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I Wandered Lonely as a Cloud What meaning do daffodils have in this poem?

When the poem imagines daffodils, it evokes emotions of joy and pleasure. In fact, it is what daffodils evoke. that inward eye imagination. The last stanza is an explicit definition of emotion recollected in tranquillity Moreover, the past tense of the verbs which indicates that this is the emotion recollected. The translation of the experience imagined. The use of personification, simile, metaphor translation of poetry into poem. The rhythm and rhyme. Poetry spontaneous feeling, into a poem, which evokes pleasure and joy. When you read it aloud, it is pleasant sounding; the desire to fuse the poem and music. Rhythm and meter signs of recollection, as perfect formal features. Mathematically sublime daffodils, their great numbers. Yellow spreads. About the colour. The person standing, being surrounded with daffodils, sees ten thousand of them. The feeling of being overwhelmed is controlled, the refusal to be subjugated with nature. He encompasses them, which indicates the theme of extension of mind- by trying to face and understand the sublime. This moment when he was crashed with them is no longer here. I saw ten thousand at a glance if he can count, he can control. I wandered as a cloud he is superior, in the context of the mathematically sublime, it gives him control. The poem is a simulacrum of the actual experience, but is no longer spontaneous. The simile suggests infinity continuous as the stars that shine and twinkle on the Milky Way, but the speaker gives the borders to this very particular place, he already controls it. the infinity is in the simile. So the sublime is in the way the nature is perceived, so it is the matter of the mind, it is in the mind. The daffodils are the natural, Wordsworth. Coleridge, Kubla Khan The supernatural is in the entire landscape, which is more typical of

the supernatural. the mighty fountain the dynamically sublime of the poem. In Wordsworth, the landscape is reconstructed, but in Coleridge, he is not basing anything on the previous experience, but on what he saw in his vision. His work is like a mapping of the

landscape. The dome is in the centre, is a miracle of rare device, a sunny pleasure dome with caves of ice it is ideal, because it combines ice and sun. pleasure-dome the meaning of pleasure for both poems joy and pleasure. Notice that the poem ends and begins with this pleasure dome there were gardens, the change of perspective here were: He is creating an illusion of construction, but there are boundaries, these are not mentioned in the poem, but are there, because he is already in control of the recollection of this illusion. What is associated with the forest, is also associated with the sublime. How it is defined, also defines the forest Imagination would be the further part, light and the dome would be reason. Darkness is imagination through that concept of sublime and so these things are associated. The fountain would be the primary imagination, because it creates, is the very act. The meaning of the fountain depicted and perceived as sublime, imagination, the source of everything. It is before everything else. It gives origin to sth. when we read the poem, we start in the reverse order. What is first according to the inferred logic of the poem (not to how we read it): the fountain, forest, garden, dome. It is all interconnected. Poetry = sublime. The source of true poetry resides in the sublime. The river is therefore the secondary imagination, it struggles to unify, writing the poem, it connects the imagination and reason. but it dies in the ocean. The process of writing a poem is a process in which we unify the imagination and reason. Platonic understanding Sunless sea and lifeless ocean death, but of what? Fountain inspiration, sublime Shadow the river takes the shadow towards death. When you start writing, you kill the idea. The act of writing is approaching the death of poetry. The shadow is on the river river is the writing. Recollection is destruction of the original experience. The garden and dome beautiful. The river cuts across both the sublime and beautiful. One is associated with imagination, another with mind. Is it possible to unify the sublime and beautiful? It leads to the death, possibly. The beautiful carries a threat of too much order. Can you connect the chaos

of imagination and the order of reason? When you try to reconstruct the sublime, you may find yourself describing the beautiful, and then you simply destroy the sublime. Willing suspension of disbelief the world exists because we accept this possibility, we let it happen. Only through images, not words, can we create a world. Images create a world. Nazi sublime lack of any real threat, but at the same time dynamically and mathematically sublime. Nazi sublime is the perception of the Jewish matter. Jews are not a threat, because they will not oppose, will not fight. Germany was not in any immediate danger. Dynamically sublime their power to destroy. Mathematically sublime the numbers of Jews lost to the Holocaust? Germans subjected Jews, counted them and grouped. They are not perceived through their power and possibilities, but we control them through counting. Himmlers speech killing millions and still retaining ones humanity, preserving integrity. the more they kill, the greater their glory. The Holocaust sublime is connected to the pathetic sublime the perception of the suffering of those that went through Holocaust. Sublime cannot be imagined, shocks the mind and imagination, and it is Holocaust. Suffering, beyond reason, but then, we subjugate it, by writing about it, filming it, rationalizing it. We conventionalize Holocaust, it is written into certain conventions, and it suddenly becomes a convention itself. History is the most sublime process. Shillers pathetic sublime, moral treatment of history. The moment we say sth is imaginable, it is the moment we see it as a sublime.

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