Вы находитесь на странице: 1из 11

Creativity Research Journal Copyright 2000–2001 by

2000–2001, Vol. 13, Nos. 3 & 4, 401–410 Lawrence Erlbaum Associates, Inc.

Creativity in Physics: Response Fluency and Task Specificity I. N. Diakidoy and


Creativity
C. P. Constantinou
in Physics

Irene-Anna N. Diakidoy and Constantinos P. Constantinou


University of Cyprus

ABSTRACT: The purpose of this study was to explore Creativity research has been directed at explaining
creativity in the domain of physics and, specifically, its and predicting a complex psychological phenomenon
relation to fluency of responses (divergent thinking) on the basis of evidence concerning factors that are
and type of task. Fifty-four university students were pre- found or hypothesized to be crucial. However, our
tested on their knowledge of relevant physics concepts. knowledge about the basic components of creativity
They then were asked to solve 3 ill-defined problems and the factors that affect its development and manifes-
representing different types of tasks. The appropriate tation remain more or less fragmented. Creativity has
responses given to each problem were evaluated as to been conceptualized as an ability or characteristic of
their number (fluency) and frequency (originality). the person (Barron, 1988; Taylor, 1988) or as a cogni-
Task-specific components were found to influence cre- tive process (Boden, 1992; Johnson-Laird, 1988;
ativity independently and to moderate the effects of Schank, 1988; Weisberg, 1986) influenced by thinking
general factors such as fluency of responses. Efforts to styles or personality traits (Richardson & Crichlow,
predict and facilitate creativity in educational settings, 1995; Sternberg, 1988) and associated with divergent
therefore, also must take into account the way creativity thinking (Clapham, 1997; Guilford, 1956; Torrance,
is manifested within particular domains and the con- 1988).
straints that different types of tasks may impose. The issue we raise, however, concerns the extent to
which a generally decontextualized approach to the
study of creativity has the potential of providing us
Creativity is a complex construct and, although it has with a unified account of the construct and the factors
not been well operationalized, the importance of identi- that influence it. Creativity does not occur out of con-
fying and facilitating it in educational settings has been text (Baer, 1993). The context of its occurrence may be
widely recognized. The various creativity tests and represented by a particular situation, task, or problem
training programs that have been developed over the in an academic domain or in everyday life. In this re-
past several decades (Barron, 1969; deBono, 1976; spect, most previous research can be said to be con-
Torrance, 1966; Treffinger, 1995) provide testimony to textualized by virtue of the materials and the tasks em-
an increasing interest in creativity. Nevertheless, there ployed. However, there is still a need for a thorough
is a general concern that creative potential is not identi- exploration of creativity, its development, and its mani-
fied systematically or nurtured in the schools the way it festation within single identifiable domains. Such an
should be (Baer, 1993; Barron, 1988; Hennessey &
Amabile, 1987; Hocevar, 1981; Sternberg, 1996; Weis- We would like to thank D. Natsopoulos and H. Tsoukas for their in-
berg, 1988). The purpose of this study was to examine sightful comments and support, C. Varnavas and C. Bandis for their
creativity and factors that may contribute to it in a spe- help with materials and scoring, and E. Theodorou for her help with
cific academic domain, namely physics. Problem solv- the data. We also want to thank the students in our courses for their en-
ing represents a dominant activity of experts as well as thusiastic participation and interest in the study.
Manuscript received May 20, 1999; accepted December 1, 1999.
learners in the domain. This study examined creativity
Correspondence and requests for reprints should be sent to to
in the solutions or responses given to different physics Irene-Anna N. Diakidoy, Department of Education, University of Cy-
problems and its relation to fluency, problem type, and prus, P.O. Box 20537, Nicosia CY–1678 Cyprus. E-mail: eddiak@
conceptual knowledge. ucy.ac.cy.

