f rst records, Between Heaven
and Hell and Burning Earth. The band began touring the world, including a Japanese run with
Rob Rock and a worldwide deal with Century Media was soon signed. The f rst album as part of
that deal (Forged by Fire) further established the band; but, it was the follow up Allegiancethat
really put the band on the map.
For the next two years Firewind toured in support of Allegiance (opening for Dragonforce and
All That Remains) in three continents and clocking up thousands of miles. The hard work paid
off as both Allegiance and the acclaimed follow up The Premonition albums made it to the
Top 10 in Greece and the Mercenary Man single became a Top 5 hit. The Premonition also
charted in Japan.
Despite the bands success, Gus was always ready to get back out on the road so when Arch
Enemy needed a temporary replacement for their guitarist MichaelAmott, Gus was f rst in line. it
was on Arch Enemys 2005 Ozzfest appearances that Gus f rst caught the eye of the Osbourne
camp.
Four years later Gus was invited to audition for the guitar role in Ozzy
s band. He was then asked
to perform with the band at Blizzcon 2009, where he ripped through Ozzy classics, remembering to stay faithful to the original songs but adding enough of his own individuality to ensure that
his appearance was met with a unanimous thumbs up from the fans.
The end of 2010 will be an equally busy year for Gus with not only the new Ozzy Osbourne album hitting the shelves but theres also a brand new Firewind CD, the eagerly anticipated follow
up to their highly rated The Premonition release due at the end of 2010.
Introduction
Welcome to The Rock House Method system of learning. You are joining millions of aspiring musicians around the world who use our easy-to-understand methods for learning to play
music. Unlike conventional learning programs, The Rock House Method is a teaching system
that employs DVD and 24/7 online lesson support along with this booklet to give you a variety
of sources to ensure a complete learning experience. The products can be used individually or
together. The DVD that comes with this booklet matches the curriculum exactly , providing you
with a live instructor for visual reference. In addition, the DVD contains some valuable extras like
sections on changing your strings, guitar care and an interactive chord library.
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Icon Key
Throughout this book, youll periodically notice the icons listed below. They indicate when there
are additional learning tools available on our support web site for the section youre working on.
When you see an icon in the book, visit the member section of RockHouseMethod.com for musical Backing Tracks, Additional Information and learning utilities.
Backing Tracks
Many of the exercises in this book are intended to be played along with bass and
drum rhythm tracks. This icon indicates that there is a backing track available for
download on the Lesson Support site or click here.
Additional Information
The question mark icon indicates there is more information for that section available, it can be theory, more playing examples or tips on the Lesson Support Site
or click here.
Metronome
Metronome icons are placed next to the examples that we recommend you practice using a metronome. You can download a free, adjustable metronome on the
Lesson Support Site or click here.
Tuner
Also found on the web site is a free online tuner that you can use to help tune
your instrument. You can download the free online tuner on the Lesson Support
Site or click here.
Gus G. - LeadLesson
& Rhythm
1 Techniques
Tuning
In this program Gus uses a six string guitar tuned to D tuning. The tuning notes are;
(Thinnest)
1st String 2nd String 3rd String
4th String
5th String
(Thickest)
6th String
Gus G. - LeadLesson
& Rhythm
2 Techniques
F Major/D Minor Scale Patterns

1
1
1
8 10
8 10
3
3
3
3
Third Position
2
3
5
5
5
5
1
1
Second Position
2
2
First Position
Fourth Position
3
8 10 12
8 10 11
7
7
7
6
9 10
8 10
8 10
8 10
9
10
1
1
1
12
9 10 12
8 10 12
8 10 12
8 10 12
10 12 13
10 12 13
10 12 14
10 12 14
11 13 15
12 13 15
15
Sixth Position
11
Seventh Position
4
4
12
10 12 13
10 11 13
12
Fifth Position
15
17
12 13 15
12 13 15
12 14 15
12 14 15
13 15 17
13 15 17
Gus G. - Lead
&McGrath
Rhythm
Buz
Lesson
3 Techniques
D Natural Minor Legato Sequence

