Visual Culture Catalogue 2011 2012

2011/2012
visual culture
CONTEMPORARY THINKERS REFRAMED

INTERPRETING KEY THINKERS FOR THE ARTS
Are you baffled by Baudrillard? Dazed by Deleuze? Confused by Kristeva? Other guides can feel as impenetrable as the original texts to those who think in images. Contemporary Thinkers Reframed instead uses the language of the arts to explore the usefulness in practice of complex ideas. Short, contemporary and accessible, these lively books utilise actual examples of artworks, films, television shows, works of architecture, fashion and even computer games to explain and explore the work of the most commonly taught thinkers. Conceived specifically for the visually minded, the series will prove invaluable to students right across the visual arts.
For more details see page 23
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I.B.Tauris 2011/2012
Dear Reader, We are pleased to introduce our new catalogue of titles in Visual Culture, comprising fine critical writing on world cinema and television, contemporary art and photography, cultural and media theory, fashion, design and popular culture. The list is increasingly dynamic and ambitious in scope and continues to provide cutting-edge resources for those grappling with the ever-changing world of the visual arts. Highlights from this season include a new series for the contemporary art list Radical Aesthetics/Radical Art which reconsiders the relationship between how art is practiced and how art is theorized in the twenty first century and new additions to the flourishing Contemporary Thinkers Reframed series in the shape of Adorno, Badiou, Agamben and Guattari. Our list on world cinemas is expanding, with books on new Argentine and German cinemas, Australian and New Zealand film histories, and fresh approaches to the films of Lynch, Tarkovsky and Sokurov, as well as the Batman films of Christopher Nolan. New titles in contemporary television include Reading Asian Television Drama: Crossing Borders and Breaking Boundaries. We welcome new proposals from authors passionate about their subjects who are keen to develop new approaches to visual culture and offer fresh perspectives on them Best wishes Philippa Brewster Senior editor:Visual Culture philippabrewster@gmail.com pbrewster@ibtauris.com Liza Thompson Editor: Art and Critical Theory lthompson@ibtauris.com
PAGE 1
visual culture
CONTENTS
FILM 2-14 WORLD CINEMA 2-7 HOLLYWOOD AND AMERICAN CINEMA 7-9 BRITISH CINEMA 9-11 RUSSIAN AND SOVIET CINEMA 12-14 TELEVISION 14-17 CONTEMPORARY TELEVISION 14-15 TV HISTORY 16-17 SCI-FI AND FANTASY TV 17 INTERNATIONAL MEDIA 18-19 ART AND CRITICAL THEORY 19-27 ARCHITECTURE 27 PHOTOGRAPHY 28 FASHION & DESIGN 29-30 POPULAR CULTURE 30-31 INDEX AND ORDER FORM 31-36
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NEW IN 2012
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Film: World Cinema

MAKING FILM AND TELEVISION HISTORIES
Australia and New Zealand James E. Bennett and Rebecca Beirne, University of
Newcastle, Australia
PAGE 2
THEORIZING WORLD CINEMA

Lcia Nagib,
University of Leeds,
NEW DIRECTIONS IN GERMAN CINEMA

(Eds)
Chris Perriam
Paul Cooke and Chris Homewood, both

University of Leeds
University of Manchester, and
(Eds)
NEW
Rajinder Dudrah
University of Manchester (Eds)

NEW NEW
Making Film and Television Histories approaches film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present. It is a major text, the first to situate in a clear historical context selected New Zealand and Australian films and television programs ranging from highly successful films such as Gallipoli, The Piano, Australia, Once Were Warriors and Heavenly Creatures to less well-known texts that form the basis for intriguing examinations of history, representation and identity. This book is designed for all those with an interest in Australian or New Zealand history, film or television, and is written by leading scholars in these interdisciplinary fields, as well as filmmakers involved in the production of some of the films and TV shows discussed.
328 PAGES 234 X 156MM OCTOBER 2011 9781848859432 HARDBACK 54.50 9781848859449 PAPERBACK 18.99 35 B&W ILLUSTRATIONS
This key text explores the place of World Cinema in the cultural imaginary. The editors with contributors John Caughie, Felicia Chan, Song Hwee Lim, Laura Mulvey, Geoffrey Nowell-Smith, David Oubia, Ashish Rajadhyaksha, Paul Julian Smith and Ismail Xavier reposition World Cinema in a widerdiscursive space than hitherto, as an object of theoretical enquiry. They develop approaches and case studieswhose organizing principle is cinematicpolycentrism used to reevaluate how cinema shapes and responds to the philosophical,cultural and political effects of transnationalism and cosmopolitanismin the age of the moving image. They define and redefine such concepts in film studies as identification,representation and identity, narrativity and the everyday, allegoryand referentiality, auteurism and the popular, modes of production, anddominance and hegemony.
288 PAGES 234 X 156MM OCTOBER 2011 9781848859098 HARDBACK 49.50 9781848859104 PAPERBACK 16.99 20 B&W ILLUSTRATIONS TAURIS WORLD CINEMA SERIES
Having been in the doldrums since the 1980s, German language cinema is again attracting attention at home and abroad with now regular Oscar nominations and wins for the likes of Downfall and The Lives of Others, as well as attention at all the main international festivals. New Directions in German Cinema looks afresh at the developments in German language film since 2000. An international group of specialists on German film, society, culture and politics offer a wide-ranging study of its remarkable turn of fortunes. From the development of the so-called heritage films, which now dominate the countrys mainstream and examine Germanys problematic pasts (the Nazi, East German and terrorist legacies) to those which focus on the contemporary social reality of the Berlin Republic, the book considers just what German language film now has to offer.
272 PAGES 234 X 156MM SEPTEMBER 2011 9781848859081 HARDBACK 51.50 9781848859074 PAPERBACK 16.99 27 B&W ILLUSTRATIONS TAURIS WORLD CINEMA SERIES
THE NEW JEW IN FILM

Exploring Judaism and Jewishness in Contemporary Cinema Nathan Adams,
THE POETICS OF IRANIAN CINEMA
FILM AND FAIRY TALES

The Birth of Modern Fantasy Kristian Moen,
University of Bristol
Aesthetics, Modernity and Film after the Revolution Khatereh Sheibani,
University of Bangor
NEW
University of Guelph
NEW
NEW
Around 1990, films about Jews and their representation in cinema proliferated and took on new forms, marking a radical rupture with the past. This original book is grounded in the study of over 300 films from Hollywood and the rest of the world, which have been depicting a multiplicity of new Jews, including tough Jews, brutish Jews, gay and lesbian Jews, Jewish cowboys, skinheads and superheroes, and Jews in space.The book explores these new and changing depictions of Jews, Jewishness and Judaism, providing a wider, more representative picture of the subject than has hitherto been attempted. It reveals how the representation of the Jew is used to convey confidence or anxieties about Jewish identity and history and engages with questions of racial, sexual and gender politics. In so doing, Nathan Adams also provides a welcome overview of important Jewish films produced globally over the last twenty years.
240 PAGES 234 X 156MM NOVEMBER 2011 9781848855748 HARDBACK 49.50 9781848855755 PAPERBACK 14.99 26 B&W ILLUSTRATIONS
In the wake of the 1979 Iranian Revolution, Iranian society and culture underwent massive changes. Khatereh Sheibani argues that cinema evolved after the national uprising in 1978/79, and ultimately replaced poetry as the dominant form of cultural expression. She presents a comparative analysis of post-revolutionary Iranian cinema as an offshoot of Iranian modernity, and explains its connections with the themes present in traditional Persian poetry and conventional visual arts. She examines the pre-revolutionary film industry such as Iranian new wave and filmfarsi movies its styles and themes, and its relation to the emerging cinema after 1978. Sheibani argues that Iranian art cinema, as one of the signifiers and agents of modernity, underwent a cultural revolution by employing the aesthetics of Persian literature and visual arts in a modern context.
256 PAGES 234 X 156MM SEPTEMBER 2011 9781848857414 HARDBACK 54.50 INTERNATIONAL LIBRARY OF IRANIAN STUDIES,VOL. 33
Far from helping people to escape harsh realities to a realm of pure fantasy, fairy tales and the films that rooted themselves in their tropes and traditions played an integral role in formulating and expressing the anxieties of modernism as well as its potential for radical, magical transformation. In Film and Fairy Tales, Kristian Moen examines the role played by fairy tales in shaping cinema, its culture, and its discourse during its most formative years. Through analysis of early film theorists and detailed case studies of the films of Mlis, Tourneur and Walt Disney, Moen shows how the visual tropes and theoretical vocabulary of the fairy tale negotiated different experiences of modernity the giddy adventures of social mobility and identity transformation, the threats and anxieties of technology, impermanence and mutability. From the nineteenth century fairy play to the contemporary fantasies of Tim Burton and Harry Potter, Moen shows how cinema made fairy tales modern and fairy tales made the cinema what it is today.
304 PAGES 26 X 138MM JULY 2012 9781780762517 HARDBACK 56.60 30 B&W ILLUSTRATIONS
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Film: World Cinema

NEW ARGENTINE CINEMA
Jens Andermann,
PAGE 3
visual culture
POPULAR ITALIAN CINEMA
STOP THE CLOCKS!

