Conference Brancusi

SEATTLE
College Art Association 92nd Annual Conference February 1821, 2004

This Program is published in conjunction with the 92nd Annual Conference of the College Art Association. The 92nd Annual Conference will be held at the Washington State Convention and Trade Center, in downtown Seattle, from February 18 to 21, 2004. Unless otherwise noted, all activities will take place at this location. For up-to-date information on the Conference, visit our website at www.collegeart.org. CAA would like to extend its special thanks to the members of the Annual Conference Committee; to Ellen K. Levy, Vice President for Annual Conference; and to the 2004 Regional Representatives, David Brody, Barbara Brotherton, Heather Oaksen, Patricia Failing, and Norie Sato. CAA is deeply grateful to Mimi Gardner Gates, Director, and the Seattle Art Museum, for hosting this years reception. CAA would also like to thank all the volunteers and CAA staff members who made the Conference possible.
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Atlanta 2005 College Art Association 93rd Annual Conference February 1619, 2005 Boston 2006 94th Annual Conference February 2006
CONFERENCE PROGRAM
OPEN SESSION
Sessions identified with this symbol address broader areas and disciplines within studio art and art history.
OFF-SITE SESSION
Sessions identified with this symbol will be held outside the Conference site.
PRACTICUM
Sessions identified with this symbol offer practical applications or deal with pedagogical issues.
MUSEUM SESSION
Sessions identified with this symbol focus on issues of interest to curators and other museum professionals.
AFFILIATED SOCIETY SESSION

Sessions identified with this symbol are sponsored by organizations affiliated with CAA.
CAA COMMITTEE SESSION

Sessions identified with this symbol are sponsored by committees of CAA.
E-SESSION
Sessions identified with this symbol address the use of digital technology and the Internet in studio art, art history, and art education
February 1821, 2004
15
ARTspace
Brimming with events and activities of special interest to CAAs artist-members, ARTspace, introduced at the 2001 Conference, will extend over the full three days of the conference. Part theater and part lounge, this conference-within-a-conference will be the site for innovative programming, ranging from artists talks, performances, and debates to social and networking opportunities. All attendees are cordially invited to be stimulated and to converse, enjoy, and relax at ARTspace. With the exception of those sessions marked Conference Badge Required for Admission, entrance to ARTspace events is free and open to the public.
Unless otherwise noted, ARTspace events will be held on Level 6, Meeting Rooms 602/603/604.
THURSDAY FEBRUARY 19 8:009:30 AM

Fresh Start: Perk up your senses with complimentary coffee, tea, or juice. A detailed schedule of the days events will be made available.
2:005:00
PM
8:0010:30
PM
Temporary Transformations: Public Art as Social Action

Chairs: Jason S. Brown, University of Tennessee; Gregor A. Kalas, Texas A&M University Dark Matters: Informal Art, Collective Practice, and the Contemporary Public Sphere Gregory G. Sholette, School of the Art Institute of Chicago Public Things: The Work and Philosophy of N55 Jon Sorvin, N55 Design Collective Dyke Action Machine!s Instant Messaging: "Branding" Lesbian Identity on the New York City Street Carrie Moyer, artist Tyree Guytons Heidelberg Project in Detroit: A Community Transformed Cheryl Alston, Wayne State University Finding the Permanence of the Temporary: Socially Engaged Public Art and Place-Specificity Cameron Cartiere, Chelsea College of Art and Design, London
Conference badge required for admission
On the Edge: West Coast Performance in the Americas

Chair: Meiling Cheng, University of Southern California Ecotone Claudia Bucher, Pasadena Art Center Cutting with a Broken Mirror Gwyan Rhabyt, California State University, Hayward SRS: Stations Remain Structure the gyrl grip, 2 Gyrlz Performative Arts Performance Art in Western Canada John G. Boehme, artist Impossible Cohesions Jennie Klein, Santa Ana College; Joanna Roche, California State University, Fullerton un-Becoming: An Improvisational Automatic SelfPerformance Nicole R. Hodges, University of Southern California
9:30NOON
Eva Hesse Today
Chair: Sue Taylor, Portland State University Grounding the Hesse/Pollock Connection Jeanne Siegel, School of Visual Arts Pre-Feminist/Post-Feminist Hesse Kirsten Swenson, State University of New York, Stony Brook Stayin Alive: Creativity, Survival, and Eva Hesse Vanessa Corby, independent scholar Discussant: Jane Blocker, University of Minnesota
12:301:30
PM
Viewing of "Eva Hesse at SFMOCA," a DVD film of the Eva Hesse show at the San Francisco Museum of Modern Art that documents the installation and offers commentary by Anne Wagner, Elisabeth Sussman, Alex Potts, Briony Fer, Doug Johns, and others. You are welcome to bring your lunch.
5:007:30
PM
Closed for the Members Exhibition opening reception (see Special Events, p. 47)
16
CAA 92nd Annual Conference in Seattle
ARTspace
FRIDAY FEBRUARY 20 8:009:30 AM
6:008:30
ARTS EXCHANGE
PM
9:0011:30
AM
Contemporary Art and Islam

Chair: Fereshteh Daftari, Museum of Modern Art, New York The Postmodern Turn in Islamic Calligraphy Maryam Ekhtiar, Metropolitan Museum of Art Standing on Formalities: What Is Contemporary Elsewhere? Mysoon Rizk, University of Toledo Secularization, Hybridity, and "Dis-Orientalisms" in Contemporary Palestinian Art Gannit Ankori, Hebrew University of Jerusalem
The Arts Exchange, given in conjunction with ARTspace, will serve as way for artists to present some of their recent work. Artists attending the conference have signed-up for a six-foot table to present small works on paper (drawings, photographs and prints, etc) or a battery-powered laptop presentation. Sales of works are not permitted. Arts Bar will be open during the Art Exchange.
This event will be held on Level 4, Ballroom 4B
SATURDAY FEBRUARY 21 8:009:30 AM

12:001:30
Art Foundation Information Session
PM
NYFA Source: A National Directory of Awards, Funding, and Support Services for Artists The New York Foundation for the Arts staff member, Melissa Potter, will demonstrate the nations most extensive online directory of awards, services, and publications, featuring over 7,000 programs for artists and arts managers of all disciplines. The Marie Walsh Sharpe Art Foundation: Information for Artists The Sharpe Art Foundation was established in 1984 to provide financial assistance to visual artists. Staff member Joyce E. Robinson will be on hand to describe the Foundations services, distribute materials, and answer your questions. The Foundation offers estate planning advice, a studio space program, and exhibition opportunities, among other services.
9:00AMNOON
Activating Critical Discourse: Models of Civic Engagement and Public Arts Practice
Chair: Bradley McCallum, ConjunctionArts Animating Democracy: Opportunity and Challenge at the Intersection of Art and Civic Dialogue Pam Korza, Americans for the Arts Creative Capital-Incorporating Discourse as Part of Comprehensive Artist Support Sean Elwood, Creative Capital Community Cultural Development Tomas YbarroFrausto, Rockefeller Foundation Critical Conditions Patricia C. Phillips
7:008:30
PM
Electronic Arts Exchange

Hosted by Heather Dew Oaksen, video artist from Seattle and regional artist cochair, and Norie Sato, artist from Seattle As a supporter of the creation and presentation of art works using new technologies and digital tools, ARTspace is pleased to announce that it will begin what may become a new tradition at the annual conference. We welcome professional video artists to screen their newest works or to replay older works. Video artists will be able to present up to 8 minutes of their work. After each clip is shown, questions and comments will then be briefly opened up to the audience. The purpose is to encourage feedback often lacking at formalized exhibitions. At the end of the session, attendees will be invited to vote for their favorite video. A sign up sheet will be available at ARTspace beginning on Thursday morning.
12:001:30
PM
3:005:00
PM
Artist Residency Workshop

Chair: Duane Slick, Rhode Island School of Design Bring your own brown-bag lunch
After the Capital Campaign: Challenges to Museums

Bellevue Art Museums plight is one topic in a discussion of the institutional and governance challenges facing museums today. The discussion will include both positive and critical assessments of specific and general conditions. Chair: Brian C. Wallace, The Galleries at Moore College of Art and Design
2:004:30
PM
Seventh Annual Artists Interviews

Following a conference tradition, stimulating talk with two artists to be announced, in an interview format. This years subects are Buster Simpson of Los Angeles and Daniel Martinez of Seattle.
February 1821, 2004
17
TUESDAYTHURSDAY
TUESDAY FEBRUARY 17 6:308:00 PM
Orientation for Interviewers and Candidates
Level 6, Ballroom E
WEDNESDAY FEBRUARY 18 2:005:00 PM

Grant-Writing Workshop for Artists: Parts 1 and 2
Level 6, Meeting Rooms 613 & 614
LEONARDO/THE INTERNATIONAL SOCIETY FOR THE ARTS, SCIENCES, AND TECHNOLOGY
Art, Science, and Technology: Problems and Issues Facing an Emerging Interdisciplinary Field W2
Level 6, Meeting Room 609
THURSDAY FEBRUARY 19 7:309:00 AM

MID-AMERICA COLLEGE ART ASSOCIATION
Business Meeting
Michael Aurbach, Vanderbilt University Laurie Beth Clark, University of Wisconsin, Madison David M. Sokol, University of Illinois at Chicago Emmanuel Lemakis, CAA
Led by Barbara Bernstein, head of the Fine Arts Department at the Ringling School of Art and Design in Sarasota, FL, and Douglas Chismar, Program Director, Liberal Arts Program, also of the Ringling School of Art and Design
Admission by reservation only
Chair: Mark Resch, Onomy Labs Sheila Pinkel, Pomona College Julio Bermdez, University of Utah; Michael Punt, Centre for Advanced Inquiry in the Interactive Arts; Nina Czegledy
WOMENS CAUCUS FOR ART
Business Meeting
9:30NOON
Redefining American Modernism TH 1
Level 6, Ballroom 6E
5:307:00
Convocation Nina Czegledy
PM
12:302:00
PM
ASSOCIATION OF RESEARCH INSTITUTES IN ART HISTORY
Welcome and Opening Remarks Michael Aurbach, CAA President Presentation of Awards Keynote Address
Business Meeting
Chairs: Anna Vemer Andrzejewski, University of Wisconsin, Madison; Robert T. Cozzolino, University of Wisconsin, Madison Reexamining the Formalist Body: The Gendering of American Abstract Art in the 1960s Marcia Brennan, Rice University A Question of Modernity: The Figure in American Sculpture Ilene Susan Fort, Los Angeles County Museum of Art Redefining American Modernism: How Realism Can Be Modern Gail Levin, Baruch College and the Graduate Center, City University of New York What Is It to Be a Modern Artist?: Karl Zerbes Painting and Teaching Judith Bookbinder, Boston College Discussant: Patricia Hills, Boston University
4:005:30
PM
ASSOCIATION OF RESEARCH INSTITUTES IN ART HISTORY
7:309:00
Reception
PM
Between the Museum and the Academy: The Role of the Research Institute in Art History W1
Seattle Art Museum 100 University Street

Admission by ticket only
Chair: Elizabeth Cropper, Center for Advanced Study in the Visual Arts
OPEN SESSION OFF-SITE SESSION PRACTICUM MUSEUM SESSION AFFILIATED SOCIETY SESSION CAA COMMITTEE SESSION E-SESSION
18
9:30
AMNOON
THURSDAY
Thomas Kinkade, the Artist in the Mall TH 2

Level 2, Meeting Rooms 2A & 2B
Chair: Alexis L. Boylan, Lawrence University Marketing Uplift: Sources, Strategies, and Purposes of Thomas Kinkades Work Michael Clapper, Skidmore College Back to the Future: Democracy, Art, and Salvation at the Mall Patrick Luber, University of North Dakota The Selling Power of Nostalgia in the Art and Industry of Thomas Kinkade Andrea Wolk, Yale University Manufacturing Masterpieces for the Market: Thomas Kinkade and the Rhetoric of High Art Monica Kjellman-Chapin, Clark University Repetition, Exclusion, and the Urbanism of Nostalgia: The Architecture of Thomas Kinkade Christopher Pearson, Trinity University
A Portrait of the Archer as a Young Man: Refiguring Portraiture in Late Medieval Flanders James J. Bloom, Florida State University Personifying Modern History: The Use of Ottoman Imperial Portraits in a Byzantine Apocalyptic Chronicle Angela Volan, University of Chicago
ASSOCIATION OF ART HISTORIANS
Border Crossings in Art History: Britain and the United States, 1970s to the Present TH 5
Level 6, Meeting Room 605 & 610
Suzanne Lacys and Leslie Labowitzs In Mourning and in Rage: Erasing the Silence about Rape Vivien Green Fryd, Vanderbilt University The Politics of Pedagogy and Community Arts in the Work of Judy Chicago and Amalie MesaBaines Ruth R. Miller, Diablo Valley College The Collaborative Performances of the Icelandic Love Corporation Anna Sigrdur Arnar, Minnesota State University, Moorhead
Chairs: Fintan Cullen, University of Nottingham; Deborah Cherry, University of Sussex Discrepant Modernisms/Feminist Internationalisms: Art History and the Temporality of Borders Ranjana Khanna, Duke University The Shock of the Old: Protectionism and Indigenous Modes of Address Charlotte Townsend-Gault, University of British Columbia Between Nottingham and Nowhere: Locating Gay Art History Michael Hatt, University of Nottingham Embodied Histories: Postcolonial Agency and Settler Colonial Memory Annie Coombes, Birkbeck College, University of London
Colonial Curry and American Apple Pie: The Transportation of Culture and Nationalism in the South Asian Diaspora, Inventing Indianness as a Symbolic Site for Viewing Contemporary Art TH 4
Level 3, Meeting Room 3A
A Fragile Alliance: Porcelain as Sculpture, 1700 to 1900, Part 1 TH 7

Level 6, Ballroom 6A
Chairs: Andrew L. Cohen, Southwest Missouri State University; Rina Banerjee, Bennington College What Is South Asian American Art? Marketing Raj Nostalgia or a Stroll through Masala Alley? Sujata Moorti, Old Dominion University Shahzia Sikanders Tattered Veils Claire Daigle, The Graduate Center, City University of New York Who Is the Other? Annu Palakunnathu Matthew, University of Rhode Island Slicing the Pie Allan deSouza, independent scholar and artist What Is Visibly South Asian in Contemporary Art?: Touring and Tourism in Contemporary Art Practice, Producing the Cosmopolitan International Art Scene Rina Banerjee, Bennington College
Chairs: Martina Droth, Henry Moore Institute; Alison Yarrington, University of Glasgow Derby Porcelain Figures and Royal Academy Sculpture circa 17691799 Timothy Clifford, National Galleries of Scotland Porcelain Reproductions of the Works of Sir John Steell, RSA (18041891) Rocco Lieuallen, Western Oregon University Zuvrderst factisch, nimmer problematisch Porcelain Miniatures in Classical Weimar Catriona MacLeod, University of Pennsylvania Gaspero Bruschi and the Tuscan Baroque: Some Unkown Sculptures in Doccia Porcelain Andreiana dAgliano, independent scholar Part 2 of this session will be held on Saturday at 2:30 PM.
INTERNATIONAL CENTER OF MEDIEVAL ART
Beyond the Sitter: The Material Culture of Medieval Portraits, circa 12001500 TH 3
Level 6, Ballroom 6B
WOMENS CAUCUS FOR ART
Negotiating Collaboration: Aesthetics and Social Change TH 6

Level 3, Meeting Room 3B
Chairs: Sarah T. Brooks, Metropolitan Museum of Art; Jennifer L. Ball, Brooklyn College, City University of New York Portraiture and the Performance of Loyalty at the Valois Courts of France Stephen Perkinson, Bowdoin College The Jew in the Retable Portrait or Self-Portrait Vivian B. Mann, The Jewish Museum
Chairs: Liz Dodson, Womens Caucus for Art; Jeanne Philipp, Womens Caucus for Art Sharing Stories, Creating Hope: Artists, Activists, and Immigrants Working Jointly for Social Change Marilyn Cuneo, Womens International League for Peace and Freedom
February 1821, 2004
19
THURSDAY
Identity Roller Coaster: Between Magiciens de la terre and Documenta 11
TH 8 Level 6, Ballroom 6C
9:30NOON
Retrofitting: Traditional East Asian Art in Contemporary Painting Practice TH 9

Subject, Subjection, Subjectivity: The Photographic Activity of Performance Art Kelly Dennis, University of Connecticut, Storrs Namuth and Pollock: Performance Photography Peggy Phelan, Stanford University No Ideas but in Things: Reading Ganahl Reading Marx Nick Muellner, Ithaca College; Chris Mills, New York University
Regional Media Arts Histories: Seedbeds of Twentieth-Century Art

TH 12 Level 6, Meeting Rooms 618 & 619
Chair: Norman Kleeblatt, The Jewish Museum From Form to Platform: The Politics of Representation and the Representation of Politics Johanne Lamoureux, Universit de Montral Magiciens de la terre: The Roaring Success of a Failure Colleen Ovenden, McGill University The Whitney Museum 1993 Biennial: An Afterword; Public Outrage, Institutional Consequences, Market Impact, Critical Benchmark Elisabeth Sussman, independent curator Ordering the Universe: Documenta 11 and the Apotheosis of the Occidental Gaze Sylvester Okwunodu Ogbechie, University of California, Santa Barbara Discussant: Reesa Greenberg, York University
Chair: Mernet Larsen, University of South Florida Recoding the Roots: Genetic Reformation and Cultural Synthesis in the Era of Globalization Lampo Leong, University of Missouri, Columbia The Microcosmic Reverie, or My Brush with Chinese Painting Elisabeth Condon, University of South Florida Invisible Energy: Asian Art Form Influences in My Work Lili White, artist Kazari: The Potential of Traditional Japanese Decoration Symbolism and Crafts in Contemporary Painting Practice Chie Fueki, independent artist Five East Asian Provocations Mernet Larsen, University of South Florida Discussant: Daphne Lange Rosenzweig, Ringling School of Art and Design
Chair: Robin Oppenheimer, Bellevue Community College Kate Horsfield, Video Data Bank Paul Wong, Video In Cheryl Harper, The Gershman Y
East-West Innovations and Early Modern Court Culture TH 11

STUDIO ART OPEN SESSION: DESIGN
Reinventing Design Education TH 13

Chairs: Jacqueline Musacchio, Vassar College; Sally Ann Metzler, DArcy Museum, Loyola University, Chicago Astronomy at the Medici Courts: Art and Science in the Familys Service Roberta J. M. Olson, New-York Historical Society; Jay M. Pasachoff, Williams College Ten Thousand Tiered Peaks in a Black Box: The Camera Obscura and Perspectival Painting at the Kangxi Court Chin-Sung Chang, Yale University Invention in Technology and the Arts in Early Modern Court Culture Joaneath Spicer, Walters Art Museum Oil and Hellenism: The dEste Court and Realism in Ferrarese Art of the Fifteenth Century Rupert Shepherd, Ashmolean Museum The Art of Innovation: Alchemic Traditions in Courtly Europe circa 1600 Sally Ann Metzler, DArcy Museum, Loyola University, Chicago
Chair: Christopher Ozubko, University of Washington Design as Research; Research by Design Barbara Martinson, University of Minnesota Research in Theory of Collaboration: Course in Collaborative Process Muneera U. Spence, Oregon State University Designing Research from the Bottom Up: Formulating Methods for Essential DecisionMaking in Interdisciplinary Research Michael Gibson, University of North Texas Contemporary Issues in Design: A Writing Intensive Course Andrea Marks, Oregon State University
Almost Still: Photography, Performance, and the Record TH 10

Chairs: Nick Muellner, Ithaca College; Chris Mills, New York University Beyond the Document: Performative Aspects in Early Conceptual Photography Catharina Manchada, The Graduate Center, City University of New York
20
12:302:00
PM
THURSDAY
Eva Hesse Today TH 14