H P
12 13 12 10 12 10
H
13
10
13 11 13 11
10 11 10
12
12 10 12 10
H P
10
12
H P
12
12
10 12 10
10
12
10 12 10
H P
10
10
12
12 10 12 10
10
10
Lesson 4
Harmonic Minor & Phrygian

Major\Scales & Patterns
1
1
1
12
13 16 17
15
A Harmonic Minor
2
2
17
13 15 17
13 14 16
12 14 15
12 14 15
= Root Note
12
1
1
E Phrygian Major
13 16 17
13 15 17
13 14 16
12 14 15
11 12 14 15
12 13
12
15
17
Example 1
H P P
16 17 16 13
17
16 13
17 15
13
17 15 13 17 15 13
15
14
12
15
14
12
15
14
12
16
15
15 13
14
16 14
13
16 14 13 16 14 13
15
14 13
15 14
13
12
Example 2
5
13
10
12
13
16
17
19
20
15 14 12

Example 3
4
10
10
10 12
10 12
10 12 13 10 12 13
12 13 16 12 13 16
13 16 17 13 16 17
16 17 19 16 17 19
Fast Example Only
17
19
20
17
19
20
19
Lesson 5
Phrygian Major Lead

Fire & The Fury
12 9 10 12 10 9 12 9 10 12 10 9 12 9 10 12
10 9 13 10 12 13 12 10 13 10 12 13 12 10 13 10
1.
12 9 101210 9 12 9 101210 9 12 9 1012 10 6 9 10 9 6 10 6 9 10 9 6 10 6
2.
8 101210 8
9 1012
1210 9
10 9
14
Gus G. - LeadLesson
& Rhythm
6 Techniques
Soulful Bending Lead

My Lonliness
Play using a Wah Pedal

full
full
13
12
full
13
12
13
12
full
13
12
12
full
13
13
12
10
12
12
10
sl.
13 15
12
10
12
11
10
13
12
12
P.M.
10
full
13
15
13
15
13
15
10
12
12
12
10
12
10
13
13 15
15
17
HP
15 17 15
15
17
HP
18
15
full
15 18
13
12
10
10
1 1/2
full
full
15 18
10
13
15
13 17
15
18 18
15 17
18 15
full
12
sl.
1/2
full
12
15 18
17
H P sl.
full
18 17 18 17 15 17 15 14 15 14
17
full
15 18
H P P
17
14
full
15
15 18 18
17
17 15 17 15 14 15 14
H P
17
14
17
18
15
full
15 15
18
full
15 15
18
17 15 17 15 14 15 14
17
14
16 17
Gus G. - LeadLesson
& Rhythm
7 Techniques
Chords & Voicings

Am9
B7sus4
7th fr.
2nd fr.
R
A
R
A
b3 9
C B
5 b7 R
F# Ab B
R
B
5
E
Am9
B7sus4
0
0
5
7
0
0
0
2
4
2
3
E
Lesson 8
Picking Chord Progression

P
2
3
3
1
3
3
0
0
16
Gus G. - LeadLesson
& Rhythm
9 Techniques
Chorus Progression
My Lonliness
7
5
7
5
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
3
1
X
X
X
X
3
1
X
X
X
X
X
X
X
X
X
X
X
X
3
1
X
X
X
X
X
X
X
X
3
1
X
X
X
X
X
X
X
X
5
3
7
5
7
5
X
X
X
X
X
X
X
X
X
X
X
X
3
1
3
1
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
3
1
X
X
X
X
3
1
5
3
6
4
W/ Harm.
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
5
3
7
5
Melody Section
sl.
sl.
17
sl.
10 10 10 10 10 10 10 11 11 11 11 11 11 11 10 10 10 10 10 10 10
8 8 8 8 8 8 8 10 10 10 10 10 10
5 5 5555 5 7
7 7 7 7 7
8 8 8 8
sl.
sl.
7 7 7 7
sl.
sl.
7 7 7 7
sl.
sl.
10 11
11
11 11 11
11
11
13
13
13 13 13
13 12
12 14 14
15
10
10
10 10 10
10
12
11 11
Gus G. - LeadLesson
& Rhythm
10Techniques
Single String Tapping Technique

