Rangoli is a traditional decorative folk art from India.

These are decorative designs made on floors of living rooms and courtyards during Hindu festivals and are meant as sacred welcoming areas for the Hindu deities.[1] The ancient symbols have been passed on through the ages, from each generation to the next, thus keeping both the art form and the tradition alive. The patterns are typically created with materials, including colored rice, dry flour, sand or even flower petals. Rangoli and similar practices are followed in different Indian states; in Tamil Nadu, one has Kolam, Madanae in Rajasthan, Chowkpurna in Northern India, Alpana in Bengal, Aripana in Bihar, etc. The purpose of Rangoli is decoration, and it is thought to bring good luck. Design-depictions may also vary as they reflect traditions, folklore and practices that are unique to each area. It is traditionally done by women, but over the years modern additions have been adapted. Generally, this practice is showcased during occasions such as festivals, auspicious observances, celebrations of marriages and other similar milestones and gatherings. Rangoli designs can be simple geometric shapes, deity impressions, flower and petal shapes (appropriate for the given celebrations), but they can also become very elaborate designs crafted by numerous people. The base material is usually dry or wet granulated rice or dry flour, to which Sindoor (vermilion), Haldi (turmeric) and other natural colors can be added. Chemical colors are a modern variation. Other materials include colored sand and even flowers and petals, as in the case of Flower. "Alpana" is another name for a type of rangoli. The ancient Mohen-jodaro and Harappan civilizations also made Alpanas. Vatsyayan Alpana's work - the formula is described in Chausst arts (The most ancient folk art). The word 'Alpana' is derived from the Sanskrit 'Oalanpeen' which means "to plaster." Rangoli is a symbol of religious and cultural beliefs. It is considered an important part of the spiritual process. Alpana philosophy of life which symbolizes the impermanence of knowing with full enthusiasm and devotion present wished to live with Sumngl remains constant. The knowing that tomorrow it will be washed, which is the purpose, he wished to be the greatest. Additional house festivals - family occasions or just like any other Manglik say that the art of decorating rangoli is now not only limited to Pujagrah. Women with great passion and enthusiasm in every room of the house and make rangoli at the entrance. The hobby itself the basis of his fiction is already there, eternally; innovative creation is symbolic of the spirit he art has also become a part of modern families. Introduction of diversified interest in craftsmanship and artistic home - decor created

for almost all except the few are a symbol of human spirit and thus an important means to realize our cultural feelings are considered. Rangoli symbolizes joy and happiness Rangamayie expressions. These are decorated in geometric and symmetrical sizes. For rice flour or slurry is used. The back of the rice flour used to be white and easy availability. Between the thumb and forefinger of dried rice flour by putting a certain cast is dropped. Rajasthan Mandana the word was taken from the corroboration means is decoration. Mmandne various festivals, major festivals and can be categorized based on seasons. Different shapes depending on the size of it also can be shared. Kumaon 's "writing beat 'or in a variety of plotting symbols Thapa, artistic designs, Bellbutoan is used. Alikhthap of society apart separated by different groups - different icons and art media is used. South Indian rangoli usually based on geometric shapes while at the north of the

With time, imagination and innovative ideas in Rangoli art is also incorporated. Hospitality and tourism has also had its effect and it has been commercially developed. The colors also convenient because it places such as hotels is being built on its traditional charm, artistry and importance are still remain.