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_
Resting my Eyes
q=125
Relaxed
Caleb Garfinkel
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Piano motiv
Intro
p
F#-
slowly cresc. for apprx.
,
,
,
repeat until guitar begins to slow and signals,
then slow phrasing until guitar cues A section
"10
mf
dim.
to A
3
2
_

enter after piano completes ascending

Guitar
cresc quickly apprx. "3
E7sus4
p
repeat until needed, gradually slow phrasing and lead to A section
,
,
,
mf
,
,
3
3
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Drums -
brushes on
ride cymbal
enter after guitar has reached mf
continue until guitar signals, play final measure to lead to form
,

, , , , , ,
3
5
_

Bass
enter upon discretion when drums have entered,
which will cause momentum, and continue until form begins
mf
, , , ,
6

A
q=130
_

mp
A^7
,
,
, ,
,
,
3
C#-7
,
,
,
,
,

F#-7
,
,
,
3
,
,
,
11
_

G
, ,
,
,
3
D^7
,

,
,
,
, ,
F^6
.
,
,
,
3
G/F
,

,

,
,
,
, ,
,
15
_

A^7
, ,
,
,
3
C#-7
,
,
,
F#-7
,
, ,
, ,

,
,
,
,
,
,
D^7/E
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,
,
,
,
,
,
19
To Coda
1.

2.
_

G
, ,
,
,
3
D^7
,

,
,
,
, ,
F^6
.
,
,
,
3
,

,
G/F
,
, ,

,
, ,
,
,
G/F
,
, ,
, ,
,
B
24
_

f
q. q. e
A

G F^13
h. e e
,
A
q q. e
,
,
,
,
G^9 F^6
h. e e

,
,
,
,
A
, ,
28
Pno.

_

q. q. e
,
G^9 G/F
h e q e h e q e
G/F
,
,
,
,

E7sus4
,
,
,
,
,

,
,
,
,
,

q=125
q=125
31
1.2.
1.2.

Pno.

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Guitar
Vamp
q
mf
,
,
,
,
,
E7sus4
,
,
,
,
,
,
,
,
,
3.
,
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,

4.
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,
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3 3 3 3 3 3 3 3
_

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3.
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4.

C
q=130
34

Guitar Solo
mp
-
A^7 G
-
D^7
-
F#-7
-
G^7
-
D^7
-
F^6
-
G/F
-
42
_

-
A^7 G
-
D^7
mf
-
F#-7
-
G^7
-
D^7
-
F^6
-
G/F
-
50
_

-
A^7
mf
G
-
D-7
-
f
F#-7
-
F6
-
F/E
-
h e q e
-
Dm7
q=125
57
_

w
E7sus4
,
,
,
,
,

mp
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E7sus4
,
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,
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,
, ,
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cresc.
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,
3 3 3 3 3 3 3 3 3 3 3 3
2
D
q=130
61
_

f
C^7
-
Piano Solo
-
F^7
- -
C^7
- -
F^7
-
68
_

-
Em7
-
Am7
-
Em7
-
Am7
-
Em7
- -
Am7 Esus4

q=125
q=125
75
1.2.
1.2.

rall.
rall.
D.S. al Coda
D.S. al Coda
Pno.

_

Guitar
mf
q
E7sus4
,
,
,
,
,

,
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,
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3.
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4.
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3 3 3 3 3 3 3 3
_

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3.
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4.

78
_

.
E7sus4
,
,
,
3
,

, ,
,
,

80

Pno.

_

f
q. q. e

A
G F^13
h. e e
,
A
x6
q q. e
,
,
,
,
G^9 F^6
h. e e

,
,
,
,
A
, ,
_

- - - -
84
Pno.

_

q. q. e
,
G^9 G/F
h e q e
-
G/F
h e q e
,
,
,
,

E7sus4
,
,
,
,
,

- -
,
,
,
,
,

q=125
q=125
87
1.2.
1.2.

rall.
rall.
Pno.

_

Guitar
mf
q
,
,
,
,
,
E7sus4
,
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,
,
,
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,
3.
,
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x4
4.
4.
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mp
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mf
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A-9

3 3 3 3 3 3 3 3 3
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3.
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A-9
- -
3
92
_

Bass: Follow main form, outlining usually beats 1 and 3, sometimes 3+, sometimes just 1
Typically play root notes
During piano solo feel free to deliver more attack and melody lines interplaying with melody and piano solo
Guitar: Follow as written
Chord voicings are as written unless not notated
Can play chord stabs in B section or not, up to discretion
Performance Notes
Piano: Intro as written - gradualy crescendo and wait for guitar to cue
Comp openly, with full use of piano and expression during melody
In B section and vamp, extra phrases/notes can be played in between chord stabs, but these stabs/holds are crucial
Chord voicings however can be used discretionally. E7sus4 is only a guide
Guitar solo - outline chords minimally at first, growing busier
Piano solo - loudly, make use of chordal and full improv
Be ready to hold E7sus4 chord in vamp
At final chord, play all around keyboard in final small ascent/descent
Drums: Think as relaxed straight beat in 4, with lots of snare accents and expression
As dynamic picks up play more emphatically, with more dynamic
Feel is really a relaxed rock beat - but don't rock it. Think modern jazz.
Feel: modern jazz, think a more mellow Pat Metheny song, but not swung
Form: Intro
Head - A x2
B
Looping Vamp x4
Guitar solo - C
Piano Solo - D
Looping Vamp x4 - rall at end
Head - A x1 to coda
Coda - like B but with main progression repeated x6 before continuing
Repeating vamp ending - slow and pause before last chord - wait for cue
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4