Академический Документы
Профессиональный Документы
Культура Документы
marj.kibby@newcastle.edu.au
Learning Activities
Week 1 - ends 4th March
Introductions
Familiarise yourself with the Course Outline, Additional Information and Blackboard Site.
Ensure that you know what is expected of you in class and for the assessment items.
Resolve any queries in the face-to-face class or on the Blackboard forum.
Levitin, Daniel J.Life Soundtracks:The uses of music in everyday life: Report prepared
for the exclusive use of Philips Consumer Electronics B.V., Eindhoven, The Netherlands
May 11, 2007 http://levitin.mcgill.ca/pdf/LifeSoundtracks.pdf
North, A. C.; Hargreaves, David J; Hargreaves, Jon J. Uses of music in everyday life.
Music Perception 22, 41-77 (2004). Full text available in ProQuest 5000
Hennion, Antoine, Music Lovers. Taste as Performance Theory, Culture & Society 18, 5
(2001) 1-22" Full text available in SAGE Premier 2007
White, Daniel, Music and Art Aesthetics: Is there such a thing as perfect taste in music?
Skytopia Website, 2002 http://www.skytopia.com/project/rating.html
In-class debate (everyone speaks) That good music is simply a matter of taste.
Auslander, Philip (1998) Seeing Is Believing: Live Performance and the Discourse of
Authenticity in Rock Culture. Literature and Psychology, Winter v44 i4 p1-13 Full text
available in Proquest.
Earl, Peter E. Simon's travel theorem and the demand for live music Journal of
Economic Psychology Volume 22, Issue 3, June 2001, Pages 335-358 Full text available
in Science Direct.
In-class debate (everyone speaks) That the live performance is the authentic
music experience.
Introduction to Project 1
Project 1 information.
Introduction to Project 2
Project 2 information
Group projects
Brennan, Matt The rough guide to critics: musicians discuss the role of the music press
Popular Music, Volume 25, Issue 02, May 2006, pp 221-234 Full text available in
Cambridge Journals Online.
Kaminsky, Peter M. “Revenge of the Boomers: Notes on the Analysis of Rock Music.”
Music Theory Online 6/3 (2000).
http://mto.societymusictheory.org/issues/mto.00.6.3/mto.00.6.3.kaminsky.html
In-class debate (everyone speaks) That writing about music is like dancing about
architecture.
Week 11 - ends 20th May
Singletary, Michael W. Some perceptions of the lyrics of three types of recorded music:
Rock, Country and Soul Popular Music and Society, Volume 9, Issue 3, 1983, pages 51 -
63
Cubitt, Sean ‘Maybellene’: meaning and the listening subject Popular Music (1984),
4:207-224
In-class debate (everyone speaks) That "Are we human or are we dancer" is rock's
silliest lyric.
Jones, Steve, Music that moves: popular music, distribution and network technologies
Cultural Studies, Volume 16, Issue 2 March 2002 pages 213 - 232
Music industry urged to embrace the Internet Tue Jan 20, 2009
http://www.reuters.com/article/internetNews/idUSTRE50J03U20090120
Williamson, John and Martin Cloonan, Rethinking the music industry Popular Music
2007, 26 : 305-322
In-class debate (everyone speaks) That a hug from the music industry is too little,
too late.
Learning outcomes:
Through this project students will come to an understanding of the various functions of
music in society, learn how to critique the roles of music in a culture and in individuals
lives, and explore the ideological assumptions on which music culture is based.
Scenario:
The government has announced a series of local grants to support social and cultural
activities. The guidelines suggest that it was anticipated that the grants would go to
support ‘high culture’ activities; however there is nothing in the rules to prevent a wider
range of groups applying.
Task:
As a group (either face-to-face or online) prepare your submission giving the required
information, presented in an appropriate format. It is anticipated that this project will
involve:
researching
making decisions
solving problems
strategising
analyzing
planning
presenting
Individually:
Brainstorm
Individually, use concept mapping software, mind maps or topic webs to record ideas, for
example Mindomo.
Some of these will be critical topics that everyone should research, others
will be specific areas that individuals can research and report back. Discuss
how this research will be done.
Assign topics to group members. Set a deadline for everyone to report back
on whether the original solution is effective or problematic, and on areas
where more research is required.
As you research, share information and opinions with your group members. If you are in
a face-to-face tutorial some of this exchange will happen in class. Use your group forum
to keep in touch between class sessions. In you are in an online tutorial, all of your
discussion will take place in the group forum.
Keep your posts to the group forum fairly brief, dealing with one point at a time. Use
quotes to support your opinions, or direct your group to readings – but keep them very
brief. See your posts as initiating or contributing to a discussion, not as providing the
answer. (See the information on Online Communication and Groupwork)
Use chat to come to an agreement on a point. All group members will need to be logged
on at the same time, but it facilitates reaching an agreement. Or use your face-to-face
time productively for those things that require synchronous conversation.
If you have longer position statements that you want the group to consider, then share
them as a file.
Assess your progress. Is additional research required? Are you headed towards
agreement? Can you summarise the ideas that have been presented so far?
When all of the information and opinions of individual group members have been
considered, the group will need to arrive at a conclusion for the set task.
Report
Journal Template rtf format (61.755 Kb)
Report to the class in Week 9 Present in the F2F class or post a file and discuss in the
online class.
Submit your journal for assessment by 12:00 midday Wednesday 6th May.
Evaluate
How effective was the process you used?
Project 2 information
Blogger https://www.blogger.com/start
1. One person in the group sign in to your Google account, or create a new one.
2. One person in the group create a a blog and name your Blog What to listen for in 'music
genre that you've chosen' For Example What to listen for in Rock
3. Select a template design (you can change this later).
4. Under 'Settings' and 'Permissions' add the email addresses of the rest of your group to
invite them to be authors.
5. Under 'Settings' and 'Basic' add a description of your Blog
6. View the other settings options, but leave as the default unless you have a reason to
change them.
7. Under 'Layout' and 'Page Elements' edit the 'About me' section to describe your group.
8. Click 'View Blog' and copy and paste the URL of your Blog to the Blackboard discussion
forum.
Assignments
My Music
My Music assessment rubric - pdf file (55.592 Kb)
Keep a detailed diary of all of your music related activities for a twenty-four hour period.
On the basis of this diary, analyse the role that music plays in your life. Use academic references to
support the opinions you express and the conclusions you draw. Submit your paper, with your diary
as a appendix, for assessment using the View/Complete link above.
The assessment rubric gives the assessment criteria and grading standards - it specifies what we
will be looking for in grading your assignment. Use it to self-assess your draft paper.
Project 1 Journal
Learning journal template (61.755 Kb)
Journal assessment rubric.pdf (54.599 Kb)
Submit your journal for assessment using the View/Complete link above.
Complete your own map of what the Blog might look like and upload using the View/Complete link
above. For guidance, see the example attached.
Share individual outlines as a group and agree on a unified plan. As a group set up a Blog entitled
"How to listen to ...." Contribute individual posts in the agreed categories, making sure that you are
identified as the author of your own posts. You should post a minimum of ten posts during the
semester.