Creativity Research Journal 401


I. N. Diakidoy and C. P. Constantinou

approach potentially can lead to a more unified theoret- cations. Creativity test scores may contribute to deci-
ical account of the construct in a specific domain, sions about placement in gifted education programs
which then can be contrasted with theoretical accounts (Feldhusen, 1994, 1995), and findings, such as the in-
of creativity in other domains and contexts. fluence of divergent thinking on creativity in general,
The validity of such an approach is implicated by may shape instructional methods developed to facili-
the definition given to creative outcomes. Creative out- tate it in the school setting (deBono, 1976; Treffinger,
comes are conceptualized to be both novel, as indi- 1995). Facilitating creativity in school also must in-
cated by their low frequency of occurrence (Sternberg, volve facilitating creativity in specific academic do-
1988; Torrance, 1990), and appropriate, as indicated mains in addition to promoting general creativity.
by judgments of correctness, usefulness, and quality However, it is highly unlikely that tests and instruc-
(Amabile, 1990; Johnson-Laird, 1987; Sternberg, tional methods designed to identify and increase gen-
1988; Weisberg, 1986). The criterion of appropriate- eral creativity levels will be equally effective when the
ness is closely linked with the domain and task in ques- objective is to identify and promote creativity in do-
tion, because they necessarily impose constraints on mains, such as mathematics and science, in which out-
what outcomes can be considered appropriate. Knowl- comes, creative or otherwise, depend on the availabil-
edge of the concepts, constraints, and regularities of a ity of conceptual knowledge and problem-solving
domain must influence the generation, evaluation, and strategies.
modification of responses within that domain (John- A prerequisite to understanding the extent to which
son-Laird, 1987; Weisberg, 1986). Moreover, Boden creativity is domain specific involves the examination
(1992) argued that if creativity is thought to involve the of creativity in particular, identifiable domains. This
breaking or bending of rules imposed by the domain, study represents a first attempt in this direction. In this
then knowledge of these rules is a prerequisite for cre- study, university students were asked to solve three
ativity in the domain. At the task level, knowledge of ill-defined physics problems, each representing a dif-
relevant concepts and solution requirements contrib- ferent problem type in the domain: explanation, pre-
utes to the representation of the givens and to the prob- diction, or application. Open-ended tasks and ill-de-
lem’s solution (Johnson-Laird, 1988). That, in turn, fined problems that allow multiple solutions are
most likely provides the basis for the generation of ap- assumed to facilitate creativity to a greater extent than
propriate and potentially creative solutions. well-defined tasks and problems (Barron, 1988; Hen-
Previous research on creativity has focused mostly nessey & Amabile, 1987; Sternberg, 1988; Torrance,
on creativity as a general ability or process (Hennessey 1988; Weisberg, 1986). Problem type was operation-
& Amabile, 1988; Richardson & Crichlow, 1995; alized in terms of solution requirements. A problem
Sternberg, 1988; Taylor, 1988; Treffinger, 1995). This that requires one to explain or find the causes of a phys-
focus has guided psychometric work in the area—as ical phenomenon presents different constraints with
indicated by the fact that items on widely used creativ- respect to what kinds of solutions are appropriate in
ity tests are relatively domain independent (Barron, comparison to a problem that requires one to predict
1988; Torrance, 1966, 1990)—and has resulted in the physical consequences or to apply a concept. Accord-
expectation that individuals who score high on general ing to our position, we hypothesized that creative per-
creativity tests are more likely to exhibit high creative formance within the domain would vary as a function
achievement in one chosen area, if not in several. How- of the type of problem encountered.
ever, this is not generally the case (Baer, 1993; Feld- Although it is generally accepted that creativity is
husen, 1993; Hocevar, 1981; Nickerson, Perkins, & virtually impossible in the absence of some relevant
Smith, 1985), and concern about the tests’ modest pre- knowledge, it also has been claimed that too much
dictive validities led Feldhusen (1994) to suggest that knowledge can have a negative impact, preventing the
creative functioning in one domain may be unique and individual from going beyond what is already known
psychologically different from creative functioning in (Sternberg, 1988; Taylor, 1988). In this study, to pre-
another domain. vent simple recall or direct application of knowl-
The general lack of attention to domain-specific edge—which has been found to hinder creativity
components does not only limit our understanding of (Weisberg, 1986)—the physics problems were unfa-
creativity, but also may have serious educational impli- miliar to the participating students. However, the un-