Level 6, Meeting Rooms 602/603/604
Chair: Sue Taylor, Portland State University Grounding the Hesse/Pollock Connection Jeanne Siegel, School of Visual Arts Pre-Feminist/Post-Feminist Hesse Kirsten Swenson, State University of New York, Stony Brook Stayin Alive: Creativity, Survival, and Eva Hesse Vanessa Corby, independent scholar Discussant: Jane Blocker, University of Minnesota A new video on Eva Hesse, produced in connection with the exhibition held at the San Francisco Museum of Modern Art, will be shown immediately following this session.
This session will take place in ARTspace
Art and Memory: Recovered Visions of a Combat Experience Vietnam 196768, Sculpture and Drawings as Metaphor Allen Mooney, State University of New York, Cortland Reframing the Shot: Yasumasa Morimura's Slaughter Cabinet II and Eddie Adam's General Loan Executing a Viet Cong Suspect Kirstin Ringelberg, Elon University Discussant: Suzaan Boettger, Bergen Community College
ART HISTORY OPEN SESSION: NATIVE AMERICAN ART
AMERICAN INSTITUTE OF GRAPHIC ARTS
Current Research on Northwest Coast Native Arts: Ancient to Twentieth Century TH 17

Business Meeting
AMERICAN SOCIETY OF HISPANIC ART SCHOLARS
Chair: Robin K. Wright, University of Washington The Renaissance as HumptyDumpty: Putting Northwest Coast Art History Back Together Again Ronald W. Hawker, Zayed University David Neel: Contemporary and kwakwaka wakw? Carolyn Butler Palmer, University of Pittsburgh New Attributions in Northwest Coast Silverwork Katie BunnMarcuse, University of Washington Revivals and Revisions in Coast Salish Wool Weaving Barbara Brotherton, Seattle Art Museum
Business Meeting
ARTTABLE
Art Paths: Alternative Careers in the Viusal Arts

TH 18 Level 2, Meeting Rooms 2A & 2B
Authentic Dcor TH 16 Level 6, Meeting Room 608

Chair: Guy Walton, New York University In the House of Mirrors: Painting and Experience in the Dutch Republic Marit Westermann, Institute of Fine Arts, New York University Reconstructing the Htel de Menars on the Place des Victoires Alden Rand Gordon, Trinity College Unserer Vter Werke: History, Authenticity and German National Identity Sabine Wieber, University of Chicago Creating and Recreating Old World Atmosphere: The Dining Room at Olana Karen Zukowski, independent scholar
Chair: Katie Hollander, ArtTable Susan Coliton, Paul G. Allen Foundation Elizabeth A. Brown, Henry Art Gallery Robin Oppenheimer, Bellevue Community College Barbara Johns, independent curator
Rebels with a Cause; or, The Wounded Generation: Revisiting Vietnam-Era Art and Its Contemporary Revisions TH 15
12:302:00
CAA TOWN MEETING
PM
ASSOCIATION OF HISTORIANS OF AMERICAN ART
The American(ist) Agenda

TH 19 Level 3, Meeting Room 3B
Is CAA Leading the Future Direction of Art and Art History Scholarship?
Chair: Kim S. Theriault, Grand Valley State University Men at Work: Minimal Making in the War Years, 19651970 Julia Bryan-Wilson, University of California, Berkeley How to Tell a War Story Richard E. Nickolson, Indiana Univeristy
Chairs: Wanda Corn, Stanford University; John Davis, Smith College Wendy Bellion, Rutgers University Derrick Cartwright, Hood Museum of Art, Dartmouth College Richard Meyer, University of Southern California Gwendolyn Shaw, Harvard University Business meeting will follow.
We are counting on your participation throughout CAAs planning process; close communication among the membership, the board, and the staff will enable us to set meaningful goals for the years ahead.
February 1821, 2004
21
THURSDAY
12:302:00
PM
ASSOCIATION FOR TEXTUAL SCHOLARSHIP IN ART HISTORY
CAA COMMITTEE ON WOMEN IN THE ARTS
CAA SERVICES TO ARTISTS COMMITTEE
The Agonistic Arts: Redefining the Paragone within and without Italy
Roads Scholars or Dedicated Teachers?: Women as Adjunct Laborers TH 21

Personal and Environmental Health and Safety for Artists and Art Institutions III TH 23A
Level 6, Ballroom 6C
HISTORIANS OF GERMAN AND CENTRAL EUROPEAN ART AND ARCHITECTURE
Business Meeting
Level 3, Meeting Room 307 & 308
Chair: Leatrice Mendelsohn, independent scholar The Paragone between Painting and Music in the Cinquecento Academy: Textual Traces Leslie Korrick, York University The Paragone as Conversion: Quinten Massys at the Crossroads between Silence and Sound Christiane J. Hessler, Berlin University A Chinese Paragone? Some Issues Surrounding the Painter Su Shis Claims for the Unity of Painting and Poetry in Song China Elisabeth Brotherton, State University of New York, New Paltz Painting as Philosophys Sister: A Paragone Argument from Samuel van Hoogstraetens Inleyding tot de Hooge Schoole der Schilderkonst (1678) Thijs Weststeijn, Universiteit van Amsterdam
Chairs: Eleanor Dickinson; Karen A. Bearor, Florida State University
Chair: Duane Slick, Rhode Island School of Design Alan Cantara, Environmental Health and Safety Manager, Rhode Island School of Design Other participants to be announced.
INTERNATIONAL ASSOCIATION OF ART CRITICS
Public Art and the Art Critic: Advocate or Antagonist TH 25

CAA INTERNATIONAL COMMITTEE
Best Practices for International Art Projects

Chair: Susan Platt, independent scholar Gloria Bernstein, artist; Barbara Goldstein, Mayors Office of Art and Cultural Affairs, Seattle; Norie Sato, artist; Matthew Kangas, art critic; John Feodorov Discussant: Eleanor Hartney, International Association of Art Critics
Chair: Jan Brown Checco The Leveraged Residency Kurt Perschke, artist Making the Best of Grants and Fellowships Beauvais Lyons, University of Tennessee Operating a Multicultural Ceramics Workshop: Clay, Color, and Fire Kirk Mayhew, artist Best PracticesArtworks for Public Greenspaces Gerald Checco, Cincinnati City Parks Art in an International Context: Seeing from Both Sides Linda Cunningham, artist
FOUNDATIONS IN ART: THEORY AND EDUCATION
Nurturing the Social Role of Art: Service Learning in the Foundations Curriculum TH 24
Chair: Barbara Nesin, Spelman College Community Mosaic: Art, Politics, and the Environment for Future Teachers Judith Baker, University of Wisconsin, Fox Valley Campus Implementing Service Learning in an Art Curriculum with Ease and Effectiveness Antoinette Martin, Windward Community College, Hawaii Campus Community Collaboration: Service Learning in the Art Foundations Laura Ruby, University of Hawaii at Manoa
INTERNATIONAL CENTER OF MEDIEVAL ART
Business Meeting
MID-AMERICA COLLEGE ART ASSOCIATION
The Interplay Conference

Chair: Wayne E. Potratz, University of Minnesota Karen Wirth, Minneapolis College of Art and Design; Irve Dell, Saint Olaf College
CAA PROFESSIONAL PRACTICES COMMITTEE
Credentialing in the Arts

TH 23 Level 6, Meeting Rooms 609
Chairs: Kristi Nelson, University of Cincinnati; Anna Callouri Holcombe, Kansas State University Participants to be announced.
GETTY RESEARCH INSTITUTE Markets and Value TH 24A
Chair: Thomas Crow, Getty Research Institute
22
2:305:00
PM
THURSDAY
OFF-SITE SESSIONS
AMERICAN INSTITUTE FOR CONSERVATION
Learning through Looking: Examining African Art

TH 27
Historical Techniques/ Contemporary Innovations: Sosaku-hanga, the Japanese Water-Based Woodcut

TH 28
Temporary Transformations: Public Art as Social Action TH 30

The Court of the Margrave of Meissen and Its Impact on Naumburg Cathedral Jacqueline Jung, University of California, Berkeley Jumping Our Big Holes: Saul, Political Ideology, and Court in the Psalter of St. Louis Christopher Hughes Francesco di Giorgio Martini and the Novesco Oligarchy: The Architectural Style of Sienas Post-Republican Elite (14871512) Fabrizio Nevola, University of Warwick The Morgan Picture Bible between the Courts of Europe and Iran Marian Simpson, independent scholar
Chair: Andrea Kirsh, independent scholar This session will be held at the Seattle Art Museum. A conversation with Steven Mellor, conservator and Director of Conservation, National Museum of African Art, Smithsonian Institution, and Pam McClusky, curator of African and Oceanic Art, Seattle Art Museum. This gallery-based workshop will address questions of construction, surface condition, and evidence of history and use of sub-Saharan African Art. Can we determine the original appearance of these artworks? Do they show evidence of ritual use? How much of their appearance reflects collecting standards and subsequent treatments? Attendance will be strictly limited, by prereservation.
Chair: Kathleen Rabel, Cornish College of the Arts This session will be held at Cornish College of the Arts, 1000 Lenora Street, Seattle. From Convention Center, walk five blocks north on 9th Avenue to Lenora Street.
Chairs: Jason S. Brown, University of Tennessee; Gregor A. Kalas, Texas A&M University Dark Matters: Informal Art, Collective Practice, and the Contemporary Public Sphere Gregory G. Sholette, School of the Art Institute of Chicago Public Things: The Work and Philosophy of N55 Jon Sorvin, N55 Design Collective Dyke Action Machine!s Instant Messaging: Branding Lesbian Identity on the New York City Street Carrie Moyer, artist Tyree Guytons Heidelberg Project in Detroit: A Community Transformed Cheryl Alston, Wayne State University Finding the Permanence of the Temporary: Socially Engaged Public Art and Place-Specificity Cameron Cartiere, Chelsea College of Art and Design, London This session will take place in ARTspace.
2:305:00
PM
CAA Distinguished Scholars Session in Honor of James Cahill Decentered, Polycentric, and Counter-Canons in Chinese Painting TH 29
Art and Commerce: Corporate Support of the Arts in Twentieth-Century American Art TH 32
Chair: Richard Vinograd, Stanford University Southern Song Ghost Painting and Its Afterlife Yoshiaki Shimizu, Princeton University Challenging the Canon: Socialist Realism in Traditional Chinese Painting Revisited Xiaoping Lin, Queens College Making the Bi-Disc Round: Imperial Collecting in the Qing Dynasty, Patricia Berger, University of California, Berkeley Constructing Art History in Republican China, Julia Andrews, Ohio State University Discussant: James Cahill CAA is grateful to the Samuel H. Kress Foundation for funding the fourth CAA Distinguished Scholars Session.
Chair: Michael Bzdak, Johnson and Johnson and Rutgers University At the Intersection of Artistic Production and Good Citizenship: Case Studies from Tobacco Industry Philanthropy in the 1990s Margaret Daniel, University of California, San Francisco The Absent Center of the 1996 Hugo Boss Prize Beck Feibelman, University of Pennsylvania Industry: Art Angel? Corporate Art Patronage in the 1940s Deirdre A. Robson, Thames Valley University Brand Name Modernism: Helena Rubensteins Art Collection and Womens Business Culture Marie Clifford, Whitman College Discussant: Sandra Lang, New York University
February 1821, 2004
Courts and Court Styles Revisited: A Session in Memory of Harvey Stahl

TH 31 Level 3, Meeting Room 3A
Chair: Caroline Bruzelius, Duke University Privileging Styles for Private and Public Audiences: Painting and Illumination at the Papal Court of Avignon. Cathleen Fleck, Walters Art Museum
23
THURSDAY
OPEN SESSION
2:305:00
PM
Contemporary Northwest Native, First Nations, and Alaskan Native Arts TH 33

From Press to Panic: Recontextualizing Images in British Visual Culture Jennifer Friedlander, Pomona College Making Mackintosh and Marketing Modernism in Gritty Glasgow J. Philip Gruen, University of California, Berkeley Japanese Visuality for Britain: The Late Nineteenth- and Early Twentieth-Century Cult of the Japanese Garden Toshio Watanabe, Chelsea College of Art and Design
Fine Art and Experimental Animation: Creative and Theoretical Affinities TH 36

Diagramming the Unborn in Early Modern French Visual Culture Lianne McTavish, University of New Brunswick The Uncharted Kahn: The Visuality of Planning and Promotion in the 1930s and 1940s Andrew M. Shanken, Oberlin College Screen Theory and Chiasmus Donald Kunze, Pennsylvania State University
Chairs: Mario A. Caro, University of California, Santa Barbara; Marie K. Watt, Portland Community College Andrea Marie Wilbur-Sigo Othniel Art Oomittuk Lillian Pitt James Lavadour
Chair: Janeann Dill, Patterson Center for the Arts and Europische Universitt fr Interdisziplinre Studien, Switzerland Live and on Film! The SelfConsciousness of the Creative Act, circa 1900 Nancy Mowll Mathews, Williams College A Critical Balance: Modern and Postmodern Analyses of Experimental Animation Lorettann Gascard, Franklin Pierce College Musical Time Brian Evans, University of Alabama Animation Brut: Homage and Inspirations of Art Brut in the Puppet Animation Films of Stephen and Timothy Quay Suzanne Buchan, Surrey Institute of Art and Design, University College Digital Technology in HandDrawn and Video Animation Y. David Chung, George Mason University
Myth and Modern Art, Part 1 TH 38

HISTORIANS OF BRITISH ART
British Visual Culture, the Public Sphere, and Visuality TH 34

Necro-Techno: Examples from an Archaeology of Media TH 35

Chair: Alison Hilton, Georgetown University Max Klinger: Myths of Origin and Identity Marsha Morton, Pratt Institute Degenerare or Renovare: The Myth of the Phoenix and the Myth of Eternal Return Giovanna Costantini, State University of New York, Oswego Andre Massons Zarathustra Clark V. Poling, Emory University Mark Rothko and the Mythic Image in the 1940s Rina C. Faletti, University of Texas, Austin Part 2 of this session will be held on Saturday at 9:30 AM.
Chair: Julie Codell, Arizona State University Live Architecture, 1951: Envisioning the Modern British City Deborah Lewittes, City University of New York, Kingsborough Community College The Nineteenth-Century Turkish Baths and the Public Display of Male Bodies John Potvin, Queens University
Chairs: Rebecca Cummins, University of Washington; Tom Gunning, University of Chicago Cultural Optics: Narrowing Down the History of Visuality Tom Gunning, University of Chicago Messengers and Kings Paul DeMarinis, Stanford University Dust: Memory, Optics, and a Beam of Light Ellen Zweig Another Correction, Please!: Toward Shedding the ProWestern Bias in Pre-Cinema Studies Erkki Huhtamo, University of California, Los Angeles
The Art of Diagrams/The Diagramming of Art TH 37

Chairs: Paul Emmons, Virginia Polytechnic Institute and State University, WashingtonAlexandria Architecture Center; Carol Emmons, University of Wisconsin, Green Bay The Diagrammatic Vernacular in American Art Pedagogy Barbara Jaffee, Northern Illinois University
24
2:305:00
PM
THURSDAY
ASSOCIATION FOR LATIN AMERICAN ART
Telling Images: Interactions between Visual and Performing Arts in the Americas TH 39
Inappropriate Appropriations: Sturtevant, Gender, and Repetition Michael Lobel, Bard College Lee Bontecou and the Secret World of 1960s Sculpture Jo Applin, University College, London Surviving Suprematism: Lazar Khidekel Alla Efimova, University of California, Berkeley, Art Museum Apprentice Tourist, Expert Modernist: Mrio de Andrade and a (Brazilian) Theory of Modernism Esther Gabara, Duke University
HISTORIANS OF EIGHTEENTHCENTURY ART AND ARCHITECTURE
Paintings of the Desert Southwest Jane Culp, artist Paintings and Collages Mark Lewis, University of Tulsa Paintings and Digital Photographs Ron Janowich, University of Florida, Gainesville Nature as Teacher Armin Mhsam, Northwest Missouri State University
Art on Display: Collecting, Exhibiting, and Viewing Art in the Eighteenth Century
TH 42 Level 6, Meeting Rooms 615/616/617
Chair: Margaret A. Jackson, University of Miami When Sculptures Sing, Dance, and Drink: An Exploration of the Performative Aspects of JamaCoaque Figurative Sculptures Joyce L. Banks, University of Texas, Austin Reconstructing the World: Eighth-Century Maya Coronation Ritual at Temple 22, Copan, Honduras Jennifer F. Ahlfeldt, Columbia University Hidden Transcripts in the Highland Andes: Native Dancers in Colonial Corpus Christi Processions Susan Verdi Webster, University of St. Thomas Drawing Out the Truth in Colonial Nahua Courtrooms Deliah A. Cosentino, DePaul University
Chair: Heather McPherson, University of Alabama at Birmingham LEspace du roi or LEspace du peuple? The Politics of Displaying and Viewing Portraits in the Grand Appartements of Versailles Todd L. Larkin, Montana State University Shopping for Pictures in Early Eighteenth-Century London Carol Gibson-Wood, University of Victoria Jean de Jullienne and the Monumentality of Drawings in Eighteenth-Century Paris Jennifer Jones, Columbia University Eighteenth-Century Engravings in the Crayon Manner: A Growing Market for an Enlarged Public Sophie RauxCarpentier, Universit de Charles de Gaulle Selling the Self in Revolutionary France: The Case of Franois Vincent and the Boyer-Fonfrde Family Amy Freund, University of California, Berkeley
RENAISSANCE SOCIETY OF AMERICA
Whither Connoisseurship? Part 1 TH 44

Female Relations: Imagery of Women and Girls in Late Antiquity and Byzantium TH 41
Chair: Jeffrey Chipps Smith, University of Texas, Austin Jan van Eycks van der Paele Madonna: The Technical Evidence for a New Reading Maryan Ainsworth, Metropolitan Museum of Art Ever-Evolving Connoisseurship: Unfolding the Early Netherlandish Diptych Ron Spronk, Harvard University Art Museums Connoisseurship and the Study of Renaissance Illuminated Manuscripts Gregory Clark, University of the South Theory and Discernment in the Art of Drer Charles Talbot, Trinity University Matthias Grnewalds Small Crucifixion Painting: Painting, Practice, and Personal Style E. Melanie Gifford and Susanna Griswold, National Gallery of Art, Washington; Norma Uemura, independent scholar Part 2 of this session will be held on Saturday at 9:30 AM.
Chairs: Kriszta Kotsis, University of Washington; Cecily J. Hennessy, Courtauld Institute of Art Ladies in Waiting Eunice Dauterman Maguire, Johns Hopkins University Donor as Doormat: Portraits of Female Patrons in the Floor Mosaics of Churches in Byzantine Palestine Karen C. Britt, University of Louisville Woman to Woman: Parturient-Midwife Imagery in Byzantine Art Matilda Meyer, The Hebrew University of Jerusalem Girls in Church and Court Cecily J. Hennessy, Courtauld Institute of Art Discussant: Anna D. Kartsonis, University of Washington
Other Objects, Other Artists: Alternative Accounts of TwentiethCentury Art TH 40

Chairs: Christina Kiaer, Columbia University; Richard Meyer, University of Southern California Recovering Complex Space in the 1960s: Robert Smithson, the Park Place Group, and the Fourth Dimension Linda Dalrymple Henderson, University of Texas, Austin
STUDIO ART OPEN SESSION Mirroring Landscape TH 43 Level 6, Meeting Room 609
Chairs: Hearne Pardee, University of California, Davis; Gina Werfel, University of California, Davis
February 1821, 2004
25
THURSDAY
2:305:00, 5:307:00
PM
Art and Visual Perception at Fifty TH 45

5:307:00
PM
ARTS COUNCIL OF THE AFRICAN STUDIES ASSOCIATION
DESIGN FORUM
Business Meeting
Chair: Ian Verstegen, Temple University Arnheims Psychology Today: The Case of Light and Color Tiziano Agostini, University of Trieste Mind over Matter: Composing the Spiritual and Visceral Centers within the Human Figure Laurie Taylor-Mitchell, Hood College Arnheims Lesson: Cubism, Collage, and Gestalt Roger I. Rothman, Bucknell University Arnheim and Contemporary Film Theory Kevin Parker, University of North Carolina, Chapel Hill
CAA ANNUAL CONFERENCE COMMITTEE
How to Develop a Session for the Annual Conference

