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Volunteer
by the people, and for the people,
shall not perish from the earth.”
ABRAHAM LINCOLN
The
JOURNAL OF THE VETERANS OF THE ABRAHAM LINCOLN BRIGADE
C
ary Nelson’s latest publication, production within an internationalist lies in its recovery of lesser or
the anthology The Wound and anti-fascist political movement whose unknown poetic treasures that gener-
the Dream: Sixty Years of solidarity and sense of common cause, ally can be divided around three
American Poems about the Spanish Civil Nelson suggests, is difficult to imagine primary themes: the heroic defense of
War, stands as testament to his contin- today. What Nelson does so well is to Madrid and its symbolic resonance,
uing commitment to the put together decades worth of poetry the death of poet Federico García
dissemination, analysis, and valuation for the sake of reminding an American Lorca, and the International Brigades.
of radical culture in the United States. public of an American tradition of pro- Yet some of the most compelling
Of all the many collections of Spanish gressive radicalism that has been lost poems of the collection fall outside of
Civil War literature, this new book to us through the patriotism aroused these three grand themes.
stands out not only for its moving and by World War II, McCarthyism, the The Wound and the Dream opens
incisive introductory essay, but also Cold War, and now by the so-called with Martha Millet’s “Women of
for the temporal and stylistic breadth “War on Terror.” The poems conjure Spain”:
of the poems selected therein. The up not only the international arena Have you seen on the barri-
Wound and the Dream covers 60 years but also the choral, collective, and cades the women of Spain?
of this country’s poetry written about interactive quality of peoples and their They shoulder rifles, shoot
the war in Spain, reminding us that political and cultural responses to the with their men,
the memory of the war and its ideals civil war. Calculate distance, take aim,
remained in the American poetic By emphasizing these two ele- report
imagination long after 1939. ments, the international and the Trigger fingers untrembling
Nelson makes a claim for an collective, Nelson seeks to release the and alert.[ . . . ]
American tradition of Spanish Civil poems from the constraints of contem- Empty are the kitchens.
War poetry. It is the fusion of lyricism porary reading practices for the sake The women of Spain are on
with political utility that makes this of encouraging different, more active the barricades.
tradition so unique in American cul- tactics for approaching poetry. The Given that the Spanish Civil War
ture: the memory and the experience Spanish Civil War gave fertile ground and especially the mythical status of
of Spain served as a source of strength for revolutionary methods of writing, the International Brigades are strongly
for those persecuted and prosecuted reading, and even performing poetry. associated with male heroism, it is
in the McCarthy era. One of the most The creation and the recitation of both refreshing and jolting to begin
gripping anecdotes of Nelson’s intro- these poems was often a group activi- this book with a poem about militia-
duction recalls how Alvah Bessie ty. Poems were performed live, an act women. From the very first page, it
wrote verses about Spain from his jail that enhances a sense of community seems, Nelson wants to rattle and shift
cell in 1951. Nelson explains the rele- and participation, but they were also our most entrenched conceptions
vance of Spain during the dark days charged with concrete military utility. about the relationships between art,
of the inquisitorial culture of Red-bait- Nelson reminds us that while poems agency, and political commitment.
ing: “The sixty-year tradition of appear to be passive artistic units, they Perhaps the single most starkly
American poems about the Spanish actually did something (and, by impli- beautiful poem of the collection, and
Civil War not only encompasses the cation, can do things now). They were one whose history Nelson analyzes in
moment of the 1950s but in some printed not only in literary journals his introduction, is Mike Quin’s “How
and mass-circulation newspapers in Much for Spain?” It tells the story of
Gina Herrmann is an assistant professor Spain and abroad, but also in propa- people who contemplate how much
of Spanish literature and culture at ganda fliers distributed by the money they can donate after having
the University of Oregon. Republic government. In this way Continued on page 11
10 THE VOLUNTEER September 2002
P o ems of the Spanish C ivil War
Continued from page 10
In this book, one feels the extent to Across the yellow river
which academic, aesthetic, and ideo- there was a night loud with machine guns
logical concerns are intensely at stake. and the harmless popcorn crackle
Cary Nelson’s passion once again
of hand grenades bursting pink and green,
makes us care about the “cultural
work poems can do.” and he was gone and somehow Sam found me in the dark,
bringing Aaron's pistol, wet with blood.