Natural Minor
TP
T P P sl.
20 19 20 19 17 15
TP
T P P P sl. H T P
17 19 17 19 17 15 13 15
T P P sl. H
T P
17 15 17 15 13 12 13 15
T P P sl. H
TP
13 15 13 12 10 12 13 12
T P
13
P
12
sl. H
10
T P
10
12
T
10
12
P
10
sl. H
8
T P
8
10
T P
8
10
P
8
sl. H
7
T P
T P
7
T P P sl. H P
T P P sl. H P H
Phrygian Major
P H
T P P sl. H
17 16 17 19 17 16 13
P H
T P P sl. H
16 13 16 17 16 13 12 13
P H
12 13 16 13 12 10 12 10
12 13 12 10 8 10 8 10
T P P sl. H P H
12 10 8
T P P sl. H P H
8 10
TP
8
P sl. H P H
7
TP P
7
sl. H P H
4
TP P P
5
18
Gus G. - Lead
& Rhythm
Lesson
11 Techniques
Diminished Sweeping Arpeggio

Sweeping Diminished Arpeggios
13
10
12
10
12
12
10
10
10
13
10
12
11
12
12
11
10
11
Lesson 12
Diminished Chromatic Arpeggio

16 13
15
10 7
19
16 13 16
10 7 10
15
13 16 15 14 13 14 15 16 13
7 10 9
9 10 7
13 10
12
13 10 13
12
10 13 12 11 10 11 12 13 10
Gus G. - LeadLesson
& Rhythm
13 Techniques
Minor Third Harmony into

Diminished Riff
sl.
Harmony Section
10
10
10
10
10
10
12
10
10
10
10
14
13
14
sl.
sl.
H P
10
14
13
12
17
20
Main Riff and Speed Pick Part

H
21
5 7
P.M.
5 7
0 0 0 0 0 0
P.M.
0 0 0 0 0 0 0 0
0 0 0 0 0 0
P.M.
H P H
0 0 0 0 0 0 0 0
H P H
H P H
H P H
7 10 7 10
6
5
5
0
Gus G. - Lead
& Rhythm
Lesson
14 Techniques
Pivoting Interval Song Rhythm

P.M.
2
3
5
2
0 0 0 0 0 0 0 0
P.M.
2
0
P.M.
P.M.
P.M.
P.M. P.M.
2 2 2 3
5
2
0 0 0 0 0 0 0 1
3
1
Verse
sl.
HH
P.M. P.M.
2 2 2 3
0 0 0 0 0 0 0 5 7
3 5
P.M.
5
3
2 2
3 0 1 0 0 0 3 0
3
0
0
0
P.M.
sl.
P.M.
2
0
2
0
2
0
2
0
0
0
P.M.
2
0
P.M. P.M.
P.M.
2
3
0
2
0 0 0 0 0 0 0 0
2
0
2 2 2 3
5
2
0 0 0 0 0 0 0 0
P.M. P.M.
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
P.M.
3 3 3 5 5
1 1 1 3 3
P.M.
2
0
P.M.
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
P.M.
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
P.M.
P.M.
P.M. P.M.
P.M.
3
0
P.M.
0
0
2
0
P.M.
3
0
0
0
Lesson 15
Interval Song Intro

H
0 2
0 2
0 0
2 3
1
Harm.
3 3 2 3
3
3 3
3 3
2
3
0 2
0 2
0 0
3
5
3 3 3
5 5 5
2
3
2 2
3 3
3
3
22
Gus G. - Lead
& Rhythm
Lesson
16 Techniques
Phrygian Major Riff