Time and Narrative in Cinema Helen Powell,
Birkbeck University of London
Culture and Politics in a Postwar Society Flavia BrizioSkov, University of

Tennessee
University of East London
NEW
NEW
NEW
Argentine filmmaking from the mid-1990s to the present has enjoyed worldwide success. New Argentine Cinema explores this cinema in order to discover the elements that have made for this success, in relation to the countrys profound political, social and cultural crisis during the same period. Jens Andermann shows how the most recent wave of films differs markedly from the Argentine cinema of the preceding decade, following the end of the dictatorship in 1983. Studying films by Lisandro Alonso, Albertina Carri, Lucrecia Martel, Ral Perrone, Martn Rejtman and Pablo Trapero, among others, he identifies a shift in aesthetic sensibilities between these directors and those of the previous generation, as well as a profound change in the way films are being made, and their relation to the audiovisual field at large.
288 PAGES 234 X 156MM NOVEMBER 2011 9781848854628 HARDBACK 59.50 9781848854635 PAPERBACK 16.99 26 B&W ILLUSTRATIONS TAURIS WORLD CINEMA SERIES
With its monsters, vampires and cowboys, Italian popular culture in the postwar period has generally been dismissed as a form of evasion or escapism. Here, four international scholars re-examine and reinterpret the era to show that popular Italian cinema was not only in tune with contemporary political and social trends, it also presaged the turmoil and rebellion of the 1960s and 1970s. Their analysis of peplum (or sword and sandal) films, horror films, spaghetti westerns and Italian-style comedy shows how genre cinema reflected the changes wrought by modernization, urbanization, consumerist culture and the sexual revolution. With striking insights into the links between popular culture and politics, this book will be indispensable for specialists in film and media studies, Italian and cultural studies, as well as social history.
320 PAGES 216 X 138MM SEPTEMBER 2011 9781848855724 HARDBACK 59.50 35 B&W ILLUSTRATIONS ILLUSTRATIONS INTERNATIONAL LIBRARY OF VISUAL CULTURE
The clock plays a significant part in our understanding of temporality, but it fails to reflect and communicate the more experiential dimensions of time. Stop the Clocks! examines filmmakers relationship to time and its visual manipulation and representation from the birth of the medium to the digital present. It engages both with experimentation in narrative construction and with films that take time as their subject matter, such as Donnie Darko, Lost Highway and Pulp Fiction. Helen Powell asks what underpins the enduring appeal of the science fiction genre with filmmakers and audiences and how cinematography might inform our conceptualisation of other imagined temporal worlds, including the afterlife. She examines the role of angels and vampires in contemporary cinema, as well as the distinctive time schemes of new media and their implications for rethinking time and the moving image through digitalisation.
256 PAGES 234 X 156MM JANUARY 2012 9781780762166 HARDBACK 52.50 9781848851757 PAPERBACK 16.99 12 B&W ILLUSTRATIONS
RADICAL FRONTIERS IN THE SPAGHETTI WESTERN
Politics and Violence in Italian Cinema Austin Fisher,

University of Bedfordshire
HITCHCOCK AND THE CINEMA OF SENSATIONS
SHII ISLAM IN IRANIAN CINEMA

Religion and Spirituality in Film Nacim Pak-Shiraz
Embodied Film Theory and Cinematic Reception Paul Elliott, University

of Essex
NEW
NEW
NEW
Establishing the backdrop of post-war Italy in which the Roman studio system actively blended Italian and American culture, Austin Fisher looks in detail at the works of Damiano Damiani, Sergio Sollima, Sergio Corbucci, Giulio Questi and Giulio Petroni and how these directors reformatted the Hollywood Western to yield new resonance for militant constituencies and radical groups. Radical Frontiers identifies the main variants of these militant Westerns, which brazenly endorsed violent peasant insurrection in the Mexico of the popular imagination, turning the camera on the hitherto heroic colonialists of the West and exposing the brutal mechanisms of a society infested with latent fascism. The ways in which the films artistic failures reflect the ideological confusions of the radical groups is examined and the genres legacy is reappraised, as the revolutionary energy of Italys New Left becomes subsumed amidst the conflicting agendas of New Hollywood, blaxploitation and the grindhouse revival of Tarantino, Rodriguez and Raimi.
320 PAGES 216 X 138MM AUGUST 2011 9781848855786 HARDBACK 59.50 20 B&W ILLUSTRATIONS INTERNATIONAL LIBRARY OF VISUAL CULTURE,VOL. 1
In the first full-length analysis of the concept of embodied film theory, Paul Elliott charts the development of a cinema of sensations examining how cinema audiences use their corporeal selves and sensual memory to quite literally flesh out what they see on screen. Through the prism of Alfred Hitchcocks films, Elliott reveals how the bodys sensations have a vital place in cinematic reception and the study of film: demonstrated here through the trope of nausea in Frenzy, pollution and smell in Shadow of a Doubt, physical sound reception in the Psycho shower scene and the importance of corporeality and closeness in Rear Window. He traces the way in which conceptual tools such as haptic vision, synaesthesia, physical sound reception and the aesthesiological body have been employed by film theorists and philosophers to better understand the processes inherent in the cinematic experience. Hitchcock and the Cinema of Sensations rethinks the body in the cinema seat, seeing it not as a fleshy, insentient shell for the mind and eye but a feeling, thinking, evanescent site of sensation, memory and knowledge.
288 PAGES 216 X 138MM AUGUST 2011 9781848855878 HARDBACK 56.50 INTERNATIONAL LIBRARY OF VISUAL CULTURE,VOL. 2
In recent years there has been a remarkable surge in Iranian films expressing contentious issues which would otherwise be very difficult to discuss publicly inside the Islamic Republic of Iran such as the role of clergy in Iranian society. Nacim Pak-Shiraz here highlights the Iranian film directors who concern themselves with the content of the religious and historical narratives of culture and society, sparking debate about the mediums compatibility or incongruity with religion and spirituality. She explores the various ways that Shii discourse emerges on screen, and offers groundbreaking insights into both the role of film in Iranian culture and society, and how it has become a medium for exploring what it means to be Iranian and Muslim after thirty years of Islamic rule. This is invaluable reading for students and scholars of both Film Studies and contemporary Iranian cinema and of the culture and identity of Iran.
288 PAGES 216 X 138MM MARCH 2012 9781848855106 HARDBACK 56.50 22 B&W ILLUSTRATIONS INTERNATIONAL LIBRARY OF CULTURAL STUDIES,VOL. 17
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Film: World Cinema

WALTZ WITH BASHIR
Perpetrator Trauma and Cinema Raya Morag,
PAGE 4
CINEMA ITALIANO
The Complete Guide from Classics to Cult
INGMAR BERGMAN
Howard Hughes
Hebrew University of Jerusalem
320 PAGES 246 X 189MM AVAILABLE 9781848856073 HARDBACK 45.00 9781848856080 PAPERBACK 14.99 45 B&W ILLUSTRATIONS ILLUSTRATIONS
The Life and Films of the Last Great European Director
Geoffrey Macnab
256 PAGES 234 X 156MM AVAILABLE 978 1 84885 046 0 HARDBACK 19.95 14 B&W ILLUSTRATIONS
NEW
Waltz with Bashir: Perpetrator Trauma and Cinema proposes a new paradigm for cinema trauma studies the trauma of the perpetrator. Recognizing a current shift in interest from the trauma suffered by victims to that suffered by perpetrators, the book seeks to theorize this as yet undertheorized field. Taking as a point of departure the distinction between testimony given by the victim and confession made by the perpetrator, this pioneering work ventures to define and analyze perpetrator trauma in scholarly, representational, literary, and societal contexts. Driven by the emergence of a new wave of Israeli documentary cinema, the book analyzes Israeli post- secondIntifada films and literature. As Ari Folmans Waltz with Bashir and other new wave films demonstrate, Israeli cinema, attached on one side to the legacy of the Holocaust and on the other to the Israeli Occupation, is a highly relevant case for probing the limits of both victim and perpetrator traumas.
288 PAGES 216 X 134MM AUGUST 2012 9781780762647 HARDBACK 56.50 20 B&W ILLUSTRATIONS
NEW TURKISH CINEMA

Asuman Suner
Belonging, Identity and Memory

224 PAGES 234 X 156MM AVAILABLE 978 1 84511 949 2 HARDBACK 49.50 978 1 84511 950 8 PAPERBACK 16.99 8 B&W ILLUSTRATIONS TAURIS WORLD CINEMA SERIES
A SHORT HISTORY OF FILM

Wheeler Winston Dixon & Gwendolyn Audrey Foster
492 PAGES 234 X 156MM AVAILABLE 978 1 84511 800 6 HARDBACK 49.00 978 1 84511 801 3 PAPERBACK 14.99 24 COLOUR AND 230 B&W ILLUSTRATIONS
OUTSIDER FILMS ON INDIA 1950 1990

Shanay Jhaveri (Ed.)
300 PAGES 190 X 150MM AVAILABLE 978 8 19047 201 2 PAPERBACK 14.99 100 COLOUR AND B&W ILLUSTRATIONS
LEBANESE CINEMA
Lina Khatib
Imagining the Civil War and Beyond

