Copyright Criminals Handouts

COMMUNITY CLASSROOM: WOMENS EMPOWERMENT
ENGAGING STUDENTS AND TEACHERS THROUGH FILM
ENGAGING STUDENTS AND EDUCATORS THROUGH FILM
DISCUSSION GUIDE
Examine key social and political issues impacting women through curriculum and supporting video modules for the acclaimed documentaries WAITING FOR THE REVOLUTION, SHADYA,. SHAYFEEN.COM: Were Watching You and TAKING ROOT. From an indigenous Bolivian leader fighting for labor rights to a young Israeli-Arab karate champion with feminist ideas, from three Egyptian women working for fair elections, to a Kenyan woman leading a nationwide environmental movement, these four documentaries explore stories of women's empowerment and leadership around the world.
TEACHER & STUDENT HANDOUTS

Can you own a sound? As hip-hop rose from the streets of New York to become a multibillion-dollar industry, artists such as Public Enemy and De La Soul began reusing parts of previously recorded music for their songs. But when record company lawyers got involved everything changed. Years before people started downloading and remixing music, hip-hop sampling sparked a debate about copyright, creativity and technological change that still rages today.
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COMMUNITY CLASSROOM: COPYRIGHT CRIMINALS
TABLE OF CONTENTS
Student Handout A: Module 1 Note Taking Guide Student Handout B: Module 1 Quotes Teacher Handout A: Assignment Rubric (Lesson 1) Student Handout D: Debate Notes Student Handout C: Debate Roles & Format Student Handout E: Debate Notes Student Handout E: Debate Peer Evaluation Rubric Student Handout A: Module 2 Note Taking Guide Student Handout B: Module 2 Quotes Student Handout A: Module 3 Note Taking Guide Student Handout B: Module 3 Quotes Teacher Handout A: Assignment Rubric Media Production (Lesson 3) Student Handout A: Module 4 Note Taking Guide Student Handout B: Module 4 Quotes Teacher Handout A: Assignment Rubric Media Production (Lesson 4) 3 4 5 6 9 10 11 12 13 15 16 17 18 19 20
COMMUNITY CLASSROOM is an educational resource providing new documentary video content and accompanying curricular materials, lesson plans, and homework assignments to high school and community college instructors and youth-serving community-based organizations. Film content includes approximately 15-20 minutes excerpted from an independently produced documentary film from ITVS Internationals Global Perspectives Project and the Emmy Award-winning PBS series Independent Lens. Content is grouped into subject specific segments that correspond to lesson plans and educational activities. All COMMUNITY CLASSROOM materials are designed with key education standards in mind, and are available, along with the film content, on DVD and online. COMMUNITY CLASSROOM is a product of the Independent Television Service, with support from the Corporation for Public Broadcasting, and with guidance from PBS Teachers, KQED Education Network, American Association of Community Colleges, National Council for the Social Studies, National Council of Teachers of English, National Association for Media Literacy Education and National State Teachers of the Year.
Teacher and student handouts may be downloaded at www.itvs.org/classroom
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COMMUNITY CLASSROOM: WOMENS EMPOWERMENT COPYRIGHT CRIMINALS
TAKING ROOT
Student Handout A: Module 1 Note Taking Guide
Speaker Jeff Chang
Their views on sampling and music.
Tom Silverman (Tommy Boy Records)
Hank Shocklee/Chuck D (Public Enemy / The Bomb Squad)
Bobbito Garcia (Rock Steady Crew)
Other
Other
Other
Reflect using this sentence stem: The comment that struck me the most was __________________________________________________ because _______________________________________________________________________________ ______________________________________________________________________________________ ______________________________________________________________________________________ ___________________________________________________________ .
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TAKING ROOT
Student Handout B: Module 1 Quotes
Digital samplers allow you to take a snatch of a record, or a sound, or anything like that and turn it into a building block for a song. -Jeff Chang (Solesides Records) Basically, when Im sampling I have all these artists. Theyre in my band, and Im sampling Wes Montgomery to play guitar on it. Hes in my band. You know, Ive got Art Blakey. Hes my drummer. Thats tight. You know what Im saying? Ive got all these legendary musicians that are in my band. -DJ Abilities I mean, records literally their name, records, right? Youre encoding history into these grooves, right? So, by taking these records and playing them back, DJs are giving us snatches of our history. -Jeff Chang (Solesides Records) There was always a culture of borrow and take, because there was a culture of that was founded upon a lack of resources. -Bobbito Garcia (Rocksteady Crew) The idea of not having any instruments, but having a turntable and saying, well, fine, this is my instrument. You know? And you see it now with people with overturned buckets and pots and pans. -Saul Williams (poet/musician) Theres going to be a time when were going to have a nice little groove where Keith is going to be on some [sound], Chuck is going to have some [sound], and Im going to be like [sound]. And so, were all together and theres this one little moment that it all just meshes together in a nice vibration. -Hank Shocklee (Public Enemy/The Bomb Squad) What was exciting about Public Enemy was the militancy of it, like the way that Paris and Public Enemy were kind of taking Malcolm X and Black Panther speeches and recordings and sort of reanimating them. -Drew Daniel (Matmos) Theres there was a cultural issue in that it seemed like more or less an underground urban phenomena and how is this going to translate to the you know, to the big record business And it turned out that all the traditional people who were so miffed by this way back in the early days quickly realized theres a huge amount of money to be made here. -Anthony Berman (entertainment lawyer)