Rhythm & Lead
P.M.
8 7 5 7
0 0 0
P.M.
5 5 5 3 3 3 2 2 2
8 7 5 7
0 0 0 0 0 0
Lead
full
16
16
16
7
5
7
0
H P P HH
H H TP P P
H P P HH
10131619161310
15121512
3
1
0 0 0
13
15
P.M.
PP
P.M.
1613
8 7 5 7
P P
P.M.
1.
PP
0 0 0 0 0 0
2.
P.M.
PP
H H TP P P
13161922191613
12
14
14131413
13
14
131613101316
161916131619
14121412
13
TP
TP P sl. H
TP
T P P sl. H
TP P
19 20 22 20 22 20 19 17 19 20 19 20 19 17 16 17 19 17 16
18 17 15
17 16 14 13
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Gus G. - Lead
& Rhythm
Lesson
17
16 Techniques
Chorus Interval Rhythm
P.M.
10
0
P.M.
9
0 0 0 0
7
0
0 0 0
P.M.
0 0 0
8 8 8
8 8 8
8 8 8
1.
7
5
8 8 8
5
3
5
3
3
5
9
8 8 8 8
7
8
5 5 5
P.M.
5
3
10
8
0 0 0
P.M.
5
5 5 5 5
P.M.
P.M.
2.
5
3
0 0 0
P.M.
5 5 5
5 5 5
P.M.
3
1
5 5 5
3
1
5
3
3
1
2
0
Lesson 18
Syncopated Bridge Riff Rhythm

H
P.M.
1.
P.M.
P.M.
5 7
P.M.
8 7
P.M.
10
5 8
0 0 0 0
8 7 5
7 5
7 6 5 7 6 5
2.
8 7 6 8 7 6
5 7
5 8
0 0 0 0
P.M.
7 5 8
2 2 2
2 2 2
4 4 4
4 4 4
7 7 7
7 7 7
7
5
5
3
24
Gus G. - LeadLesson
& Rhythm
19 Techniques
Complete Lead
Into The Fire
First Section
8 0 0
1.
0 0 0
7 0 0
0 0 0
8 0 0
0 0 0
10 0 0
7 0 0
8 0 0 0 0 0 7 0 0 0 0 0
Second Section
2.
HP
sl.
1/2
full
10 8 7
1210 8
1210 8
10 8 6
HP
14 17 14
12 16
13 16
HP
13
161412
14 16 121412
12
15
161413
15 1214
151412151412
15141211
12 17 12
12 1512
P H TP P
full
12 171217 191712 17
17
1417
171417
full
20
20
17 17 18
171417
15
1217
TP P P
sl. H
TP P
sl. H
17 16 17 19 17 16 13 16 13 16 17 16 13 12 13
25
HP P
14161412
15 17 131513
16
17
14
Third Section
17 20
14
13
17
16 12
1316
HP
131513
1216 1216 19 19
14
16
T P P sl. H H P P
P P sl.
12 13 16 13 12 10 12 13 12 10
13 12 10 9
10 9
Gus G. - Lead
& Rhythm
Lesson
20 Techniques
Staccato Interval Rhythm

Use your 2nd & 3rd fingers to pick each interval.
0 0 0
12 12 12
0 0 0
12 12 12
0 0 0
10 10 0
0 0 0
10 10 0
0 0 0
8 8 8
0 0 0
8 8 8
0 0 0
7 7 7
0 0 0
7 7 7
0 0
8 8
0 0
8 8
0 0
7 0
0 0
7 0
0 0 0
3 3 3
0 0 0
13 13 13
0 0 0
3 3 0
0 0 0
1 1 1
0 0 0 0 0 0
13 13 0 10 10 10
0 0 0
1 1 1
0 0 0
10 10 0
0 0 0
1 1 1
0 0
8 8
0 0
10 10
0 0
3 0
26
Gus G. - Lead
& Rhythm
Lesson
21 Techniques
Two Part Song Section

sl.
sl.
sl. sl.
sl.
Harm.
sl.
4
2
P.M.
4
2
4
2
4
2
4
2
6
4
6
4
sl.
6
4
6
4
6
4
6
4
6
4
6
4
9
7
2
0
Delay Effect Over Rhythm