THE CHILD IN FILM

Karen Lury
THE APU TRILOGY
Tears, Fears and Fairy Tales

240 PAGES 234 X 156MM AVAILABLE 978 1 84511 967 6 HARDBACK 45.00 978 1 84511 968 3 PAPERBACK 14.99 25 B&W ILLUSTRATIONS
Satyajit Ray and the Making of an Epic
CONTEMPORARY NEW ZEALAND CINEMA

Ian Conrich & Stuart Murray (Eds)
256 PAGES 234 X 156MM AVAILABLE 978 1 84511 837 2 PAPERBACK 17.99 35 B&W ILLUSTRATIONS TAURIS WORLD CINEMA SERIES
Andrew Robinson
224 PAGES 216 X 138MM AVAILABLE 9781848855151 HARDBACK 56.00 9781848855168 PAPERBACK 12.99 20 LINE, 45 B&W ILLUSTRATIONS
ISRAELI CINEMA
East/West and the Politics of Representation
FROM IRAN TO HOLLYWOOD AND SOME PLACES IN-BETWEEN

Reframing PostRevolutionary Iranian Cinema
Ella Shohat
Christopher Gow
416 PAGES 234 X 156MM AVAILABLE 978 1 84511 312 4 HARDBACK 65.00 978 1 84511 313 1 PAPERBACK 15.99 37 B&W ILLUSTRATIONS LIBRARY OF MODERN MIDDLE EAST STUDIES
EAST ASIAN CINEMAS
Exploring Transnational Connections on Film
Leon Hunt & Leung Wing-Fai (Eds)
HORROR ZONE
The Cultural Experience of Contemporary Horror Cinema
Ian Conrich (Ed.)
A SPANISH LABYRINTH
Mark Allinson
The Films of Pedro Almodovar

272 PAGES 234 X 156MM AVAILABLE 978 1 86064 507 5 PAPERBACK 14.99 30 B&W ILLUSTRATIONS
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Film: World Cinema

THE QUEER CINEMA OF DEREK JARMAN
Niall Richardson

PAGE 5
visual culture
LIVE FLESH
Critical and Cultural Readings

The Male Body in Contemporary Spanish Cinema
FILM PROPAGANDA
Nazi Germany
Soviet Russia and Richard Taylor

QUEERING BUUEL
240 PAGES 234 X 156MM AVAILABLE 978 1 84511 449 7 HARDBACK 65.00 978 1 84511 450 3 PAPERBACK 16.99 16 HALFTONE ILLUSTRATIONS
Santiago FouzHernndez and Alfredo Martinez-Expsito
Sexual Dissidence and Psychoanalysis in his Mexican and Spanish Cinema

256 PAGES 234 X 156MM AVAILABLE 978 1 84511 668 2 HARDBACK 54.50 8 PAGE PLATE SECTION
ROMAN POLANSKI
FILMING THE MODERN MIDDLE EAST

Politics in the Cinemas of Hollywood and the Arab World
The Cinema of a Cultural Traveller
Julian Daniel GutierrezAlbilla

Ewa Mazierska
Lina Khatib
LENI RIEFENSTAHL
A Life
FEDERICO FELLINI
His Life and Work
FROM MOSCOW TO MADRID

Ewa Mazierska and Laura Rascaroli
Jrgen Trimborn
368 PAGES 228 X 152MM AVAILABLE 978 1 84511 644 6 PAPERBACK 14.99 36 IMAGES IN A 24 PAGE B&W ILLUSTRATIONS PLATE SECTION
Tullio Kezich Translated from the Italian by Minna Proctor

448 PAGES 234 X 156MM AVAILABLE 978 1 84511 425 1 PAPERBACK 15.99
European Cities, Postmodern Cinema

240 PAGES 234 X 156MM AVAILABLE 978 1 86064 850 2 HARDBACK 59.50 978 1 86064 851 9 PAPERBACK 17.99 28 B&W ILLUSTRATIONS CINEMA AND SOCIETY SERIES
X FILMS
Alex Cox
True Confessions of a Radical Filmmaker

THE NEW BRAZILIAN CINEMA
Lcia Nagib (Ed.)

VISIONS OF THE EAST
Orientalism in Film
Matthew Bernstein and Gaylyn Studlar (Eds)
PROJECTING EMPIRE
BRAZIL ON SCREEN
Lcia Nagib
Imperialism and Popular Cinema
Cinema Novo, New Cinema, Utopia

James Chapman & Nicholas J. Cull
MAKHMALBAF AT LARGE
The Making of a Rebel Filmmaker
240 PAGES 234 X 156MM AVAILABLE 978 1 84511 940 9 PAPERBACK 15.99 26 B&W ILLUSTRATIONS CINEMA AND SOCIETY SERIES
Hamid Dabashi Foreword by Mohsen Makhmalbaf

MYSTERIOUS SKIN
Male Bodies in Contemporary Cinema
BERTRAND TAVERNIER
Stephen Hay
The Filmmaker of Lyon

Santiago FouzHernndez (Ed.)

IRANIAN CINEMA
A Political History Hamid Reza Sadr
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Film: World Cinema

THE NEW IRANIAN CINEMA
Politics, Representation and Identity
PAGE 6
ONCE UPON A TIME IN THE ITALIAN WEST

Howard Hughes
Richard Tapper (Ed.)

256 PAGES 234 X 156MM AVAILABLE 978 1 86064 803 8 HARDBACK 59.50 978 1 86064 804 5 PAPERBACK 15.99 25 B&W HALFTONE ILLUSTRATIONS
The Filmgoers Guide to Spaghetti Westerns

CIN-FILE FRENCH FILM GUIDES

Series Editor: Ginette Vincendeau The Cin-Files offer authoritative and entertaining guides to the most significant films of French cinema, from the silent era to the early twenty-first century. Written by experts in this vibrant film culture, the books combine extensive research with the authors distinctive, sometimes provocative perspective on each film. The series will thus build up an essential collection on great French classics, enabling students, teachers and lovers of French cinema both to learn more about their favourite films and to make new discoveries in one of the worlds richest bodies of cinematic work. Ginette Vincendeau has assembled an elite corps of film scholars to address a marvellous array of modern and classic French films with the closeup scrutiny they deserve. Dudley Andrew
CHASING DRAGONS
An Introduction to the Martial Arts Film David West

PROPAGANDA AND THE GERMAN CINEMA

19331945
David Welch
OUTLAW MASTERS OF JAPANESE FILM

Chris D.
NIKITA
THE CROWDED PRAIRIE
French Film Guide Susan Hayward

128 PAGES 216 X 138MM AVAILABLE 978 1 84511 447 3 PAPERBACK 12.99 CIN-FILE FRENCH FILM GUIDES
American National Identity in the Hollywood Western
Michael Coyne
SATYAJIT RAY: A VISION OF CINEMA
264 PAGES 234 X 156MM AVAILABLE 978 1 86064 259 3 PAPERBACK 17.99 16 B& W ILLUSTRATIONS CINEMA AND SOCIETY SERIES
UN CHIEN ANDALOU
French Film Guide Elza Adamowicz

128 PAGES 216 X 138MM AVAILABLE 978 1 84885 056 9 PAPERBACK 12.99 7 B&W ILLUSTRATIONS CIN-FILE FRENCH FILM GUIDES
Andrew Robinson Photographs by Nemai Ghosh; Drawings by Satyajit Ray

360 PAGES 343 X 246MM AVAILABLE 978 1 84511 074 1 HARDBACK 56.50 450 B&W ILLUSTRATIONS PHOTOGRAPHS AND 30 COLOUR PLATES
RELIGION AND FILM

An Introduction
Melanie J. Wright,
256 PAGES 234 X 156MM AVAILABLE 978 1 85043 759 8 HARDBACK 65.00 978 1 85043 886 1 PAPERBACK 15.99
LA RGLE DU JEU
French Film Guide Keith Reader
SATYAJIT RAY: THE INNER EYE

Andrew Robinson
The Biography of a Master Filmmaker

RIFIFI
French Film Guide Alastair Phillips

SPAGHETTI WESTERNS
Cowboys and Europeans from Karl May to Sergio Leone
LE CORBEAU
Christopher Frayling

French Film Guide Judith Mayne

www.ibtauris.com
Film: World: Hollywood & US Cinema

LA GRANDE ILLUSION
French Film Guide Martin OShaughnessy
PAGE 7
visual culture
AUTHORSHIP AND THE FILMS OF DAVID LYNCH
Aesthetic Receptions in Contemporary Hollywood Antony Todd,

London College of Communication, University of the Arts, London
HUNTING THE DARK KNIGHT
Twenty-First Century Batman Will Brooker,