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COPYRIGHT CRIMINALS COMMUNITY CLASSROOM: WOMENS EMPOWERMENT
TAKING ROOT
Teacher Handout A: Assignment Rubric (Lesson 1)
Criteria
Content
Excellent, welldeveloped investigation. Makes a sophisticated, nuanced comparison, showing similarities and differences. Covers topic in-depth with excellent details and examples. Knowledge of subject is excellent.
Good, developed investigation. Makes a good comparison showing similarities and differences. Covers topic with some details and examples. Subject knowledge is good.
Sufficiently developed investigation. Makes a clear comparison showing similarities and differences. Includes essential knowledge of topic. Subject knowledge appears to be good.
Contains some investigation of similarities and differences. Includes the most important information about the topic, with one or two factual errors.
Insufficient investigation of similarities and differences. Includes some of the important information with several factual errors.
Lacks investigation into similarities and differences. Content is minimal and there are several factual errors.
Presentation Comparative study is wellorganized with clearly labeled sections. Layout is dynamic, making excellent use of color and graphics. Shows original thought and creativity.
Comparative study is wellorganized with clearly labeled sections. Makes good use of color and graphics. Shows some original thought and creativity.
Comparative study is organized and labeled. Makes use of color and graphics. Shows some original thought and creativity.
Comparative study is organized and some sections are labeled. Uses some color and graphics. May show some creativity and original thought.
Comparative study is not clearly organized, and sections may or may not be labeled. Uses limited color and graphics. Shows limited creativity.
Lacks organization, and sections are not labeled or are labeled incorrectly. Uses little or no color and graphics AND they distract from the content. Writing is somewhat legible OR is in pencil.
Scoring Guide: 6 Exemplary complete, correct, comprehensive Accomplished complete, correct, comprehensive Satisfactory complete, correct 3 Developing complete, incorrect Unsatisfactory incomplete, incorrect Unsatisfactory incomplete, incorrect
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PAGE 5
TAKING ROOT
Student Handout D: Debate Notes My team is: Pro/Con
Opening Statement
The presenter responsible for the opening statement will gather the main arguments into an introductory statement (a thesis statement). It does not give specific information; it only states, The death penalty should be kept as a form of punishment because of A and B (state your two arguments).
Argument #1
The assigned presenter for Argument #1 will give the first argument for the team. Give specific details and evidence based on your research that proves your groups position (pro or con). Here is an example: Reason Evidence Interpretation Milkshakes are unhealthy because they contain a lot of sodium. According to the nutritional fact sheet for In-N-Out Burger, a vanilla shake contains 390mg of sodium compared to a large fries which contain 245mg. High sodium in your diet has been linked to high blood pressure, heart attacks, strokes, and other heath problems later on in life.
Reason
Evidence
Interpretation
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TAKING ROOT
Argument #2
The assigned presenter for Argument #2 will give the second argument for the team. Give specific details and evidence based on your research that proves your groups position (pro or con). Reason
Evidence
Interpretation
Possible Rebuttals
These two presenters will respond to the other teams arguments. These presenters must take notes as the other team is presenting their arguments and respond to every argument, using specific and detailed information to disprove them. You do not know which arguments they will use, so prepare several possible rebuttals to be ready. Possible Argument from other team Rebuttal
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TAKING ROOT
Argument (cont.)
Rebuttal (cont.)
Closing Statement
The assigned presenter for the closing argument will say the final words. State the closing arguments for the team, repeating the main reasons for your arguments 1 and 2. ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________
Notes (optional)
____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________
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Student Handout C: Debate Roles & Format
I. Roles Position: Pro/Con Step 1 Decide who is going to take on which role: Round 1 2 3 4 5 6 2,3,4 Role Opening statement Point 1 + respond to counterarguments Point 2 + respond to counterarguments Point 3 + respond to counterarguments Final rebuttal Closing statement Designated counterarguer Name
II. Format 4-6 Pro Students vs. 4-6 Con Students 6 rounds Coin flip to see which group goes first Round 1 Round 2 Round 3 Round 4 Round 5 Round 6 Pro opening statement (1 minute) Pro 1st point (3 minutes) Pro 2nd point (3 minutes) Con 1st point (3 minutes) Con 2nd point (3 minutes) Pro closing statement (1 minute) Con opening statement (1 minute) Con rebuttal (3 minutes) Con rebuttal (3 minutes) Pro rebuttal (3 minutes) Pro rebuttal (3 minutes) Con closing statement (1 minute)
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PAGE 9