He said:
"The last thing Aaron said
was, 'Did we take the hill?'
I told him, 'Sure.' "
Continued on page 13
THE VOLUNTEER September 2002 11
Book Reviews
Women Face Spain’s War and contrasts that many times belie
simplistic presuppositions. Scott-Ellis
and Sanz-Bachiller, for instance, are,
not surprisingly, politically more
Doves of War: Four Women of Spain.
early thirties, decided to leave her naïve than Nelken and Green. In their
By Paul Preston. London: HarperCollins.
children in England to join her hus- views on love, sex, and the role of
(To be published in the U.S. by
band George in the fight against women, however, the two Francoist
Northeastern University Press in spring
fascism. As a nurse and hospital women are at least as progressive as
2003.)
administrator, she did very important the Communists. One would almost
work in Spain, most of the time sepa- say they are less repressed. While
Review by Sebastiaan Faber rated from her husband, who would Scott-Ellis writes freely in her diary
die in action in September 1938. After about a “hot” encounter with a film
P
aul Preston’s new book is clear the war Nan dedicated herself fully to director in a London taxi (“I seem to
proof that, in spite of the gigan- the rescue and welfare of refugees and have become so damn oversexed I just
tic bibliography on the Spanish former combatants. can’t stop myself”), Nan Green beats
Civil War already existing, important Mercedes Sanz-Bachiller, wife of a herself up over one brief extramarital
stories remain to be told. Doves of War prominent militant falangist, miracu- affair in the midst of the war. Even
presents four of these stories through lously overcame the latter’s death at Margarita Nelken, for all her bragging
the biographies of two Spanish and the beginning of the war—and a mis- about sexual freedom, was quite tradi-
two English women whose lives were carriage resulting from it—by tional in her attitude toward
deeply affected by the Spanish founding an enormous relief organiza- relationships. To be sure, for many
tragedy. As a direct consequence of tion for widows and orphans that years she lived together with a mar-
the war, all four registered enormous would at one point make her one of ried man with whom she had a child;
losses—of loved ones, innocence, the most powerful women in Franco’s but apart from its legal status, their
health, and happiness. However, Movimiento. relationship was conventional and
Preston shows that the war brought Margarita Nelken, finally, a monogamous.
them some unexpected gains as well: Jewish intellectual and feminist, com- There are many other ways in
wisdom, friends, a purpose in life and, bined her work as an art critic with a which these life stories create a more
above all, courage and strength in the deep involvement in the grass-roots nuanced picture of the Spanish con-
face of tremendous hardship. For all struggles of farm laborers in the flict. They are part of Preston’s
four women the war was a disaster Spanish south. When the Spanish lifelong effort to break down crude,
that was also, paradoxically, liberating socialists proved too moderate, she black-and-white representations of the
because it allowed them to move switched to the Communist Party, war—albeit always from a basic iden-
beyond the limited role reserved for mistakenly thinking it would be more tification with the Republican cause.
women in their respective societies. revolutionary. After the war, she went In Doves of War, Preston moves
Priscilla “Pip” Scott-Ellis, a into exile in Mexico, and, never afraid beyond a historiography whose main
wealthy, aristocratic, “society girl,” to voice her criticisms, was expelled purpose is to settle political accounts.
went to Spain in 1937 to be a nurse from the party in 1942. Rather than judge his subjects morally
with the Nationalists, but primarily to Each of the four biographies is or politically, he aims to understand
be close to a Spanish prince, the object based on meticulous research, master- the war and its participants at the
of her obsessive, but unrequited, love. fully narrated, and fascinating in its individual level. Preston calls this a
Once in Spain, the frivolousness that own right. Among other things, they work of “emotional history,” but one
had characterized her life until then— shed light on the sheer dividedness could also think of it as a “human” or
including her decision to go—turned and infighting of both the Republican “humanist” history. In addition to its
into serious, untiring dedication at and Nationalist camps. They also focus on individual lives and emo-
various military hospitals on the show that, politics aside, passion, con- tions, it is characterized by a certain
Nationalist front. viction, and courage—as well as modesty on the part of the historian,
Also in 1937 Nan Green, who had squalor, misery, and misogyny—exist- who is not afraid to take advantage of
joined the Communist Party in the ed on both sides. the insights granted to him by the dis-
Yet the added value of Doves of tance in time, but who resists the
Sebastiaan Faber, a former winner of the War lies precisely in the juxtaposition temptation to translate that advantage
George Watt Award, teaches Spanish at of these lives. Their combination into into moral superiority.
