Goodbye Public and Private

James Sanders

BlazeVOX [books]
Buffalo, New York

Goodbye Public and Private by James Sanders Copyright 2008 James Sanders

Published by BlazeVOX [books]

This compilation and all works within are licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-ncsa/3.0/us/, or send a letter to Creative Commons, 171 2nd Street, Suite 300, San Francisco, California 94105, USA. First Edition ISBN: 1-934289-97-3 ISBN 13: 978-1-934289-97-6 Library of Congress Number: 2008938101 BlazeVOX [books] 14 Tremaine Ave Kenmore, NY 14217 Editor@blazevox.org

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awling the patter of the private**** loops

over in lives the arms straight out of the head as

the anonymity of all emotion * itches ice to participle in** over* seams

completely hairless Santa facts intimate shine*** out lied

fauvably

chronologically diverse facily

skin being the only shadow

in the fact tense

Still Life of Robert Jones **chiaroscuro with bearskin something of what comes after it ***all senses have hairless chambers ****figleaf in shape of pay toilet

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(for 3 voices, or 2 voices and tape)

Portrait of Mark Prejsnar as a Woman

the the anomaly anomaly rainbows rainbows rainbows rainbows catching catching up up up to to you you this is the the anomaly the anomaly anomaly and and panty panty panty hose sincerity sincerity* was replaced replaced with with mirrors mirrors mirrors and and panty hose hose sincerity sincerity hurts hurts in size size and and rainbows rainbows and rainbows rainbows suction cups cups and rainbows rainbows knock knock whose hose**** there there rainbows rainbows armpit armpit between between rainbows rainbows to to be be continued continued this this armpit armpit between my my legs legs****** con con veen veen yence yence yence screams screams out out of the the lipgloss gloss** randy randy this this rainbow rainbow is is your your your part this part this an rains an rains omaly elbows omaly partly panty***** hose hose an ds uct shunc ups since since air air ready ready hearse hearse with with mirror*** cielings cielings and rain rain bows bows arm arm arm pits pits con con vee vee rain yence rain bows bows and and arm and arm pits be pits tween tween sin sin cer it it tees arm tees arm pits pits this this rain rain bow screams bow screams this con this venience convenience is is the the anom anom aly aly catch catch ing up ing ing up to to you you
splitfinger sincerity all parts part infra male***** participle not on the inside arm fast food un pits rests entirely he day its to be parts female***** one continued to Manuels after this

pert rainbows

rerodded

scabbed over completely on the inside their own backlog****** of

so they could be

veined with plexiglass ******together* bearded their exclamation points

watery, lucid floorboards so they could grow up out of

grown-ups with

them *armpit was replaced with sincerity and **replace randy with underlining and plexiglass ***see less cielings and rain armpits ****whose *****randy whose

******to rainbows

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at the section either that played

to the realism* we tan control erased somehow ** why not like anything to change and sore if stick Oreos about to complete realism**** the like anything tendency him as a has in the social awling

who thinks himself as parentheses round the sun or* surburban dick

with asterisks where lining melancholy

fascination*** shy

as a lackless*** yawning

finished eating in pools

Days (0:32)
****Buried Fiber Optic Cable ***where you really let go **different organisms do different things with other organisms *two things silt off by the same phrase****

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The Imposter Who Is There Before the Yoo Hoo

what does an autobiography see when the sun is wet grown duct to nonfood the distant as semicircle hooded to keyed moist of all tunes would even dive. And when they convince, as an I. V. of the mechanism, didn't then I think the clown, no more unique or complex, yet still instead of it in the vignettes with scientific feet in* You room close to you Howard Johnson's marbled and iced fission in tinge is to invite to the commission. The national nagging has data fondness lensing us out in the world owned in the rubbing the ones behaving in zoom in and with fluted impersonation is now in this lu bratic in the common noun and this time len sing us out in the world the pieces to shatter the option to seem to the line to line an end of the eye of the line and is commenting us out of the world load I think the clown is still instead of the vignettes with sign -----------------------

*the Howard Johnson's marbled and iced fission is reregular. The cypresses clutch at a circumspect pronoun which through us in tinge is to invite to the commission. The ice throats through the slid dish.