WAITING FOR THE REVOLUTION
Student Handout E: Debate Notes My team is: Pro / Con Opening Statement This presenter will gather the main arguments into an introductory statement (a thesis statement). It does not give specific information; for example, it only states, The death penalty should be kept as a form of punishment because of A and B (state your two arguments). ________________________________________________________________________________________________ ________________________________________________________________________________________________ ________________________________________________________________________________________________ ________________________________________________________________________________________________ ________________________________________________________________________________________________
Argument #1 This presenter will say the first argument for the team. Give specific details and evidence based on your research that proves your groups position (pro or con). Here is an example:
Reason Evidence Interpretation
Milkshakes are unhealthy because they contain a lot of sodium. According to the nutritional fact sheet of In-N-Out Burger, a vanilla shake contains 390mg of sodium compared to a large fries which contains 245mg. High sodium in ones diet has been linked to having high blood pressure, heart attacks, strokes and other heath problems later on in life.
Reason
Evidence
Interpretation
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PAGE 10
Student Handout E: Debate Peer Evaluation Rubric Observe and score both teams. Team: PRO For each score you give the team, you must write evidence for why you think they deserve it.
Criteria (how well they did in the following:)
1) Clarity of communication -Easy to understand -Clear -Volume level 2) Validity of argument -Strength of their argument -Thoughtful, logical -Evidence, interpretation 3) Professional presentation -Dressed well -Eye contact -Organized & prepared 4) Opening / Closing -Covered scope & context -Summarize & inform 5) Counterargument -Refute evidence -Strong challenges and counter-reasons
1 Developing
2 Proficient
3 Commendable
Total Points for PRO team:_______
Team: CON For each score you give the team, you must write evidence for why you think they deserve it.
Criteria (how well they did in the following:)
1) Clarity of communication -Easy to understand -Clear -Volume level 2) Validity of argument -Strength of their argument -Thoughtful, logical -Evidence, interpretation 3) Professional presentation -Dressed well -Eye contact -Organized & prepared 4) Opening / Closing -Covered scope & context -Summarize & inform 5) Counterargument -Refute evidence -Strong challenges and counter-reasons
1 Developing
2 Proficient
3 Commendable
Total Points for CON team:_______
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Student Handout A: Module 2 Note Taking Guide Note which perspective (can be both):
Speaker Greg Tate (music critic)
Views on sampling and music
Against sampling
In favor of sampling
De La Soul (music group)
Jeff Chang (music writer)
Siva Vaidhyanathan (media professor)
Ken Freundlich (entertainment lawyer)
Other:
Other:
Reflect using this sentence stem: The speaker I agree the most with is _______________________________________, because _____________ _____________________________________________________________________________________________ _____________________________________________________________________________________________
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PAGE 12
Well, I think that once people who held music copyrights got wise to how much money hip-hop was making, then it became kind of a feasting frenzy. -Greg Tate (music critic) If you sample one note of a sound recording, its copyright infringement At the end of the day, the court said, not only is this copyright infringement, but we see criminal prosecution in mind for this one. -Anthony Berman (entertainment lawyer) We never anticipated, like, getting someone to pay for James Brown going eh-huh and thats it. -Harry Allen (Public Enemy) For me, I felt like, wow, were popular now. Im getting sued by somebody I dont even know. -Mase (De La Soul) On 3 Feet High and Rising, they told us what the samples were on the record and we cleared them all. They didnt tell us about the Turtles one. And thats what usually happens is they say oh, its not you know, we changed the speed. Its an unknown song. Its only this amount. Those are the ones that get you at the end. -Tom Silverman (Tommy Boy Records) Because we always felt like, you know, when youre creating, you create, you know? Whatever you decide that you want to use, you know, you use to create your own particular vibration your own way. And that to me was kind of like an unwritten code within the hip-hop world. -Hank Shocklee (Public Enemy) We kind of looked at music as an assemblage of sounds and we felt that you couldnt copyright a sound. -Chuck D (Public Enemy) Once people in the industry got wind of the fact that the courts were not interested in listening to young black men describe their creative processes, they had no tolerance for that, a new industry emerged the industry of sampling clearances. That meant that groups like Public Enemy could no longer make their powerful sounds in the way they wished to. Siva Vaidhyanatha (media professor) When you are going through a rights clearing process you really need to identify all the different people who own all potential elements of that particular sample or musical element and make sure that they have agreed to what you want to do. And that can be very time consuming, because theres a lot of people involved in making music. -Mia Garlick (Creative Commons) Our Copyright Act was basically last rewritten in 1976. So, were operating with a lot of antiquated assumptions about what musical creativity is. -Joanna Demers (musicologist) It is cheaper, easier, and more predictable, if you want to cover somebodys song entirely, than if you want to take three seconds of somebodys song. That doesnt make any sense. Why should an entire song be easier and cheaper to do than three seconds of somebodys song? -Siva Vaidhyanatha (media professor)