12 11
12
11
12
11 12 9
10
10
9 12 11 12 11
12 11
12
11
12
11 11 7
9 11 12 14
Lesson 22
Complete Lead
Angels Forgive Me
P
6
27
sl.
5
sl.
9 10 10
sl.
12
12
14
12
14
12
sl.
12 14
15
14
17
10 12
10 12
15 13 15
13 15 13 12 13 12 13 12
sl.
13 15
14 10 12
TP H
15 10 13
TP H
10
15 13 11 10
10
13 15
TP H
13
15
T P
11
10
TP H
10
11
H
9
12
12
13
12 10
10
11
TP P P
15 10 12 14 15 14 12 10
12 10 12
12
T P H
10
sl.
sl.
TP H H
15 10 13
sl.
12 10 10 12 12 14
full
12
10 11 10
12
13
12
sl.
sl.
full
13
12
15 10 12 17 10 13 15 10 13
full
12
15
13 15 15
TP H
1 1/2
full
10 12 12 14
TP H
14 10 12
HP
14 14
TP H
17
H P sl.
12
T P
10
12 10
12
T P
12
13 12
13
T P H
15 12
10
T P
13
15
13
T
15
17
P H
TP H H
TP
TP P P H H TP
TP P P H H TP
13 15 17 13 15 17 18 17 18 17 15 13 15 17 21 17 21 17 15 13 15 17 22 17
TP P P H H
sl.
22 17 15 13 15 17 17 17 22 22
28
Gus G. - Lead
& Rhythm
Lesson
23 Techniques
Picking Open Inversion Chords
5
7
0
2
0
5
0
3
0
5
0
7
0
5
0
5
Lesson 24
Soulful Rhythm & Complete Lead
Rhythm
H
Phrase 1
29
Phrase 2
full
15
4 4 4 3 3 2
Phrase 3
full
5
3
7
5
Main Solo
1/2
12 15
15
12
14
12 14 14 14 12
12
1512
15 12 12141210
13121012131210
12119 7 9 11 9 7
10 9 7 9 10
911 9 7
10 9 7
9 7 5
10 9 7 5 7
8 7 5 7
sl.
sl.
5 78
79
7 910
911
10 12
Trem Pick
sl.
full
1214
14 15 17 19 20 22 22
Lesson 25
Palm Muted Chug Rhythm
P.M.
sl.
P.M.
sl.
7 9
5 7
7 9
5 7
0000
P.M.
sl.
0000
00 00
10
8
P.M.
6 7
7
5
6
8
7 8 5 7
5
8
P.M.
P.M.
sl.
7 9
5 7
7 9
5 7
0 0 0 0
7 8 5 7 4 7
3
0 0 0 0 1
P.M.
sl.
00 00
0 0 0 0
9
7
0 0 0 0
0 0 0 0
P.M.
sl.
sl.
5
3
0 0 0 0
0 000
P.M.
7 9
5 7
7 9
5 7
0000
sl.
0 0 0 0
P.M.
sl.
7 9
5 7
7 9
5 7
7
5
9
7
P.M.
sl.
0000
sl.
sl.
7 9
5 7
7 9
5 7
000 0
P.M.
sl.
7
5
9 10 9
7 8 7
7
5
7 9
5 7
0 0 0 0
30
Gus G. - Lead
& Rhythm
Lesson
26 Techniques
Classical Pivoting into a