Business Meeting
Level 2, Meeting Rooms 2A & 2B FOUNDATIONS IN ART: THEORY AND EDUCATION
ASSOCIATION OF ART MUSEUM CURATORS
Chairs: Ellen K. Levy, School of Visual Arts; Emmanuel Lemakis, CAA Other participants to be announced.
The Curator in the Museum Today: Conversations with Trustees from the Association of Art Museum Curators TH 49
Colin Bailey, Frick Collection, New York; Stefano Carboni, Metropolitan Museum of Art, New York; Philip Conisbee, National Gallery of Art, Washington, DC; Douglas Druick, Art Institute of Chcago Incorporated over a year ago and newly affiliated with CAA, the Association of Art Museum Curators provides a national forum for discssing issues and trends of concern to the curatorial profession. Four founding Trustees of the AAMC will conduct an informational session about the organization, its accomplishments, goals, and plans for the future.
A Foundation for Foundations: An Interactive Presentation and Panel TH 51

Chairs: Scott Betz, Weber State University; Steven Bleicher, Art Institute of Fort Lauderdale Art School and Interdisciplinarity: Developing Foundation as a Shared Space Monique Fouquet, Emily Carr Institute of Art and Design Building a Pedagogical Foundation Mary Stewart, Northern Illinois University A Theoretical Foundations Component Steven Shipps, Emerson University Regional Roots John P. McGee, Ball State University Addressing Global Issues Paul R. Solomon, Western Michigan University
AMERICAN SOCIETY FOR EIGHTEENTH-CENTURY STUDIES
Seeing the Body in the Eighteenth Century TH 47

Chair: Eric Garberson, Virginia Commonwealth University Seeing the Royal Body: The Grand Habit in EighteenthCentury Portraiture Kimberly Chrisman Campbell, Huntington Library Reading the Entrails: Corporeal Address in The Death of Cato Lela Graybill, Stanford University Black Bodies, White Vision: The Gaze of Science and Girodets and Benoists Portraits of Africans Susan Houghton Libby, Rollins College
CAA CULTURAL DIVERSITY COMMITTEE
HISTORIANS OF BRITISH ART
Diversity in the Classroom

TH 50 Level 6, Meeting Rooms 615/616/617
Business Meeting
Chair: Joseph P. Ansell, Auburn University Joseph Mannino, Carnegie Mellon University Sallie McCorkle, Pennsylvania State University Melanie Herzog, Edgewood College
NATIONAL COUNCIL OF ART ADMINISTRATORS
Those Who Do Can, and Those Who Do Not, Do Too: Balancing a Significant Art Practice with an Administrative Position TH 52
Chair: Joe Lewis, Fashion Institute of Technology
26
8:0010:30
PM
THURSDAY
QUEER CAUCUS FOR ART
Business Meeting
VISUAL RESOURCES ASSOCIATION
The Digital Classroom: Safe Harbor or Danger Zone?

TH 56 Level 6, Ballroom 6A
Picturing the Nation: Marquillas Cigarerras Cubanas Alison Fraunhar, University of California, Santa Barbara Discussant: Vanessa Schwartz, University of Southern California
Lets Make It Official: A New Look at Third Millennium BC Cylinder Seal Impressions Sarah Jarmer Scott, University of Pennsylvania Theban Tomb Painting and the Negotiation of Identity Melinda K. Hartwig, Georgia State University Exotica and the Early Minoan Elite: A Biography Cynthia Colburn, Pepperdine University The Afterlives of Objects: The Case of the Lost Treasures of Athena from Lindos Josephine Shaya, College of Wooster Through a Glass Face to Face: The Lives of the Etruscan Mirror Evelyn E. Bell, California State University, San Jose Beyond Damnatio Memoriae: Destroying the Power of Images in Roman Germany Rachel Kousser, Columbia University
SOCIETY OF HISTORIANS OF EAST EUROPEAN AND RUSSIAN ART AND ARCHITECTURE
Chair: Benjamin R. Kessler, University of Chicago The ArtSTOR Project Max Marmor, ArtSTOR The Madison Digital Image Database (MDID) in the Art History Classroom Kathryn E. Monger, James Madison University An Uncanny Likeness: Art History and Digital Reproduction Dana Leibsohn, Smith College
Consuming the AvantGarde: Russia, Eastern and Central Europe TH 54

On the Edge: West Coast Performance in the Americas TH 58

Chair: Jane A. Sharp, Rutgers University Constructing Identity: The Image of Russian Futurism 19101914 in Contemporary Russian Media Sarah Dadswell, University of Sheffield Five OClock on the Sun: Women Artists Film and Video in Estonia and Hungary Angela Dimitrakaki, University of Southampton What Is Dead when a Russian Nonconformist Dies? Obituaries of the Golden Ages of Timur Novikov Ivor A. Stodolsky, University of Helsinki
Chair: Meiling Cheng, University of Southern California Ecotone Claudia Bucher, Pasadena Art Center Cutting with a Broken Mirror Gwyan Rhabyt, California State University, Hayward SRS: Stations Remain Structure the gyrl grip, 2 Gyrlz Performative Arts Performance Art in Western Canada John G. Boehme, artist Impossible Cohesions Jennie Klein, Santa Ana College; Joanna Roche, California State University, Fullerton un-Becoming: An Improvisational Automatic SelfPerformance Nicole R. Hodges, University of Southern California This session will be held in ARTspace.
8:0010:30
PM
ART HISTORIANS OF NINETEENTH-CENTURY ART
Nineteenth-Century Popular Arts TH 57

Shopping It Around: An Off-Road Approach TH 60

STUDENT AND EMERGING PROFESSIONALS COMMITTEE
Chair: Ann Bermingham, University of California, Santa Barbara The Beast in the Box: Playing with Empire in NineteenthCentury Britain Romita Ray, Georgia Museum of Art, University of Georgia The Diorama: Ultraroyalism and Modernity Daniel Harkett, Brown University Art and Class in the Age of Barnum Michael Leja, University of Delaware
Chair: Reni Gower, Virginia Commonwealth University On the Road: The Traveling Show Reni Gower, Virginia Commonwealth University Cloud Seeding: Circus of the Performative Object George Ferrandi, artist Inside the BoxOutside the Box Avantika Bawa, Savannah College of Art and Design The John Erickson Museum of Art (JEMA): A New Museum Space Sean Miller, University of Florida, Gainesville The Home House Project: A Curators Blueprint David Brown, Southeastern Center for Contemporary Art
Harnessing the Power of the Pen: Professional Writing Strategies for Future Artists, Art Historians, and Museum Professionals TH 55
Chair: Patricia Flores, Metropolitan Museum of Art Madeline Djerejian, photographer; Bruce Robertson, Center for American Art, Los Angeles County Museum of Art, and University of California, Santa Barbara; Lorraine Karafel, Institute of Fine Arts, New York University, and Metropolitan Museum of Art
Lives of the Objects: New Approaches to Ancient Art

TH 59 Level 2, Meeting Rooms 2A & 2B
Chairs: Marian Feldman, University of California, Berkeley; Allison Karmel Thomason, Southern Illinois University, Edwardsville
February 1821, 2004
27
THURSDAY
8:0010:30
PM
Revivals Revisited: History, Memory, and Visual Culture, 17891950 TH 61

Monuments of Humility: Renaissance Humanists and the Churches of Antiquity Iryna Oryshkevich, Columbia University Ornament as Identity: Problems of Interpretation in the Gondi Palace in Florence Linda Pellecchia, University of Delaware Villas and Portraits: Veronese and the Classical Tradition John Garton, Cleveland Institute of Art Corporeality in Titians Venus at Her Mirror Jodi Cranston, Boston University
HISTORIANS OF GERMAN AND CENTRAL EUROPEAN ART
ART HISTORY OPEN SESSION
The Central European Diaspora TH 64

The History of Photography TH 66

Chair: Elizabeth Guffey, State University of New York, Purchase Alfred Waterhouse and the Evolution of Memory Cymbre Raub, North Carolina State University Thomas Eakins and the Colonial Revival Akela Reason, University of Maryland Lighting the Past: Isamu Noguchis Akari Lanterns Kate Lemay, Indiana University Modernism as Revival in Cold War Germany Greg Castillo, University of Miami
Chair: Thomas DaCosta Kaufmann, Princeton University The Cosmopolitan and Nation Idiom of Jewish Art in the 1920s Irena Kossowska, Institute of Art and Humanities, Polish Academy of Sciences The Opposite of Nation: Hybridity and Diaspora in the Work of Lasar Segall Edith Wolfe, University of Texas, Austin Socialism and the House: Margarete Schtte-Lihotzky in Turkey Esra Akcan, Columbia University Artistic Dreams: The Temptation of the Free World and Other Modernist Myths Deborah Schultz, University of Sussex
Chair: Douglas R. Nickel, Center for Creative Photography, University of Arizona Joel Snyder, University of Chicago Julia Margaret Cameron's Studies for Artists Joanne Lukitsh, Massachusetts College of Art Inventing Documentary in American Photography: Toward a New History of Ideas Sarah M. Miller, University of Chicago Migrant Mother, Migrant Gender: Rereading the Work and Life of Dorothea Lange Sally Stein, University of California, Irvine The Rayograph in the Modern Paragone Susan Laxton, Columbia University
Artist Biographies: Historical Objectivity versus Political Correctness

Italian Renaissance Art, 13001600 TH 62

Chair: Evelyn Kain, Ripon College Writing around Thomas Hart Benton Justin Wolff, Harvard University Womans Trauma, Masquerade, and Madness: Yayoi Kusama in the Sixties Midori Yamamura, The Graduate Center, City University of New York Male Artists and the Male Gaze: Tom Wesselmann and Mel Ramos in Context Joe A. Thomas, Clarion University of Pennsylvania
Chair: Andre Hayum, Fordham University The Renaissance Pulpit: Art and Preaching in Italy, 14001550 Nirit Ben-Aryeh Debby, Ben Gurion University
The Relevance of Tradition in Contemporary Art TH 65

Art and Criticism on the Campus: The University as Medium TH 67

Chair: Norman Lundin, University of Washington Pieros Progeny: Renaissance Tradition in Contemporary Painting Ann Bronwyn Paulk, Beloit College From Negotiating with Nature to Negotiating with Cultures Zhi Lin, University of Washington Art and Arts in the Post, Present Era Elaine A. King, Carnegie Mellon University Traditional and Contemporary Art: Craft versus Content Tim Doud, American University
Chairs: Simone Osthoff, Pennsylvania State University; Geraldo Orthof, Universidade de Braslia The On-Campus Server as an Incubator for New Models of Production Relationships Robert Dansby, California Institute of the Arts Artists, Networks, and Institutions: Do We Need a New Model for Production, Publishing, and Access? Carlos Rosas, Pennsylvania State University
Ana MendietaThe Late Works Laura Roulet, Hirshhorn Museum and Sculpture Garden Disconcerting Self-Disclosure in the Work of Richard Billingham and Tracey Emin Kris Belden, The Graduate Center, City University of New York
28
7:008:30, 9:0011:30
AM
FRIDAY
Postcolonialism: Chicano Critical Art Pedagogies Judith L. Huacuja, University of Dayton The Art Building and the Impact of Its Form Jim Jacobs, Weber State University; Prescott Muir, Prescott Muir Architects
Degrees of FreedomModels of Corporate Relationship: When Should Hands-off Be Hands-on, When Hands-on, Hands-off? Sara Diamond, Banff New Media Institute The Value of Collaboration between Artist and Technologist Dana Plautz, Intel Research Council The Artist, the Scientist, and the Entrepreneur: Rethinking the Avant Garde with Saint-Simon and the National Academy of Sciences Michael Century, Rensselaer Polytechnic Institute
Eric Lutz, University of California, Santa Barbara Snapshots: Monumentality in Postwar Architecture Sarah Williams Goldhagen, Harvard University This Didnt Kill That: Architectural History through Media Shannon Mattern, University of Pennsylvania Steinhof: The Modernist Mental Hospital and Its Represenation Leslie Topp, Oxford Brookes University John Cage and Architecture Jim Lutz, University of Memphis
FRIDAY FEBRUARY 20 7:008:30 AM

CAA COMMITTEE ON WOMEN IN THE ARTS
QUEER CAUCUS FOR ART
Annual Recognition Awards Ceremony F1 Nancy Spero and Betye Saar will be honored this year.
This event will be held at the Sheraton Seattle Hotel and Towers, Second Floor, Metropolitan Ballroom, 1400 Sixth Avenue
What Next?: Reconsidering Queer Methodologies TH 68

Chairs: Maura Reilly, Brooklyn Museum of Art; James Smalls, University of Maryland, Baltimore County Historical Overview of LGBTQ Visual Studies James Saslow, Queens College and The Graduate Center, City University of New York Lesbian Space in Queer Time: Regional Histories outside Academe Tee A. Corinne, artist and independent scholar Have We Exhausted Foucault? Eugenio Filice The New Adam and Dream of a New Painting Jonathan Weinberg, Getty Research Institute
The Case for Comics TH 70

Preregistration is required
Chair: James Sturm, National Association of Comics Art Educators Sequential Art Basics Ted Stearn, Savannah College of Art and Design The Cons and Prose of Comics in an Art School Context Christa Donner Comics and Sequential Art: The Studio Class Joel Priddy, Memphis College of Art and Design Interdisciplinary Approaches and Benefits of Comics in Studio Art Programs Christian Hill, California State University, Fullerton
Multiplicity: Printmaking and the Use of Multiples in Native American Cultures

ART HISTORIANS INTERESTED IN PEDAGOGY AND TECHNOLOGY
Teaching with Technology: Partnering on Next Steps

F1A Level 3, Meeting Room 3A
Chair: Melanie Yazzie, University of Arizona Confessions of a Thief Elizabeth Hanemann, West Virginia University The Politics of Representation and Sovereign Definitions in Northwest Coast Art as it Relates to the Work of Larry McNeil Larry McNeil, Boise State University Corwin Clairmont Joe Fedderson Lynne Allen, Rutgers Center for Innovative Print and Paper Discussant: John Hitchcock, University of Wisconsin, Madison
Chair: Laetitia La Follette, University of Massachusetts Choosing Partners: Who Can Art History Trust in the PostEktagraphic Era? Daniel Bridgman, Smith College Partnering from a Publishing Perspective John Swanson, Wadsworth Publishing/ Thomson Learning Partner in Pedagogy or Purveyor of Product? Wanda Miles, Learning Technologies
The Artist in Industry and the Academy: Interdisciplinary Research Collaborations TH 69

Chair: Edward A. Shanken, Duke University in silico v1.0: A DiscoveryBased Model for Art-Science Collaboration Ruth West, University of California, Los Angeles
ART HISTORY OPEN SESSION Modern Architect TH 71 Level 3, Meeting Rooms 307 & 308
9:0011:30
AM
Chair: David Van Zanten, Northwestern University At the Intersection of Architecture and Photography: The Formation of R. M. Schindlers Modernist Vision
COMMUNITY COLLEGE PROFESSORS OF ART AND ART HISTORY
Business Meeting
February 1821, 2004
29
FRIDAY
9:0011:30
AM
ITALIAN ART SOCIETY
Business Meeting
The Noble Failure in Renaissance and Baroque Art F3

Neural Architecture: A Smart Building Is a Nervous Building Deborah G. Aschheim, University of California, Irvine Ioannis C. Yessios, Cleveland Institute of Art
Overseas Campaigns: Creating Hybrid Art History/Studio Field Courses in London, England Gerard Curtis, Memorial University of Newfoundland Discussant: Ginger Sheridan, Jacksonville University
Cultural Exchange between the Netherlands and Italy, 14001530 F2

Chairs: Michal Amy, Rochester Institute of Technology; Giancarlo Fiorenza, independent scholar Daniele da Volterra, Michelangelo, and a Contested Lineage Morten Steen Hansen, Walters Art Museum The Construction of Failure: Prospero Brescianos Moses Steven F. Ostrow, University of California, Riverside The Critique of Mere Practice in Renaissance and Baroque Writings on Art Erin Campbell, University of Victoria Buying a Condemned Painting: The Duke of Mantua, Giulio Mancini, and Caravaggios Death of the Virgin Opher Mansour, Courtauld Institute of Art Certainly a Base Concept: Paolo de Matteiss Self-Portrait James Clifton, Sarah Campbell Blaffer Foundation
Educated Glass F5 Level 6, Meeting Rooms 605 & 610

Chair: Bonnie Biggs, Cornish College of the Arts The Fluidity of Change: The Glass Matrix in the Collaborative Print Studio Preston B. Lawing, Saint Marys University of Minnesota Developing College Glass Curriculums Kenneth von Roenn, University of Louisville The Place of Collaboration Pike Powers, Pilchuck Glass School Many Hands Make Light Work Richard Posner, University of the Arts, Berlin
ART HISTORY OPEN SESSION Baroque Art F7 Level 6, Meeting Room 608
Chair: Ingrid AlexanderSkipnes, Stavanger University College Florentine Bankers and Flemish Friars: New Light on the Patronage of the Portinari Altarpiece Diane Wolfthal, Arizona State University Memlings Impact on the Early Raphael Barbara G. Lane, Queens College and The Graduate Center, City University of New York Agostino Chigis Flemish Connection (14661520) Ingrid D. Rowland, American Academy in Rome Mainz at the Crossroads of Utrecht and Venice: Erhard Reuwichs Illustrations for Peregrinatio in terram sanctam (1486) Elizabeth Ross, Harvard University Regional Styles and Political Ambitions: Margaret of Austrias Monastic Foundation at Brou Laura D. Gelfand, University of Akron
Chairs: Margaret D. Carroll, Wellesley College; Jeffrey Collins, University of Washington Todd Olson, University of Southern California Signature Killer: Caravaggios Bloodiest Conceit David M. Stone, University of Delaware Poussins Reflection Jonathan Unglaub, Brandeis University Engagement and Deferral in Dutch Group Portraits: Riegl and the Posographical Imperative Harry Berger, Jr., University of California, Santa Cruz Berninis Shifting Signifiers: Apollo, Daphne, and the Rolling Stones Perry Brooks, Baruch College, City University of New York Discussant: Erika Naginski, Massachusetts Institute of Technology
Study Abroad: Academic Arcadia or Just Another Grand Tour? F6

Designing for Security: Our New Urban Environment

F4 Level 3, Meeting Room 3B
Chairs: Martha Carothers, University of Delaware; Jeffery Cote de Luna, Dominican University Drawing on Florence Jeffery Cote de Luna, Dominican University Art and Culture in Mali, West Africa Janet Goldner, Antioch University Not Just Another Roman Holiday Carrie Galbraith, Scuola Internazionale di Grafica; Elizabeth Carroll, Indiana University
Chair: Deborah Bershad, Art Commission of the City of New York Sandra Bloodworth, Arts for Transit, Metropolitan Transportation Authority Building Security Design: Achieving Transparency in Civic Architecture Barbara A. Nadel, Barbara Nadel Architect
Contemporary Art and Islam F8

Chair: Fereshteh Daftari, Museum of Modern Art, New York
30
9:0011:30
AM
FRIDAY
The Postmodern Turn in Islamic Calligraphy Maryam Ekhtiar, Metropolitan Museum of Art Standing on Formalities: What Is Contemporary Elsewhere? Mysoon Rizk, University of Toledo Secularization, Hybridity, and Dis-Orientalisms in Contemporary Palestinian Art Gannit Ankori, Hebrew University of Jerusalem This session will take place in ARTspace.
Indeterminate Terminology: Intermedia Entwined on the Internet Lynda Bunting, Museum of Contemporary Art, Los Angeles Cyborg Art History: TechnoAesthetics and Metafictions of Digital Culture Elizabeth Menon, Purdue University New Untidy Media and Interactivity Christian Gerstheimer, El Paso Museum of Art Out of the (Inter)-Media and into the Mediation: The Case against Art Administrator Art Mark Van Proyen, San Francisco Art Institute Discussant: Judith Hoffberg, Umbrella Associates
Art and Money
F12 Level 6, Meeting Rooms 615/616/617
The Rise and Fall of Memorial Sculpture, Part 1 F14

