Вы находитесь на странице: 1из 15

Arctic Monkey

505
Dm Em Dm* Em* e|---5----7---10---12--| B|---6----8---10---12--| G|---7----9---10---12--| D|---7----9---12---14--| A|---5----7------------| E|---X----X------------| I'm going back to 505 if it's a 7 hours flight or a 45 minute drive In my imagination you're waiting lying on your side with your hands between your thighs Dm Em (One strum for each chord) Dm Em Stop and wait a sec when you look at me like that Dm Em My darling what did you expect? I probably still adore you Dm Em With your hands around my neck Or I did last time I checked Dm Em Dm Em Dm I'm not shy of a spark The knife twists at the thought that I should fall short of the mark Em Dm Frightened by the bite no it's no harsher than the bark Em Dm Em A middle of adventure, such a perfect place to start

Dm Em I'm going back to 505 If it's a 7 hour flight Dm Em Dm Or a 45 minute drive In my imagination you're waiting lying on your side Em Dm Em With your hands between your thighs Dm* (Faster strumming here) But I crumble completely when you cry Em* Dm* It seems like once again you've had to greet me with goodbye Em* Dm* I'm always just about to go and spoil the surprise Em* Dm* Em* Take my hands off of your eyes too soon Dm* Em* I'm going back to 505 If it's a 7 hour flight Dm* Em* Dm* Or a 45 minute drive In my imagination you're waiting lying on your side Em* Dm* Em* With your hands between your thighs And a smile

Bakery
A C#m I wish you would have smiled in the Bm or sat on a tatty settee Dm at some mutual friend's gathering A C#m and the more you keep on looking F#m the more it's hard to take Bm love, we're in stale mate Dm to never meet is surely where we're Bm there's one in every town just there to grind you down E|-1-5-10-1-| B|-3-6-10-3-| G|-2-7-10-2-| D|----------| A|----------| E|----------| A C#m F#m I wish I would have seen you in the post office Bm well maybe I did and I missed it Dm too busy with a mind on clever rhymes A C#m F#m why not the rounders pitch or the canteen Bm you're slacking love, where have you been? Dm C#m Just had to go and wait until tonight Bm so give me the invite don't worry it's alright E|-1-5-10-1-| B|-3-6-10-3-| G|-2-7-10-2-| D|----------| A|----------| E|----------| A C#m F#m I wish I would have seen you down in the arcade Bm Dm A sipping on a lemonade in the paper cup and chewing on the straw C#m F#m and I wish I would have seen you in the bakery Bm Dm but if I'd seen you in the bakery you probably wouldn't have seen me A F#m Dm F A F#m bakery

C#m bound

Brianstorm
Key: Ab Tuning: Standard EADGBe Intro: Fm--- x8 Fm--Cm--C#-C#-Eb-E--G- x4 Verse 1: Fm Cm Brian C# Eb E G Fm Cm Top marks for not trying C# Eb E G Fm So kind of you to bless us Cm C# with your effortlessness Eb E G Fm We're grateful and so Cm C# Eb E strangely comforted G Fm Cm And I wonder C# Eb E G Fm Cm C# E are you putting us under G Fm Cm Cause we can't take our eyes off C# Eb E G Fm Cm the t-shirt and ties combination C# Eb E G Well see you later in-novator Interlude: Fm--Cm--C#-C#-Eb-E--G- x4 Verse 2:: Some want to kiss Fm Cm C# some want to kick you Eb E There's not a net you G Fm Cm C# couldn't slip through Eb E G Fm Cm Or at least that's the impression I get C# Eb E cause you're smooth and you're wet G Fm Cm C# And she's not aware yet but she's yours Eb E G Fm Cm C# She'll be saying use me Eb E G Fm Cm C# Show me the jacuzzi Eb E G Fm Cm I i--magine that it's there on a plate C# Eb E G Fm Your rendezvous rate means that you'll Cm C# never be frightened to make Eb E G them wait for a

Chorus: Cm while I doubt it's C# your style Cm not to get C# Cm what you set out to acquire The eyes are on fire E You are the unforecasted storm Guitar Solo: Fm--G#-C#-Cm-G#-C#-Cm- x8 Verse 3: Chordless Brian Calm collected and commanding (Top marks for not trying) You made the other stories standing With your renditions and jokes Bet there's hundreds of blokes that have wept cause you've Fm Cm stolen their thunder C# Eb E G Fm Cm C# E are you putting us under G Fm Cm Cause we can't take our eyes off C# Eb E G Fm Cm the t-shirt and ties combination C# Eb E G Well see you later in-novator Outro: Fm---