Complete Lead
First Section
10 13 12 13
13 12 13 10 13 12 13
9
10 13 12 13
12 15 13 15
13 12 13
13 12 13 10 13 12 13
8 12 10 12
10
15 13 15 12 15 13 15
12
10 13 12 13
10
13 12 13 10 13 12 13
10
13 12 13
9
12 10 12 7 10 8 10
8
15 13 15
13 17 15 17
12
13 12 13
10
10 8 10
6
17 15 17 13 17 15 17
13
17 15 17
13
19 17 15
15
17 15
18
18 17
19 17 15
18 17 15 18 17 15
18 17 15 18 17 15
17 16 14 16
17
Second Section
H P P
17201317
31
151718 1715
13
20
13
17201317
19
151718
141517
14
17191417
19
171914 14 1517
1817151315171513
1514
Third Section
H P P
H P
full
12 14 15 14 12
12
13 12 10 12 13 10
13 12 10 8 10
HH
HH
HH
HH
HH
HP P
131517 17181715
12
10
12
10
15 14 12 10 12 14 12 10
131517 131517
1 1/2
1722 22
17182022
full
22
18
1817 15171820
19
141517 141517
19
141517
1720
Fourth Section
H PTP
T P P sl. H PT P
T P P sl. H
18 20 22 20 22 20 18 17 18 20 18 20 18 17 15 17
TP
T P P sl. H
TP
T P P sl. H
TP
18 17 18 17 15 13 15 17 15 17 15 13 12 13 15 13
T P P sl. H
TP
T P P sl. H P H
TP
15 13 12 10 12 13 12 13 12 10 8 12 8 12 13 12
P H P H
TP P H P
8 12 8 12 13 12 8
10 8 10 13 10 8 10 8
10
sl.
full
TP P H P H
full
10
8
10 12
full
10
12
12
12 10
12
12
10
12
For a deeper understanding of scales and modes, click here to check out
-RKQ0F&DUWK\V0RGHV'HP\VWLHG5RFN+RXVHSURJUDP
32
Gus G. - Lead
& Rhythm
Lesson
27 Techniques
Complete Song Structure

The Silent Code
Intro
H
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
8 10
Verse
2.
P.M.
P.M.
P.M.
P.M.
10 10 10 10
7 7 7 7
9 9
7 7
9 9
7 7
0 0
P.M.
5
3
10
7
5
10
7
10
7
10
7
9
7
9
7
9
7
9
7
1.
P.M.
P.M.
P.M.
1.
P.M.
7
5
10 10 10 10
7 7 7 7
9 9
7 7
9 9
7 7
7 7
8 8
7 7
8 8
9 9
8 8
9 9
8 8
0 0
7
5
2.
10
7
10
7
10
7
10
7
Pre Chorus
P.M.
33
P.M.
9
7
P.M.
9
7
9
7
P.M.
9
7
9
7
8
P.M.
9
7
8
9
7
8
P.M.
9
7
8
7
9
10
P.M.
7
9
10
P.M.
7
9
10
7
9
10
P.M.
9
7
P.M.
1.
P.M.
3 5 7
2.
P.M.
5 7
Chorus
2
2
0
0 2 3
0 0
Chorus Melody
P H P
P.M.
5 7
5 9
9 7
9 7 5 9 7 5
1.
7
5
7
5
7
5
P H P
2.
2
2
0
5
3
P.M.
7
5
7
5
P H P
11
P H P
9
9
7
5
3
2
2
0
P.M.
14 12 14
5
5
3
7
7
5
P.M.
14 11
12
14 11
12
1.
P.M.
12 9 11 12
14 11 12 14
16 14 12 11
14 12 11
14
14
2.
P.M.
4
4
2
P.M.
11 14 11
12 11 12 11
14 12 14
14 12 14
12
8 7
11 12 11 12 11
12 11 12 11
7 5
P.M.
14 12 14
P.M.
P.M.
11 12 11 12 11
12 11 12 11
P H P
P.M.
5
3
5 7
P.M.
P.M.
P.M.
5 7
P.M.
11
12
14
11
12
14
16
14
12
11
14
12
sl.
11
12
14
34
Bridge
P.M.
4
5 4 7 5
5 4 7 5 4
7
5 4 7 5 4
7
5
6 5 8 6
7 5 4
P.M.
5 4 7 5
7 5 4
P.M.
P.M.
6 5 8 6 5
8
7
8 7 10 8
8 6 5
8 7 10 8 7
10
7
8 7 10 8
10 8 7
6 10
8 6 5
P.M.
6 5 8 6
6 5 8 6 5
8
8 7 10 8 7
10
10 8 7
8 10
Melodic Passage
Melodic Passage Harmony
P.M.
55555555
77777777
66666666 55555555
44444444 44444444
22222222
44444444
Solo
First Section
*Hold Bend
full
15
17
full
17 17 17 17 17 17
17 17 15 17 14
14
sl.
19
sl.
17
17 15
Third Section
sl.
15 17
sl.
sl.
19
15 17
22
17 19
sl.
19
19 17
sl.
17
17 15
15
15 12
15
12 15 16 15 12
12
12
15 12 15
12
15 12 15
H P P
full
1/2
35
15 17 17
15
16
Second Section
14
15
sl.
full
12
15 12
14 12
14 12
14
14
12
14
14 12
14 13 12
10
Fourth Section
H H P H H
H H
H H
H H
H H
sl. PT P P P H P P H P P H P P P
0 3 7 0 3 7 0 7 12 0 7 12 0 12 15 0 12 15 15 19 20 19 17 15
19 17 15
17 16 14
17 16 14 13
Bridge
(Octave Higher Version)
7
8 7 10 8
8 7 10 8 7
10
8 11 9
8 11 9
8 7 10 8 7
10
9 8 11 9 8
11
11 9 8
7 10
10
8
11 9
11 10 13 11
10
11 10 13 11
8
9 8 11 9
10 8 7
11
10
7
8 7 10 8
10 8 7
11 10 13 11 10
13
13 11 10
12
10
11 10 13 11 10
13
13 11 10
12
10
Melody Over Bridge
full
12 14 15 12 14 15 12 14 14 15 17 14 15 17 14 15 15 17 19 15 17 19 15 17 22 17 19 22 19 17 22 17 19 22 19 17 22
Click Here!
Now that youve learned the scales, modes and chords in this
program, head to the support site and check out the Guitar
t Professor!
36
Gus G. - Lead
& Rhythm
Lesson
28 Techniques
Complete Song Structure