Chair: Paul Mattick, Adelphi University Art versus Money: Landscape Drawing in the Seventeenth Century Michael Zell, Boston University The Cost of Originality Richard Spear, University of Maryland Consumption of Art and Dealer Initiative in Early Modern France Hans J. Van Miegroet, Duke University Form as Gold Standard: Aesthetic and Commercial Value in MoMAs Machine Art Exhibition, 1934 Jennifer Marshall, University of California, Los Angeles
Chairs: Sarah Blake McHam, Rutgers University; Margaret A. Kuntz, Drew University Homer and the Monument: Memorial Strategies and the Ancient Tomb Elizabeth McGowan, Williams College Intergenerational Storytelling: The Enduring Language of Medieval Memorials Elizabeth Valdez del Alamo, Montclair State University The Origins of the American Memorial Tradition Sally Webster, The Graduate Center, City University of New York The Rise of Memorial Sculpture in the United States: Martin Milmores 1867 Soldiers Monument Lucretia Hoover Giese, Rhode Island School of Design Part 2 of this session will be held on Saturday at 9:30 AM.
Representation after Representativeness: Problems in AfricanAmerican Art Now F9

Chair: Darby English, University of Chicago Cornered: Adrian Piper as African-Amerian Artist John P. Bowles, Indiana University Bye, Bye Black Girl: Lorna Simpsons Figurative Retreat Huey Copeland, University of California, Berkeley Matters of Race: Medium, Material, and Post-Identity Kianga Ford, University of California, Santa Cruz Its My Body and Ill Cry if I Want To: The Art of Dave McKenzie Hamza Walker, University of Chicago Discussant: Glenn Ligon, artist
CAA MUSEUM COMMITTEE
Approaches to Exhibiting Modern and Contemporary Asian Art in the United States F11
COMMITTEE ON WOMEN IN THE ARTS
Chairs: Mimi Gates, Seattle Art Museum; Barbara Johns, independent curator Collecting Contemporary Asian Art in Todays Museums: Who Decides? Vishakha N. Desai, The Asia Society On Familiar Ground: Contemporary Asian Art in the Asian Museum Pauline J. Yao, Asian Art Museum of San Francisco Curating from a Distance: A Dialogue with Contemporary Art of East Asia Betti-Sue Hertz, San Diego Museum of Art Curating the Contemporary: Chinese Experimental Art Inside and Outside China Melissa Chiu, The Asia Society Discussant: Lisa Corrin, Seattle Art Museum
First-Generation Artists and Scholars: Fresh Vision or Revision F13

Chairs: Gloria Maya, Western New Mexico University; Flavia Rando, New Jersey City University First Nation and Canuck Artists in the Diaspora Charleen Touchette, independent scholar Growing Forward Carolynne Whitefeather, Utica College of Syracuse University Visioning Contexts for Dialogue Marty Spence, Columbia University
Craft, Curio, and Curiosity: Art, Commodity, and the Politics of Exchange F15
Chair: Karen E. Milbourne, University of Kentucky Carving Out Identity: Seattles Ye Olde Curiosity Shop and Nuu-chah-nulth Totem Poles Kate C. Duncan, Arizona State University UNESCOs Role in Benins Contemporary Art Development: How Curious? Dana Rush, University of Illinois, UrbanaChampaign
Untidy Minds: Current Problems in Intermedia Historiography F10

Chair: Peter Frank, L.A. Weekly/Angeleno magazine
February 1821, 2004
31
FRIDAY
9:0011:30
AM, NOON1:30 PM
Culture in the Marketplace: California Indian Traditional Arts Margaret Dubin, independent scholar Not Only for Their Beauty: Art, Craft, and the African Art Center Marilyn Wyman, San Jose State University Discussant: Christopher B. Steiner, Connecticut College
The Issue of Pictorial Sources Reconsidered: Models Reproduced from Memory in the Sephardic Haggadot Katrin Kogman-Appel, Ben Gurion University of the Negev Part 2 of this session will be held on Saturday at 9:30 AM.
NOON1:30 PM
CAA TOWN MEETING
Discussant: Suzanne Preston Blier, Harvard University
What Do Artists Want from CAA, Anyway?

ASSOCIATION FOR LATIN AMERICAN ART
The Maya World: Artistic Continuities and Change

F17 Level 6, Meeting Room 609
We are counting on your participation throughout CAAs planning process; close communication among the membership, the board, and the staff will enable us to set meaningful goals for the years ahead.
Business Meeting
CAA COMMITTEE ON INTELLECTUAL PROPERTY
Fair Use: Who Has the Rights? F20

Medieval Art History and Historiography, Part 1 F16

Chairs: Carol Ventura, Tennessee Technological University; He Zhang, William Paterson University Maya Baroque Churches of the Colonial Period Carol Ventura, Tennessee Technological University Carving the Mountain of the Ancients: Living Maya Artists and Their Conception of the Past Allen J. Christenson, Brigham Young University Persistence and Change: Mexican Stitch Resist/Tie Resist Skirts Virginia Davis, independent scholar Working Methods and Highland Weaving: Documenting Change in the History of Guatemalan Textiles Catie A. Cadge-Moore, De Anza College Continuity and Change in the Textile Traditions of Yucatecan Amelia M. Trevelyan, Principia College
Chair: William Tronzo, Tulane University A Chalice that Cemented Friendship: Collecting and Appreciating Byzantine Art in the 1910s Robert S. Nelson, University of Chicago Pavel Florenskys Iconostasis and Its Psychoanalytical Perspective Tatiana V. Senkevitch, University of Michigan Dating Periods Eric Fernie, Courtauld Institute of Art Ordering Disorder: Gothic Made Rational, 17701820 Sarah Thompson, University of California, Santa Barbara
AMERICAN INSTITUTE OF GRAPHIC ARTS Special Session F18 Level 6, Ballroom 6A
Chair: Patricia Failing, University of Washington Fair Use of Images in the Classroom: How Far Is Fair? Christine Sundt, University of Oregon Fair Use: An Image Provider's Perspective David Weiskoph, Corbis Corporation Don't Forget About Trademarks: Fair Use of Trademarked Text and Images Sean OConner, University of Washington School of Law Discussant: Jeffrey P. Cunard, Debevoise and Plimpton, Attorneys at Law
Chairs: Frank Baseman, Philadelphia University; Elizabeth Resnick, Massachusetts College of Art Topic and participants to be announced.
THE ARTS COUNCIL OF THE AFRICAN STUDIES ASSOCIATION
Women, Leadership, and Art in Africa F19

Chairs: Victoria Rovine, University of Iowa Museum of Art; Christa Clarke, Newark Museum Praise and Power: Women, Leadership, and the Arts among the Kuba Patricia J. Darish, independent scholar The King Is a Woman: Gender and Authority in Central Africa Mary Nooter Roberts, Fowler Museum of Cultural History, University of California, Los Angeles Remembering Royal Women: Art, Memory, and Power at the Court of Benin, Nigeria Flora Edouwaye S. Kaplan, New York University
CAA EDUCATION COMMITTEE
Proving We Know They Know: Considering Assessment F21

Chair: Steve Shipps, Emerson College Assessment and Its Relation to Accreditation Steven Bleicher, Art Institute of Fort Lauderdale Assessment Results from The Survey of the Survey Kevin Concannon, University of Akron
32
NOON1:30 PM
FRIDAY
Portfolio Assessment in Californias Teacher Education Program in Art Mika Cho, California State University, Los Angeles Assessment from the United Kingdom Art/Design Perspective Sue Gollifer, University of Brighton Student Writing as Evidence in Assessment David McCarthy, Rhodes College Discussant: Martha Dunkleman, Canisius College
All the Flack about Audrey Flack and Her Artistic Response to the Twenty-first Century Arthur Jones, University of North Dakota Shelter against Violence: A Case for Empowerment Muriel Magenta, Arizona State University The Archetypes of the Feminine and the Politics of Spirituality Kyra Belan, Broward Community College
HISTORIANS OF EIGHTEENTHCENTURY ART AND ARCHITECTURE
Early Ottoman Wall Painting and the Decorative Alternative Richard Turnbull, Fashion Institute of Technology Wall Paintings from Different Cultures in Western Anatolia Inci Kuyulu Ersoy, Ege University
New Scholars: Making Meaning in EighteenthCentury Visual Culture F25

Chair: Laura Auricchio, Parsons School of Design and Cooper-Hewitt, National Design Museum Construing the Oeuvre in Eighteenth-Century France Graham Larkin, Stanford University The Oxford Almanack and the Pomfret Statues: The Ideology of Vertu Dennine Dudley, University of Victoria The Emperors Two Bodies Judith Dolkart, Brooklyn Museum of Art The Death of Caesar and The Death of Virginia by Vincenzo Camuccini and the Politics of Classicism in Italy, 17931815 Jon L. Seydl, J. Paul Getty Museum
ITALIAN ART SOCIETY
Continuity and Change: The State of Research on Sixteenth-Century Italian Art F27
CAA MUSEUM COMMITTEE
COMMUNITY COLLEGE PROFESSORS OF ART AND ART HISTORY
What Curators Need to Know: Evaluating Curatorial Studies Programs F22

Disconnected: Artists and the Community College F24

Chair: Bernadine Barnes, Wake Forest University The Cult of Materials Michael Cole, University of Pennsylvania Acquisition and Identity in Sixteenth-Century Rome: The Case of the Popes Daughter Caroline Murphy, University of California, Riverside Best Sellers: Problems with Prints Christopher L. C. E. Witcombe, Sweet Briar College
Chairs: Maria Ann Conelli, Fashion Institute of Technology; Katherine B. Crum, Parrish Art Museum Michael Conforti, Sterling and Francine Clark Art Institute Joan Marter, Rutgers University Alicia Longwell, Parrish Art Museum Erica E. Hirshler, Boston Museum of Fine Arts
Chairs: Thomas Morrissey, Community College of Rhode Island; Leo Morrissey, Brevard Community College If I Stopped Making Art . . . Would Anyone Notice? Leo Morrissey, Brevard Community College Re-Energizing Arts Education: The Importance of Developing the Role of Artist/Arts Educator Jean Linville, Briarcliff Manor Union Free School District To Do or Not to Do: Uphill Battle or Downhill Slide? Thomas Morrissey, Community College of Rhode Island Discussant: Sheldon Hurst, Adirondack Community College
HISTORIANS OF ISLAMIC ART Islamic Wall Painting F26 Level 6, Meeting Room 609
NATIONAL ENDOWMENT FOR THE ARTS
Funding Opportunities at the National Endowment for the Arts F28

COALITION OF WOMEN IN THE ARTS ORGANIZATION
Chair: Richard Turnbull, Fashion Institute of Technology Wall Painting in Pre-Mongol Iran and Central Asia: New Discoveries in Samarkand Yury Karev, Russian Academy of Sciences The Craftsmen and Builders Represented in the Painting Cycle at the Umayyad Palace at Qusayr Amra: An Iconographical Analysis Hana Taragan, Tel Aviv University
Participants to be announced.
Women Artists as Interpreters of SocioPolitical Issues of the Twenty-First Century F23

PART-TIME EMPLOYMENT TASK FORCE
Chair: Kyra Belan, Broward Community College Interactive Art Janice Hartwell, Florida State University
Part-Time Employment in Art History and the Arts: Open Discussion F29
Chairs: Irina Costache, California State University; D. Fairchild Ruggles, University of Illinois, Urbana-Champaign
February 1821, 2004
33
FRIDAY
NOON1:30,
2:004:30
PM
QUEER CAUCUS FOR ART Queer Artists Speak F30 Level 6, Meeting Rooms 611 & 612
Visual Ethnography in Visual Culture Studies Karin Becker, Konstfack Stockholm
Ut Pictura Poesis: A Romanesque Poetic Ekphrasis and Its EarRelevant Illustrations Peter Scott Brown, Columbus State University Program or Assemblage: Looking for Meaning in Romanesque Sculpture James DEmilio, University of South Florida The Nude, Phantasia, and the Affective Powers of Romanesque Sculpture Thomas E. A. Dale, University of Wisconsin, Madison
Where to Draw the Line F35

Chair: Sallie McCorkle, Pennsylvania State University Harmony Hammond, University of Arizona Sallie McCorkle, Pennsylvania State University Carrie Moyer, Dyke Action Machine! Robert Repinski
2:004:30
PM
Chair: Susan E. Boye, Cornish College of the Arts Circumventing Hand and Brain Connections: If We Stop Drawing, We Stop Thinking like Artists and Designers Craig Warner, Northwest Missouri State University Defining How the Line Is Drawn: Educating Undergraduate Artists in the Twenty-first Century Yonsenia White, Virginia Polytechnic Institute and State University A Waste of Time? How Changing Student Opinions Can Inform the Teaching of Drawing within Design Curricula Edwin Jager, University of Wisconsin, Oshkosh Drawing and Design: The Pencil and the Mouse and Reinventing the Wheel Mark Fetkewicz, University of Northern Colorado Better? Worse? Or Just Different! Chris Garvin, The University of the Arts
SPECIAL ADVOCACY SESSION
Cultural Heritage in Time of War F31A

Chair: Marta Teegen, CAA Report from Iraq Cultural Heritage: Why Should We Care? Models for Reconstruction: Bosnia, Cambodia, Afghanistan Zainab Bahrani, Columbia University; James A. R. Nafziger, Willamette University College of Law; Jeffrey B. Spurr, Harvard University; John H. Stubbs, World Monuments Fund; Yasser Tabbaa, Oberlin College Other participants to be announced.
VISUAL CULTURE CAUCUS
Teaching Visual Culture Studies F31

Sight, Sound, and Touch: Sensory Perception in American Art F34

Chairs: Jill Casid, University of Wisconsin, Madison; Erica Rand, Bates College Teaching Visual Culture at the Cooper Union Maren Stange, Cooper Union Using Visual Culture to Challenge Cultural Values, Beliefs, and Assumptions Wanda B. Knight, Pennsylvania State University From Gen X to Y to Z: A Transgenerational Approach to Visual Culture John Corso, Cornell University
Chairs: Wendy Bellion, Rutgers University; Rachael Z. DeLue, University of Illinois, UrbanaChampaign At the Mouth of the Cave: On the Sights and Sounds of Thomas Coles Kaaterskill Falls Michael Gaudio, University of Minnesota, Twin Cities From Sonic to Social: Noise, Quiet, and Nineteenth-Century American Banjo Imagery Leo G. Mazow, Palmer Museum of Art, Pennsylvania State University The Illusion of Experience and the Circulation of the Senses in Gilded-Age Trompe LOeil Meredith Davis, Columbia University Shake, Rattle, and Roll Janine Mileaf, Swarthmore College You May Want to Hear...the Sound of Bruce Naumans Art Janet Kraynak, State University of New York, Purchase
Annual Artists Interviews

F32 Level 6, Meeting Rooms 602/603/604
Participants to be announced. This session will take place in ARTspace.
Partisan Canons, Part 1: Discursive Sites F36

Romanesque Sculpture Studies: Where Are We Now? F33

Chair: Anna W. Brzyski, University of Kentucky Drawing on Their Friends: Manuscript Style as Political Message in the Art of EleventhCentury Flanders Diane J. Reilly, Indiana University A Useful and Glorious Exercise: The 1667 Academic Conferences and the Construction of a French Artistic Canon Carolyn Allmendinger, Ackland Art Museum, University of North Carolina, Chapel Hill
Chairs: Kirk Ambrose, University of Colorado, Boulder; Robert Maxwell, University of Pennsylvania Roots or Retro: Romanesques Paradoxical Paradigm Linda Seidel, University of Chicago
34
2:004:30
PM
FRIDAY
Caillebotte, Durand-Ruel, Rewald, and the Impressionist Canon James E. Cutting, Cornell University Modernist Formalism in the Making: Paul Signacs From Eugne Delacroix to NeoImpressionism Michelle A. Foa, Princeton University In Picassos Defense: Building a Canon of Modernism in the Real Bohemia Nicholas Sawicki, Grinnell College Part 2 of this session will be held on Saturday at 2:30 PM.
The Period-Room Debate and the Making of Americas Public Art Museums F38
Chair: Sally Anne Duncan, Plymouth State University Picture Houses and Period Rooms: Wallace Nutting, the Museum, and the Market Thomas Andrew Denenberg, Wadsworth Atheneum Museum of Art Style and Lifestyle in the Machine Age: The Modernist Period Rooms of The Architect and the Industrial Arts Kristina Wilson, Yale University Art Gallery Alexander Dorners Atmosphere Room: The Museum as Experience Curt Germundson, Minnesota State University, Mankato Frederic Remingtons Studio: An Innovative Exhibition Strategy at the Whitney Gallery of Western Art Elizabeth Kennedy, Terra Museum of American Art Discussant: Alan Wallach, College of William and Mary
I Would Rather Look at a Painting of a Landscape than a Real Landscape: Reflections on the Crossroads Where Human Longing and Anxiety Meet, Landscape Painting and the Fiction of Nature Gregory Amenoff, Columbia University Painting Whats Left of the Landscape: Thoughts on Wounded Beauty Tim Casey, Bard College American Pastoral Dennis Congdon, Rhode Island School of Art and Design The Duwamish Waterway: Painting from a Superfund Site Philip Govedare, University of Washington
ITALIAN ART SOCIETY
The Meaning of Portraiture in Renaissance and Baroque Italy F41

Chairs: Irving Lavin, Institute for Advanced Study; Beth L. Holman, Bard Graduate Center Identity in Renaissance Portraits Joanna Woods-Marsden, University of California, Los Angeles Gianmarco Cavallis Testoni of Francesco II Gonzaga: The Circulation of Allegory and the Legitimacy of Rule in Renaissance Mantua Gregory Harwell, Princeton University Medici Portraits and the Santissima Annunziata of Florence Bernice Iarocci, University of Toronto Costanza Bonarelli: Model, Mistress, Muse? Sarah McPhee, Emory University The Loaded Portrait: Caricature and Artistic Identity in Early Modern Italy Sandra Cheng, University of Delaware
New Approaches to the History and Theory of Montage F37

Chairs: Brigid Doherty, Princeton University; Elizabeth Otto, State University of New York, Buffalo Ernst Neumanns New Values of Fine Art: Art and Mass Culture at the Turn of the Century Sherwin Simmons, University of Oregon Reading Montage: The Translation of Montage via German and American Photography Books Andrea Nelson, University of Minnesota Pictorial Suture and Radical Politics: John Heartfields AIZ Photomontages Sabine Kriebel, University of California, Berkeley Montage Artist as Marketer in Japan Gennifer Weisenfeld, Duke University Warhols Sleep: Serial Slowness and the Body of Film William McManus, Princeton University
INTERNATIONAL ASSOCIATION OF WORD AND IMAGE STUDIES
Walter Benjamin and the Visual Arts F40

Chair: Michle Hannoosh, University of Michigan Benjamins Snapshot of Surrealism: Metaphor, Image, and Action Raymond Spiteri, University of North Dakota Earths Eye, the Horizon, and the Shadow of the Object Aron Vinegar, Ohio State University Walter Benjamins Materialist Physiognomy John Welchman, University of California, San Diego The Screen: Visuality and Responsibility after the Auratic Demise Dag Peterson, Royal Library, Denmark Beyond Benjamins Aura: His Contribution to Visual Studies Today and How May We Proceed from It Ruth E. Iskin, Ben Gurion University
Nature in Crisis: Landscape in the Twenty-first Century