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Records like, It Takes a Nation of Millions to Hold Us Back and 3 Feet High and Rising, theyre kind of like artifacts of an earlier time, records that couldnt exist today. Theyre just legally and financially untenable. -Harry Allen (Public Enemy) There are rules of the game, and its copyright. You have to get permission. You know, I cant go and walk on your I cant walk in your house and just sit down on your couch and go to your refrigerator and take a glass of milk out. I mean, there are rules. -Ken Freundlich (entertainment lawyer)
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Student Handout A: Module 3 Note Taking Guide Note which perspective (can be both):
Artist Clyde Stubblefield (James Browns drummer)
Sampled by
Views on sampling and music
George Clinton (Parliament/Funkadelic)
Other:
Other:
Other:
Reflect using this sentence stem: If someone else wanted to sample my song, I would want them to ___________________________________ ____________________________________________________________________________________________ because ____________________________________________________________________________________ ____________________________________________________________________________________________.
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PAGE 15
So you take a drummer like Clyde Stubblefield, who plays The Funky Drummer, and James is like, you know, take it, Clyde, and he goes ahead and takes his break. And that break ends up becoming one of the bases for a whole bunch of sample-based records. -Jeff Chang (Solesides Records) I never got a thanks. I never got a hello, how are you doing, or anything from any of the rap artists or anything. The only one I got a thanks from was Melissa Etheridge. -Clyde Stubblefield (James Browns drummer) Perhaps its a little easier to take a piece of music than it is to learn how to play a guitar or something. True. Just like, its probably easier to snap a picture with that camera than it is to actually paint a picture. But what the photographer is to the painter is what the modern producer and DJ and computer musician is to the instrumentalist. -Shock G (Digital Underground) As a creative tool, like for someone to use a sample of an existing piece of music to and then, for their music, I think its an extraordinarily lazy artistic choice. Its much easier to take something that is already awesome and play it again with your name on it. -Steve Albini (Musician/Recording Engineer) Rock and roll was lazy. You know, three chord blues--you know? Everybody would look down on basic rock and roll and the people would like say, thats not music. -George Clinton One of the things that sampling has done is that its revitalized a whole bunch of musicians careers. At the time that a lot of hip-hop producers started sampling George Clinton, his records werent available commercially anymore, so hip hop literally reintroduced the world to George Clinton. -Jeff Chang (Solesides Records) Even Gangstas Paradise did much more than Past Time Paradise by Stevie Wonder, and like 10 times more, and that was Stevie Wonder. Who the hell is Coolio? -Tom Silverman (Tommy Boy Records) I think ultimately its up to every artist, if theyre going to borrow something from somebody, to pay respects to the person that they borrowed it from. -Bobbito Garcia (Rocksteady Crew) I prefer to get my name on the record saying, this is Clyde playing. Its just the money is not the important thing. Its just to get myself out in the world, knowledgeable with my name, is more important. -Clyde Stubblefield (James Browns drummer)
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Teacher Handout A: Assignment Rubric Media Production (Lesson 3)
Criteria
Content
Creative, original use of the sample. An audio collage that makes connections between different found and created sounds, vocal recordings, and effects. The track is a musical composition with feeling and movement.
Creative use of the sample. An audio collage that makes connections between different found and created sounds, vocal recordings, and effects. The track has elements of composition.
Creative use of the sample. Makes use of different found and created sounds, vocal recordings, and effects. The track has some elements of composition.
Uses the sample. Uses some different found and created sounds, vocal recordings, and effects. The track has some elements of composition.
Simple use of the sample. Uses few other found and created sounds, vocal recordings, and effects.
Simple use of the sample. Uses little or no different found and created sounds, vocal recordings, and effects. Lacks structure and organization.
Presentation Web page is well-organized with clearly labeled sections. Layout is dynamic, making excellent use of color and graphics. Shows original thought and creativity. Pays tribute to the artists and sources of their samples. Scoring Guide: 6
Web page is well-organized with clearly labeled sections. Makes good use of color and graphics. Shows some original thought and creativity. Pays tribute to the artists and sources of their samples.
Web page is organized and labeled. Makes use of color and graphics. Shows some original thought and creativity. Mentions the artists and sources of their samples.
