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LONDON
Contents
Foreword
INTRODUCTION: METHOD
1.
ix
Written Clothing
I. H. IH. IV. The Three Garments Shifters The Terminological Rule Description 3 5 7
12
2.
n.
n.
I.
THE
1.
VESTIMENTARY CODE
vii
Contents
Ill. The Object, the Support, and the Variant IV. Relations between Elements of the Matrix V. Substances and Forms
64 67 69 71 72 74
77
6. Confusions and Extensions I. Transformations of the Matrix II. Inversion of Elements Ill. Confusion of Elements IV. Multiplication of Elements V. Architecture of the Matrices VI. Routines 7 The Assertion of Species I. The Species 1I. The Variation of Species III. The Class of Species: The Genus IV. Relation between Species and Genera V. Function of the Assertion of Species
8. Inventory of Genera
I. Mode of Composition of Genera n. Classification of Genera III. Inventory of Genera
g. Variants of Existence I. The Inventory of Variants II. Variants of Identity Ill. Variants of Configuration IV. Variants of Substance V. Variants of Measurement VI. Variants of Continuity
115 119 123 129 136 144 147 151 158 161 162 168
n.
11.
The System
I. Meaning, Supervised Freedom The Systematic Yield III. The Neutralization of the Signifier
n.
Contents
IV. The Systematic Reduction of the Species: Toward Real Clothing
Ivii
12. TheSyntagm I. The Fashion Feature lI. The Syntagmatic Yield Ill. The Permanent Inventory of Fashion IV. Conclusion
2.
Semantic Units
Worldly Signified and Fashion Signified The Semantic Units Structure of the Semantic Unit
14 Combinations and N eutralizations l. The Combination of Signifieds Il. The Neutralization of the Signified
21 3 21 5 216
11.
16. The l. lI. III.
17 Rhetoric of the Signifier: The Poetics of Clothing l. Poetics II. The Rhetorical Signified of Clothing: The Models III. Rhetoric and Society 18. Rhetoric of the Signified: The World of Fashion l. The Representation of the World II. Functions and Situations
"iii/
Contents
m.
19 Rhetoric of the Sign: The Reason of Fashion 1. The Rhetorical Transformation of the Fashion Sign H. A Ensembles: The Function-Sign
m.
20.
Economy of the System 1. Originality of the Fashion System H. A Ensembles: Alienation and Utopia m. B Ensembles: The Disappointment of Meaning IV. The Double System of Fashion V. The Analyst Confronts the System
ApPENDIXES
1.
2.
295 300