Oberlin College. one book reveals interesting parallels Continued on page 13
12 THE VOLUNTEER September 2002
P o ems of the Spanish C ivil War Doves
Continued from page 12
Continued from page 11
Aaron, we did not take the hill. Doves of War can also be read in
We lost in Spain. Aaron, combination with Preston’s book
Comrades (1999), which presents the
I know, finally, what you meant that night political biographies of nine of the
under the black shadow of the avellano, more prominent actors in the Civil
sitting here in prison twelve years later. War. Doves is both Comrades’ sequel
We did not take the hill, mi commandante, and its counterpart. If the latter book
but o! the plains that we have taken and the mountains, rivers, cities, focuses on the mostly male protago-
nists that are still in the historical
deserts, flowing valleys, seas! spotlight, Doves directs itself to the
You may sleep . . . sleep, my brother, sleep. female figures that have passed into
oblivion. In practical terms, this is
James Neugass more of a challenge; with much less of
Es La Guerra a public record to rely upon, the histo-
rian is forced to take on considerable
Of the bomb-wings that fell detective work. In the case of Preston,
In the hospital courtyard, we made candlesticks; it gives rise to a different kind of writ-
It was cold at night, colder ing, too. The life stories in Doves are
Than steel of our surgeon's instruments; more emotional and personal than
those in Comrades and are told with
And always the smell of burning damp bandages,
even more empathy. Like Doves,
Clothing and blankets polluting the sunrise: Comrades uses biography “to provide
a different perspective on the com-
Our hospital lived for sixteen days plexity of the Spanish Civil War,”
Wide open to all the lead and iron relating “the personal life of the indi-
vidual to his or her political role.” But
That poured out of the infected Spanish sunlight,
while Comrades “looked at individuals
But on the morning of the seventeenth died, of left, right and center … with some
Disembowelled into the village streets. empathy for human frailty,” and tried
to think “not in terms of good and evil
We had moved that night, but in terms of human weakness,” the
life stories contained in Doves focus
To a new place, just as close to the lines.
less on weakness than on the unex-
pected strengths of their subjects.
William Lindsay Gresham To these two fascinating and
Last Kilometer important books of Civil War biogra-
Since morning over a knotted road phy several more could be added. One
can only hope that Preston, already
The camions had jolted on.
among the most prolific Civil War his-
Now in the shivering twilight torians, will continue to produce
They stopped. We got down. them—although something tells me
that he is already doing just that.
It was deadly quiet under the sky
With the night coming over.
We stared at the hills. We were too green And down the road we saw two men
To look for cover. Walk out of the coming night.
When they came close we saw their rags;
Then the ground stirred with a rumbling shudder Some of them were white.
As thunder runs
Solid and deep through upland fields— They wandered past us in the cold.
The sound of guns. One stumbled and the other swore.
That sling had no room for a hand.
We had met the war.
THE VOLUNTEER September 2002 13
Book Reviews
women in Spain, as nurses and
The Women Volunteers of Britain administrators in medical units, hospi-
tals, and refugee centers. Jackson
British Women and the Spanish Civil country most had never visited, when learned that many of the nurses found
War. By Angela Jackson. a multitude of “worthy causes” could themselves in difficult situations
London: Routledge, 308 pp. be found at home. She found that because of the poor standards of
many of her subjects, in their youth, hygiene and asepsis they encountered
had developed an awareness of suffer- in Spanish hospitals. As the war pro-
Review By Karen Egenes ing and injustice in society. Many gressed, British nurses cared for
cited both compassion for the misfor- patients in trains, railway tunnels, and
Through oral and written narra- tune of others and a determination to even in a cave near the Ebro River.