Web page is organized and some sections are labeled. Uses some color and graphics. May show some creativity and original thought. Mentions the artists and sources of their samples.
Web page is not clearly organized, and sections may or may not be labeled. Uses limited color and graphics. Shows limited creativity. Does not mentions artists and sources of their samples.
Lacks organization, and sections are not labeled or are labeled incorrectly. Uses little or no color and graphics AND they distract from the content. Does not mentions artists and sources of their samples.
Exemplary complete, correct, comprehensive Accomplished complete, correct, comprehensive Satisfactory complete, correct
Developing complete, incorrect Unsatisfactory incomplete, incorrect Unsatisfactory incomplete, incorrect
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Student Handout A: Module 4 Note Taking Guide
Example of an artist who sampled to create their work Andy Warhol
Artistic/commercial medium
How they sampled or borrowed from previous works
Walt Disney
Danger Mouse
Other:
Other:
Reflect using this sentence stem: Other artists I can think of who have sampled or borrowed from other works include _____________________________________________________________________________________________ _____________________________________________________________________________________________ ____________________________________________________________________________________________.
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So sampling usually is viewed as a musical thing, right? But if you look at the art world, for example, you have Andy Warhol taking photographs and painting them, you have different photographers taking certain scenes and reconstructing them digitally. It all implies a layer of collage and pulling together bits and pieces. -Paul Miller/DJ Spooky Look at how any bit of culture is made. Look at how Shakespeare made culture. Look at how every great poet how Homer made culture. Its about collage. Its about taking bits and pieces of your influences and forging them into something newer and stronger. -Siva Vaidhyanathan (media professor) Think about the way Walt Disney was created. All of Disneys greatest works were taking other peoples works and doing something different with them. -Lawrence Lessig (Harvard Law) Mashups are an interesting case. I mean, they sort of demonstrate how simple it is to make music this way, because virtually everyone has made a mashup. -Steve Albini The ability now to mash up and create new songs I guess has really been facilitated by digital technology where it kind of democratizes that process. You dont need to have a recording studio and lots of fancy equipment. You can basically do it just on your computer or in the privacy of your home with tools that are relatively easy to acquire. -Mia Garlick (Creative Commons) Sampling is the kind of technology thats really shifted the way that people consume and produce culture. The consumers have become producers. -Jeff Chang (Solesides Records) The whole point of what we do is that we sample. Its not some feature of what we do. Its all we do. Just totally illegal, insanely illegal, and impossible to clear. It would be impossible to release what we release, if you did it through legal channels. -Ian Edgar (Eclectic Method) Sampling law has created two classes. You are either rich enough to afford the law or youre a complete outlaw. -Jeff Chang (Solesides Records) We live in a remix culture now and the laws have to change to be able to help that culture do what it has to do. -Jeff Chang (Solesides Records) Thats how society moves forward. It doesnt just invent new things. It evolves through taking old things and changing them. -Tom Silverman (Tommy Boy Records)
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Teacher Handout A: Assignment Rubric Media Production (Lesson 4)
Criteria
Content
Excellent, indepth research into the artist. Covers topic in-depth with excellent details and examples. Knowledge of subject is excellent.
Good research into the artist. Covers topic with some details and examples. Subject knowledge is good.
Researched the artist. Includes essential knowledge about the topic. Subject knowledge appears to be good.
Contains some research into the artist. Includes the most important information about the topic with one or two factual errors. Project is organized and some sections are labeled. Uses some color and graphics. May show some creativity and original thought.
Insufficient research into the artist. Includes some of the important information with several factual errors. Project is not clearly organized, and sections may or may not be labeled. Uses limited color and graphics. Shows limited creativity.
Lacks research into the artist. Content is minimal and there are several factual errors.
Presentation Project is wellorganized with clearly labeled sections. Layout is dynamic, making excellent use of color and graphics. Shows original thought and creativity.
Project is wellorganized with clearly labeled sections. Makes good use of color and graphics. Shows some original thought and creativity.
Project is organized and labeled. Makes use of color and graphics. Shows some original thought and creativity.
Is not organized and sections are not labeled or are labeled incorrectly. Uses little or no color and graphics AND they distract from the content. Writing is somewhat legible OR is in pencil.
Scoring Guide: 6 Exemplary complete, correct, comprehensive Accomplished complete, correct, comprehensive Satisfactory complete, correct 3 Developing complete, incorrect Unsatisfactory incomplete, incorrect Unsatisfactory incomplete, incorrect
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PAGE 20

