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There will be a screening and presentation from 8 8:30. Filmmakers will give a special preview of their films.
The festival will officially kick off with live musical performances, drinks and all around celebration. Confirmed performances by The Bumper Jacksons, the best trad jazz/ragtime/pre-war country band out there.
SpeCial ReSeRved
SeaTing To all
SCReeningS
FiRST pRioRiTy aT Q&aS
ComplimenTaRy
FeSTival
aCCeSS To all
evenTS inCluding
aCCeSS To vip
ouR CiTy Swag
CONTINUES ON PAGE 4
DOORS OPEN
The story of Jazz musics past, present, and promising future as told through the lens of Washington DCs lively Jazz scene.
AT 11:30 COMPLIMENTARY
JAZZ FROM
IN THE LOBBY
BRAD LINDE
FEATURED MUSICIAN
Kerry Klein finds peace in her violin can she expand this state of mind into other aspects of her life?
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This film follows three generations of women who use theater to inspire, stir, and animate social change in our democracy.
Three boys from DC neighborhoods that destine them for prison, rise up by creating a Go-Go band at Sasha Bruce Youthwork, a local community center. While they face issues that put the band in jeopardy, they also must deal with their own complicated personal circumstances.
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StArting At 4pm
in the lobby
After losing her husband to cancer, a grieving widow advocates for easier access to patient information through her art in this heartfelt story about how love can inspire change.
And continuing
heArt film block,
center
kindergarteners from a bilingual dc charter School partner with filmmakers to make a short film about the life of monarch butterflies.
Meridian Hill Pictures & Mundo Verde Public Charter School Students
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A two-part documentary that explores the Metros Red Line route and the challenging line between graffiti and communal art.
STARTing AT
7pM in ThE
A history and analysis of the ongoing gentrification of DCs diverse U Street neighborhood. The documentary pays particular attention to the Ethiopian communitys role in the neighborhood as well as the historic restaurant, Bens Chili Bowl
LoBBy: TASTE
SEE pERfoRMAnCES
DiSCUSSED in ThE
CONTINUES ON PAGE 14
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At the age of 82, pearl mallory has lived nearly her entire life working in the kitchens of senior citizen homes. but pearls cuisine is not the traditional beige and grey offerings normally found in institutional walls. her specialty -- sweet potato pie-- inspires the most extraordinary and unexpected effect on the normally sober and otherwise staid residents of DCs st. marys home.
An exploration of DCs rich Latino mural making tradition and its contrast in our changing neighborhoods, told through interviews with the artists and community.
The last native residents remaining in the now gentrified Chinatown neighborhood struggle to find affordable housing, authentic Chinese grocery stores, and a sense of community.
DIRECTOR Yi Chen
CLosing
CeLebrATion wiTh CompLimenTAry DesserT AnD
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(of TAkomA pArk)
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Washington, DC. To so many around the world, this city is where Americas president lives and bills are passed into law. It is where the monuments tower and powerful politicians, lawmakers, and lobbyists make their home. It is where inaugurations take place, protesters picket , and leaders deliver speeches. Yes, Washington, DC is all of these things. However, to those of us who live here, our city is so much more. Six years ago, Yachad (yah-hod), a Washington, DC nonprofit committed to bringing local communities together by preserving affordable homes and revitalizing neighborhoods, decided to create a stage where the so much more could be recognized, discussed, and celebrated. It was a chance to expand how Yachad brings communities together to include film. It also gave Yachad an opportunity, through the voices of filmmakers, documentary subjects and actors, to showcase what it has spent over 2 decades working to preserve-the racial, cultural, economic and religious differences that make our city so unique. What started in the Langston Room of Busboys and Poets and then grew into the Goethe Institute, now finds a new home at the Atlas Performing Arts Center as part of the incredible INTERSECTIONS Festival. Strangely, every year we receive film submissions that coincidentally have similar themes. This year the themes that have surfaced are the power of art to heal across cultural lines and the good and bad effects of neighborhoods changing and communities shifting. These themes of intersections could not be better timing for our partnership with the Atlas INTERSECTIONS Festival. We encourage you to browse this program book and learn about the wonderful films and festivities we will be hosting this year. The film subjects are as diverse as the thoughts and people of our city. Film subjects range from the DC jazz scene, to troubled youth finding hope through Go-Go music, to the history and future of Chinatown and U Street, to the passion of a widowed artist fighting for healthcare rights through a mural. We invite you to learn more about how you can get involved with Yachad and help maintain the diversity, preserve the history and help set the course for the future of our city and its communities. Check out page 18 for more on our programs. Thank you and enjoy the show.