402 Creativity Research Journal


Creativity in Physics

derlying physics concepts were judged by the stu- given. As a result, there may be a confounding of the
dents’ physics instructors to be within the students’ originality measures with the fluency measures, which
capabilities. In addition, a conceptual knowledge pre- in turn may magnify the influence of divergent think-
test was administered to establish the extent to which ing functions. Therefore, in this study, fluency and
the underlying concepts were familiar and to allow originality were separated by computing originality as
for the examination of the effects of prior knowledge the average of the frequency weights of the appropriate
on students’ responses. We expected knowledge of responses given by each participant to each problem.
the relevant underlying concepts to support creativity This departure from standard procedure may result in
in the domain. an underestimation of the strength of the relation be-
Guilford (1956) proposed that divergent thinking, tween divergent thinking and originality. On the other
as opposed to convergent thinking, is a basic compo- hand, it also allows the examination of the contribution
nent of creativity. This hypothesis has been con- of divergent thinking to creativity without any con-
firmed by research that has required participants to founding influences.
provide multiple responses (Richardson & Crichlow,
1995; Torrance, 1988), and it has dominated creativ-
ity testing and training (Clapham, 1997; deBono, Method
1976; Hocevar, 1981; Torrance, 1966). In fact,
Torrance’s (1966, 1990) work on creativity testing
has relied on the premise that divergent thinking Participants
qualities—that is, the ability to produce a large num-
ber (fluency) of different (flexibility) ideas that are The participants were 54 University of Cyprus stu-
unusual (originality) and richly detailed (elabora- dents majoring in education. The majority of the stu-
tion)—are indicators of creativity. However, the im- dents were women (n = 50) and in their 3rd year of
portance of divergent thinking was disputed by study (n = 40). Their college performance was average
Weisberg (1986, 1988), who argued that the ability to or above, compared to the performance of all education
generate a large number of responses does not ensure majors. Their grade point average (GPA) ranged from
that any of them will qualify as creative or original. 7.00 to 9.00, with a mean of 7.52 and a highest possible
This study examined the contribution of divergent grade of 10.00. At the time of the study, 45 of the stu-
thinking as represented by the number of appropriate dents had completed a university course in physical
responses given to each physics problem. Appropriate science as part of their program requirements. Their
responses were considered to be those that fell within average grade in this course was 6.91.
the domain of physics and that did not appear to orig-
inate from fundamental misconceptions with respect
to the underlying physics concepts. This operational- Materials
ization of appropriateness and the nature of the prob-
lems utilized allowed us to obtain a range of re- The target physics problems were selected from a
sponses from each participant and for each problem. pool of 40 ill-defined problems constructed by two ex-
In this study, creativity was operationalized as re- perts, both of them university professors of physics.
sponse originality. The responses to each problem All of the problems on this list were classified into
were scored as to their total number, their acceptability three problem types on the basis of their solution re-
or appropriateness as indicated by the constraints of quirements. Some problems required that solvers ex-
the domain, and their originality as indicated by fre- plain possible mechanisms behind a phenomenon;
quency of occurrence in the sample. This method of some required that solvers predict what will happen
scoring follows the guidelines and procedures com- given a physical situation or a sequence of events; and,
monly utilized in creativity research (Vernon, 1971). finally, some problems required that solvers find ways
However, Davis (1989) drew attention to the fact that of using an item or device. These problem types were
originality scores that are based on the sum of the fre- judged independently by the two instructors of the
quency weights assigned to responses (see Torrance, physical science course as not being representative of
1990) are a direct function of the number of responses the problems found in textbooks and course assign-

Creativity Research Journal 403


I. N. Diakidoy and C. P. Constantinou

ments. The instructors, who were familiar with the par- technological applications. To prevent familiarization
ticipating students, were subsequently asked to iden- with the situations described in the target problems,
tify the problems that were most likely to be unfamiliar the test statements were designed to assess the rele-
but appropriate for this particular student group. Only vant concepts in contexts different from those pre-
problems identified by both instructors as fulfilling the sented in the problems.
set criteria were considered, resulting finally in the se- In addition to the items assessing knowledge of tar-
lection of three problems, each representing a different get problem concepts, there were 12 more true–false
problem type (see Table 1). statements assessing knowledge of physics concepts
The explanation problem required students to pro- unrelated to the problems, which served as foils. Their
vide possible valid explanations for a natural phenom- purpose was to prevent subsequent familiarization with
enon, the prediction problem provided the beginning the target concepts.
of a science fiction story that the students had to com-
plete, and the application problem required students to
describe possible applications for a device having spe- Procedure
cific physical properties. The students who had com-
pleted the physical science course had spent only 1 The students were divided into two groups for study
week covering static electricity (application problem) participation. The prior knowledge test was adminis-
and 1 week on concepts pertaining to materials (expla- tered on 2 consecutive days, with one group of students
nation problem). Concepts related to radioactivity and taking the test on the 1st day and the other group taking
the social impact of nuclear energy (prediction prob- the test on the 2nd day. Students were instructed to think
lem) were mentioned only in passing and were not carefully before answering each item and to do their
treated rigorously in that course. best. The test took students about 30 min to complete it.
The prior knowledge test consisted of 12 Two weeks later, the students met again in their
true–false statements constructed by the instructors of groups and were given the target physics problems to
the physical science course (Table 2). There were 4 solve. They were instructed to think carefully about
statements for each target problem assessing knowl- each problem and to try to provide as many appropriate
edge of concepts related to the phenomenon or situa- responses as possible to all three of them. Some effort
tion described by the problem. For example, State- was made to create a relaxed atmosphere in which the
ment 3.1 (Table 2) tests whether one understands the students would feel that they could work at their own
difference between magnetization and electrical pace. The students were allowed to make notes on sep-
charging. Inability to make such a distinction possi- arate pieces of paper and to work on the problems in
bly would influence how one represents the applica- any order they wished. It took students about 1 hr to
tion problem and, subsequently, his or her choice of complete this part of the study.