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The national nagging has data fondness that lubricates our personal sentences slicking and lensing us out in the world owned in the rubbing ourselves. Would we be the ones who see the ones behaving in the frankenfurter shaped nap and zoom in and with fluted impersonation is now in this lu ll, this perspex ampersand of moo? Not um bratic in the common noun not rinsed in range of rules for other people's pupiled bluff, temporarily

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so(down)ng years squiggles leans in out rules

piped caprice city tentness

soft hair from coming a sunset trees** things, things*** pierced**** bla(cha that nge at)ck pick up displaced application of water a let a stores tapes who splat chest such I'd place as sure separating the trees clung dollar except* do(yawn)wn *thinks to other lines and no one opened down ***waves even deciding**** down **a lip over it that stops the air from coming out ****resizing Days (3:22)

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Muzak for Krystal the brood and the marshmallows and the humid. the brood and the packaging and the fingers and timid marshmallows mane too humid brood and brooded tooting. Who tootled? Was it the brood? The brood? The brood. It is too humid for the brood and too humid to have marshmallows tooting from the end of your finger, the marshmallow. The air pockets were full of Palmolive and brief and silver to bring with us. The hook is about the brood as marshmallows. Marshmallows are knives and fingers are kind hoops. Music is made with a hoop a knife and a finger, by a marshmallow. It goes on as long as the finger, as long as the marshmallow does brood. The brood goes on as smooth as a marshmallow and as humid as a knife, a kind of tooting hive, a tootling.

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the pieces to shocked so downwards foam tickle take's there is very early some to deflect a grow is round to the edgeless house

in the option to see him

some sound is rowed in shave as pelter wazoo the cubes have to a slow green

to see round through is fasten

door fade rounds lasts redden in

ditzing with the snares corners

career counseling from a while mild sashed cages

and from bunchy snack

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Plus Silver Skillet

turn(warn)ing th(un)e head mist he(less)ad seat cush(purple greened* ear range into red the hours glow*** variety into slaw. a growing of little slows. affinity leans the grow ly hostess w(ac ross the r oom)ears a wi (br** own)g)ion *orange*** rain more weless a your that spearmint clogs nows nubs in. **hogs all O tones in room ***colonless

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Immanent Subtitles: Zzac Denton/ near Aquafresh

never always branches that ending in that whenever my iota was asking for aze it shivering light into the locks shine scepterlike raisens that led stick up t oo t I duh flakes for the joins the following leotard that is not we are all one big unitard us at the L in the heart I defoaming on electronics any of these periods as joins poaching clinamen the snow w e never see unpones rated R tissue less dense clogs back to you clouds Aquafresh

acres of literal leaking

Mr Peanut

in

realism is an activation

honk

cluck

low

Aquafresh

goldin

in

figure

and

deaf lake

go

el

ing

and

er

fern

give the laugh track a pickle

tuck

as

again

rubber scats

together

This Poem Has Something to do with the Future

dials made of w nterized violins and Milky Ways in lies overhead and s ecreting a mouse costume: plural of "pants" alobe with my chocolate feet diaphonus who has shrillest of the bun

tickle my smelly we. liney minor variations on vegetables of the organized mind or groin dimmer or. as I'm doing it I know on the inside, a frown like pu

blic but flu ffier i ffier

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June as ***the outside of any male intrachange of*** issue does gulch us pieces ca lm necks a sparkly oink gist tre(ven tilation)llis stay to ***something is to** fluorescents exclusive

indoor/outdoor carpeting* cellent intrachange s

***undertextured ***and now is in it moot dummy monogon we had left at/still did, she will

Samsung says spray on youth unrise ex a few seams up to the choosing frown buns wall Keebler Elves manhunt for glee *perfumed wicker ** something else to be*** Days (2:31)

the human figure in tuning and per[you the of juice respective ]spective captioned by a different [catching why different in is] alphabet not usually fractured by costume step-by-step what it was really like [usually should is yet nice it was really] let's get to something beyond the hamburger [is it in something young and weird] bun to fake a ventilation system haggardly and demand the themes that [configuring insulation system: incidence of to think the] soak through* twinkling and value-laden with widening bramble** inkling of shellgame on plexiglass [convened mind in the evening of placing this morning face lessons] morning face crescents*** want something once [***one something ones took my goosh in waves language in waves, confidence] black pawns and silent g's extra large [instance extra-large] petard under the iron nice slot [under the in eyes land.] they are going to arrange it so the shadow is not there that [they are going to in gives of the shadow is not, it has been] day nor the lift the [and his mind in the incidents on the] own, all the people who have [things are] hair smiling. Big Bird leaks quixotic antlers [and I musk to that translucent wings] finally a weight loss [maybe you enjoy the] cactoid that translucent wings make the appealing triangle work [June dungeons that also touching] thighs want to bring prickle/share [when and in] glum fine dining talons [on conscience talent] reef racks spooks at but also touching a romantic grinch strap and insurance snobwear and sparkly [tells him to him and convinced friends] traps the grout of the sensitivity chip [and of the sensitivity chip] strands smooth strands smooth increasingly mature [increasingly mature action] picture *though twinkling whisper [was this is not the kindness lines] **locate misshed finger [This is not the kindness wipes]
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