F39 Level 6, Meeting Rooms 605 & 610
Investigating New Art in France F42

Chair: Martin Patrick, Illinois State University Tom McDonough, Binghampton University Artist on the Bridge: Ousmane Sows Outdoor Paris Retrospective James E. Housefield, Texas State University, San Marcos Situations franaises: Atlanta Presents New Art from France Lisa Fischman, Atlanta College of Art Gallery
Chair: Philip Govedare, University of Washington What Can Landscape Say Sarah McCoubrey, Syracuse University
February 1821, 2004
35
FRIDAY
2:004:30
PM
Antoine Vigne, independent scholar Vivian Rehberg, ARC/Muse d'Art moderne de la Ville de Paris
Paul Thek: Hippopotamus Poison and Other Conservation Concerns Michael Duffy, The Museum of Modern Art, New York The Assertion of Form Martha Buskirk, Montserrat College of Art Op Ed: Bridget Riley on Bruce Nauman Linda G. Norden, Fogg Art Museum Discussant: Bruce J. Altshuler, New York University
JAPAN ART HISTORY FORUM
Hidden Agendas: Political Symbolism in Japanese Art

Redressing the Gender of Industry: In and Around Bauhaus Textile Production Tai Smith, University of Rochester
Rewriting Jacob Lawrence: A Proposition F43

Chair: Sarah E. Thompson, University of Oregon Anthropomorphosis and Allegory in The Picture Scroll of the War of the Twelve Animals Sarah E. Thompson, University of Oregon Politics of Partying: Scenes of Pleasure in Mansions Susan Lee, Florida State University The Dual Regime: Political Connotations of Edo-Period Makura-e Amaury Garcia, El Colegio de Mexico Politics of the Stone: Some Conceptualist and Mono-ha Works in the Late 1960s Reiko Tomii, independent scholar Discussant: Andrew M. Watsky, Vassar College
OFF-SITE SESSION
Australian Aboriginal Art

F48 Seattle Art Museum, Lecture Hall
Chair: Richard J. Powell, Duke University When Haiti Was in Vogue: Jacob Lawrences Account of Toussaint Louverture Lindsay J. Twa, University of North Carolina, Chapel Hill Black Femininity and Intertextuality in Jacob Lawrences Harriet Tubman Series (1939) Joan DelPlato, Simons Rock College at Bard Nineteen Forty-Six Richard J. Powell, Duke University
Chair: Brenda Croft, National Gallery of Australia
HISTORIANS OF NETHERLANDISH ART
The Long Legacy of the Devotio Moderna F45

Chair: Nanette Salomon, The College of Staten Island, City University of New York The Ghent Altarpiece and Performative Painting Marc De Mey, Ghent University Marys at the Tomb: Paintings, Sculpture, and a Passion Play Built for One Kathryn M. Rudy, Utrecht University Hieronymus Bosch: Inner Eye and Empty Talk Reindert Falkenburg, Leiden University Melancholia and the Magdalene: Feminity and/as Interiority Lisa Rosenthal, University of Illinois, Urbana-Champaign Rembrandts Painted Portrait of the Remonstrant Clergyman Johannes Wtenbogaert and the Modern Devotion David A. Levine, Southern Connecticut State University Discussant: Ellen Konowitz, State University of New York, New Paltz
Revisiting the Presence of the Object F44

Textiles, 18901940 F47 Level 3, Meeting Room 3A

Chair: Virginia Gardner Troy, Berry College Textiles and Architecture: Weaving Modern Discourse Aliki Economides, Centre Canadien dArchitecture Sophie Taeuber, Hans Arp, and the Politics of Cross-Stitch Bibiana Obler, University of California, Berkeley Art into Life: Russian Constructivist Textile Designs and Atelier Simultan of Sonia Delaunay Julia Tulovsky, Moscow State University Wearing Wood: World War I and the Development of Kunstseide in Germany Maria Makela, independent scholar
Chair: Robin Reisenfeld, Christies Education Whats the Object? Theater and Theatricality in Contemporary Art Howard N. Fox, Los Angeles County Museum of Art
This session will feature indigenous curators from Australia, Canada, and the United States who discuss their experiences in establishing a place in mainstream institutions. As a case example, they will trace the development and difficulties encountered in putting together an exhibition entitled Jesus Loves Me This I Know. This exhibition is currently in formulation for an international tour and addresses a subject not often reviewed with critical perspectives in art museums. The session will be held at the Seattle Art Museum, followed by a reception and a tour of a local private collection.
4:455:45
PM
Meet the Candidates

Become an engaged and educated voter! Learn the backgrounds and positions of the candidates for CAAs Board of Directors. All CAA members are strongly urged to attend this important meeting.
36
6:008:30
PM
FRIDAY
6:008:30
PM
Third Waves: Contemporary Feminism/ Contemporary Art F49

The Symbolist Artist in 1900: Degeneracy Acknowledged or Genius Proclaimed? Sharon Hirsh, Dickinson College Fashioning Artistic Identities: The Critical Performance of Whistler and Sargent Meaghan Clarke, University of Sussex Confounding the Homeland: The Precarious Reception of Brancusis Peasant Identity Alexandra Parigoris, independent scholar Discussant: Susan Sidlauskas, University of Pennsylvania Part 2 of this session will be held on Saturday at 9:30 AM.
Nostalgia and Resistance in the Study of Photography under the Raj Gary Sampson, Cleveland Institute of Art
The Aporia of Photographing Abjection: Charcots Nouvelle Iconographie de la Salptrire Fae Brauer, University of New South Wales Looking at Lynching Photographs: Sadistic Voyeurism or Historical Witness? Dora Apel, Wayne State University Having Ones Cake and Eating It Too: Artists Strategies of Substitution and the Rhetoric of Photographic Evidence Mary Beth Heffernan, Occidental College
Chair: Elizabeth Adan, University of California, Santa Barbara From Womyn to Grrrls: Fostering Understanding between Feminist Generations Maria Elena Buszek, Kansas City Art Institute Nowhere and Everywhere: The Lesbian Presence in Feminist Art of the 1990s Aviva DoveViebahn, University of Rochester From Goddess to Cyborg: Contemporary Asian Women Artists Jieun Rhee, Seoul National University A Data Body Discourse in Image and Text Simone Win Paterson, University of Newcastle and the Hunter Institute of Technology Trappings: Stories of Women, Power, and Clothing Tiffany Ludwig and Renee Piechocki, Two Girls Working
CAA INTERNATIONAL COMMITTEE
Going Global: Defining CAAs Role in the International Community

F52 Level 3, Meeting Room 3A
Chairs: A. Victor Coonin, Rhodes College; Allison Morehead, University of Chicago Positioning CAA for International Activities Ann Davis, The Nickle Arts Museum, University of Calgary The Case of Northern Cyprus: Cultural Welfare and Political Stalemate Michael J. K. Walsh, Eastern Mediterranean University Valuation, Ownership, and Protection of Heritage Sites of Universal Significance: New Age Trend or Noble Fallacy? John H. Stubbs, World Monuments Fund and Columbia University Beyond Catalogued Losses: The Iraq Museum Database Project at the Oriental Institute Clemens Reichel, University of Chicago
Redefining the Work of Art: Artists and Art Scholars Collaborate F54
Postmodern Possession: The Reception and Reappraisal of Victorian Art in the New Millennium
Chairs: Andrea Feeser, Clemson University; Gaye Chan, University of Hawaii Renovations, Conversations: Female Co-Creativity 1970 2003 Judith Batalion, Courtauld Institute of Art Sculptural Consciousness: Recontextualizing the System Aesthetic Celina Jeffery, Savannah College of Art and Design; James Coupe, South Bank University Using History: The Role of an Art Historian in Fred Wilsons Speak of Me as I Am Paul H. D. Kaplan, State University of New York, Purchase; Fred Wilson, Skidmore College Margaret Crane/Jon Winet: Collaboration and Hybrid Work Jon Winet, University of Iowa; Margaret Crane
Chair: Susan P. Casteras, University of Washington Repossessing Victorian Royal Portrait Traditions: Representing Diana, Princess of Wales Colleen Denney, University of Wyoming Victorian Tendencies among Contemporary Artists Sharon Lacey, independent scholar Queer Orientalism: Masculinity of the Other in William Etty and Mulready Jongwoo J. Kim, Institute of Fine Arts, New York University They that Look on Her Must Come to Me: Abjection and Alterity in Dante Gabriel Rossettis Images of Jane Morris Amy Bingaman, Cornish College of Art
Fashioning the Public Self: Modernity, Transformative Fictions, and the Social Construction of Artistic Identity, Part 1 F50
Chairs: Susan M. Canning, College of New Rochelle; Patricia G. Berman, Wellesley College Czanne in Public and Private: Fashioning the Self in the Image of the Other Carol Armstrong, Princeton University
Photography and the Abject F53

Chair: Laurie Dahlberg, Bard College Disaster and Dissolution in the Victorian Mass-Reproduced Image Gerry Beegan, Rutgers University
February 1821, 2004
37
FRIDAY
6:008:30
PM
The Activist Artist: Community-Based Art Practice F55

Renaissance and Revolution in Contemporary Papermaking Susan Gosin, Dieu Donn Papermill, Inc. Thinking in Paper and the Art of Collaboration Anne Q. McKeown, Rutgers Center for Innovative Print and Paper Handmade Paper and the Printed Mark, from Two to Three Dimensions Joan Hall, Washington University, St. Louis Paper Covers Rock: Institutionalizing the Studio Marilyn Sward, Columbia College, Chicago
The Place of the Local in American Art History F58

Chairs: Barbara Goldstein, City of Seattle, Mayors Office of Arts and Cultural Affairs; Lisa Richmond, City of Seattle, Mayors Office of Arts and Cultural Affairs OnRamp ArtsCollaborations in Digital Media Jessica Irish, OnRamp Arts Artist as Cultural Activist Lonnie Graham, artist Whos Right: The Artist or the Community? Steve Durland, Community Arts Network An Institutional View: The Community-Based Artist Residency J. Susan Isaacs, Delaware Center for the Contemporary Arts
Chair: Wendy Katz, University of Nebraska, Lincoln Fitz Hugh Lane: Time, Memory, Canvas, and Lumber in Nineteenth-Century Coastal New England Margaretta Lovell, University of California, Berkeley From Regional to Local: Alfred Jacob Miller and Painting in Baltimore, 18401860 Lisa Strong, independent scholar Little of Artistic Merit?: The Problem of Southern Art History Maurie McInnis, University of Virginia Entrepreneurial Elites and the Nationalization of the Art World in Gilded Age America John Ott, James Madison University Haunted Lines: Negotiating German-American Identity in John W. Winklers San Francisco Chinatown Etchings Louise Siddons, Stanford University
The Living Temple as Space of Ruins: Documentary Photography in NineteenthCentury British India Gita Pai, University of California, Berkeley Tesori darte ed oggetti di vita: Archaeology Meets Aesthetics in the Antiquarium Ostiense Margaret Laird, University of Chicago The Archaeologist and the Architect: Fragments of Memory and Rhetorics of Reconstruction Sheila Crane, University of California, Santa Cruz Fragments Estranged: Visuality and Concealment at the Site of Psychoanalysis Diane ODonoghue, Tufts University and School of the Museum of Fine Arts Discussant: Boreth Ly, University of Utah
Working on Living Artists

Chair: Susan Jarosi, Duke University Reading Lips: Field Notes on the Art Historian as Cultural Anthropologist David E. Little, The Museum of Modern Art, New York Art and Craft: Making Work and Making Exhibitions Robert Storr, independent curator and critic; Institute of Fine Arts, New York University In the Belly of the Beast: The Artists Daughter as Art Historian Hannah Higgins, University of Illinois, Chicago On the Teaching, Reception, and Dissemination of Art Hermann Nitsch, artist
Paper: Art Practice and Collaboration; Material and Innovation F56

Chairs: Susan Gosin, Dieu Donn Papermill, Inc.; Anne Q. McKeown, Rutgers Center for Innovative Print and Paper
Signs of Devotion: Bathtub Madonnas, Highway Crosses, and Personal Manifestations of Spirituality and Memorialization F60
Strange Fragments: Reassessing the Relationships between Art History and Archaeology
F59 Level 6, Ballroom 6C
Chair: Ellen Kosmer, Worcester State College Homemade Sacred: Personalized Shrines at the Family Cemetery Christina Bertoni, Rhode Island School of Design Viernes de Dolores: Altars to the Virgin of Sorrows Nancy Deffebach, Rice University Articles of Faith: Materials of Belief Robert Mertens, University of Wisconsin, Whitewater Discussant: Kellen McIntyre, University of Texas, San Antonio
Chairs: Barbara Kellum, Smith College; Kara Olsen Theiding, University of California, Berkeley The National Geographic Style: The Role of Fantasy in Archaeological Interpretation with Special Focus on Artist and Archaeologist at Troy Maureen Basedow, University of Cincinnati
38
9:30
AMNOON
SATURDAY
Breaking Down the Boundaries: What Happens When Educators Curate F61
ART HISTORY OPEN SESSION Michelangelo F63 Level 6, Ballroom 6B
SATURDAY FEBRUARY 21 7:309:00 AM

CAA Annual Business Meeting
Chair: Tamara Moats, Henry Art Gallery Other Voices, Other Rooms: Art and Education in Context Carolyn H. Wood, Ackland Art Museum Considering Exhibition Structure and Art Experience John Weber, San Francisco Museum of Modern Art Meeting Grounds Janna Graham, Art Gallery of Ontario; Richard Hill, Art Gallery of Ontario
Chair: William E. Wallace, Washington University, Saint Louis Editing a Life: Michelangelo in Bologna and Renaissance Art History Randi Klebanoff, Carleton University Michelangelo in Miniature Maria Ruvoldt, Cooper-Hewitt Museum Color and Poetry Donald R. Schrader, independent scholar Michelangelo, Anti-Antiquarian Cammy Brothers, University of Virginia Faith, Hope, and Charity: A Consideration of the Julius Tombs Quattrocento Origins Shelley E. Zuraw, University of Georgia
Haiti on My Mind: Rethinking the Concept of Harlem and Its Relationship to Haiti in Jacob Lawrences The Life of Toussaint Louverture La Nitra Walker, Duke University Asiamericasia: Towards a Globalized Asian American Art History Joan Kee, University of Hong Kong Archive Fevers: Colonialism, Modernity, and the Politics of Display Jennifer A. Gonzalez, University of California, Santa Cruz Discussant: Frances Pohl, Pomona College
See your CAA Board of Directors in action. You are cordially invited to attend this important meeting to hear the latest reports on whats happening at CAA.
ASSOCIATION OF HISTORIANS OF NINETEENTH-CENTURY ART
Business Meeting
Graffiti: Re(sur)facing an Old Wall F62

CATALOGUE RAISONN SCHOLARS ASSOCIATION
Business Meeting
Fashioning the Public Self: Modernity, Transformative Fictions, and the Social Construction of Artistic Identity, Part 2 SA2
Chair: Oscar E. Vzquez, University of Illinois, UrbanaChampaign Paintguns, Cops, and the Twenty-First-Century Tagger Margaret Weigel, MACHA Media Framing [Con]text: Graffiti and Place Ella Chmielewska, Canadian Centre for Architecture Cries from the Pueblo: Mexican Political Graffiti and Street Art Pamela Scheinman, Montclair State University Mark My Words: Epigraphy, Inscription, or Graffiti? Michelle A. Rein, University of Pennsylvania Lettered/Visual/Orders: Illegibility and Culture Critique in Graffiti Art Joe Austin, Bowling Green State University
JAPAN ART HISTORY FORUM
Business Meeting
Chairs: Susan M. Canning, College of New Rochelle; Patricia G. Berman, Wellesley College Meine Kunst kriegt hier zu fressen: Max Beckmanns Public Persona during the Great War Amy Kelly Hamlin, Institute of Fine Arts, New York University Alienation and Stardom: Delaunay-Terks Self-Portraits Sherry Buckberrough, University of Hartford Anti-Portrait on an umourist: Jacques Vach and the Persona of Trauma Kirsten Strom, Grand Valley State University Also sprach der Oberdada: Johannes Baader, Madness, and Nietzsches Model Adrian Sudhalter, Busch-Reisinger Museum, Harvard University Art Museum Discussant: Susan Sidlauskas, University of Pennsylvania
February 1821, 2004
PACIFIC ARTS ASSOCIATION
Business Meeting
9:30
AMNOON
ASSOCIATION OF HISTORIANS OF AMERICAN ART
Postcolonialism, Globalization, and American Art SA1

Chairs: Bill Anthes, University of Memphis; Elizabeth Hutchinson, Barnard College Tanner, Hybridity, and the Blood of the Holy Land Alan C. Braddock, Syracuse University
39
SATURDAY
Myth and Modern Art, Part 2 SA3
9:30
AMNOON
Chair: Alison Hilton, Georgetown University Sculptor Bikky Sunazawa and His Use of Ainu Traditional Myths as a Statement of Ethnic Pride Chisato O. Dubreuil, University of Victoria Fernand Lgers Myth of Regeneration: Fomenting Revolution or Constructing Colonialism? Maureen G. Shanahan, State University of New York, Oswego Modern Transformations and Medusa Kimberly AllenKattus, Northern Kentucky University Ancient Subtext, Modern Context: An Artists Contribution Andrea Eis, Oakland University
Yax Pasaj and the Palencano Presence at Copn Rhonda Taube, University of California, San Diego; Karl Taube, University of California, Riverside Cultural Identity and Stylistic Spheres at Las Higueras, Veracruz John L. Machado, Jr., University of Texas, Austin An Art Practice for a Community without Borders: Placing the Borgia Group Manuscripts Anne Walke Cassidy, Columbia University The West MexicanMimbres Connection: Influence, Appropriation, or Collision at the Northern Frontier James Farmer, Virginia Commonwealth University Death, Ethnicity, and the State in the Tarascan Society of the Early Sixteenth Century Anglica Afanador, University of California, Los Angeles Discussant: Jeff Karl Kowalski, Northern Illinois University
Reconsidering Clyfford Still: The Creation of Abstract Art as Spirit Power Herbert R. Hartel, Jr., John Jay College, City University of New York Discussant: Ray Kass, Virginia Polytechnic Institute and State University Discussant: Susan Fillin-Yeh, independent scholar
Art History de jure

SA7
Chair: Elizabeth C. Mansfield, University of the South From Sams Caf to United Art Contractors: Actionable Art? Kevin Concannon, University of Akron Andys Art or Dull Documents: Defining Warhols Photographic Legacy in the Courtroom William V. Ganis, New York Institute of Technology Big Picture, Fine Print: The Surprising Impact of the Illicit Art Trade on Tax Law and Art Historians Anne-Marie Rhodes, Loyola University School of Law Art History and the New Iconoclasm Elizabeth C. Mansfield, University of the South
After Vietnam: Traces of Exile and Fragments of Homeland in Canadian Art

SA6 Level 6, Ballroom 6A
Chairs: Martha Langford, McGill University; Jerry Zaslove, Simon Fraser University Re: Considering Cultural Production in Vancouver during the 1960s and 1970s: A Discussion of Two Intermedia Texts by Roy Kiyooka Glen Lowry, Coquitlam College A Critical Beauty: Photoconceptual Art in Vancouver Sharla Sava, Simon Fraser University Conceptual Lithography at Nova Scotia College of Art and Design: From Acconci to Wieland Jayne Wark, Nova Scotia College of Art and Design American Expatriate Artists in Canada: A Life of Exile or Prelude to NAFTA Peter Wollheim, Boise State University
Beyond Style: Fashioning Cultural Identity in Ancient Mesoamerican Art and Architecture SA4
Activating Critical Discourse: Models of Civic Engagement and Public Arts Practice SA8
Chairs: Julia Guernsey Kappelman, University of Texas, Austin; Annabeth Headrick, Vanderbilt University
The Northwest School: Far Beyond and Deep Within

SA5 Level 6, Ballroom 6C
Chair: Bradley McCallum, ConjunctionArts Animating Democracy: Opportunity and Challenge at the Intersection of Art and Civic Dialogue Pam Korza, Americans for the Arts Creative CapitalIncorporating Discourse as Part of Comprehensive Artist Support Sean Elwood, Creative Capital Community Cultural Development Tomas YbarroFrausto, Rockefeller Foundation Critical Conditions Patricia C. Phillips This session will take place in ARTspace.
Chair: Martha Kingsbury, University of Washington Mark Tobey: Construction of an Artistic Identity Sheryl Conkelton, independent scholar North of Northwest: Relations between American and Canadian Early Modern Artists on the Pacific Coast Gerta Moray, University of Guelph
40
9:30
AMNOON
SATURDAY
The Rise and Fall of Memorial Sculpture, Part 2 SA9