tives, author Angela Jackson offers a do something to relieve their suffer- However, the war in Spain led to the
pioneering study of the British women ing. Jackson also found that these development of techniques used in
who participated in the Spanish Civil women were unable to distinguish later wars that increased the survival
War. Her book describes the women’s their political motives from their rate of those injured in battle. These
backgrounds, motivations for becom- humanitarian motives and postulates innovations included the system of
ing involved, and types and degrees that humanitarianism was a form of triage for casualties, the placement of
of involvement in the effort, and the personal politics. She concludes, medical units closer to the front lines,
effects of the war on their individual “Spain was the clarion call that offered new methods for blood transfusion,
lives. The author’s subjects came from an opportunity to which they could improved abdominal surgery and
a variety of backgrounds and repre- respond, whatever the mixture of the fracture repair, and wound treatment
sented a broad spectrum of political personal, the ideological, the humani- techniques to prevent gas-gangrene.
affiliation. tarian, and the political on which their Although the British nurses were
Although during the 1930s the motivation was founded.” generally treated with great respect,
British Conservative government pur- Jackson next describes the work of they often found themselves victims
sued a policy of appeasement toward women involved in relief campaigns of gender stereotyping by Spaniards
the fascist leaders Hitler and in Britain. Approximately 180 organi- unaccustomed to the relative emanci-
Mussolini, approximately 2,400 British zations, many with numerous local pation of British women. Jackson
citizens expressed their support of the branches, eventually came under the further explores the anguish of the
Spanish Republic by volunteering for umbrella of the National Joint British nurses who regretted they
the International Brigades. Few stud- Committee for Spanish Relief. were unable to do more to ease the
ies have focused on the response of Thousands of British women were suffering they encountered.
the British populace to the war in engaged in the organization of march- Jackson offers a poignant descrip-
Spain, particularly the widespread es, concerts, bazaars, plays, food tion her subjects’ adaptations to the
“Aid Spain” campaigns intended to collections, and knitting projects in war’s aftermath. The women’s initial
provide support to the Spanish support of Aid to Spain. One signifi- reactions were attempts to aid Spanish
Republic. A notable exception cited by cant committee effort was a project refugees in France, political prisoners
the author is The Signal Was Spain: The undertaken by women in Cambridge of Franco, and others suffering in the
Aid Movement in Britain, 1936-1939, by to support a colony of 4,000 refugee wake of defeat. Over time, some of the
James Fyrth, who noted that many of children from the Basque region of women who had been affiliated with
the leading figures in the relief move- Spain following the bombing of the Communist Party felt the need to
ment were women. Angela Jackson’s Guernica. The author concludes that review their beliefs in view of subse-
study, originally written as her doctor- the “Aid Spain” campaigns led to the quent actions by the Soviet Union,
al dissertation at the University of mobilization of a substantial number such as the Soviet-German Pact of
Essex, builds on the work of Fyrth. of British women at a time when the 1939. Yet amid their disillusion, the
Jackson begins with the question country was not at war. Through this women viewed the Spanish Republic
of why so many British women committee work, Jackson asserts, as a “beacon of what might have
became involved in a war in Spain, a women who would never have been,” a repository of ideals that had
become involved in formal politics been destroyed by war, but were nev-
Karen Egenes, RN, EdD, is an associate could demonstrate their support of a ertheless valid and righteous.
professor at the Niehoff School of cause they believed was important.
Nursing, Loyola University Chicago.. Perhaps the most interesting Continued on page 19
chapter describes the work of British
14 THE VOLUNTEER September 2002
Norman Bethune in Spain
By Larry Hannant Canada and the U.S. raising money
for the republican cause.
orman Bethune is not well In July1937, as Bethune was cam-
RICHARD BERMACK
Paul Lutka Estudios y Documentación de las
Brigadas Internacionales, of the
University of Castilla-La Mancha at
Joseph “Doc” Roffman Albacete, would publish the transla-
tion of Kailin’s work on Cookson into
Spanish. Requena spoke with great
BY
E.L. DOCTOROW
The Volunteer
c/o Abraham Lincoln Brigade Archives
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