OKeefe had many different styles of painting:

Georgia OKeefe was born November 15, 1887, in a farmhouse near Sun Prairie, Wisconsin. Her parents, Francis Calyxtus O'Keeffe and Ida Totto O'Keeffe, were dairy farmers. Her father was of Irish descent. Ida Totto's father, George Victor Totto, for whom Georgia O'Keeffe was named, was a Hungarian count who came to America in 1848. Georgia was the first female and the second of seven O'Keeffe children. O'Keeffe attended Town Hall School in Sun Prairie. By age ten she had decided to become an artist,and she and her sister received art instruction from local watercolorist Sara Mann. O'Keeffe attended high school at Sacred Heart Academy in Madison, Wisconsin, as a boarder between 1901 and 1902. In Fall 1902 the O'Keeffes moved from Wisconsin to the closeknit neighborhood of Peacock Hill in Williamsburg Virginia. Georgia stayed in Wisconsin with her aunt and attended Madison High School, then joined her family in Virginia in 1903. She completed high school as a boarder at Chatham Episcopal Institute in Virginia (now Chatham Hall), and graduated in 1905.

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For 7 decades, she was a major influence on American art. Remarkably, she remained independent from shifting art trends and stay true to her own vision, which was based on finding the essential, abstract forms in nature. With exceptionally
keen powers of observation and great finesse with a paintbrush, she recorded subtle nuances of color, shape, and light that enlivened her paintings and attracted a wide audience. Her primary subjects were landscapes, flowers, and bones, explored in series over several years and even decades. The images were drawn from her

My conclusion is that Georgia OKeefe is a brilliant

artist with a passion for what she does! She has a real flare for still life form paintings and her favorite colors from what I can see are blues and greens!

Born in 1887 near Sun Prairie, Wisconsin, O'Keeffe received art training at the Art Institute of Chicago school (1905), the Art Students League of New York (19078), the University of Virginia (1912), and Columbia University's Teachers College, New York (191416). She became an art teacher and taught in various elementary schools, high schools, and colleges in Virginia, Texas, and South Carolina from 1911 to 1918. During one such position, she produced a remarkable series of charcoal drawings that led her artand her careerin a new direction. These daring works of 191516 (50.236.2) orchestrated line, shape, and tone into abstract compositions. It was through these drawings that O'Keeffe came to the attention of the prominent photographer-turned-New York gallery owner Alfred Stieglitz in January 1916. After supposedly exclaiming, "At last, a woman on paper!" he exhibited her drawings at the 291 gallery, where the works of many avant-garde European and American artists and photographers were introduced to the American public. With his encouragement and promise of financial support, O'Keeffe abandoned teaching and arrived in New York in June 1918, to begin a career as an artist. From then until his death in 1946, Stieglitz vigorously promoted her work in twenty-two solo exhibitions and numerous group installations. The two lived together almost immediately, and were married in 1924. The ups and downs of their personal and professional relationship were recorded in Stieglitz's celebrated photographs of O'Keeffe (1997.61.12), taken over the course of twenty years (191737). As a new member of the Stieglitz circle, she associated with some of America's most distinguished early modernistspainters such as Arthur Dove, John Marin, Marsden Hartley, and Charles Demuth, and photographers such as Paul Strand and Edward Steichen, as well as influential art critics and writers. Their discussions about art, and the example of their work, both validated and influenced O'Keeffe's own work.