Mardy Bum
Intro D F# G F#m Em A x2

Verse D F# Well now then Mardy Bum G I see your frown and it's like F#m Em looking down the barrel of a gun D And it goes off F# And out come all these words G F#m Oh there's a very pleasant side to you Em A A side I much prefer, it's one that Chorus G (2 fr.) A Laughs and jokes around D A Remember cuddles in the kitchen yeah Bm To get things off the ground and it was G (2 fr.) A up up and away D A oh but it's right hard to remember that Bm on a day like today when your all G (2 fr.) A argumentative and you've got the face on D F# G F#m Em Verse 2 D F# Well now then Mardy Bum G F#m Oh I'm in trouble again Em A D aren't I? I thought as much. F# Coz you've turned over there G F#m Pulling that silent disappointment face Em A The one that I can't bear. Can't we... Chorus 2 G (2 fr.) A Laugh and joke around D A Remember cuddles in the kitchen yeah Bm To get things off the ground and it was G (2 fr.) A up up and away D A A

oh but it's right hard to remember that Bm on a day like today when your all G (2 fr.) A argumentative and you've got the face on. Middle 8 F#5 G5 Yeah i'm sorry I was late F#5 G5 I missed the train and the traffic was a state F#5 G5 I can't be arsed to carry on in this debate that reoccurs F#5 G5 Oh when you say I don't care of course i do A5 Yeah i clearly do. Solo D

F#

F#m

Em

x2

Chorus 3 G (2 fr.) A Laugh and joke around D A Remember cuddles in the kitchen yeah Bm To get things off the ground and it was G (2 fr.) A up up and away D A oh but still it's right hard to remember that Bm on a day like today when your all (Break - wait a bar) G (2 fr.) A argumentative and you've D got the face on.

View From The Afternoon


Section 1: - A5 -> Eb5

Repeat 3 times then;

Section 2: A5 G5 C5 F5 A5 E5 B5 An-ti-ci-pa-tion has the ha-bit to set you up A5 G5 C5 F5 A5 E5 B5 for dis-ap-point-ment in eve-ning en-ter-tain-ment but A5 G5 C5 F5 A5 E5 C5 D5 to-night there'll be some love._____ E5 A5 G5 C5 F5 A5 E5 D5 C5 to-night there'll be a raw-kus yeah, re-gard-less of what's_ gone be-fore Section 3: A5 G5 C5 F5 A5 E5 B5 E5 I want to see all of the things that we've al-rea-dy seen A5 G5 C5 F5 A5 E5 B5 E5 The lai-ry girls hung out the win-dow of the___ li-mo-zine A5 G5 C5 F5 A5 E5 C5 D5 And of course it's fan-cy dress. E5 A5 G5 C5 F5 And they're all look-ing quite full on in A5 E5 D5 C5 A5 G5 E5* bun-ny ears and dev-il horns and how (Repeat section 1, one guitar to each chord) i.e Gtr 1: A5 Gtr 2: G5 Gtr 1: C5 Gtr 2: F5 etc etc. A5 G5 C5 F5 A5 E5 B5 E5 I want to see all of the things that we've al-rea-dy seen A5 G5 C5 F5 A5 E5 B5 E5 I want to see you take the jack-pot out the fruit ma-chine A5 G5 C5 F5 A5 E5 C5 D5 and put it all back ____ in E5 A5 G5 C5 F5 A5 E5 D5 C5 You've got to un-der-stand it you can ne-ver beat the ban-dit, no Section 4; A5 (repeat, listen to the song to get timing & rhythm right) And she won't be sur-prised, and she won't be shocked, when she's D5 pressed the start af-ter she's pressed unlock. And there's F5 Verse and chap-ter sat in her in-box, and all D5* that its says is that you drank a lot F5 And you should bear that in mind tonight, bear that in mind. Yeah you should D5* bear that in mind to-night. And you can pour your F5* heart out, but her rea-son-ing will block D5* owt you send her af-ter nine o - clock A5 G5 E5* A5 G5 (break) The chord - each rhythm comes in again, 1 = gtr 1 2 = gtr 2 1. A5 2. G5 1. C5 2. F5* A5 G5 E5* A5 G5 E5* E5* E5 D5 C5