Head Up High
P.M.
P.M.
P.H.
Intro
P.M.
P.M.
P.M.
3 5 5 5 5 5 5 5
1 3 3 3 3 3 3 3
P.M.
5 5 5 5 1 0
3 3 3 3
3
3 5 5 5 5 5 5 5
1 3 3 3 3 3 3 3
6
4
6
4
X
X
X
X
X
X
6
4
6
4
6
4
1.
6
4
5
3
6
4
6
4
6
4
1
0 1 2 3
1 0 1 3 1 0
3 2
3 5
1 3
3
1
3
1
3
1
P.M.
P.M.
3
1
3
1
3
1
3
1
P.M.
6
4
2.
P.M.
P.M.
6
4
P.M.
Prechorus
P.M.
P.H.
3
Verse
P.M.
P.H.
6
4
6
4
P.M.
3
3
1
8
6
8
6
6
4
5
3
Chorus
Cm
37
4
5
5
3
4
5
5
3
P.M.
G#
6
6
4
4
5
5
3
6
6
4
6
6
4
P.M.
3
3
1
3
3
1
Bb
3
3
1
0
P.M.
3
3
1
3
3
1
0
5
3

Cm
Cm
P.M.
6
6
4
G#
6
6
4
P.M.
6 6 6 6 6 6
4 4 4 4 4 4
P.M.
D#
P.M.
6
6
4
P.M.
4
5
5
3
4
5
5
3
4
5
5
3
G#
4
5
5
3
4
5
5
3
4
5
5
3
P.M.
8
8
6
6
6
4
6
6
4
P.M.
6 6 6 6 6 6 6 6
4 4 4 4 4 4 4 4
8
8
6
8
8
6
P.M.
3
3
1
6
6
4
Bb
P.M.
3
3
1
3
3
1
3
3
1
0
P.M.
3
3
1
P.M.
Bb
P.M.
3
3
1
P.M.
3 3 3 5 5 5 6 6
1 1 1 3 3 3 4 4
P.M.
3
3
1
3
3
1
3
3
1
3
3
1
P.M.
6 8
4 6
6 5
2nd time only