Kingston University
CASQUE DOR
French Film Guide Sarah Leahy

NEW
NEW
CLO DE 5 7
French Film Guide Valerie Orpen

AMLIE
The first book to approach David Lynch as a figure composed through language, history and text, Authorship and the Films of David Lynch explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essence have shaped receptions of Lynchs films. This fresh contribution to studies of authorship and film traces the development of his career from cult obscurity with Eraserhead, to star auteur through the release of Blue Velvet, and the television event of the early 1990s, Twin Peaks, and on to later films such as Mulholland Dr. and Inland Empire. Antony Todd investigates how Lynchs idiosyncratic style introduced the term Lynchian to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs.
240 PAGES 234 X 156MM FEBRUARY 2012 9781848855793 HARDBACK 51.50 9781848855809 PAPERBACK 16.99 25 B&W ILLUSTRATIONS
French Film Guide Isabelle Vanderschelden

On the eve of the world premiere of Christopher Nolans The Dark Knight Rises, Will Brookers new book explores Batmans twenty-first century incarnations. Brookers close analysis of Batman Begins and The Dark Knight offers a rigorous account of the complex relationship between popular films, audiences and producers in our age of media convergence. By exploring themes of authorship, adaptation and intertextuality, he addresses a myriad of questions raised by these films: did Batman Begins end when The Dark Knight began? Does its story include the Gotham Knight DVD, or the Why So Serious viral marketing campaign? Is it separate from the parallel narratives of the Arkham Asylum videogame, the monthly comic books, the animated series and the graphic novels? Can the brightly campy incarnations of the Batman ever be fully repressed by The Dark Knight, or are they an intrinsic part of the character? A vital text for film students and academics, as well as legions of Batman fans.
272 PAGES 216 X 138MM MAY 2012 9781848852792 HARDBACK 51.50 9781848852808 PAPERBACK 12.99 30 B&W ILLUSTRATIONS
WHEN EAGLES DARED

The Filmgoers History of World War II Howard Hughes
LES DIABOLIQUES
French Film Guide Susan Hayward
MAMMA MIA! THE MOVIE
Exploring a Cultural Phenomenon Louise FitzGerald,
LA HAINE
University of Brighton and Melanie Williams, University of East Anglia (Eds)

NEW
French Film Guide Ginette Vincendeau

NEW
ALPHAVILLE
French Film Guide Chris Darke

LA REINE MARGOT
French Film Guide Julianne Pidduck
Extensively illustrated with posters and stills, When Eagles Dared portrays the men and women who participated in World War II, from the evacuation of the Allied forces from France through to the battle for Berlin and beyond. Each chapter discusses historical events as they unfold and illustrates how subsequently these episodes have been portrayed by filmmakers onscreen. Chapters discuss the war in the skies (Battle of Britain and The Dambusters) and sea (The Cruel Sea, Das Boot), the war in the Mediterranean (The Guns of Navarone) and the North African desert (The Battle of El Alamein and Tobruk). There are special mission movies including Where Eagles Dare and Inglourious Basterds, and classic tales of ingenuity (The Great Escape), valour (Saving Private Ryan) and human endurance (The Bridge on the River Kwai). The conflict is also viewed through such diverse films as Downfall, Patton, Tora! Tora! Tora!, Anzio, The Thin Red Line, Stalingrad, Cross of Iron and A Bridge Too Far.
320 PAGES 246 X 189MM DECEMBER 2011 9781848856509 HARDBACK 19.50 45 B&W ILLUSTRATIONS
Mamma Mia! The Movie (2008) was one of the top international box-office hits of its year and the fastest selling DVD in British history. Responses were passionate but polarized: while legions of fans participated in celebratory sing-along screenings, critics dismissed it as a Super Pooper. The critical split often ran along the fault line of gender, with male critics initially unimpressed by the uninhibited, tongue in cheek frivolity of this rare film written, produced and directed by women. This welcome first book on a twenty-first century cultural phenomenon explores these diverse responses to Mamma Mia!, along with key issues such as the films representation of female friendship and its focus on the older female protagonist, as well as its status as jukebox musical and queer text. Empire magazines critic Ian Nathan concluded his bemused account of the films unprecedented success by stating: Mamma Mia! is not like other films.This book aims to explore exactly how and why that is the case.
256 PAGES 234 X 156MM SEPTEMBER 2012 9781848859418 HARDBACK 55.00 9781848859425 PAPERBACK 14.99 15 B&W ILLUSTRATIONS
www.ibtauris.com
Film: Hollywood & America Cinema

ABJECT SPACES IN AMERICAN CINEMA
HOLLYWOOD CATWALK
Institutional Settings, Identity and Psychoanalysis in Film Frances PheasantKelly, University of
Wolverhampton
NEW
PAGE 8
Exploring Costume and Transformation in American Film

HOLLYWOODS HISTORY FILMS

David Eldridge
224 PAGES 234 X 156MM 978 1 84511 060 4 HARDBACK 56.00 978 1 84511 061 1 PAPERBACK 17.99 21 B&W ILLUSTRATIONS CINEMA AND SOCIETY SERIES
Tamar Jeffers McDonald

Exploring the abject through issues as diverse as racism, mental illness or the preservation of bodies for organ donation, this book analyses a range of films including The Shawshank Redemption (1994), Full Metal Jacket (1987) and Girl, Interrupted (1999) through to cult films such as Carrie (1976) and Bubba Ho-tep (2002). By analysing scenes of horror and disgust within the context of abject space, Frances Pheasant-Kelly reveals how threats to identity manifest in scenes of torture, horror and psychosexual repression and are resolved either though death or through traumatic re-entry into the outside world. This readable and engaging tour of the abject in the institution film will be valuable to students of Film Studies, Critical Theory and Cultural Studies.
288 PAGES 216 X 138MM MAY 2012 9781848855977 HARDBACK 56.50 INTERNATIONAL LIBRARY OF CULTURAL STUDIES,VOL. 18
FALLING IN LOVE AGAIN

Romantic Comedy in Contemporary Cinema
AIM FOR THE HEART

Howard Hughes
The Films of Clint Eastwood

288 PAGES 246 X 189MM 978 1 84511 902 7 HARDBACK 19.50 45 B&W ILLUSTRATIONS
Stacey Abbott and Deborah Jermyn (Eds)

STAGECOACH TO TOMBSTONE
The Filmgoers Guide to the Great Westerns
ELIA KAZAN
Brian Neve
The Cinema of an American Outsider

Howard Hughes
304 PAGES 246 X 189MM AVAILABLE 978 1 84511 498 5 HARDBACK 59.50 978 1 84511 571 5 PAPERBACK 12.99 47 B&W ILLUSTRATIONS (STILLS AND POSTERS)
ARNOLD
CRIME WAVE
Howard Hughes
THE CATHOLIC CHURCH AND HOLLYWOOD
Schwarzenegger and the Movies
The Filmgoers' Guide to the Great Crime Movies

288 PAGES 244 X 172MM AVAILABLE 978 1 84511 219 6 PAPERBACK 18.99 45 B&W ILLUSTRATIONS (STILLS AND POSTERS) I.B.TAURIS IN ASSOCIATION WITH TURNER CLASSIC MOVIES
Dave Saunders
Censorship and Morality in 1930s Cinema Alexander McGregor
SHOOTING THE CIVIL WAR

Jenny Barrett
NEW
Cinema, History and American National Identity

HOLLYWOOD'S NEW RADICALISM

War, Globalisation and the Movies from Reagan to George W. Bush
During the 1930s, the Catholic Church in the US was engaged in a metaphorical war against the increasingly modern and secular values of the American public. Alexander McGregor offers a detailed account of how the Church, feeling itself to be under siege, used media - and particularly cinema - to reach out to Americans. The 1930s were the golden age for Hollywood, and the Church saw the film industry as an opportunity to engender a pro-Catholic social moral code among the US population. McGregor examines the ways in which the American Catholic Church sought to directly influence film production through its involvement with censorship bodies such as the Legion of Decency, and through Catholics in positions of influence within Hollywood itself. This is a vital new contribution to the history of American cinema and religion, as well as American culture and social history.
256 PAGES 216 X 138MM OCTOBER 2011 9781848856530 HARDBACK 54.50 INTERNATIONAL LIBRARY OF CULTURAL STUDIES,VOL. 20
Ben Dickenson
HOLLYWOOD HEROINES
Helen Hanson
Women in Film Noir and the Female Gothic Film

TEEN DREAMS
Reading Teen Film and Television from Heathers to Veronica Mars
Roz Kaveney
www.ibtauris.com
Film: Hollywood: British Cinema

HOLLYWOOD GENRES AND POSTWAR AMERICA
PAGE 9
visual culture
AESTHETICS AND NEOROMANTICISM IN FILM

Landscapes in Contemporary British Cinema Stella Hockenhull,
University of Wolverhampton
WITHNAIL AND US
Justin Smith
Masculinity, Family and Nation in Popular Movies and Film Noir
Cult Films and Film Cults in British Cinema