And You Dont Stop: Collaborative, Interactive Hip-Hop Performance Frank Barber, Columbia College Acting as though Digital Is Just Another Tool Gwyan Rhabyt, California State University, Hayward Storyscape: An Experience Design Site of Environment, Media, and Event Woven Together by Story Jacki Apple, Art Center College
NATIONAL ART EDUCATION ASSOCIATION
Chairs: Sarah Blake McHam, Rutgers University; Margaret A. Kuntz, Drew University The Public Memorial in Nineteenth-Century Italy: Giuseppe Grandi and the Monument to the Five Days of Milan, 18811894 David M. Gariff, University of Wisconsin, Stout Colonial Embodiment: Greater France, Great Glory, and the Gare St.-Charles in Marseilles Jennifer Foley, Cornell University The Fall and Rise of Iosif Stalin: Iconoclasm and Resurrection of Public Monuments in the PostSoviet Era Mike OMahony, University of Bristol Loss as Vanished Form: On the Anti-Memorial Sculptures of Horst Hoheisel Ellen Handler Spitz, University of Maryland, Baltimore County
Artful Mentoring in Higher Education: Role Models and Pedagogical Strategies for Enhanced Learning in the Arts SA12
Whither Connoisseurship of the Rembrandtesque; or, What to Do with All the Not Rembrandts? Catherine B. Scallen, Case Western Reserve University Taking the Con Out of Connoisseurship (and Putting the Visual Knowledge Back In) Benjamin Binstock, New York University Appraising Fanzago: Discerning Eyes in Seventeenth-Century Naples J. Nicholas Napoli, Princeton University
Chair: Renee Sandell, Maryland Institute College of Art Role Models and Pedagogical Strategies for Mentoring Students into Art Professionals Kathleen Desmond, Central Missouri State University The Role of Mentoring in the Senior Thesis Project Richard Hamwi, Mercyhurst College The Community in the Classroom: Breaking into the White Cube Carol Janson, Western Washington University Helping Students Follow Their Paths: A Visual Record Phyllis Plattner, Maryland Institute College of Art Mentoring in Higher Education: Exploring the Possibilities Carole Henry, University of Georgia
Media Screens/Screen Media SA11

ART HISTORY OPEN SESSION Relocating the Pacific SA14 Level 6, Meeting Rooms 605 & 610
Chair: Katie Mondloch, University of California, Los Angeles Interfaces in Electronic Media Yvonne Spielmann, HBK Braunschweig, Germany Projecting Screens: Lucio Fontanas Spatial Spectacle Stephen Petersen, University of Delaware The Depreciation of the Relational: The Media Screens of Liza May Post Christine Ross, McGill University Translucent Temporalities: Motility, Autonomy, and the Video Projection Screen Margot Bouman, University of Rochester Another Language of New Media: Rethinking Movement, Interactivity, and the Screen Michele White, Wellesley College
Chair: Terry Smith, University of Pittsburgh Traversing the Pacific: Mai, Cultural Entanglement, and Indigenous Appropriation Jos Hackforth-Jones, Richmond, The American International University in London Images of the Pacific: Aesthetic Connections between Australia and the American West 18501930 Erika Esau, Australian National University Split Vision: Figuring the Pacific in New Zealand in the 1970s Christina Barton, Victoria University of Wellington Islands of Difference: Spatial Explorations and Pedagogical Lessons in the Pacific Karen K. Kososa, University of Hawaii at Manoa
Collaborative Teaching of Collaboration: Teaching Interdisciplinary Digital Media and Performance

SA10 Level 6, Meeting Rooms 618 & 619
RENAISSANCE SOCIETY OF AMERICA
Whither Connoisseurship? Part 2 SA13

Chair: Jeff McMahon, Arizona State University Collaborative Teaching for Interdisciplinary Curriculum Patricia Clark, Arizona State University Approaching the Body: Interdisciplinary Student Collaborations Petra Kuppers, Bryant College
Chair: Jeffrey Chipps Smith, University of Texas, Austin Connoisseurship and the Study of Renaissance Stained Glass Virginia C. Raguin, College of the Holy Cross Quality Control: Vittorias Portrait Busts as Case Studies in Connoisseurship Thomas Martin, Bard High School Early College
February 1821, 2004
41
SATURDAY
Venice, Venus, and the Virgin: The Search for Arcadia in SixteenthCentury Painting SA15
9:30
AMNOON
Biography and Contemporary Art SA16

Chair: Judith Stein, independent curator Minor Characters: Stieglitzs Pandoras Box Judith Mara Gutman, The New School University David Smith Michael Brenson, independent art critic Inside Ab-Ex: Talk as Biography Geoffrey Dorfman Shaping, Structuring, and Editing the Past: Jack Goldstein Richard A. Hertz, independent scholar Ed Kienholz in Art History: Reconsidering the Artists Biography Damon Willick, Loyola Marymount University
Nature and the Divine: The Chapel Vaults at Ingolstadt and the Space of Mystical Experience Ethan Matt Kavaler, University of Toronto
Artifactual Art: Fiction Illustration in Late NineteenthCentury Shanghai Lisa R. Claypool, Lewis and Clark College Edo Remakes of Kansai Publications: A Look at Moronobus Drawing Power and Edo Publishing during the Seventeenth Century Helen M. Nagata, Milwaukee Institute of Art and Design Censorship and Politics in Ukiyo-e: The Ehon Taikki Incident of 1804 Julie Nelson Davis, University of Pennsylvania Mapping the History of Temple and Shrine Prints in Japan Sherry Fowler, University of Kansas
Chair: Joanne Snow-Smith, University of Washington Sebastiano del Piombos Death of Adonis: Between Venice and Rome Irene Trevor, The Museum of Fine Arts, Houston The Spiritual and the Corporeal in Titians Danae from Naples Luba Freedman, The Hebrew University of Jerusalem Vernacular Ideals of Beauty: Pietro Bembos Gli Asolani and Titians Paintings of Beautiful Women, circa 1515 Judith B. Gregory, University of Delaware and the Delaware College of Art and Design Sensual Skin, Vibrant Views, and Charming Colors: The Gendering of Venetian Oil Painting Karen Goodchild, Wofford College Venetia figurata or Venus: The Female Nude in SixteenthCentury Venice Elizabeth Carroll, Indiana University, Bloomington, and Scuola Internazionale di Grafica
Acquiring the Past: A Critical History of Collecting Classical Antiquities SA18

Chair: Julie Van Voorhis, Indiana University How Romans Organized Greek Sculpture Peter de Staebler, Institute of Fine Arts, New York University Cultivating Antique Culture in the Middle Ages: The Patriotism and Influences of Petrarch Charles Stewart, Indiana University Integrating Classical Antiquities in Sixteenth-Century Florence Claudia Lazzaro, Cornell University From Antiquarianism to Archaeology: Ancient Roman Antiquities in the Capitoline Museum Heather Hyde Minor, University of Colorado, Boulder Collecting Contextual Sculptures Jens Daehner, The J. Paul Getty Museum
12:302:00
PM
ART HISTORIANS INTERESTED IN PEDAGOGY AND TECHNOLOGY
Medieval Art History and Historiography, Part 2 SA17

Business Meeting
Level 6 Ballroom 6C
Chair: William Tronzo, Tulane University Celestial Jerusalem in the Morgan Beatus: A Unique Image for a Transformed World Alison Locke, Yale University The Political Representation of Henry II Eliza B. Garrison, Northwestern University Text, Audience, Image: Iconographic Specificity in the Choir Frescoes of Donnaregina Kerr Houston, Maryland Institute College of Art Hoc est corpus meum: Visual Space and Theological Construction in Medieval Dance of Death Imagery Elina Gertsman, Boston University
ART HISTORIANS OF SOUTHERN CALIFORNIA
New Perspectives from the Art Historians of Southern California

The Printed Image in East Asia SA19

Chair: Suzanne E. Wright, University of Tennessee Woodcut Pictorial Advertising in Traditional China Ellen Johnston Laing, University of Michigan
Art History PhD Survey: Combining Career and Family in the Humanities, A Struggle to Juggle for Men and Women! SA19A
Chair: Maresi Nerad, University of Washington, Center for Innovation and Research in Graduate Education Susan Ball, College Art Association Pauline Yu, American Council of Learned Societies
42
12:302:00
PM
SATURDAY
The panel will discuss a national study concentrated on career outcomes of some 500 art history PhDs who graduated between 1985 and 1991 from 54 (all) U.S. art-history doctoral programs. The panelists will focus on the situation of women scholars in the humanities with an emphasis on art historians. Art history is a field in which more than 50 percent of doctoral recipients have been women for a long time; therefore, pipeline problems do not exist. Nevertheless, men occupy the more prestigious positions, are more often tenured, and earn more. This national survey serves as a case study on how family relations and commitments influence academic careers of women and men.
ASSOCIATION FOR LATIN AMERICAN ART Open Session SA21 Level 3, Meeting Room 3B
Chair: Patrick Frank, University of Kansas Portraying the Aztec Past: Colonial Strategies Angela Marie Herren, The Graduate Center, City University of New York Latin American Orientalism and the Globalization of Taste: The Production of Biombos in the Spanish Empire Sofia Sanabrais, New York University Arte para los aos 80: Creating Columbian Conceptualism Gina McDaniel Tarver, University of Texas
and landscape design. Hear the preliminary results of the survey and discuss your own institutions situation. Learn how other institutions are thinking about documentation, study, and preservation of the physical plants of their campuses, as they plan for the future.
INTERNATIONAL SCULPTURE CENTER
Recognition Opportunities for Emerging Artists and Their Faculty and Art Departments SA24
Chair: Mary Catherine Johnson, International Sculpture Center

DESIGN FORUM
Collaboration in Design Studies SA23

Professional Presenting Skills for Emerging Artists James Nestor, Indiana University of Pennsylvania International Sculpture Center Opportunities for Recognition of Students, Faculty, and Art Departments Michael Johnson, University of Puget Sound Trends for Emerging Artists Bryan Ohno
Chair: Ann Schoenfeld, Pratt Institute Towards a Collaborative Authorship Susan Bowman, Rowan University Ecocrisis and Material Culture: Locating Consequential Collaboration Barbara Dass, University of Ulster Collaboration and ExperienceBased Design Paul Platosh, Pacific Northwest College of Art Mosaics, Minarets, and Multimedia Design: Reflections on American-Style Design Education in the Middle East Harry St. Ours, Montgomery College Collaboration or Collusion? Coordination or Control? Michael Schmidt, University of Memphis
ASSOCIATION OF ART EDITORS
Business Meeting
Level 2, Meeting Rooms 2A & 2B CAA PUBLICATIONS COMMITTEE
University Press Publishing in the Arts Today SA21A

ASSOCIATION OF HISTORIANS OF NINETEENTH-CENTURY ART Level 6, Meeting Rooms 613 & 614
LEONARDO/THE INTERNATIONAL SOCIETY FOR THE ARTS, SCIENCES, AND TECHNOLOGY
Business Meeting
Future Directions in the History of NineteenthCentury Art SA20

Chair: Eve Sinaiko, CAA Deborah Kirshman, University of California Press Susan Bielstein, University of Chicago Press Other participants to be announced.
Chair: Andrew C. Shelton, Ohio State University Allegory, Ruin, and Embodiment: Benjamin and Ingriste Allegorical Portraiture Sarah Betzer, University of California, Santa Cruz The Evolutionary Body: Rethinking the Nude in PostDarwinian French Art Martha Lucy, Institute of Fine Arts, New York University The Aesthete as Socialist: Walter Cranes Fate of Persephone (1878) Morna ONeill, Yale University
NATIONAL COUNCIL FOR EDUCATION IN THE CERAMIC ARTS SA25 Level 6, Meeting Rooms 611 & 612
Mirrors of Influence: Aesthetics and Agenda
THE COUNCIL OF INDEPENDENT COLLEGES
Survey of Historic Architecture and Design

SA22 Level 6, Ballroom 6A
HISTORIANS OF ISLAMIC ART
Business Meeting
Chair: Barbara S. Christen, Council of Independent Colleges The Council of Independent Colleges, with funds provided by the Getty Grant Program of the J. Paul Getty Trust, is conducting a survey of historic architecture
This slide lecture by Rebecca Harvey, Ohio State University, will demonstrate how all aspects of an object, from design to material to method of manufacture, have been used to reinforce and propagate social and political agendas.
February 1821, 2004
43
SATURDAY
NEW MEDIA CAUCUS
12:302:00, 2:305:00
PM
RADICAL ART CAUCUS
Partisan Canons, Part 2: Institutional Sites SA29

Constructing Boundaries: Approaches to the Discourse of New Media Aesthetics SA26

Business Meeting
Paris Plasticity: From Integration of the Arts to Environmental Semiotics Larry Busbea, Manhattan College Modeling Conceptual Architecture: Of Eisenman, Kosuth, and Paradox Nana Last, Rice University Haackes Matter Graham Bader, Harvard University Caracas as Ciudad Dispositivo: Imagen de Caracass Critique of Venezuelan Modernism Marguerite Mayhall, Kean University
Chair: Anna W. Brzyski, University of Kentucky
2:305:00
PM
Chair: Doreen Maloney, University of Kentucky Jonathan Binstock, Corcoran Gallery of Art Nancy Atakan, artist and critic Rachel Clarke, California State University, Sacramento Sara Doris, University of Kentucky
AMERICAN SOCIETY OF HISPANIC ART SCHOLARS
Cultural Crossings: Spain, Italy, the Netherlands, and the Americas SA28
Canon Fodder: Mexican Art at New Yorks Museum of Modern Art in the Mid-1950s Catha Paquette, University of California, Santa Barbara American Artists Paint the City: Katharine Kuhs Disruption of Canonical Paradigms at the 1956 Venice Biennale Caroline Simpson, University of Nebraska Recovering and Reconstructing Modern Art in Divided Berlin Claudia Mesch, Arizona State University Chinese Art, the National Palace Museum, and Cold War Politics Jane C. Ju, National Chengchi University Canons Apart and Apartheid Canons: Casting Black South African Art Locally and Globally Julie L. McGee, Bowdoin College
Chair: Lynette M. F. Bosch, State University of New York, Geneseo Convento Retablos: Missionizing Mexico in the Sixteenth Century Eloise Quinoes Keber, The Graduate Center and Baruch College, City University of New York Performance and Image in PostConquest Mexico: Syncretic Expressions of Power on the Faade of the Casa Montejo, Mrida, Yucatn Linda Kristine Williams, University of Washington Spain and the Pearl of the Antilles: Mudejar-Morisco Building Practices in the Colonial Architecture of Cuba, SixteenthEighteenth Centuries Alka Patel, University of Michigan Imperial Eclecticism at the Cathedral of Plasencia and Cceres Sergio Sanabria, Miami University of Ohio Discussant: Mark Denaci, State University of New York, Geneseo
Women, Cloth, and Polynesia: The Legacy of Jehanne Teilhet-Fisk SA27

Art and Religion in Nineteenth-Century America SA31

Chair: Charles Colbert, Portland State University Natures Hieroglyphs and the Masonic Vision of Thomas Cole David Bjelajac, George Washington University Building the House of Wisdom: Violet Oakleys Early Murals and Christian Science Bailey Van Hook, Virginia Polytechnic Institute and State University All Very Fast and Going to the Very Dogs: Quakers and the Visual Arts Kristin Fedders, Earlham College Evangelical Christianity Hitches a Ride Down the River: The Visual Texts of Uncle Toms Cabin Jo-Ann Morgan, Costal Carolina University
Chair: Anne E. Guernsey Allen, Indiana University Southeast The Urban in the Island: Traditions of Change Karen Stevenson, Canterbury University, Christchurch The Formation of a New Textile Tradition: Cook Island Tivaevae Phyllis Herda, University of Auckland Jehanne Teilhet-Fisk and the Acculturative Process Hilary Scothorn, Florida State University
Space, Spectatorship, and the Dialogue between Art and Architecture Practices, 19501980 SA30
Chairs: Noah Chasin, Bard College; Monica Amor, Maryland Institute College of Art Bodies and Cities: Valie Exports Body Configurations in Architecture Jill Dawsey, Stanford University
44
2:305:00
PM
SATURDAY
A Fragile Alliance: Porcelain as Sculpture, 1700 to 1900, Part 2 SA32

Bodily (Re)Presentations in Oceania SA33

Retooling Dissent Emily Forman, School of the Art Institute of Chicago Bring NAFTA Back to Tijuanas Maquiladora Workers: A Traveling Art Exhibition Fred Lonidier, University of California, San Diego Asocijacija Apsolutno: A View on Globalization from Other Europe Jelena Stojanovic, Ithaca College Dan Wang
Ask Somebody Else Something Else: Analyzing the Artist Interview SA36
Chairs: Martina Droth, Henry Moore Institute; Alison Yarrington, University of Glasgow The Sculptural Prestige of Boizots Grand Vase for Svres: A French Royal Commission of 1783 Juliet Carey, Courtauld Institute of Art A Revolutionary Currency: Svres Medallions Produced during the French Revolution Emily Richardson, University College London Porcelain: Materiality and Meaning in Post-Revolutionary France Stephen Adams, University of Hertfordshire The Collaboration of Gauguin and Chaplet at the Dawn of the Art Nouveau Yeon Shim Chung, Institute of Fine Arts, New York University Discussant: Malcolm Baker, University of Southern California
Chair: Stacy L. Kamehiro, University of California, Santa Cruz Body Interpretations by a Samoan Artist Jewel Castro, artist Fish Caskets as Social Bodies, S.E. Solomon Islands Deborah B. Waite, University of Hawaii, Manoa Paul Gauguins Tahitian Allegory of Virtue and Vice Suzanne Donahue, Temple University The Pleasures of Travel: Victorian Lady Travelers and Embodied Encounters in the South Pacific Heather Waldroup, University of California, Santa Cruz Discussant: Riet Delsing, University of California, Santa Cruz
Chairs: Johanna Burton, Princeton University; Lisa Pasquariello, Stanford University Against Criticism: The Artist Interview in Avalanche Magazine, 19701976 Gwen Allen, Stanford University Robert Ryman, Retrospective Suzanne P. Hudson, Princeton University Method Acting: The ArtistInterviewer Conversation Tim Griffin, Artforum Discussant: Rhea Anastas, Bard College
Medieval Venice: Mythogenesis and SelfTransformation SA35

Chair: Anne McClanan, Portland State University The State of Venetian Art History: The View from 2004 Debra Pincus, National Gallery of Art, Washington, D. C. San Marco and the Kinship of Stone Fabio Barry, Columbia University The Foundation of Venetian State Power through Lion Imagery Marina Karem, independent scholar Forces at Work: Venices Urban Economy and the Reliefs of Working Life on the Portale Maggiore of San Marco Mark Rosen, University of California, Berkeley Discussant: Helena Szpe, University of South Florida
not-design, not-art: Crafting and Naming an Interdisciplinary Curriculum SA37

RADICAL ART CAUCUS
Aesthetics, Politics, and the CounterGlobalization Movement

SA34 Level 6, Meeting Rooms 618 & 619
Chairs: Tina Simonton, Georgia Institute of Technology; Sabir Khan, Georgia Institute of Technology (In)discipline Kenneth Fitzgerald, Old Dominion University 2x4D: Time-Based Site-Specific CollaborationA Pilot Interdisciplinary Project for First-Year Art Foundation Students Winn Rea, Long Island University Against the Grain: An Interdisciplinary Course Within a Traditional Curriculum J. Bradley Adams, Mount Berry College Discussant: Linda Weintraub, Oberlin College
February 1821, 2004
Chairs: Janet Koenig, Radical Art Caucus; Noel Douglas, Slade School of Fine Art Another (Art) World Is Possible: Theorizing Oppositional Convergence Gene Ray, Alexander von Humboldt Foundation and Kunstwerke Institute for Contemporary Art, Berlin
45
SATURDAY
2:305:00, 7:008:30
PM
Work in Progress: Presentations by CAA Professional Development Fellowship Recipients SA38

CAA PROFESSIONAL PRACTICES COMMITTEE
Is the Visual Arts Studio/Classroom a Hostile Environment?