Table 1. Target Physics Problems Representing Different Problem Types

Target Problem Problem Type

When I think of iron rusting, wood rotting, and rubber disintegrating, then I am led to believe that “any Explanation
material that is taken from nature, with time strives to return to its natural form and environment.” Why
might this be happening?
When the spaceship Thrumfus landed on the reef known as Imia to the Greeks and as Kardak to the Turks, Prediction
its crew did not know what to expect from this planet. After 60 years of travel at the speed of light,
Captain Maximus from the Andromeda galaxy decided to land somewhere in order to generate the
radioactive fuel required by thei spaceship. He first had to distill 3 tons of water which would be used as a
cooling liquid for the nuclear reactor. With a process of nuclear fusion he would produce the necessary
plutonium, and then, with a large explosion, he would push the spaceship thousands of kilometers away
in a matter of a few hundredths of a second. Complete the story.
An electrically charged piece of a particular plastic has the ability to remove dust particles from the air. Application
Mention ways in which this material could be used. You could assume that the material has additional
properties as long as you specify them.

404 Creativity Research Journal


Creativity in Physics

Table 2. Prior Knowledge Test Items it was relatively easy to discern which responses were
1.1 Many construction materials derive from nature and have physically valid and particularly feasible. This was not
undergone some processing. the case with the prediction problem (Table 1), which
1.2 On our planet there exists a fine and fragile equilibrium. In included social and cultural aspects. In this case, re-
the case of a permanent temperature change (an increase sponses such as the possibility of a Greek–Turkish war,
of 1°C for example on a permanent basis) we could have
which were possible and valid given the political situa-
catastrophic changes.
1.3 When a system is in a state of dynamic equilibrium then it tion, were counted as separate responses but were not
has ceased to change. considered to be appropriate unless they included valid
1.4 Dinosaurs may have become extinct on this planet as a physical information. The interrater agreement was
result of darkness persisting for a few weeks and caused 96%.
by a comet impacting the earth.
Finally, all of the responses given by the students to
2.1 The atomic bomb explosion at Hiroshima gave rise to fire
and major destruction that affected millions of people. each problem were tabulated, and their frequency of
2.2 Distillation of wine will yield water. occurrence in the sample was calculated. A response
2.3 Coca-Cola is produced through water distillation. given by fewer than 3 students (5%) received a score of
2.4 The speed of light is 300 million kilometers per second. 3 and was considered to be highly original. A response
3.1 When I rub a pen it becomes magnetized, and I can use it given by fewer than 15 students (15%) received a score
to raise small pieces of paper.
3.2 Dust is made up of groups of molecules which are
of 2. Responses given by fewer than 27 students (50%)
suspended in the air. in the sample received a score of 1, and those given by
3.3 A transparent material has a smooth surface. more than 28 students received a score of 0. This pro-
3.4 An electrically charged body has more electrons than protons. cedure yielded a sample frequency score for each re-
sponse. Subsequently, the average of all the frequency
scores received by each student for each problem was
calculated to give the student’s originality score.

Scoring
Analysis
The prior knowledge test was scored according to
the number of items that were answered correctly. The The data were analyzed using hierarchical regression
scores were corrected for guessing—by subtracting the following the logic of mixed analysis of covariance. The
total number of incorrect answers from the total num- main dependent variable was originality. GPA and phys-
ber of correct answers (Nunnally, 1978)—and con- ics grade were between-subject factors and were entered
verted to a proportional scale to indicate proportion of first. The grand mean of the students across problems
items answered correctly by each student. subsequently was entered to remove any remaining vari-
The scoring of the responses given to the target phys- ance associated with between-subject factors. Then, the
ics problems followed a three-step procedure. First, two within-subjects factors—prior knowledge, problem
independent raters, one expert in physics and one famil- type, number of valid responses, and total number of re-
iar with the target problems, examined the responses sponses—were entered, followed by their interactions.
and counted the number of different responses given by That problem type was a within-subjects factor resulted
each student to each problem. Responses that were simi- in obtaining three measures of originality, one for each
lar to or simply elaborations of previous responses were problem type. The F ratio for each within-subjects fac-
grouped together and counted as one response. This step tor was calculated by taking into account the increment
yielded a total number of responses score for each stu- in R2 attributed to that factor:
dent for each problem. The interrater agreement was
75%, and the differences were resolved in conference.
R2 change
Second, two independent raters, both experts in the
domain of physics, assessed the correctness or appro- (1 - R2 ) /[( N - k - S - 1) - 1]
priateness of each response given. This step yielded a
number of valid responses score for each student and where R2 = the variance accounted for by the model, N
problem. On the explanation and application problems, = the number of observations, k = the number of vari-