Mike Chopra-Gant
NEW
FROM ALIEN TO THE MATRIX

Reading Science Fiction Film
Roz Kaveney
INDIEWOOD, USA
Where Hollywood meets Independent Cinema
The study of film has tended to be preoccupied with narrative theory, often to the neglect of a consideration of aesthetic effect. Introducing an interdisciplinary approach based on a correlation between film and painting, Stella Hockenhull draws on nineteenth-century Romanticism in the visual arts, with its roots based in eighteenthcentury philosophical debates of the Sublime, to explore the spiritual aspects of landscape and nature which mobilise a Neo-Romantic effect in contemporary British cinema. She reveals this effect in genres as diverse as social realism, contemporary melodrama and horror, and demonstrates its presence through a visual analysis of rural landscapes in films such as Sweet Sixteen, The Queen, Ratcatcher, My Summer of Love and The Last Great Wilderness.
288 PAGES 216 X 138MM FEBRUARY 2012 9781848859012 HARDBACK 56.50 12 B&W ILLUSTRATIONS INTERNATIONAL LIBRARY OF VISUAL CULTURE
THE AGE OF THE DREAM PALACE

Jeffrey Richards
Cinema and Society in 1930s Britain

392 PAGES 234 X 156MM AVAILABLE 978 1 84885 122 1 PAPERBACK 16.99 32 B&W ILLUSTRATIONS IN 16PP PLATES CINEMA AND SOCIETY
FEMININITY IN THE FRAME

Melanie Bell
Women and 1950s British Popular Cinema

Geoff King
KORDA
LICENCE TO THRILL
NEW HOLLYWOOD CINEMA

An Introduction
Britains Movie Mogul
Charles Drazin
A Cultural History of the James Bond Films
Geoff King
304 PAGES 234 X 156MM AVAILABLE 978 1 86064 749 9 HARDBACK 59.50 978 1 86064 750 5 PAPERBACK 18.99 14 B&W AND 5 LINE ILLUSTRATIONS
432 PAGES 234 X 156MM AVAILABLE 9781848856950 PAPERBACK 15.99 2 X 8PP B&W PLATES
James Chapman
FILM ENGLAND
Andrew Higson
SPECTACULAR NARRATIVES
Hollywood in the Age of the Blockbuster
Culturally English Filmmaking since the 1990s

296 PAGES 234 X 156MM AVAILABLE 9781848854536 HARDBACK 59.50 9781848854543 PAPERBACK 16.99 35 B&W ILLUSTRATIONS
BRITAIN CAN TAKE IT

Tony Aldgate and Jeffrey Richards
British Cinema in the Second World War

376 PAGES 234 X 156MM AVAILABLE 978 1 84511 445 9 PAPERBACK 18.99 B&W ILLUSTRATIONS CINEMA AND SOCIETY SERIES
Geoff King
BRITISH FILM DESIGN

A History
THE FINEST YEARS

Charles Drazin
Laurie N. Ede
256 PAGES 234 X 156MM AVAILABLE 978 1 84885 107 8 HARDBACK 56.00 978 1 84885 108 5 PAPERBACK 15.99 10 B&W ILLUSTRATIONS CINEMA AND SOCIETY
British Cinema of the 1940s

AMERICAN INDEPENDENT CINEMA

Geoff King
www.ibtauris.com
Film: British Cinema

THE UNKNOWN 1930S
An Alternative History of the British Cinema, 1929-1939 Jeffrey Richards (Ed.)
PAGE 10
FILM AND COMMUNITY IN BRITAIN AND FRANCE

Margaret Butler
From La Rgle du Jeu to Room at the Top

TURNER CLASSIC MOVIES BRITISH FILM GUIDES

General Editor: Jeffrey Richards Described by the Guardian as a valuable resource of critical work on the UKs neglected film history and by Sight & Sound as yielding sharp insights into the films, these lively and authoritative guides to the best films that British cinema has to offer are published for film enthusiasts, scholars and students alike. Each tells the full story of a key British film and offers detailed analysis of the film itself. The film is placed in its historical and cinematic context and its place in world cinema, as well as detailing its directors and actors careers and how audiences and critics have responded to it up to the present day.
A NEW HERITAGE OF HORROR

The English Gothic Cinema
TYPICAL MEN
David Pirie
The Representation of Masculinity in Popular British Cinema
Andrew Spicer
AN EVERYDAY MAGIC
Annette Kuhn
Cinema and Cultural Memory

THE RED SHOES

Mark Connelly
Turner Classic Movies British Film Guide

112 PAGES 216 X 138MM AVAILABLE 978 1 84511 071 0 PAPERBACK 12.99 15 B&W ILLUSTRATIONS TURNER CLASSIC MOVIES BRITISH FILM GUIDE
BEST OF BRITISH
Cinema and Society from 1930 to the Present

Anthony Aldgate and Jeffrey Richards
PAST AND PRESENT
National Identity and the British Historical Film
BLACK NARCISSUS
Sarah Street

James Chapman
416 PAGES 234 X 156MM AVAILABLE 978 1 85043 808 3 PAPERBACK 17.99 24 HALFTONE ILLUSTRATIONS CINEMA AND SOCIETY SERIES
THE BRITISH AT WAR

Cinema, State and Propaganda, 19391945
James Chapman
IF . . . .
POWELL AND PRESSBURGER

Andrew Moor
A Cinema of Magic Spaces

288 PAGES 234 X 156MM AVAILABLE 978 1 85043 947 9 HARDBACK 27.50 7 B&W ILLUSTRATIONS CINEMA AND SOCIETY SERIES
Turner Classic Movies British Film Guide Paul Sutton

BRITISH CINEMA AND THE COLD WAR

The State, Propaganda and Consensus
BRIGHTON ROCK
Steve Chibnall
Tony Shaw

www.ibtauris.com
Film: British Cinema

A HARD DAYS NIGHT
Stephen Glynn
PAGE 11
visual culture
I.B.TAURIS BRITISH FILM GUIDES

THE PRIVATE LIFE OF HENRY VIII
Greg Walker
THE DAM BUSTERS
John Ramsden
MY BEAUTIFUL LAUNDRETTE
Christine Geraghty
A NIGHT TO REMEMBER
Jeffrey Richards

DRACULA
Peter Hutchings
GET CARTER
Steve Chibnall
THE CHARGE OF THE LIGHT BRIGADE

Mark Connelly
WHISKY GALORE! & THE MAGGIE

Colin McArthur
THE 39 STEPS
Mark Glancy
www.ibtauris.com
Film: Russian & Soviet Cinema

KINO: THE RUSSIAN CINEMA SERIES
Series Editor: Richard Taylor Advisory Board: Birgit Beumers, Julian Graffy, Denise Youngblood The continuing aim of this series of books on Russian and Soviet films and filmmakers is to situate Russian and Soviet cinema in its historical and aesthetic context, both as a major cultural force and as a crucible for experimentation that is of central significance to the development of world cinema culture.
PAGE 12
THE CINEMA OF TARKOVSKY
Labyrinths of Space and Time Nariman Skakov,

Stanford University
THE CINEMA OF ALEXANDER SOKUROV

Birgit Beumers, Nancy Condee,
University of Pittsburgh (Eds) Bristol University and
REAL IMAGES
Josephine Woll
Soviet Cinema and the Thaw

280 PAGES 234 X 156MM AVAILABLE 978 1 86064 550 1 PAPERBACK 16.99 30 B&W ILLUSTRATIONS KINO:THE RUSSIAN CINEMA SERIES
NEW
NEW
The phenomenon of time was a central preoccupation of Tarkovsky throughout his career. His films present visions of time by temporal means that is, in time. This book explores the phenomenon of spatio-temporal lapse in Tarkovskys cinema from Ivans Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions Skakov argues, are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity. Each chapter is dedicated to the discussion of one of Tarkovskys seven feature films and in each, one of these phenomena functions as a refrain. Skakov discusses the influence of the flow of and lapses in space and time on the viewers perception of the Tarkovskian cinematic universe. He opens and closes the book by focusing on the phenomenon of time that is discussed extensively by the filmmaker in his main theoretical treatise Sculpting in Time, as well as in a number of interviews and public lectures.
288 PAGES 234 X 156MM JANUARY 2012 9781848856295 HARDBACK 51.50 9781848856301 PAPERBACK 17.99 30 B&W ILLUSTRATIONS KINO - THE RUSSIAN CINEMA SERIES
RUSSIA ON REELS
Alexander Sokurovs Russian Ark is generally acclaimed as a milestone in cinematography. In this film Sokurov reversed the idea of montage, creating instead the sensation of an uninterrupted flow of time encompassing three centuries of Russias cultural history through a single, 90-minute take. Yet this film is but one milestone in the work of this versatile director. Since the 1990s, Sokurovs films have had international recognition at film festivals and through foreign distribution. In this, the first English-language book to cover Sokurovs full oeuvre, leading scholars on Sokurov unravel his work on documentaries; his early films and literary adaptations; his trilogy on leaders focusing on the decaying body; his films on passing youth and approaching age; and, of course, Russian Ark.
272 PAGES 234 X 156MM AUGUST 2011 9781848859067 HARDBACK 51.50 9781848853430 PAPERBACK 16.99 20 B&W ILLUSTRATIONS KINO:THE RUSSIAN CINEMA SERIES
The Russian Idea in Post-Soviet Cinema Birgit Beumers (Ed.)