1. A5 2. E5 1. Bsus4 2. 1. A5 2. G5 1. C5 2. 1. A5 2. E5 1. Bsus4 2. (drums & bass come back in) 1. A5 2. E5 1. D5 2. Repeat Section 2

E5 F5* E5 C5

A5 And she won't be sur-prised, and she won't be shocked, when she's D5 pressed the start af-ter she's pressed unlock. And there's F5 Verse and chap-ter sat in her in-box, and all D5* that its says is that you drank a lot F5 And you should bear that in mind tonight, bear that in mind. Yeah you should D5* bear that in mind to-night, and you can pour your F5* heart out, a-round three o-clock. When the D5* two for one's un-done the writers block. A5 -> Eb5 (follows the same pattern as Section 1) A5 -> Eb5 A5 -> Ab Finshes with Amaj7

I Bet You Look Good On The Dancefloor


Intro F#5 C#5 B5 A5 F#5 ( x 4 )

C#5 B5 A5 F#5 C#5 B5 A5 F#5 Stop making the eyes at me, I'll stop making the eyes at you And what it is that suprises me, is that I don't really want you to And your shoulders are frozen (cold as the night) Oh but you're an explosion (you're dynamite) Your name isn't Rio, but I don't care for sand Lighting the fuse might result in a bang, with a bang-go! F#5 A5 I bet that you look good on the dancefloor E5 I don't know if your looking for romance or... F#5 I don't know what ya looking for F#5 A5 Well I bet that you look good on the dancefloor E5 C#5 Dancing to electro-pop like a robot from 1984 ... from 1984! I wish you'd stop ignoring me, because you're sending me to despair Without a sound yeah you're calling me, and I don't think it's very fair That your shoulders are frozen (cold as the night) Oh but you're an explosion (you're dynamite) Your name isn't Rio, but I don't care for sand Lighting the fuse might result in a bang, with a bang-go! Chorus I bet that you look good on the dancefloor I don't know if your looking for romance or... I don't know what yaou're looking for Well I bet that you look good on the dancefloor Dancing to electro-pop like a robot from 1984.. from 1984! A5 E5 F#5 Oh there ain't no love no, Montagues or Capulets A5 Just banging tunes 'n' DJ sets 'n' E5 F#5 Dirty dancefloors and dreams of naughtiness! I bet that you look good on the dancefloor I don't know if your looking for romance or... I don't know what yaou're looking for Well I bet that you look good on the dancefloor E5 C#5 F#5 Dancing to electro-pop like a robot from 1984 from 1984!

Still Take You Home

Tuning: E A D G B E (Standard) Chords UsedBb Dm C#m Eb F# F IntroBb Dm C#m x12 Bb Eb F# F x4 VerseBb Eb F# F Oh, spending all of your money on trendy haircuts that you read were cool Bb Eb F# F And your probably alrite, but under these lights you look beutiful Bb Eb F# F And im struglin', I can see through your fake tan Bb Eb F# And yeh you know it for a fact that everybodies eating out of your hand ChorusEb C# What do you know, O! You know nothing Bb Yeh, But i'll still take you home, yeh I'll still take you home Eb C# Bb What do you know, O! You dont know nothing (bass and lead play riffs, no rhythm guitar) Verse 2Bb Eb F# F Well fancy seeing you in here, your all tarted up and you dont look the same Bb Eb F# F Well I aint seen you since last year, and suprisingly enough youve forgotten my name. Bb Eb F# F But yeh you know it, and you knew it all along Bb Eb F# F And yeh you say you have forgotten but your fibbing and wont tell me i'm wrong Chorus BreakEb C# Bb Woah woah woah, woah woah woah, da da da da dadada da la da da da daa Eb C# Bb Woah woah woah, woah woah WOAH Bb Dm C#m x12 Chorus Verse 3Bb Eb F# F So your sold to the fashion, your a top shop princess, a rock star too Bb Eb F# F Wheres the love and the pasion? Well I spose thats nothing to do with you Bb Eb F# F But its alrite, O I'll put it on one side Bb Eb Yeh cos everybodies looking, you got control of everyones eyes, F# F Bb including mine. C#

And there you go :-) Its pish easy, i'll probably get round to working out the lead bits when I have some strings on my electric, but they all seem to be in the D# pentatonic, so just jam around in that.