Creativity Research Journal 405


I. N. Diakidoy and C. P. Constantinou

ables in the model, and s = the number of participants. overall gave more responses and more appropriate re-
This formula yields a more conservative test for the sponses to this problem.
within-subjects factors than the standard formula com- The responses given to the prediction problem were
monly used for the calculation of the F ratio for the be- more original than those given to either the explanation
tween-subject factors (Kerlinger, 1986). or the application problems.
A preliminary examination of the data indicated Table 4 shows the correlation coefficients among
that the distributions of total number of responses and the variables of interest. It can be seen that total num-
number of valid responses were positively skewed ber of responses, number of valid responses, and origi-
(skewness > 1). That was expected because the prob- nality were all highly and positively correlated with
lems were unfamiliar, resulting in fewer high scores each other (p < .01).
than low scores. Square root transformations normal- However, the correlation between total number of
ized the data, and the transformed scores were em- responses and originality was not significant (r = .04, p
ployed in the analyses. Because of missing values on > .05) when number of valid responses was partialed
physics grade, the data of only 45 students were uti- out. In contrast, the correlation between number of
lized in the regression analyses. valid responses and originality increased (r = .63, p <
.01) after total number of responses was partialed out,
indicating that the ability to come up with more than
Results one appropriate response is positively related to the de-
gree of originality. Physics grade was positively related
Descriptive statistics indicated that students per- only to GPA, as expected, but not to any other vari-
formed differently in the three target problems (Table ables. It is interesting to note that prior knowledge was
3). The concepts related to the application problem negatively related to the number of valid responses.
were less familiar to this sample, and yet the students Analysis within each problem indicated that the corre-

Table 3. Means of Originality, Number of Valid Responses, Total Number of Responses, and Prior Knowledge in Problem
Types

Problem Type

Explanation Prediction Application

Measures M SD M SD M SD

Originality 0.43 0.92 1.14 1.18 0.97 0.81


Number of Valid Responses 0.19 0.39 0.54 0.57 1.37 0.55
Total Number of Responses 1.27 0.29 1.32 0.37 1.74 0.53
Prior Knowledge 0.64 0.17 0.68 0.20 0.46 0.23

Table 4. Intercorrelations Among Measures of Academic Achievement, Knowledge, and Creativity

Measures 1 2 3 4 5 6

1. Grade Point Average — .69* .21* .15 .09 .10


2. Physics Grade — .17 .13 .13 .11
3. Prior Knowledge — –.06 –.22* .05
4. Total Number of Responses — .67* .71*
5. Number of Valid Responses — .43*
6. Originality —

*p < .01.

406 Creativity Research Journal


Creativity in Physics

lation coefficients between prior knowledge and each Table 5. Summary of Hierarchical Regression Analysis
of the creativity measures (originality, number of valid for Variables Predicting Originality Score
responses, and total number of responses) were non- Variable B R2 change F to Enter
significant in all problems (p > .05) but negative only in
the prediction problem. Grade Point Average 0.18 .0077 1.03
Physics Grade 0.07 .0039 0.78
Preliminary regression analyses indicated that the
Grand M 1.00 .4727 41.01**
day the prior knowledge test was administered and Prior Knowledge 0.11 .0005 0.27
nonlinear components did not have significant effects Problem Type 0.32 .0541 28.53**
on any variables of interest and, therefore, were ex- Number of Valid 1.08 .1958 103.25**
cluded from the main analysis. Table 5 presents the fi- Responses
nal regression model predicting originality score. Total Number of Responses 0.35 .0132 6.97*
Problem Type × Prior 0.48 .0058 3.03
It can be seen that the variance accounted for by Knowledge
GPA, physics grade, and prior knowledge was not sig- Problem Type × Number –0.81 .0984 51.87**
nificant. Table 6 presents the means of originality, of Valid Responses
number of valid responses, and total number of re- Prior Knowledge × –.088 .0001 0.06
sponses in two levels of prior knowledge. Number of Valid
Responses
Even though there were no significant differences in
Model R2 .8521
originality scores and total number of responses across Multiple R .9231
prior knowledge levels (p > .05), the difference in mean
number of valid responses across prior knowledge lev- Note: N = 45.
els was significant, F(1, 162) = 7.98, p < .01. Students *p < .05. **p < .01.
who received high scores (above the mean) on the prior
knowledge test did not give as many correct responses
to the problems as students whose prior knowledge of Table 6. Means of Originality, Number of Valid
the relevant concepts was low. The same trend was ap- Responses, and Total Number of Responses in Levels of
parent with originality scores and total number of re- Prior Knowledge
sponses as well. Prior Knowledge
It can be seen from Table 5 that problem type was
a highly significant predictor of originality. Students Low High
gave the least original responses to the explanation
Measures M SD M SD
problem and the most original responses to the pre-
diction problem (Table 3). Even though the interac- Originality 0.87 0.95 0.82 0.98
tion of prior knowledge with problem type was not Number of Valid Responses 0.85 0.67 0.54 0.69
significant, it did approach significance (p = .07). Ta- Total Number of Responses 1.47 0.52 1.41 0.45
ble 7 shows the means of originality within problem
types and levels of prior knowledge. Students with
relatively high knowledge of relevant concepts
showed a tendency to give more original responses to
the explanation and application problems. In contrast,
Table 7. Means of Originality Within Problem Types and
students with low conceptual knowledge gave more Levels of Prior Knowledge
original responses to the prediction problem (Table
7). Even though none of the mean differences within Prior Knowledge
each problem reached significance (p > .05), it may
Low High
be the case that a high level of knowledge hindered
creativity in the prediction problem, whereas the op- Problem Type M SD M SD
posite appears to be true for the other two problems.
This negative influence of prior knowledge on the Explanation 0.37 0.87 0.47 0.97
Prediction 1.32 1.19 1.05 1.19
originality scores of responses to the prediction prob-
Application 0.94 0.82 1.04 0.84
lem also may have masked the positive effects of this