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1.
Which of the folloWing jazz musicians is not from Dc? a. charlie Byrd b. miles Davis c. Duke ellington d. shirley horn e. ramsey lewis What is the olDest Bilingual Dc puBlic school program? a. Bruce-monroe elementary school b. cleveland elementary school c. mundo Verde Bilingual public charter school d. oyster-adams Bilingual school e. tyler elementary school What year DiD metro first open? a. 1960 b. 1966 c. 1969 d. 1976 e. 1983 Which line Was the last to Be aDDeD? a. Blue b. green c. orange d. red e. yellow Which of the folloWing is the olDest historic estaBlishment in the u street corriDor? a. Bens chili Bowl b. Bohemian caverns c. howard theater d. lincoln theatre e. true reformer Building Which of the folloWing genres of music make up go-go? a. r&B b. funk c. hip-hop d. a and B e. a and c f. B and c g. all of the above
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PHOTO BY SMALLBONES; COURTESY OF WIKIMEDIA
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INTERVIEW by IsabEl NaThaN foR ouR CITy fIlm fEsTIVal (oCff) oCff: Youre an astrophysicist- how did you become interested in the DC jazz scene? Immler: my wife and I moved to DC about ten years ago, and my commute always took me down U Street. I was always intrigued by the buildings, these big beautiful buildings that were in a kind of limbo-not being maintained and not being torn down. I decided to do some research, and found out all about the DC jazz scene. Once I did some research, I realized the jazz scene wasnt just history. On any night right now, even during the week, you can go out to ten or fifteen venues with great jazz. I knew I had to tell people, especially outside DC. I mean, when people think of DC, they think of government, special interests, but never jazz. Theres this great jazz community thats been here since the beginning. One day, I just spontaneously decided to strap a camera on and record the story of jazz in DC. OCFF: Do you play any instruments? Immler: I play a little sax. OCFF: There are several international musicians in your film, including lennie Cuje, luis Faife, and Knud Jensen. How do you reconcile that with the idea that jazz is the only art form we have in the United States?
Immler: The international musicians illustrate that idea they come to the United States because of jazz, and they always end up in DC for some reason. They found better working conditions here, because people in DC really appreciate the jazz scene, really keep it alive. OCFF: Different musicians in your film say that jazz is dead, or a museum piece, while others say that jazz will never die. Which do you think is correct? Immler: I didnt want to put my own opinion in the film. Im not a musician or an expert. What do I know about jazz? I wanted to leave them [the documentary subjects] to it. many old-timers, such as Billy Taylor surprisingly said jazz is in the best position possible. There were some great things during the three and a half years we spent filming the documentary. Some of those old buildings were completely rejuvenated, like the Howard Theater. Also, esperanza Spalding, who was invited to the White House by michelle Obama and went with Barack Obama when he won the Nobel Peace Prize, was nominated for a Grammy for Best New Artist. She was nominated in the same category as Justin Bieber, and other pop artists like that, and she won! Its the first time for a jazz musician to win that award, and that was really good to see. I do think jazz is in really good hands, especially in DC. People can make a living on jazz, which may be the best measure of jazzs vitality.
Oxygen for the Ears: Living Jazz will be screened on March 10th at noon at The Atlas Performing Arts Center as part of the Our City Film Festival. A complimentary jazz concert by musicians highlighted in the film will take place at 11:30am in the lobby before the screening.