SA39 Level 3, Meeting Room 3A
Doing What Nature Does: Japonisme, Laurence Binyon, and Transcendence in the Works of Wyndham Lewis circa 19101914 Jonathan Shirland, independent scholar Japonisme, through the Looking Glass Alicia Volk, Yale University
7:008:30
OFF-SITE SESSION
PM
Session on New Media SA42

Chair: Barbara London, Museum of Modern Art, New York Participants to be announced.
Chair: Lauren Stark, CAA Performative Notions: Your Crown Is Bought and Paid For Lisa Bradley, School of the Art Institute of Chicago Looking In/Looking Out: The Representation of Race in 1950s and 1960s United States Photography Erina Duganne, University of Texas, Austin Photographs, Books, and Ideas of Community Jonathan Gitelson, Columbia College Chicago Michelangelos Soul: The Battle of Cascina as Psychomachia James Carlton Hughes, University of North Carolina, Chapel Hill Somatypes: Race and Materiality in Twentieth-Century Sculpture Linda Kim, University of California, Berkeley Assimilation or Resistance? The Production and Consumption of Tlingit Beadwork Megan Smetzer, University of British Columbia
Chair: John M. Sullivan, Arkansas Tech University A New Etiquette for Teaching Contemporary College Figure Drawing Classes, with Comparisons to the Salon Approach Janice Trusky, Indiana University of Pennsylvania The Nude Dilemma in Academia Ross Zirkle, University of Kentucky
Modernist Abstraction across the Disciplines SA41

See Special Events, p. 48.
Chairs: Marshall Brown, University of Washington; Marek Wieczorek, University of Washington Concerning the Spiritualand the Concretein Kandinskys Art Lisa Florman, Ohio State University Greenberg Disciplining Greenberg Randall Van Schepen, Roger Williams University Monochrome Medicine Mark Cheetham, University of Toronto Morris Louis, et al: Court Painters to Liberal America Alexander Nemerov, Yale University
Rethinking Japonisme SA40 Level 3, Meeting Rooms 605 & 610

Chairs: Aileen Dashi Tsui, Columbia University; Noriko Murai, independent scholar Fantasies of Asia Ting Chang, McGill University An Early Example of Japonisme in American Interior Design: Louis Comfort Tiffanys Rooms in the Bella Apartments Ellen E. Roberts, Boston University Rethinking Japan Mania: Popular Consumption and the Gendering of Japan Elizabeth Kramer, University of Manchester
46
INDEX OF PARTICIPANTS
A
Adams, J. Bradley SA37 Adams, Stephen SA32 Adan, Elizabeth F49 Afanador, Anglica SA4 Agostini, Tiziano TH45 Ahlfeldt, Jennifer F. TH39 Ainsworth, Maryan TH44 Akcan, Esra TH64 Alexander-Skipnes, Ingrid F2 Allen, Anne E. Guernsey SA27 Allen, Gwen SA36 Allen, Lynne TH72 Allen-Kattus, Kimberly SA3 Allmendinger, Carolyn F36 Alston, Cheryl TH30 Altshuler, Bruce J. F44 Ambrose, Kirk F33 Amenoff, Gregory F39 Amor, Monica SA30 Amy, Michal F3 Anastas, Rhea SA36 Andrews, Julia TH29 Andrzejewski, Anna Vemer TH1 Ankori, Gannit F8 Ansell, Joseph P. TH50 Anthes, Bill SA1 Apel, Dora F53 Apple, Jacki SA10 Applin, Jo TH40 Armstrong, Carol F50 Arnar, Anna Sigrdur TH6 Aschheim, Deborah G. F4 Atakan, Nancy SA26 Auricchio, Laura F25 Austin, Joe F62 Berman, Patricia G. F50, SA2 Bermingham, Ann TH57 Bermdez, Julio W2 Bernstein, Gloria TH25 Bershad, Deborah F4 Bertoni, Christina F60 Betz, Scott TH51 Betzer, Sarah SA20 Bielstein, Susan SA21A Biggs, Bonnie F5 Bingaman, Amy F51 Binstock, Benjamin SA13 Binstock, Jonathan SA26 Bjelajac, David SA31 Bleicher, Steven TH51 Blier, Suzanne Preston F19 Blocker, Jane TH14 Bloodworth, Sandra F4 Bloom, James J. TH3 Boehme, John G. TH58 Boettger, Suzaan TH15 Bookbinder, Judith TH1 Bosch, Lynette M. F. SA28 Bouman, Margot SA11 Bowles, John P. F9 Bowman, Susan SA23 Boye, Susan E. F35 Boylan, Alexis L. TH2 Braddock, Alan C. SA1 Bradley, Lisa SA38 Brauer, Fae F53 Brennan, Marcia TH1 Brenson, Michael SA16 Bridgman, Daniel F1A Britt, Karen C. TH41 Brooks, Perry F7 Brooks, Sarah T. TH3 Brothers, Cammy F63 Brotherton, Barbara TH17 Brotherton, Elisabeth TH20 Brown, David TH60 Brown, Elizabeth A. TH18 Brown, Jason S. TH30 Brown, Marshall SA41 Brown, Peter Scott F33 Bruzelius, Caroline TH31 Bryan-Wilson, Julia TH15 Brzyski, Anna W. F36, SA29 Buchan, Suzanne TH36 Bucher, Claudia TH58 Buckberrough, Sherry SA2 Bunn-Marcuse, Katie TH17 Bunting, Lynda F10 Burton, Johanna SA36 Busbea, Larry SA30 Buskirk, Martha F44 Buszek, Maria Elena F49 Bzdak, Michael TH32 Campbell, Kimberly Chrisman TH47 Canning, Susan M. F50, SA2 Cantara, Alan TH23A Carey, Juliet SA32 Caro, Mario A. TH33 Carothers, Martha F6 Carroll, Elizabeth F6 Carroll, Margaret D. F7 Cartiere, Cameron TH30 Cartwright, Derrick TH19 Casey, Tim F39 Casid, Jill F31 Cassidy, Anne Walke SA4 Casteras, Susan P. F51 Castillo, Greg TH61 Castro, Jewel SA33 Century, Michael TH69 Chan, Gaye F54 Chang, Chin-Sung TH11 Chang, Ting SA40 Chasin, Noah SA30 Checco, Gerald TH22 Checco, Jan Brown TH22 Cheetham, Mark SA41 Cheng, Meiling TH58 Cheng, Sandra F41 Cherry, Deborah TH5 Chiu, Melissa F11 Chmielewska, Ella F62 Cho, Mika F21 Christen, Barbara S. SA22 Christenson, Allen J. F17 Chung, Y. David TH36 Chung, Yeon Shim SA32 Clairmont, Corwin TH72 Clapper, Michael TH2 Clark, Gregory TH44 Clark, Patricia SA10 Clarke, Christa F19 Clarke, Meaghan F50 Clarke, Rachel SA26 Claypool, Lisa SA19 Clifford, Marie TH32 Clifford, Timothy TH7 Clifton, James F3 Codell, Julie TH34 Cohen, Andrew L. TH4 Colbert, Charles SA31 Colburn, Cynthia TH59 Cole, Michael F27 Coliton, Susan TH18 Collins, Jeffrey F7 Concannon, Kevin F21 Condon, Elisabeth TH9 Conelli, Maria Ann F22 Conforti, Michael F22 Congdon, Dennis F39 Conkelton, Sherly SA5 Coombes, Annie TH5 Coonin, A. Victor F52 Copeland, Huey F9 Corby, Vanessa TH14 Corinne, Tee A. TH68 Corn, Wanda TH19 Corrin, Lisa F11 Corso, John F31 Cosentino, Deliah A. TH39 Costache, Irina F29 Costantini, Giovanna TH38 Cote de Luna, Jeffery F6 Coupe, James F54 Cozzolino, Robert T. TH1 Crane, Margaret F54 Crane, Sheila F59 Cranston, Jodi TH62 Croft, Brenda F48 Cropper, Elizabeth W1 Crow, Thomas TH24A Crum, Katherine B. F22 Cullen, Fintan TH5 Culp, Jane TH43 Cummins, Rebecca TH35 Cunard, Jeffrey P. F20 Cuneo, Marilyn TH6 Cunningham, Linda TH22 Curtis, Gerard F6 Cutting, James E. F36 Czegledy, Nina W2
D
Dadswell, Sarah TH54 DAgliano, Andreiana TH7 DEmilio, James F33 Daehner, Jens SA18 Daftari, Fereshteh F8 Dahlberg, Laurie F53 Daigle, Claire TH4 Dale, Thomas E. A. F33 Daniel, Margaret TH32 Dansby, Robert TH67 Darish, Patricia F19 Dass, Barbara SA23 Davis, Ann F52 Davis, John TH19 Davis, Julie Nelson SA19 Davis, Meredith F34 Davis, Virginia F17 Dawsey, Jill SA30 De Mey, Marc F45 De Staebler, Peter SA18 Debby, Nirit Ben-Aryeh TH62 Deffebach, Nancy F60 Dell, Irve TH26 Delsing, Riet SA33 DeLue, Rachael Z. F34 DelPlato, Joan F43 DeMarinis, Paul TH35 Denaci, Mark SA28 Denenberg, Thomas Andrew F38 Denney, Colleen F51 Dennis, Kelly TH10 Desai, Vishakha N. F11 Desmond, Kathleen SA12 deSouza, Allan TH4 Diamond, Sara TH69 Dickinson, Eleanor TH21 Dill, Janeann TH36
February 1821, 2004
B
Bader, Graham SA30 Bahrani, Zainab F31A Baker, Judith TH24 Baker, Malcolm SA32 Ball, Jennifer L. TH3 Ball, Susan SA19A Banerjee, Rina TH4 Banks, Joyce L. TH39 Barber, Frank SA10 Barnes, Bernadine F27 Barry, Fabio SA35 Barton, Christina SA14 Basedow, Maureen F59 Baseman, Frank F18 Batalion, Judith F54 Bawa, Avantika TH60 Bearor, Karen A. TH21 Becker, Karin F31 Beegan, Gerry F53 Belan, Kyra F23 Belden, Kris TH63 Bell, Evelyn E. TH59 Bellion, Wendy F34 Berger, Patricia TH29 Berger, Harry, Jr. F7
C
Cadge-Moore, Catie A. F17 Cahill, James TH29 Campbell, Erin F3
131
Dimitrakaki, Angela TH54 Djerejian, Madeline TH55 Dodson, Liz TH6 Doherty, Brigid F37 Dolkart, Judith F25 Donahue, Suzanne SA33 Donner, Christa TH70 Dorfman, Geoffrey SA16 Doris, Sara SA26 Doud, Tim TH65 Douglas, Noel SA34 Dove-Viebahn, Aviva F49 Droth, Martina Th7, SA32 Dubin, Margaret F15 Dubreuil, Chisato O. SA3 Dudley, Dennine F25 Duffy, Michael F44 Duganne, Erina SA38 Duncan, Kate C. F15 Duncan, Sally Anne F38 Dunkleman, Martha F21 Durland, Steve F55 Forman, Emily SA34 Fort, Ilene Susan TH1 Fouquet, Monique TH51 Fowler, Sherry SA19 Fox, Howard N. F44 Frank, Patrick SA21 Frank, Peter F10 Fraunhar, Alison TH57 Freedman, Luba SA15 Freund, Amy TH42 Friedlander, Jennifer TH34 Fryd, Vivien Green TH6 Fueki, Chie TH9 Hamlin, Amy Kelly SA2 Hammond, Harmony F30 Hamwi, Richard SA12 Hanemann, Elizabeth TH72 Hannoosh, Michele F40 Hansen, Morten Steen F3 Harkett, Daniel TH57 Harper, Cheryl TH12 Hartel, Jr., Herbert R. SA5 Hartney, Eleanor TH25 Hartwell, Janice F23 Hartwig, Melinda K. TH59 Harvey, Rebecca SA25 Harwell, Gregory F41 Hatt, Michael TH5 Hawker, Ronald W. TH17 Hayum, Andre TH62 Headrick, Annabeth SA4 Heffernan, Mary Beth F53 Henderson, Linda Dalrymple TH40 Hennessy, Cecily J. TH41 Henry, Carole SA12 Herda, Phyllis SA27 Herren, Angela Marie SA21 Hertz, Betti-Sue F11 Hertz, Richard A. SA16 Herzog, Melanie TH50 Hessler, Christiane J. TH20 Higgins, Hannah F57 Hill, Christian TH70 Hill, Richard F61 Hills, Patricia TH1 Hilton, Alison TH38, SA3 Hirsh, Sharon F50 Hirshler, Erica E. F22 Hitchcock, John TH72 Hodges, Nicole R. TH58 Hoffberg, Judith F10 Holcombe, Anna Callouri TH23 Hollander, Katie TH18 Holman, Beth L. F41 Horsfield, Kate TH12 Housefield, James E. F42 Houston, Kerr SA17 Huacuja, Judith L. TH67 Hudson, Susanne P. SA36 Hughes, Christopher TH31 Hughes, James Carlton SA38 Huhtamo, Erkki TH35 Hurst, Sheldon F24 Hutchinson, Elizabeth SA1 Jaffee, Barbara TH37 Jager, Edwin F35 Janowich, Ron TH43 Janson, Carol SA12 Jarosi, Susan F57 Jeffery, Celina F54 Johns, Barbara TH18, F11 Johnson, Mary Catherine SA24 Johnson, Michael SA24 Jones, Arthur F23 Jones, Jennifer TH42 Ju, Jane C. SA29 Jung, Jacqueline TH31
G
Gabara, Esther TH40 Galbraith, Carrie F6 Ganis, William V. SA7 Garberson, Eric TH47 Garcia, Amaury F46 Gariff, David M. SA9 Garrison, Eliza B. SA17 Garton, John TH62 Garvin, Chris F35 Gascard, Lorettann TH36 Gates, Mimi F11 Gaudio, Michael F34 Gelfand, Laura D. F2 Germundson, Curt F38 Gerstheimer, Christian F10 Gertsman, Elina SA17 Gibson, Michael TH13 Gibson-Wood, Carol TH42 Giese, Lucretia Hoover F14 Gifford, E. Melanie TH44 Gitelson, Jonathan SA38 Goldhagen, Sarah TH71 Goldner, Janet F6 Goldstein, Barbara TH25, F55 Gollifer, Sue F21 Gonzalez, Jennifer A. SA1 Goodchild, Karen SA15 Gordon, Alden Rand TH16 Gosin, Susan F56 Govedare, Philip F39 Gower, Reni TH60 Graham, Janna F61 Graham, Lonnie F55 Graybill, Lela TH47 Greenberg, Reesa TH8 Gregory, Judith B. SA15 Griffin, Tim SA36 Griswold, Susanna TH44 Gruen, J. Philip TH34 Guffey, Elizabeth TH61 Gunning, Tom TH35 Gutman, Judith Mara SA16 gyrl grip, the TH58
K
Kain, Evelyn TH63 Kalas, Gregor A. TH30 Kamehiro, Stacy L. SA33 Kangas, Matthew TH25 Kaplan, Flora F19 Kaplan, Paul H. D. F54 Kappelman, Julia Guernsey SA4 Karafel, Lorraine TH55 Karem, Marina SA35 Karev, Yury F26 Kartsonis, Anna D. TH41 Kass, Ray SA5 Katz, Wendy F58 Kaufmann, Thomas DaCosta TH64 Kavaler, Ethan Matt SA17 Keber, Eloise Quinoes SA28 Kee, Joan SA1 Kellum, Barbara F59 Kennedy, Elizabeth F38 Kessler, Benjamin R. TH56 Khan, Sabir SA37 Khanna, Ranjana TH5 Kiaer, Christina TH40 Kim, Jongwoo J. F51 Kim, Linda SA38 King, Elaine A. TH65 Kingsbury, Martha SA5 Kirsh, Andrea TH27 Kirshman, Deborah SA21A Kjellman-Chapin, Monica TH2 Klebanoff, Randi F63 Kleeblatt, Norman TH8 Klein, Jennie TH58 Knight, Wanda B. F31 Koenig, Janet SA34 Kogman-Appel, Katrin F16 Konowitz, Ellen F45 Korrick, Leslie TH20 Korza, Pam SA8 Kosmer, Ellen F60 Kososa, Karen K. SA14 Kossowska, Irena TH64 Kotsis, Kriszta TH41 Kousser, Rachel TH59 Kowalski, Jeff Karl SA4 Kramer, Elizabeth SA40 Kraynak, Janet L. F34 Kriebel, Sabine F37
E
Economides, Aliki F47 Efimova, Alla TH40 Eis, Andrea SA3 Ekhtiar, Maryam F8 Elwood, Sean SA8 Emmons, Carol TH37 Emmons, Paul TH37 English, Darby F9 Ersoy, Inci Kuyulu F26 Esau, Erika SA14 Evans, Brian TH36
F
Failing, Patricia F20 Faletti, Rina C. TH38 Falkenburg, Reindert F45 Farmer, James SA4 Fedders, Kristin SA31 Fedderson, Joe TH72 Feeser, Andrea F54 Feibelman, Beck TH32 Feldman, Marian TH59 Feodorov, John TH25 Fernie, Eric F16 Ferrandi, George TH60 Fetkewicz, Mark F35 Filice, Eugenio TH68 Fillin-Yeh, Susan SA5 Fiorenza, Giancarlo F3 Fischman, Lisa F42 Fitzgerald, Kenneth SA37 Fleck, Cathleen TH31 Flores, Patricia TH55 Florman, Lisa SA41 Foa, Michelle A. F36 Foley, Jennifer SA9 Ford, Kianga F9
I
Iarocci, Bernice F41 Irish, Jessica F55 Isaacs, J. Susan F55 Iskin, Ruth E. F40
H
Hackforth-Jones, Jos SA14 Hall, Joan F56
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Jackson, Margaret A. TH39 Jacobs, Jim TH67
132
Kuntz, Margaret A. F14, SA9 Kunze, Donald TH37 Kuppers, Petra SA10 Maguire, Eunice Dauterman TH41 Makela, Maria F47 Malina, Roger W2 Maloney, Doreen SA26 Manchada, Catharina TH10 Mann, Vivian B. TH3 Mannino, Joseph TH50 Mansfield, Elizabeth C. SA7 Mansour, Opher F3 Marks, Andrea TH13 Marmor, Max TH56 Marshall, Jennifer F12 Marter, Joan F22 Martin, Antoinette TH24 Martin, Thomas SA13 Martinson, Barbara TH13 Mathews, Nancy Mowll TH36 Mattern, Shannon TH71 Matthew, Annu Palakunnathu TH4 Mattick, Paul F12 Maxwell, Robert F33 Maya, Gloria F13 Mayhall, Marguerite SA30 Mayhew, Kirk TH22 Mazow, Leo G. F34 McCallum, Bradley SA8 McCarthy, David F21 McClanan, Anne SA35 McCorkle, Sallie TH50, F30 McCoubrey, Sarah F39 McDonough, Tom F42 McGee, John P. TH51 McGee, Julie L. SA29 McGowan, Elizabeth F14 McHam, Sarah Blake F14, SA9 McInnis, Maurie F58 McIntyre, Kellen F60 McKeown, Anne Q. F56 McMahon, Jeff SA10 McManus, William F37 McNeil, Larry TH72 McPhee, Sarah F41 McPherson, Heather TH42 McTavish, Lianne TH37 Mendelsohn, Lea TH20 Menon, Elizabeth F10 Mertens, Robert F60 Mesch, Claudia SA29 Metzler, Sally Ann TH11 Meyer, Matilda TH41 Meyer, Richard TH19, TH40 Milbourne, Karen E. F15 Mileaf, Janine F34 Miles, Wanda F1A Miller, Ruth R. TH6 Miller, Sean TH60 Mills, Chris TH10 Minor, Heather Hyde SA18 Moats, Tamara F61 Mondloch, Katie SA11 Monger, Kathryn E. TH56 Mooney, Allen TH15 Moorti, Sujata TH4 Moray, Gerta SA5 Morehead, Allison F52 Morgan, Jo-Ann SA31 Morrissey, Leo F24 Morrissey, Thomas F24 Morton, Marsha TH38 Moyer, Carrie TH30, F30 Muellner, Nick TH10 Mhsam, Armin TH43 Muir, Prescott TH67 Murai, Noriko SA40 Murphy, Caroline F27 Musacchio, Jacqueline TH11 Parker, Kevin TH45 Pasachoff, Jay M. TH11 Pasquariello, Lisa SA36 Patel, Alka SA28 Paterson, Simone Win F49 Patrick, Martin F42 Paulk, Ann Bronwyn TH65 Pearson, Christopher TH2 Pellecchia, Linda TH62 Perkinson, Stephen TH3 Perschke, Kurt TH22 Petersen, Stephen SA11 Peterson, Dag F40 Phelan, Peggy TH10 Philipp, Jeanne TH6 Phillips, Patricia SA8 Piechocki, Renee F49 Pincus, Debra SA35 Pinkel, Sheila W2 Pitt, Lillian TH33 Platosh, Paul SA23 Platt, Susan TH25 Plattner, Phyllis SA12 Plautz, Dana TH69 Pohl, Frances SA1 Poling, Clark V. TH38 Posner, Richard F5 Potratz, Wayne E. TH26 Potvin, John TH34 Powell, Richard J. F43 Powers, Pike F5 Priddy, Joel TH70 Punt, Michael W2
L
Lacey, Sharon F51 La Follette, Laetitia F1A Laing, Ellen Johnston SA19 Laird, Margaret F59 Lamoureux, Johanne TH8 Lane, Barbara G. F2 Lang, Sandra TH32 Langford, Martha SA6 Larkin, Graham F25 Larkin, Todd TH42 Larsen, Mernet TH9 Last, Nana SA30 Lavadour, James TH33 Lavin, Irving F41 Lawing, Preston B. F5 Laxton, Susan TH66 Lazzaro, Claudia SA18 Lee, Susan F46 Leibsohn, Dana TH56 Leja, Michael TH57 Lemakis, Emmanuel TH46 Lemay, Kate TH61 Leong, Lampo TH9 Levin, Gail TH1 Levine, David A. F45 Levy, Ellen K. TH46 Lewis, Joe TH52 Lewis, Mark TH43 Lewittes, Deborah TH34 Libby, Susan Houghton TH47 Lieuallen, Rocco TH7 Ligon, Glenn F9 Lin, Xiaoping TH29 Lin, Zhi TH65 Linville, Jean F24 Little, David E. F57 Lobel, Michael TH40 Locke, Alison SA17 London, Barbara SA42 Longwell, Alicia F22 Lonidier, Fred SA34 Lovell, Margaretta F58 Lowry, Glen SA6 Luber, Patrick TH2 Lucy, Martha SA20 Ludwig, Tiffany F49 Lukitsh, Joanne TH66 Lundin, Norman TH65 Lutz, Eric TH71 Lutz, Jim TH71 Ly, Boreth F59 Lyons, Beauvais TH22
N
Nadel, Barbara A. F4 Nafziger, James A.R. F31A Nagata, Helen M. SA19 Naginski, Erika F7 Napoli, J. Nicholas SA13 Nelson, Andrea F37 Nelson, Kristi TH23 Nelson, Robert F16 Nemerov, Alexander SA41 Nerad, Maresi SA19A Nesin, Barbara TH24 Nestor, James SA24 Nevola, Fabrizio TH31 Nickel, Douglas R. TH66 Nickolson, Richard E. TH15 Nitsch, Hermann F57 Norden, Linda G. F44
O
Obler, Bibiana F47 OConner, Sean F20 ODonoghue, Diane F59 Ogbechie, Sylvester Okwunodu TH8 Ohno, Bryan SA24 Olson, Roberta J. M. TH11 Olson, Todd F7 OMahony, Mike SA9 ONeill, Morna SA20 Oomittuk, Othniel Art TH33 Oppenheimer, Robin TH12, TH18 Orthof, Geraldo TH67 Oryshkevich, Iryna TH62 Osthoff, Simone TH67 Ostrow, Steven F. F3 Ott, John F58 Otto, Elizabeth F37 Ovenden, Colleen TH8 Ozubko, Christopher TH13
R
Rabel, Kathleen TH28 Raguin, Virginia SA13 Rand, Erica F31 Rando, Flavia F13 Raub, Cymbre TH61 Raux-Carpentier, Sophie TH42 Ray, Gene SA34 Ray, Romita TH57 Rea, Winn SA37 Reason, Akela TH61 Rehberg, Vivian F42 Reichel, Clemens F52 Reilly, Diane J. F36 Reilly, Maura TH68 Rein, Michelle A. F62 Reisenfeld, Robin F44 Repinski, Robert F30 Resch, Mark W2 Resnick, Elizabeth F18 Rhabyt, Gwyan SA10 Rhee, Jieun F49 Rhodes, Anne-Marie SA7 Richardson, Emily SA32 Richmond, Lisa F55 Ringelberg, Kirstin TH15 Rizk, Mysoon F8 Roberts, Ellen E. SA40 Roberts, Mary Nooter F19
February 1821, 2004
P
Pai, Gita F59 Palmer, Carolyn Butler TH17 Paquette, Catha SA29 Pardee, Hearne TH43 Parigoris, Alexandra F50
M
Machado, Jr., John L. SA4 MacLeod, Catriona TH7 Magenta, Muriel F23
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Robertson, Bruce TH55 Robson, Deirdre A. TH32 Roche, Joanna TH58 Rosas, Carlos TH67 Rosen, Mark SA35 Rosenthal, Lisa F45 Rosenzweig, Daphne Lange TH9 Ross, Christine SA11 Ross, Elizabeth F2 Rothman, Roger I. TH45 Roulet, Laura TH63 Rovine, Victoria F19 Rowland, Ingrid D. F2 Ruby, Laura TH24 Rudy, Kathryn M. F45 Ruggles, D. Fairchild F29 Rush, Dana F15 Ruvoldt, Maria F63 Sinaiko, Eve SA21A Slick, Duane TH23A Smalls, James TH68 Smetzer, Megan SA38 Smith, Jeffrey Chipps TH44, SA13 Smith, Tai F47 Smith, Terry SA14 Snow-Smith, Joanne SA15 Snyder, Joel TH66 Solomon, Paul R. TH51 Sorvin, Jon TH30 Spear, Richard F12 Spence, Marty F13 Spence, Muneera U. TH13 Spero, Nancy F1 Spicer, Joaneath TH11 Spielmann, Yvonne SA11 Spiteri, Raymond F40 Spitz, Ellen Handler SA9 Spronk, Ron TH44 Spurr, Jeffery B F31A Stange, Maren F31 Stark, Lauren SA38 Stearn, Ted TH70 Stein, Judith SA16 Stein, Sally TH66 Steiner, Christopher B. F15 Stevenson, Karen SA27 Stewart, Charles SA18 Stewart, Mary TH51 Stodolsky, Ivor A. TH54 Stojanovic, Jelena SA34 Stone, David M. F7 Storr, Robert F57 Strom, Kirsten SA2 Strong, Lisa F58 Stubbs, John H. F31A, F58 Sturm, James TH70 Sudhalter, Adrian SA2 Sundt, Christine F20 Sullivan, John M. SA39 Sussman, Elisabeth TH8 Swanson, John F1A Sward, Marilyn F56 Swenson, Kirsten TH14 Szpe, Helena SA35 Tomii, Reiko F46 Topp, Leslie TH71 Touchette, Charleen F13 Townsend-Gault, Charlotte TH5 Trevelyan, Amelia M. F17 Trevor, Irene SA15 Tronzo, William F16, SA17 Troy, Virginia Gardner F47 Trusky, Janice SA39 Tsui, Aileen Dashi SA40 Tulovsky, Julia F47 Turnbull, Rich F26 Twa, Lindsay J. F43 Werfel, Gina TH43 West, Ruth TH69 Westermann, Marit TH16 Weststeijn, Thijs TH20 White, Lili TH9 White, Michele SA11 White, Yonsenia F35 Whitefeather, Carolynne F13 Wieber, Sabine F37 Wieczorek, Marek SA41 Wilbur-Sigo, Andrea Marie TH33 Williams, Linda Kristine SA28 Willick, Damon SA16 Wilson, Fred F54 Wilson, Kristina F38 Winet, Jon F54 Wirth, Karen TH26 Witcombe, Christopher L. C. E. F27 Wolfe, Edith TH64 Wolff, Justin TH63 Wolfthal, Diane F2 Wolk, Andrea TH2 Wollheim, Peter SA6 Wong, Paul TH12 Wood, Carolyn H. F61 Woods-Marsden, Joanna F41 Wright, Robin K. TH17 Wright, Suzanne E. SA19 Wyman, Marilyn F15
U
Uemura, Norma TH44 Unglaub, Jonathan F7
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Saar, Betye F1 St. Ours, Harry SA23 Salomon, Nanette F45 Sampson, Gary F51 Sanabrais, Sofa SA21 Sanabria, Sergio SA28 Sandell, Renee SA12 Saslow, James TH68 Sato, Norie TH25 Sava, Sharla SA6 Sawicki, Nicholas F36 Scallen, Catherine B. SA13 Scheinman, Pamela F62 Schmidt, Michael SA23 Schoenfeld, Ann SA23 Schrader, Donald R. F63 Schultz, Deborah TH64 Schwartz, Vanessa TH57 Scothorn, Hilary SA27 Scott, Sarah Jarmer TH59 Seidel, Linda F33 Senkevitch, Tatiana F16 Seydl, Jon L. F25 Shanahan, Maureen G. SA3 Shanken, Andrew M. TH37 Shanken, Edward A. TH69 Sharp, Jane A. TH54 Shaw, Gwendolyn TH19 Shaya, Josephine TH59 Shelton, Andrew C. SA20 Shepherd, Rupert TH11 Sheridan, Ginger F6 Shimizu, Yoshiaki TH29 Shipps, Steven Th51, F21 Shirland, Jonathan SA40 Sholette, Gregory G. TH30 Siddons, Louise F58 Sidlauskas, Susan F50, SA2 Siegel, Jeanne TH14 Simmons, Sherwin F37 Simonton, Tina SA37 Simpson, Caroline SA29 Simpson, Marian TH31
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Valdez del Alamo, Elizabeth F14 Van Hook, Bailey SA31 Van Miegroet, Hans J. F12 Van Proyen, Mark F10 Van Schepen, Randall SA41 Van Voorhis, Julie SA18 Van Zanten, David TH71 Vazquez, Oscar E. F62 Ventura, Carol F17 Verstegen, Ian TH45 Vigne, Antoine F42 Vinegar, Aron F40 Vinograd, Richard TH29 Volan, Angela TH3 Volk, Alicia SA40 Von Roenn, Kenneth F5
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Yamamura, Midori TH63 Yao, Pauline J. TH63 Yarrington, Alison TH7, SA32 Yazzie, Melanie TH72 Ybarro-Frausto, Tomas SA8 Yessios, Ioannis C. F4 Yu, Pauline SA19A
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Waite, Deborah B. SA33 Waldroup, Heather SA33 Walker, Hamza F9 Walker, La Nitra SA1 Wallace, William E. F63 Wallach, Alan F38 Walsh, Michael J. K. F52 Walton, Guy TH16 Wang, Dan SA34 Wark, Jayne SA6 Warner, Craig F35 Watanabe, Toshio TH34 Watsky, Andrew M. F46 Watt, Marie K. TH33 Weber, John F61 Webster, Sally F14 Webster, Susan Verdi TH39 Weigel, Margaret F62 Weinberg, Jonathan TH68 Weintraub, Linda SA37 Weisenfeld, Gennifer F37 Weiskoph, David F20 Welchman, John F40
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Zaslove, Jerry SA6 Zell, Michael F12 Zhang, He F17 Zirkle, Ross SA39 Zukowski, Karen TH16 Zuraw, Shelley E. F63 Zweig, Ellen TH35
T
Tabbaa, Yasser F31A Talbot, Charles TH44 Taragan, Hana F26 Tarver, Gina McDaniel SA21 Taube, Karl SA4 Taube, Rhonda SA4 Taylor, Sue TH14 Taylor-Mitchell, Laurie TH45 Teegen, Marta F31A Theiding, Kara Olsen F59 Theriault, Kim S. TH15 Thomas, Joe A. TH63 Thomason, Allison Karmel TH59 Thompson, Sarah F16 Thompson, Sarah E. F46
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CAA BOARD AND STAFF CAA PRESIDENTS