Creativity Research Journal 407


I. N. Diakidoy and C. P. Constantinou

variable on the originality of responses given to the fined tasks and problems, which allow more than one
other two problems. appropriate response, are more conducive to creativity
It can be seen from Table 5 that the number of valid (Hennessey & Amabile, 1988). However, the highly
responses that a student could give predicted the extent significant interaction of this factor with problem type
to which at least some of these responses were original. indicates that the extent to which divergent thinking
The interaction of this variable with problem type was contributes to creativity depends on the type of the
also significant. Table 8 shows the means of originality ill-defined task encountered. In this study, a greater
within problem types and levels of number of valid re- number of valid responses was given to the application
sponses. It is apparent that the ability to produce a large problem, but the responses given to the prediction
number of responses influences originality in the ex- problem received higher originality scores than the re-
planation and prediction problems to a greater extent sponses given to any other problem. This finding also
than in the application problem. supports, in part, Weisberg’s (1986, 1988) claim that
The total number of responses that students gave to the ability to produce a large number of responses does
the problems was also a significant predictor of origi- not ensure that these responses will be highly creative.
nality (Table 5). However, because the partial correla- The students in our study responded differently to
tion coefficient between this variable and originality, problems representing different types of tasks in the
when controlling for number of valid responses, was domain of physics. An examination of the data re-
not significant (r = .04, p > .05), the high positive cor- vealed that, whereas 57% of the students gave highly
relation initially observed and part of the variance ac- original responses (responses receiving frequency
counted for may be due to this third variable and its re- scores of 3) to at least one problem, only 7% gave orig-
lation to the total number of responses. inal responses to all three problems. Because the prob-
lems were equivalent in terms of appropriateness and
familiarity, these differences in performance can be at-
Discussion tributed, at least in part, to the fact that the problems
differed in their solution requirements and constraints.
The results of this study indicated that the number Even though this study was motivated by the theoreti-
of appropriate responses that students could give to cal position that creativity is in part domain specific
ill-defined physics problems (fluency) and the type of (Feldhusen, 1994; Hocevar, 1981), it was not designed
problem were the most significant predictors of re- to address this issue directly. Nevertheless, these find-
sponse originality. ings allow the extension of this position and its impli-
The number of appropriate or valid responses that a cations to the level of the task. Creative performance in
student can give to a problem is essentially an index of connection with one type of task does not appear to en-
divergent thinking, and, within the framework of sure creative performance in other types of tasks.
psychometric research, it has always been assumed The extent to which creativity is task and domain
that divergent thinking ability is highly related to cre- specific has important theoretical and educational im-
ativity (Guilford, 1956, 1970, 1971; Torrance, 1966, plications, and needs to be the subject of further re-
1988). Consequently, it has been argued that ill-de- search. If creativity varies in connection with tasks,
and possibly in connection with domains as well, then
Table 8. Means of Originality Within Problem Types and the extent to which it represents a relatively stable
Levels of Number of Valid Responses characteristic or ability is questionable. These findings
cast doubts on the appropriateness of employing gen-
Number of Valid Responses eral measures to identify and predict creative potential
for research or educational purposes. Instead, a more
Low High
valid approach might be the assessment of creativity
Problem Type M SD M SD through the use of a variety of appropriate and repre-
sentative tasks within a domain of interest.
Explanation 0.00 0.00 2.30 0.48
Even though the problem types we have em-
Prediction 0.00 0.00 2.29 0.41
Application 0.00 0.00 1.04 0.80
ployed—explanation, prediction, and application—are
highly representative of those frequently addressed in