240 PAGES 234 X 156MM AVAILABLE 978 1 86064 389 7 HARDBACK 56.00 978 1 86064 390 3 PAPERBACK 17.99 20 B&W ILLUSTRATIONS KINO:THE RUSSIAN CINEMA SERIES
VSEVOLOD PUDOVKIN
Amy Sargeant
Classic Films of the Soviet Avant-Garde

232 PAGES 234 X 156MM AVAILABLE 978 1 86064 455 9 HARDBACK 59.50 20 B&W ILLUSTRATIONS KINO:THE RUSSIAN CINEMA SERIES
FORWARD SOVIET! SOVIET CINEMA

Politics and Persuasion Under Stalin
EISENSTEIN ON THE AUDIOVISUAL

The Montage of Music, Image and Sound in Cinema
History and NonFiction Film in the USSR
Graham Roberts
Jamie Miller
Robert Robertson

256 PAGES 216 X 138MM AVAILABLE 9781848857315 PAPERBACK 17.99 23 B&W ILLUSTRATIONS KINO:THE RUSSIAN CINEMA SERIES
208 PAGES 234 X 156MM AVAILABLE 978 1 86064 282 1 HARDBACK 59.50 16 B&W ILLUSTRATIONS KINO:THE RUSSIAN CINEMA SERIES
CINEMA AND SOVIET SOCIETY

Peter Kenez
DZIGA VERTOV
Jeremy Hicks
Defining Documentary Film

SAVAGE JUNCTURES
Anne Nesbet
From the Revolution to the Death of Stalin

Sergei Eisenstein and the Shape of Thinking

www.ibtauris.com
Film: Russian & Soviet Cinema

KINO: THE RUSSIAN CINEMA SERIES KINOFILES FILMMAKERS COMPANIONS
NIKITA MIKHALKOV
Birgit Beumers
The Filmmakers Companion 1
PAGE 13
visual culture
THE MAN WITH THE MOVIE CAMERA

The Film Companion 2
LITTLE VERA
Frank Beardow
Graham Roberts
128 PAGES 216X138MM AVAILABLE 978 1 86064 611 9 PAPERBACK 12.99 25 B&W ILLUSTRATIONS KINO:THE RUSSIAN CINEMA SERIES
BURNT BY THE SUN

IVAN THE TERRIBLE
ALEXANDER MEDVEDKIN
Emma Widdis
Joan Neuberger

Birgit Beumers
REPENTANCE
THE END OF ST. PETERSBURG

DMITRI SHOSTAKOVICH: A LIFE IN FILM

Denise Youngblood and Josephine Woll

Vance Kepley, Jr
John Riley
136 PAGES 216 X 138MM AVAILABLE 978 1 86064 911 0 PAPERBACK 12.99 B&W ILLUSTRATIONS KINO:THE RUSSIAN CINEMA SERIES
BED AND SOFA

STORM OVER ASIA

Julian Graffy
Amy Sargeant
KIRA MURATOVA
Jane A. Taubman
MIRROR
CHAPAEV
Julian Graffy

144 PAGES 216 X 138MM AVAILABLE 978 1 85043 987 5 PAPERBACK 12.99 15 B&W ILLUSTRATIONS KINOFILES FILM COMPANION KINO:THE RUSSIAN CINEMA SERIES
Natasha Synessios
KINOFILES FILM COMPANIONS

Series Editor: Richard Taylor
THE BATTLESHIP POTEMKIN

THE CRANES ARE FLYING

Josephine Woll
Richard Taylor
www.ibtauris.com
Film: Soviet Contemporary TV

SERGEI EISENSTEIN SELECTED WORKS
I.B. Tauris is delighted to announce the reissue for the first time in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film and one of the most original aesthetic thinkers of the twentieth century.
PAGE 14
INVESTIGATING CULT TELEVISION SERIES

Series Editor: Stacey Abbott Investigating Cult TV is a series that seeks to redraw the boundaries of cult TV, and to provide a forum for discussion and debate about its changing nature, intricacies and pleasures. Authors are invited to question traditional assumptions about genres, programmes and their audiences and to rethink how cult TV is conceived, produced, programmed and consumed.
LOVE AND MONSTERS

The Doctor Who Experience, 1979 to the Present Miles Booy
BATTLESTAR GALACTICA
WRITINGS 192234
Investigating Flesh, Spirit, and Steel
Volume 1 The Selected Works
Roz Kaveney and Jennifer Stoy (Eds)
Sergei Eisenstein Edited and translated by Richard Taylor

344 PAGES 234 X 156MM AVAILABLE 978 1 84885 355 3 PAPERBACK 19.50 8PP B&W ILLUSTRATIONS
296 PAGES 216 X 138MM AVAILABLE 978 1 84885 373 7 PAPERBACK 14.99 INVESTIGATING CULT TV SERIES
NEW
TOWARDS A THEORY OF MONTAGE
Sergei Eisenstein Edited by Richard Taylor, translated by Michael Glenny
WRITINGS 1934 1947

Sergei Eisenstein Edited by Richard Taylor, translated by William Powell
Scholar and Who fan Miles Booy has written the first historical account of the public interpretation of Doctor Who. Love and Monsters begins in 1979 with the publication of Doctor Who Weekly, the magazine that would start a chain of events that would see creative fans taking control of the merchandise and even of the programmes massively successful twenty-first century reboot. From the twilight of Tom Bakers years to the newest Doctor, Matt Smith, Miles Booy explores the shifting meaning of Doctor Who across the years including the Third Doctors suggestion that we should read the Bible, via costumed fans on television, up to the 2010 general election in Britain. This is also the story of how the ambitious producer John Nathan-Turner, assigned to the programme in 1979, produced a visuallyexcessive programme for a tele-literate fanbase, and how this style changed the ways in which Doctor Who could be read.
256 PAGES 216 X 138MM FEBRUARY 2012 9781848854789 HARDBACK 49.50 9781848854796 PAPERBACK 14.99 INVESTIGATING CULT TV SERIES
INVESTIGATING FIREFLY AND SERENITY

Science Fiction on the Frontier
Rhonda V. Wilcox & Tanya R. Cochran (Eds)

INVESTIGATING CHARMED
The Magic Power of TV
Stan Beeler and Karin Beeler (Eds)

THE CULT TV BOOK
INVESTIGATING ALIAS
Secrets and Spies
Stacey Abbott (Ed.)

272 PAGES 234 X 156MM AVAILABLE 9781848850262 PAPERBACK 12.99 8 B&W ILLUSTRATIONS INVESTIGATING CULT TV SERIES
Stacey Abbott & Simon Brown (Eds)

SERGEI EISENSTEIN SELECTED WORKS, 3 VOLUME SET

Sergei Eisenstein
344; 448; 384 PAGES 234 X 156MM 2010 978 1 84885 358 4 PAPERBACK 49.50
DEXTER
Investigating Cutting Edge Television
INVESTIGATING FARSCAPE
Jes Battis
Douglas L. Howard (Ed.)

Uncharted Territories of Sex and Science Fiction

256 PAGES 216 X 138MM AVAILABLE 978 1 84511 341 4 HARDBACK 59.50 978 1 84511 342 1 PAPERBACK 14.99 INVESTIGATING CULT TV SERIES
www.ibtauris.com
Television: Contemporary TV
READING CONTEMPORARY TELEVISION SERIES
Series Editors: Kim Akass and Janet McCabe The Reading Contemporary Television Series offers a varied, intellectually groundbreaking and often polemical response to the changing face of television today often while it is happening. Utilising pioneering approaches to writing and thinking about television, scholars and critics, TV professionals and commentators offer commentaries on such diverse subjects as contemporary television shows, the global TV industry and technological innovations.
PAGE 15
visual culture
READING ASIAN TELEVISION DRAMA
READING LOST
Roberta Pearson (Ed.)

272 PAGES 216 X 138MM AVAILABLE 978 1 84511 836 5 PAPERBACK 12.99 READING CONTEMPORARY TELEVISION SERIES
READING 24
TV against the Clock
Crossing Borders and Breaking Boundaries Jeongmee Kim (Ed.),

Manchester Metropolitan University
Steven Peacock (Ed.)
QUALITY TV
READING CSI
Michael Allen (Ed.)
NEW
The Asian TV industry is unstoppable, reported Variety in 2008, yet most people living in the West have no idea what the rest of the world is watching on TV: what makes them laugh and cry every day. This informative overview of Asian television drama and its cultural impact shows how TV dramas in Malaysia, Hong Kong, Taiwan, Japan, China and South Korea are diverse in form and content, have local as well as transcultural value South Korean Hallyu shows being a prime example of this and exert strong appeal to large non-Asian as well as Asian audiences in their aesthetics, storytelling, acting and cinematography. Lively, expert contributors provide full and varied coverage of the major issues relating to contemporary Asian television and its cultural formation within Asia as well as in the West.
256 PAGES 216 X 138MM JULY 2012 9781845118600 PAPERBACK 16.99 READING CONTEMPORARY TELEVISION
Contemporary American Television and Beyond
Crime TV under the Microscope

Janet McCabe and Kim Akass (Eds)
THIRD WAVE FEMINISM AND TELEVISION
READING DESPERATE HOUSEWIVES
Beyond the White Picket Fence
Jane Puts It in a Box
Merri Lisa Johnson (Ed.)