PRESIDENT EXECUTIVE DIRECTOR
Michael Aurbach
VICE PRESIDENT FOR EXTERNAL AFFAIRS
Susan Ball
DEPUTY DIRECTOR
CAA PRESIDENTS
20022004 Michael L. Aurbach Vanderbilt University 20002002 Ellen T. Baird University of Illinois, Chicago 19982000 John R. Clarke University of Texas, Austin 199698 Leslie King-Hammond Maryland Institute, College of Art 199496 Judith K. Brodsky Rutgers, State University of New Jersey 199294 Larry Silver Northwestern University 199092 Ruth Weisberg University of Southern California 198890 Phyllis Pray Bober Bryn Mawr College 198688 Paul Arnold Oberlin College 198486 John Rupert Martin Princeton University 198184 Lucy Freeman Sandler New York University 198081 Joshua Taylor National Collection of Fine Arts, Smithsonian Institution 197880 Marilyn Stokstad University of Kansas 197678 George Sadek Cooper Union 197476 Albert Elsen Stanford University 197274 Anne Coffin Hansen Yale University 197072 H. W. Janson New York University
196870 Marvin Eisenberg University of Michigan, Ann Arbor 196668 George Heard Hamilton Yale University 196466 Richard F. Brown Los Angeles County Museum of Art 196264 James S. Watrous University of Wisconsin 196062 David M. Robb University of Pennsylvania 195860 Charles Parkhurst Oberlin College 195658 Lamar Dodd University of Georgia 195254 S. Lane Faison, Jr. Williams College 194952 Henry Hope Indiana University 194749 Frederick B. Deknatel Harvard University 194547 Rensselaer W. Lee Smith College, Institute for Advanced Study 194145 Sumner McK. Crosby Yale University 193941 Ulrich Middledorf University of Chicago 1939 Walter S. Cook New York University 192338 John Shapely Brown University, New York University, University of Chicago 191923 David M. Robinson Johns Hopkins University 191619 John Pickard University of Missouri 191213 Holmes Smith Washington University, St. Louis
Marta Teegen
PROGRAMS
Thomas Reese
VICE PRESIDENT FOR COMMITTEES
Andrea Norris
VICE PRESIDENT FOR ANNUAL CONFERENCE
Emmanuel Lemakis Brenna M. Johnson Paul Skiff Lauren Stark

PUBLICATIONS
Ellen Levy
VICE PRESIDENT FOR PUBLICATIONS
Catherine Asher
SECRETARY
Eve Sinaiko Joe Hannan Christopher Howard Betty Leigh Hutcheson Murtaza Vali
GOVERNANCE AND ADVOCACY
Joyce Hill Stoner

COUNSEL
Rebecca Cederholm
DEVELOPMENT, MARKETING, AND COMMUNICATIONS
Jeffrey P. Cunard
TREASURER
John Hyland, Jr. Kaucyila Brooke Kevin Consey Irina Costache Nicola Courtright Diane Edison Michael Ann Holly Dennis Ichiyama Tran T. Kim-Trang Dale Kinney Joan Marter Virginia M. Mecklenburg Nicholas Mirzoeff Ferris Olin Gregory G. Sholette Christine L. Sundt Mimi Hall Yiengpruksawan
Richard Selden Tom Brydelsky Susan Sacramone

ADMINISTRATION
Deirdre Barrett Luisa Cruz

FINANCE
David LaFleur Onofre Beltran Patricia Holquist Andrei Ralko

INFORMATION TECHNOLOGY AND STATISTICS
Lavinia Diggs Richardson Marcin Bielawski Darlene Wright Oida Jarell

MEMBERSHIP SERVICES
Theresa Smyth Doreen Davis Martha Guzman Denise Williams Andrea Wright
February 1821, 2004
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SEATTLE

College Art Association 92nd Annual Conference February 1821, 2004

SAVE THE DATES

AFFILIATED SOCIETY SESSION

CAA COMMITTEE SESSION

February 1821, 2004

THURSDAY FEBRUARY 19 8:009:30 AM

Temporary Transformations: Public Art as Social Action

On the Edge: West Coast Performance in the Americas

CAA 92nd Annual Conference in Seattle

Contemporary Art and Islam

SATURDAY FEBRUARY 21 8:009:30 AM

Electronic Arts Exchange

Artist Residency Workshop

After the Capital Campaign: Challenges to Museums

Seventh Annual Artists Interviews

February 1821, 2004

WEDNESDAY FEBRUARY 18 2:005:00 PM

LEONARDO/THE INTERNATIONAL SOCIETY FOR THE ARTS, SCIENCES, AND TECHNOLOGY

THURSDAY FEBRUARY 19 7:309:00 AM

ASSOCIATION OF RESEARCH INSTITUTES IN ART HISTORY

ASSOCIATION OF RESEARCH INSTITUTES IN ART HISTORY

Seattle Art Museum 100 University Street

CAA 92nd Annual Conference in Seattle

Thomas Kinkade, the Artist in the Mall TH 2

ASSOCIATION OF ART HISTORIANS

A Fragile Alliance: Porcelain as Sculpture, 1700 to 1900, Part 1 TH 7

INTERNATIONAL CENTER OF MEDIEVAL ART

WOMENS CAUCUS FOR ART

Negotiating Collaboration: Aesthetics and Social Change TH 6

February 1821, 2004

Retrofitting: Traditional East Asian Art in Contemporary Painting Practice TH 9

Regional Media Arts Histories: Seedbeds of Twentieth-Century Art

East-West Innovations and Early Modern Court Culture TH 11

STUDIO ART OPEN SESSION: DESIGN

Reinventing Design Education TH 13

Almost Still: Photography, Performance, and the Record TH 10

CAA 92nd Annual Conference in Seattle

Eva Hesse Today TH 14

ART HISTORY OPEN SESSION: NATIVE AMERICAN ART

AMERICAN INSTITUTE OF GRAPHIC ARTS

Current Research on Northwest Coast Native Arts: Ancient to Twentieth Century TH 17

AMERICAN SOCIETY OF HISPANIC ART SCHOLARS

Art Paths: Alternative Careers in the Viusal Arts

Authentic Dcor TH 16 Level 6, Meeting Room 608

ASSOCIATION OF HISTORIANS OF AMERICAN ART

The American(ist) Agenda

February 1821, 2004

ASSOCIATION FOR TEXTUAL SCHOLARSHIP IN ART HISTORY

CAA COMMITTEE ON WOMEN IN THE ARTS

CAA SERVICES TO ARTISTS COMMITTEE

Roads Scholars or Dedicated Teachers?: Women as Adjunct Laborers TH 21

HISTORIANS OF GERMAN AND CENTRAL EUROPEAN ART AND ARCHITECTURE

Chairs: Eleanor Dickinson; Karen A. Bearor, Florida State University

INTERNATIONAL ASSOCIATION OF ART CRITICS

Public Art and the Art Critic: Advocate or Antagonist TH 25

CAA INTERNATIONAL COMMITTEE

Best Practices for International Art Projects

FOUNDATIONS IN ART: THEORY AND EDUCATION

MID-AMERICA COLLEGE ART ASSOCIATION

The Interplay Conference

CAA PROFESSIONAL PRACTICES COMMITTEE

Credentialing in the Arts