408 Creativity Research Journal


Creativity in Physics

the domain of physics and science in general, they are apparent that the prior knowledge test employed in this
not representative of those encountered in physics study was limited in terms of the extent and the depth
courses at the secondary and undergraduate levels. to which it assessed potentially relevant knowledge.
Typically, students are required to describe physical The test was not designed to evaluate procedural
phenomena, calculate quantities, and conduct experi- knowledge—that is, familiarity and strategy use with
ments that have been carefully prespecified as to their problems of this type.
procedures and outcomes by instructors and textbook The possibility that the results concerning the
authors. These activities are designed to promote the knowledge factor may be attributable to the test is
acquisition of theories, concepts, and procedures in the strengthened by a closer examination of the responses
domain. At the same, time they may foster the percep- and the results concerning the explanation problem.
tion of knowledge acquisition as an end goal, thus ren- Knowledge of the underlying concepts (entropy and
dering the knowledge acquired less flexible and appli- dynamic equilibrium) was above average, and the re-
cable in novel situations. In that case, these activities sponse protocols indicated that this knowledge pro-
are unlikely to promote creativity as exemplified by the vided the basis for the responses given. Yet, only 11%
extension of acquired knowledge and the creation of of all the responses were judged to be appropriate, and
new knowledge (Johnson-Laird, 1987). only 3% received high originality scores. Clearly, the
It has been argued extensively that creativity de- explanation problem presented a greater challenge to
pends on the availability of a large knowledge base our students than either the prediction or the applica-
(Amabile, 1990; Boden, 1992; Sternberg, 1988; Weis- tion problem. The task it represents is highly demand-
berg, 1986). Conceptual knowledge is considered to be ing, requiring the formulation of a theory to account for
a prerequisite to mentally representing the problem the physical phenomena described. Theory formula-
and guiding the generation and evaluation of solutions tion requires not only in-depth and flexible knowledge
(Feldhusen, 1994; Johnson-Laird, 1988). Although of immediately related and more distant concepts, but
these findings do not appear to support the preceding also knowledge about the structure of theories and the
claim, they cannot be taken to confirm the opposite processes that are involved in their construction. Even
claim that too much knowledge may hinder creativity though this study did not examine this kind of knowl-
(Sternberg, 1988). The relation between prior concep- edge, it can be expected to be low. The content, goals,
tual knowledge and the creativity measures was weak and methods of teaching and testing at the secondary
but negative only with respect to the prediction prob- and undergraduate levels, at least in the context of sci-
lem. An examination of the response protocols indi- ence education, are characterized by more of an em-
cated that at least half of the appropriate responses to phasis on the learning of phenomena and the laws that
the prediction problem were based on concepts of as- govern their behavior than on the epistemological con-
tronomy and space travel, and not on concepts of nu- struction of structured theories. Therefore, our stu-
clear energy as we had originally hypothesized and as- dents can be expected to know more about established
sessed with the prior knowledge test. Therefore, the theories and their applications than the processes that
negative relation may be partly due to the fact that we guide theory formulation.
evaluated a different knowledge base from the one ac- The results concerning the influence of academic
tually accessed by our students. achievement indexes, such as GPA and grade in a phys-
According to Schank (1988), the interpretation and ical science course, parallel those concerning the influ-
the solution of a problem depend not only on prior con- ence of prior knowledge. This is not surprising if we
ceptual knowledge, but also on the availability of rele- consider that grades in different academic subjects are
vant previous experiences in memory. The rules, or taken to reflect the knowledge acquired in the corre-
what Schank (1988) referred to as the explanation pat- sponding subject areas. These findings overall support
terns, that were employed to deal with previous experi- the notion that creativity and academic achievement
ences are selectively accessed and modified to apply to are not linked (Guilford, 1956; Sternberg, 1988; Tay-
a new problem. Amabile (1990) and Runco and Chand lor, 1988). However, prior knowledge represents a
(1995) also argued that creativity is based on different complex factor, and creativity appears to depend not so
kinds of domain-relevant knowledge, both declarative much on the simple availability of knowledge but on
and procedural. Considering these claims, it becomes the ability to extend and go beyond the knowledge ac-