Janet McCabe and Kim Akass (Eds)

MAD MEN
Dream Come True TV
MAKEOVER TELEVISION
READING THE SOPRANOS

David Lavery (Ed.)
Realities Remodelled
Hit TV from HBO

Gary R. Edgerton (Ed.)

288 PAGES 216 X 138MM AVAILABLE 9781848853799 PAPERBACK 12.99 12 B&W ILLUSTRATIONS READING CONTEMPORARY TELEVISION SERIES
Dana Heller (Ed.)
READING LITTLE BRITAIN

Comedy Matters on Contemporary Television
READING THE L WORD

Outing Contemporary Television
READING SIX FEET UNDER

TV To Die For
Sharon Lockyer (Ed.)

Kim Akass and Janet McCabe (Eds), Introduction by Sarah Warn

Kim Akass and Janet McCabe (Eds), Foreword by Mark Lawson

THE QUEER POLITICS OF TELEVISION
READING SEX AND THE CITY
Samuel A. Chambers
240 PAGES 216 X 138MM AVAILABLE 978 1 84511 681 1 PAPERBACK 15.99 12 B&W ILLUSTRATIONS READING CONTEMPORARY TELEVISION SERIES
READING DEADWOOD
Kim Akass and Janet McCabe (Eds)

A Western to Swear By David Lavery (Ed.)

www.ibtauris.com
Television: TV History
THE WALTONS
Nostalgia and Myth in Seventies America Mike Chopra-Gant,
London Metropolitan University
PAGE 16
NIP/TUCK
Television that Gets Under Your Skin Roz Kaveney and Jennifer Stoy (Eds)
SEEING THINGS
John Ellis
Television in the Age of Uncertainty
CHANNEL 4
NEW
The Waltons drama series about John and Olivia Walton, their ageing parents Zeb and Esther and their seven children in 1930s and 40s America was a successful show for CBS TV throughout the 1970s. In 2008 perhaps significantly the first six series of the show were for the first time released on DVD. This is classic television with contemporary relevance, still running on Hallmark channel and remembered with reverence by a generation. The Waltons was on tv screens through a socially and politically volatile period, when Nixon-era America was confronting the impending withdrawal of troops from Vietnam.The show, Mike ChopraGant demonstrates in this book, expressed a wider nostalgic desire in its audience to return to traditional conservatism and paternalistic family values at this time of political crisis. He examines its deployment of key myths, and its vision of family as against current TV depictions, featuring the likes of the Addams, the Simpsons, and the Sopranos.
208 PAGES 216 X 138MM JULY 2012 9781848850286 HARDBACK 45.00 9781848850293 PAPERBACK 15.99
The misadventures and soap opera-esque entanglements of the lives of plastic surgeons Christian Troy (Julian McMahon) and Sean McNamara (Dylan Walsh) won Golden Globes and boycotts from the American Family Association.Yet, as this first full critical examination of Nip/Tuck shows, ironically the show is an examination of the American family and its many definitions, the anxieties and complications of gender and sexuality, and the class issues and illusions surrounding the American dream. It is also revealed as a glorious televisual melodrama, full of Gothic tropes and contemporary sensationalism and, at the same time, a deeply misanthropic satire on the American dream whose portrayal of women and minorities sometimes becomes highly problematic. The book also includes an interview with frequent Nip/Tuck director Elodie Keene, and an episode guide.
256 PAGES 216X135MM JULY 2011 9781845118624 PAPERBACK 12.99
The Early Years and the Jeremy Isaacs Legacy
Dorothy Hobson
SMALL SCREENS, BIG IDEAS

Television in the 1950s
Janet Thumim (Ed.)

RE-VIEWING TELEVISION HISTORY
TV CRITICS AND POPULAR CULTURE
TV FAQ
John Ellis
Helen Wheatley (Ed.)

A History of British Television Criticism Paul Rixon,

University of Roehampton
Uncommon Answers to Common Questions about TV

192 PAGES 216 X 138MM AVAILABLE 978 1 84511 565 4 PAPERBACK 12.99 TAURIS FAQ SERIES
THE ANGRY BUZZ

This Week and Current Affairs Television Patricia Holland
NEW
Ever since the first scheduled television broadcasts began in the 1930s, newspapers and magazines took quickly to reviewing this revolutionary new medium. The task of television criticism in the public domain initially fell to radio critics and journalists, but the 1950s saw the rise of the dedicated TV critic.These critics, including Peter Black, Philip Pursor and Clive James, played an important part in shaping the public discourse about television. This book explores the evolution of television criticism in Britain, examining different types of TV critics and reviewers, the form of their work, and evaluating their importance in our understanding of the way television has become such an integral part of modern culture. It also asks whether, with the birth of new technologies, the TV critic is a dying breed.
288 PAGES 216 X 138MM MARCH 2011 9781848853195 HARDBACK 54.50 INTERNATIONAL LIBRARY OF CULTURAL STUDIES,VOL. 16
CRIME WATCHING
Investigating Real Crime TV
Deborah Jermyn
BEYOND DIXON OF DOCK GREEN
TELEVISION AND CONSUMER CULTURE

Britain and the Transformation of Modernity

Early British Police Series Susan Sydney-Smith

288 PAGES 234 X 156MM 978 1 86064 790 1 HARDBACK 59.50 978 1 86064 824 3 PAPERBACK 18.99 15 B&W ILLUSTRATIONS
Rob Turnock

LIVE FROM THE MOON

Michael Allen
Film, Television and the Space Race

www.ibtauris.com
Television: TV History: Sci-Fi & Fantasy

THE DOCTORS MONSTERS
Meanings of the Monstrous in Doctor Who Graham Sleight,
Editor of Foundation,
PAGE 17
visual culture
LIVING WITH STAR TREK

Lincoln Geraghty

American Culture and the Star Trek Universe

READING THE VAMPIRE SLAYER

The New, Updated, Unofficial Guide to Buffy and Angel
Roz Kaveney (Ed.)
Introduced by Paul Cornell

NEW
Many of Doctor Whos most memorable protagonists have been its monsters, the Daleks, Cybermen, Slitheen, the Sonterans, Ood, Wiirrn, and others. Entertainingly and provocatively written, and introduced by Who scriptwriter Paul Cornell, The Doctors Monsters takes a new look at these and many other creatures, and asks what inspired them and what lies behind them. If the Daleks are based on ideas of genetic purity, and the Cybermen on fears of transplant surgery, what about the Autons, the Zarbi, or the Weeping Angels? Science fiction critic Graham Sleight examines stories from the whole of Doctor Whos history to give this unique perspective on the series. Why are we so scared of monsters? Why do they look and act the way they do? How do they reflect the time and place that the series is broadcast in? Along the way, the book provides a history from an unusual angle of how this most enduring of TV science fiction series has created and recreated itself. The book also contains a comprehensive glossary of the creatures seen in Doctor Who.
256 PAGES 216 X 138MM APRIL 2012 9781848851788 PAPERBACK 12.99
READING STARGATE SG-1

Stan Beeler & Lisa Dickson (Eds)
SAINTS AND AVENGERS

James Chapman
British Adventure Series of the 1960s

296 PAGES 234 X 156MM AVAILABLE 978 1 86064 753 6 HARDBACK 56.50 978 1 86064 754 3 PAPERBACK 17.99 24 B&W ILLUSTRATIONS POPULAR TELEVISION SERIES
BRITISH SCIENCE FICTION TELEVISION

John R. Cook and Peter Wright (Eds)
304 PAGES 216 X 138MM AVAILABLE 978 1 84511 047 5 HARDBACK 47.50 978 1 84511 048 2 PAPERBACK 17.99 16 B&W HALFTONE ILLUSTRATIONS POPULAR TELEVISION GENRES
A Hitchhikers Guide
THE CURSE OF THE WEREWOLF

Chantal Bourgault du Coudray
Fantasy, Horror and the Beast Within

AMERICAN SCIENCE FICTION TV TARDISBOUND

Piers D. Britton
Navigating the Universes of Doctor Who
288 PAGES 216 X 138MM AVAILABLE 9781845119256 PAPERBACK 15.99
Star Trek, Stargate and Beyond
Jan Johnson-Smith
256 PAGES 216 X 138MM AVAILABLE 978 1 86064 882 3 PAPERBACK 15.99 B&W ILLUSTRATIONS POPULAR TELEVISION GENRES
TRIUMPH OF A TIME LORD

Matt Hills

WHY BUFFY MATTERS

Rhonda Wilcox
Regenerating Doctor Who in the Twentyfirst Century

272 PAGES 216 X 138MM AVAILABLE 978 1 84885 032 3 PAPERBACK 12.99 WHO WATCHING
The Art of Buffy the Vampire Slayer

READING ANGEL
The TV Spin-off with a Soul
INSIDE THE TARDIS
Stacey Abbott (Ed.)