P.M.
5 6 8
5 3 2
2 3 5
3
3
3
Lead Guitar and Keyboards

Am
10
10
9 10
10 9
9 10
10 9
10
10 9
10 9
7 10 9
10
15 14 12
15
12 14 15
12 14 12
15 14 12 14 15
12
16 14 12
15
14 12
15 14
12
15 14 12 15 14 12
15
1.
Dm
17 15 14
17
14 15 17
14 16 14
17 15 14 15 17
14
16 17 16 14
17
16 14
17 15
14
17 15 14 17 15 14
38
Em7
14 15 17
14 16 17 14 16 17
15 17 18 15 17 18
19 15
2.
E
15
16 17 16 14
17 13
17 15
12 10
17 15 13
16 14 13
15 14
14
Keyboard Solo Rhythm

P.M.
9
7
9
7
9
7
10
7
10
7
10
7
10
5
12
8
10
5
0
P.M.
39
13 10
13 12
17 15 14
13 10 17 16 13
15 12
22 16 19 22 19 16 19 13 16 19 16 13 16 10 13 16
1/2
15 13
14
16 14
17
17 15
9
7
9
7
P.M.
P.M.
9
7
P.M.
10
7 7
P.M.
P.M.
10
10
7 7 7 0
P.M.
10
5 5
12
8
10
8
10
8
P.M.
P.M.
10
10
5 5 5 0
P.M.
12
8 8
P.M.
10
10
8 8 8
Gus G. - Lead
& Rhythm
Lesson
29 Techniques
Wide Stretch Arpeggios into

Phrygian Major Run
19 13
13
17
17
16
H
19
13 19 13
17
20
P
19
13 20 13
17
16
H
17
19 13
17
19
P H
17
16
H
16
13 20 13
17
13
17
16
P
17
17
16
18
18
17
18
17
15
17
15
15
17
17
16
14
13
40
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Melodic Speed, Shred &
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Alexi Laiho
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Gus G.

- Lead & Rhythm Techniques

Gus G. - Lead & Rhythm Techniques

Lead & Rhythm Techniques

Gus G. - Lead & Rhythm Techniques

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Gus G. - Lead & Rhythm Techniques

Gus G. - Lead & Rhythm Techniques

About the Instructor

Gus G. - Lead & Rhythm Techniques

Gus G. - Lead & Rhythm Techniques

How to Use the Lesson Support Site

Gus G. - Lead & Rhythm Techniques

F Major/D Minor Scale Patterns

Gus G. - Lead & Rhythm Techniques

D Natural Minor Legato Sequence

Harmonic Minor & Phrygian

Gus G. - Lead & Rhythm Techniques

Gus G. - Lead & Rhythm Techniques

Fast Example Only

Phrygian Major Lead

12 9 101210 9 12 9 101210 9 12 9 1012 10 6 9 10 9 6 10 6 9 10 9 6 10 6

Soulful Bending Lead

Play using a Wah Pedal

Chords & Voicings

Picking Chord Progression

Single String Tapping Technique

Diminished Sweeping Arpeggio

Diminished Chromatic Arpeggio

Minor Third Harmony into

Gus G. - Lead & Rhythm Techniques

Main Riff and Speed Pick Part

Pivoting Interval Song Rhythm

Interval Song Intro

Phrygian Major Riff

To develop good musicianship, a trained ear and a strong musical

Chorus Interval Rhythm

Syncopated Bridge Riff Rhythm

Staccato Interval Rhythm

Two Part Song Section

Delay Effect Over Rhythm

Gus G. - Lead & Rhythm Techniques

Picking Open Inversion Chords

Soulful Rhythm & Complete Lead

Gus G. - Lead & Rhythm Techniques

Palm Muted Chug Rhythm

Classical Pivoting into a

Gus G. - Lead & Rhythm Techniques

Complete Song Structure

Gus G. - Lead & Rhythm Techniques

Gus G. - Lead & Rhythm Techniques

Melodic Passage Harmony

Gus G. - Lead & Rhythm Techniques