Copyright Criminals Handouts

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Copyright Criminals Handouts

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COMMUNITY CLASSROOM: WOMENS EMPOWERMENT

ENGAGING STUDENTS AND TEACHERS THROUGH FILM

ENGAGING STUDENTS AND EDUCATORS THROUGH FILM

TEACHER & STUDENT HANDOUTS

COMMUNITY CLASSROOM: COPYRIGHT CRIMINALS

INDEPENDENT TELEVISION SERVICE (ITVS)

651 BRANNAN STREET, SUITE 410

SAN FRANCISCO, CA 94107

COMMUNITY CLASSROOM: WOMENS EMPOWERMENT COPYRIGHT CRIMINALS

Student Handout A: Module 1 Note Taking Guide

Speaker Jeff Chang

Their views on sampling and music.

Tom Silverman (Tommy Boy Records)

Hank Shocklee/Chuck D (Public Enemy / The Bomb Squad)

Bobbito Garcia (Rock Steady Crew)

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COMMUNITY CLASSROOM: WOMENS EMPOWERMENT COPYRIGHT CRIMINALS

Student Handout B: Module 1 Quotes

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COPYRIGHT CRIMINALS COMMUNITY CLASSROOM: WOMENS EMPOWERMENT

Teacher Handout A: Assignment Rubric (Lesson 1)

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COMMUNITY CLASSROOM: WOMENS EMPOWERMENT COPYRIGHT CRIMINALS

Student Handout D: Debate Notes My team is: Pro/Con

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COMMUNITY CLASSROOM: WOMENS EMPOWERMENT COPYRIGHT CRIMINALS

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COPYRIGHT CRIMINALS COMMUNITY CLASSROOM: WOMENS EMPOWERMENT

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COMMUNITY CLASSROOM: WOMENS EMPOWERMENT COPYRIGHT CRIMINALS

Student Handout C: Debate Roles & Format

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COMMUNITY CLASSROOM: WOMENS EMPOWERMENT COPYRIGHT CRIMINALS

WAITING FOR THE REVOLUTION

Reason Evidence Interpretation

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COMMUNITY CLASSROOM: WOMENS EMPOWERMENT COPYRIGHT CRIMINALS

WAITING FOR THE REVOLUTION

Total Points for PRO team:_______

Total Points for CON team:_______

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COPYRIGHT CRIMINALS COMMUNITY CLASSROOM: WOMENS EMPOWERMENT

WAITING FOR THE REVOLUTION

Speaker Greg Tate (music critic)

Views on sampling and music

De La Soul (music group)