Riot Van
Dmaj7 C#m7 Bm7 A E E6 |----2-------4-------2-------0-------0-------0----| |----2-------5-------3-------2-------0-------2----| |----2-------4-------2-------2-------1-------1----| |----0-------6-------4-------2-------2-------2----| |----x-------4-------2-------0-------2-------2----| |----x-------x-------x-------x-------0-------0----| Dmaj7 C#m7 Up rolled the riot van Bm7 Dmaj7 C#m7 And sparked excitement in the boys Bm7 Dmaj7 C#m7 But the policemen look annoyed Bm7 Dmaj7 C#m7 Bm7 Perhaps these are ones they should avoid A C#m7 Bm7 E They got a chase last night from men with truncheons dressed in hats A C#m7 Bm7 They didnt do that much wrong, still ran away though for the laugh E E6 E just for the laugh Please just stop talking Because they wont find us if you do Oh those silly boys in blue Well they wont catch me and you Have you been drinking son, you dont look old enough to me Im sorry officer is there a certain age youre supposed to be? nobody told me Up rolled the riot van And these lads just wind the coppers up Ask why they dont catch proper crooks Get their address and their names took But they couldnt care less SOLO |---------------------------------|-----------------------------------| |---------------------------------|-----------------------------------| |---------------------------------|--------------------------4/9--\---| |-----------------9\4-----4\2-----|-----------------4/11--------------| |----0-----9\4--------------------|----0-----9\4----------------------| |---------------------------------|-----------------------------------| He got thrown in the riot van And all the coppers kicked him in And there was no way he could win Just had to take it on the chin E6 E

When The Sun Goes Down


Eb7- x 6 8 6 8 6 E/Eb?- x 7 9 8 9 7 (im not too sure what its called) Ebm- x 6 8 8 7 6 C#m- x 4 6 6 5 4 F#- x 9 11 11 x x E- x 7 9 9 x x G#m- 3 5 5 3 3 3 Bm- x 2 4 4 3 2 G- 3 5 5 4 3 3 F#(version 2)- 2 4 4 3 2 2 Em- 0 2 2 0 0 0 F#m- 2 4 4 2 2 2 A- x 0 2 2 2 0 B Eb7 So who's that girl there? E/D# I wonder what went wrong Ebm So that she had to roam the streets E/D# She don't do major credit cards Ebm I doubt she does receipts C#m C#m F# E Ebm C#m Ebm It's all not quite legitimate B Eb7 And what a scummy man E/D# Just give him half a chance Ebm I bet he'll rob you if he can E/D# Can see it in his eyes, yeah Ebm That he's got a driving ban C#m C#m F# E Ebm C#m Ebm Amongst some other offences Abm Ebm And I've seen him with girls of the night Abm Ebm And he told Roxanne to put on her red light Abm Ebm They're all infected but he'll be alright C#m Ebm E F# (start strumming on this line) Cause he's a scumbag, don't you know Bm I said he's a scumbag, don't you know! G F#(v2)Bm- repeat a few times (only really play bottom 2 strings)

Riff e-------------| B-------------| G-------------| D---------024-| A-------22----| E--33222------| repeat how many needed G F#(v2) Bm (bass) Although you're trying not to listen I bet your eyes are staring at the ground

She makes a subtle proposition Sorry love I'll have to turn you down G F# Bm (palm muted through verse) And oh he must be up to something Want half a chance to show he's more than likely I've got a feeling in my stomach I start to wonder what his story might be What his story might be Em F#m Bm They said it changes when the sun goes down Em F#m Bm And they said it changes when the sun goes down Em F#m Bm And they said it changes when the sun goes down Em F#m Bm Around here A F#m Around riff (guitar 1) G F#(v2) Bm (guitar 2) And look here comes a Ford Mondeo Isn't he Mister Inconspicuous And he don't have to say 'owt She understands she's here to get picked up And she's delighted when she sees him Pulling in and giving her the eye Because she must be fucking freezing Scantily clad beneath the clear night sky She don't stop in the winter, no and... Em F#m They said it changes when the Em F#m And they said it changes when Em F#m And they said it changes when Em F#m Around here Em F#m They said it changes when the Em F#m And they said it changes when Em F#m And they said it changes when Em F#m Around here A F#m Around here Bm sun goes down Bm the sun goes down Bm the sun goes down Bm Bm sun goes down Bm the sun goes down Bm the sun goes down Bm

B Eb7 What a scummy man E/D# Just give him half a chance Ebm I bet he'll rob you if he can E/D# Ebm Can see it in his eyes that he's got a nasty plan C#m Ebm E F# I hope you're not involved at all (not too sure what is here, mess about in Bb) Finish on B

Вам также может понравиться