Creativity Research Journal 409


I. N. Diakidoy and C. P. Constantinou

quired. Therefore, further research should examine Hocevar, D. (1981). Measurement of creativity: Review and critique.
Journal of Personality Assessment, 45, 450–464.
more thoroughly the different kinds of knowledge and
Johnson-Laird, P. N. (1987). Reasoning, imagining, creating. Bulle-
skills that may contribute to creativity in different do- tin of the British Psychological Society, 40, 121–129.
mains and tasks. Such research has greater potential to Johnson-Laird, P. N. (1988). Freedom and constraint in creativity. In
provide a more solid basis for educational planning R. J. Sternberg (Ed.), The nature of creativity: Contemporary
and practice. psychological perspectives (pp. 202–219). New York: Cam-
bridge University Press.
Kerlinger, F. N. (1986). Foundations of behavioral research. Or-
lando, FL: Harcourt Brace Jovanovich.
References Nickerson, R. S., Perkins, D. N., & Smith, E. E. (1985). The teaching
of thinking. Hillsdale, NJ: Lawrence Erlbaum Associates, Inc.
Amabile, T. M. (1990). Within you, without you: The social psychol- Nunnally, J. C. (1978). Psychometric theory. New York:
ogy of creativity and beyond. In M. A. Runco & R. S. Albert McGraw-Hill.
(Eds.), Theories of creativity (pp. 61–91). London: Sage. Richardson, A. G., & Crichlow, J. L. (1995). Subject orientation and
Baer, J. (1993). Why you shouldn’t trust creativity tests. Educational the creative personality. Educational Research, 37, 71–78.
Leadership, 51, 80–83. Runco, M. A., & Chand, I. (1995). Cognition and creativity. Educa-
Barron, E. (1969). Creative person and creative process. New York: tional Psychology Review, 7, 243–267.
Holt, Rinehart & Winston. Schank, R. C. (1988). Creativity as a mechanical process. In R. J.
Barron, E. (1988). Putting creativity to work. In R. J. Sternberg Sternberg (Ed.), The nature of creativity: Contemporary psy-
(Ed.), The nature of creativity: Contemporary psychological chological perspectives (pp. 220–238). New York: Cambridge
perspectives (pp. 76–98). New York: Cambridge University University Press.
Press. Sternberg, R. J. (1988). A three-facet model of creativity. In R. J.
Boden, M. A. (1992). The creative mind: Myths and mechanisms. Sternberg (Ed.), The nature of creativity: Contemporary psy-
New York: Basic Books. chological perspectives (pp. 125–147). New York: Cambridge
Clapham, M. M. (1997). Ideational skills training: A key element in University Press.
creativity training programs. Creativity Research Journal, 10, Sternberg, R. J. (1996). Investing in creativity: Many happy returns.
33–44. Educational Leadership, 53, 80–84.
Davis, G. A. (1989). Testing for creative potential. Contemporary Taylor, C. W. (1988). Various approaches to and definitions of cre-
Educational Psychology, 14, 257–274. ativity. In R. J. Sternberg (Ed.), The nature of creativity: Con-
deBono, E. (1976). Teaching thinking. London: Temple Smith. temporary psychological perspectives (pp. 125–147). New
Feldhusen, J. F. (1993). A conception of creative thinking and cre- York: Cambridge University Press.
ativity training. In S. G. Isaksen, M. C. Murdock, R. L. Torrance, E. P. (1966). The Torrance Tests of Creative Thinking:
Firestien, & D. J. Treffinger (Eds.), Nurturing and developing Technical norms manual. Princeton, NJ: Personnel Press.
creativity: The emergence of a discipline (pp. 31–50). Torrance, E. P. (1988). The nature of creativity as manifest in its test-
Norwood, NJ: Ablex. ing. In R. J. Sternberg (Ed.), The nature of creativity: Contem-
Feldhusen, J. F. (1994). Teaching and testing for creativity. In Inter- porary psychological perspectives (pp. 43–75). New York:
national encyclopedia of education (2nd ed., pp. 1178–1183). Cambridge University Press.
New York: Pergamon. Torrance, E. P. (1990). Torrance Tests of Creative Thinking: Manual
Feldhusen, J. F. (1995). Talent development vs. gifted education. Ed- for scoring and interpreting results. Bensenville, IL: Scholastic
ucational Forum, 59, 346–349. Testing Service, Inc.
Guilford, J. P. (1956). The structure of intellect. Psychological Bulle- Treffinger, D. J. (1995). Creative problem solving (C.P.S.): Over-
tin, 53, 267–293. view and educational implications. Educational Psychology
Guilford, J. P. (1970). Creativity: Retrospect and prospect. Journal of Review, 7, 301–312.
Creative Behavior, 4, 149–168. Vernon, P. E. (1971). Effects of administration and scoring of diver-
Guilford, J. P. (1971). Some misconceptions regarding measurement gent thinking tests. British Journal of Educational Psychology,
of creative talents. Journal of Creative Behavior, 5, 77–87. 41, 245–257.
Hennessey, B. A., & Amabile, T. M. (1987). Creativity and learning. Weisberg, R. (1986). Creativity: Genius and other myths. New York:
Washington, DC: National Education Association. Freeman.
Hennessey, B. A., & Amabile, T. M. (1988). The conditions of cre- Weisberg, R. W. (1988). Problem solving and creativity. In R. J.
ativity. In R. J. Sternberg (Ed.), The nature of creativity: Con- Sternberg (Ed.), The nature of creativity: Contemporary psy-
temporary psychological perspectives (pp. 11–42). New York: chological perspectives (pp. 148–176). New York: Cambridge
Cambridge University Press. University Press.

410 Creativity Research Journal

Вам также может понравиться