The Worlds of Doctor Who
James Chapman
www.ibtauris.com
International Media
ARAB CULTURAL STUDIES PALESTINE ONLINE
Transnationalism, Communications and the Reinvention of Identity
PAGE 18
Mapping the Field Tarik Sabry (Ed.),

University of Westminster
THE ARABISRAELI CONFLICT IN THE MEDIA

Producing Shared Memory and National Identity in the Global Television Era
Miriyam Aouragh,
Oxford Internet Institute, University of Oxford

NEW NEW IN PAPERBACK
Tamar Ashuri
288 PAGES 216 X 138MM AVAILABLE 978 1 84511 814 3 HARDBACK 59.50
Arab Cultural Studies is a fast emerging field of research and study in Middle East and Western universities. In this book, prominent scholars, writing from both Arab and Western academia, discuss for the first time the ways in which this nascent area can be conceptualised and theorised. They provide a meta-narrative about how scholars have thus far thought and unthought the field, engaging with key complex, epistemic and methodological questions. At the same time they are articulating the new kinds of language and hermeneutics necessary in order to appropriate an historically conscious and coherent field of scientific enquiry into contemporary Arab media, culture and society. The book throughout reflects on and engages in an interdisciplinary discussion on the different facets of Arab cultural studies, including gender, economy, epistemology, language, method, politics, literary and cultural criticism, institutionalization, popular culture, creativity, and much more.
320 PAGES 216 X 138MM NOVEMBER 2011 9781848855588 HARDBACK 51.50 9781848855595 PAPERBACK 17.99 3 B&W ILLUSTRATIONS
For Palestines diaspora and exiled communities, the internet has become an important medium for the formation of Palestinian national and transnational identity. Miriyam Aouragh looks at the internet as both a space and an instrument for linking Palestinian diasporas in Palestine, Jordan and Lebanon. She closely examines the uses and limits of internet technology under conditions of war, along with the ways in which virtual participation enables the generation of new ideals for political reconciliation and self-determination. Through the internet, participants reconstruct a virtual Palestinian homeland, gain a space for recovering the past, for overcoming issues of mobility, and for generating social change. This book provides a new angle on those affected by the IsraeliPalestine conflict, and furthers understanding about the connection between electronic media, politics and national identity more widely.
256 PAGES 216 X 138MM APRIL 2012 9781780762418 PAPERBACK 25.00
MUSLIMS AND THE NEWS MEDIA

Elizabeth Poole & John E. Richardson (Eds)
BLOGISTAN
The Internet and Politics in Iran
Annabelle Sreberny and Gholam Khiabany

240 PAGES 216 X 138MM AVAILABLE 9781845116064 HARDBACK 56.00 9781845116071 PAPERBACK 14.99 INTERNATIONAL LIBRARY OF IRANIAN STUDIES, VOL. 18
NARRATING CONFLICT IN THE MIDDLE EAST
Discourse, Image and Communication Practices in Lebanon and Palestine Dina Matar, SOAS and Zahera Harb, University
of Nottingham
CHANNELS OF RESISTANCE IN LEBANON

Liberation Propaganda, Hezbollah and the Media
CULTURAL ENCOUNTERS IN THE ARAB WORLD

On Media, the Modern and the Everyday
Tarik Sabry

Zahera Harb
NEW
The term conflict has often been used broadly and uncritically to talk about diverse situations ranging from street protests to war, though the many factors that give rise to any conflict and its continuation over a period of time vary greatly. The starting point of this innovative book is that to consider conflict within a singular concept disables a coherent analysis of the constituent factors behind any particular conflict. At the same time, to consider each conflict as entirely distinct and unique undermines an attempt to examine common factors in all conflicts. The contributors set out to explore the ways in which the long-term conflicts in Palestine and Lebanon have been and are narrated, imagined and remembered in diverse spaces, including that of the media. They examine discourses and representations of the conflicts as well as practices of memory and performance in the diverse narratives of suffering and conflict, all of which suggest an embodied investment in narrating or communicating conflict.
256 PAGES 216 X 138MM APRIL 2012 9781780761022 HARDBACK 49.50 9781780761039 PAPERBACK 16.99
256 PAGES 216 X 138MM AVAILABLE 9781848851207 HARDBACK 51.50 9781848851214 PAPERBACK 16.99
THE NEW ARAB JOURNALIST

Lawrence Pintak
OBSERVANT STATES
Mission and Identity in a Time of Turmoil

Geopolitics and Visual Culture Fraser MacDonald, Rachel Hughes and Klaus Dodds (Eds)
WHAT IT MEANS TO BE PALESTINIAN

Dina Matar
TRANSNATIONAL TELEVISION WORLDWIDE

Towards a New Media Order
Jean K. Chalaby (Ed.)

256 PAGES 216 X 138MM 978 1 85043 548 8 PAPERBACK 15.99
www.ibtauris.com
International Media
TRANSNATIONAL TELEVISION IN EUROPE
Reconfiguring Global Communications Networks
Art & Theory

REPORTING ISLAM
Media Representations of
PAGE 19
visual culture
RE-NEGOTIATING THE BODY
British Muslims Elizabeth Poole

Feminist Art in 1970s London Kathy Battista,

Sothebys Institute, New York
Jean K. Chalaby

272 PAGES 216 X 138MM 978 1 84511 953 9 HARDBACK 59.50 978 1 84511 954 6 PAPERBACK 15.99
320 PAGES 216 X 138MM 978 1 86064 686 7 HARDBACK 59.50 978 1 86064 687 4 PAPERBACK 16.99 8 B&W ILLUSTRATIONS
ARAB TELEVISION TODAY

Naomi Sakr
FRAGMENTS OF CULTURE
The Everyday of Modern Turkey
NEW
Deniz Kandiyoti, Ayse Saktanber (Eds)

360 PAGES 234 X 156MM 978 1 86064 427 6 PAPERBACK 17.99 20 B&W ILLUSTRATIONS
ARAB MEDIA AND POLITICAL RENEWAL

Community, Legitimacy and Public Life
Naomi Sakr (Ed.)

What makes art feminist art? Although feminist artists do have a unique aesthetic, there can be no essential feminist aesthetic, argues Kathy Battista in this exciting new art history. Domesticity, the body, its traces, and sexuality have become prominent themes in contemporary feminist practice but where did these preoccupations begin and how did they come to signify a particular type of art? Battistas (re-) engagement with the founding generation of female practitioners centres on 1970s London as the cultural hub from which a new art practice arose. Emphasising the importance of artists including Bobby Baker, Anne Bean, Catherine Elwes, Rose English, Alexis Hunter, Tina Keane, Hannah OShea, Kate Walker, Silvia Ziranek, Mary Kelly, Judy Clark, Carolee Schneemann and Cosey Fanni Tutti, Battista investigates some of the most controversial and provocative art from the era.
224 PAGES 234 X 156MM OCTOBER 2011 9781848859050 HARDBACK 51.50
WOMEN AND MEDIA IN THE MIDDLE EAST

Naomi Sakr (Ed.)
240 PAGES 216 X 138MM 978 1 85043 545 7 PAPERBACK 16.99
ART AND POLITICS

A Small History of Art for Social Change Since 1945 Claudia Mesch,
Arizona State University
NEW
WAR AND THE MEDIA

Reportage and Propaganda, 19002003
Mark Connelly and David Welch (Eds)

256 PAGES 234 X 156MM 978 1 86064 959 2 HARDBACK 59.50
SATELLITE REALMS
Transnational Television, Globalization and the Middle East
Naomi Sakr

What makes a piece of art political? Can art catalyse real political change? In exploring how art is used by politics and politics by art, Claudia Mesch analyses the tangled and ever-changing relationship between Art and Politics, a crucial and understudied direction in art history. Individual artworks have incited enormous ideological shifts post 1945, particularly since 1960. Mesch charts these permutations and in doing so provides readers with the tools to decode and appreciate political art. By exploring key artistic and socio-political movements, Mesch will challenge her readers to examine often deprecated and undervalued political artwork as properly part of the history of modern and contemporary art. Art and Politics: A Small History of Art for Social Change Since 1945 imparts unique insights into the major historical and theoretical touchstones of post-war political art.
224 PAGES 234 X 156MM JULY 2011 9781848851092 HARDBACK 49.50 9781848851108 PAPERBACK 16.99 30 B&W ILLUSTRATIONS
www.ibtauris.com
Art and Critical Theory

CARNAL AESTHETICS
Transgressive Imagery and Feminist Politics Marta Zarzycka and Bettina Papenburg (Eds), both at
NEW
PAGE 20
HELEN CHADWICK
Constructing Identities between Art and Architecture Stephen Walker,
THIS IS NOT ART

Activism and Other Not-Art Alana Jelinek,
University of Cambridge
University of Sheffield
University of Utrecht, Netherlands

NEW NEW
Art today is an increasingly multifaceted phenomenon, encompassing transgressive works that intervene in war, inequalities, ecological disasters, and revolutionary changes in technology. Carnal Aesthetics is a fascinating new examination of this aspect of contemporary visual culture. Employing recent theories of transgressive body imagery, trauma, affectivity and sensation, it provides a fresh look at the meeting point between the politics of representation and the politics of perception, through the prismatic lens of feminist theory.Acclaimed scholars, including Griselda Pollock, Vivian Sobchack, Laura Marks, Erin Manning, Jill Bennett and Martine Beugnet analyse seminal case studies coming from different media: digital photography, video, film and multimedia art. They explore a number of transgressive movements that significantly reconfigure the relationship between the body and the image, challenging also the primacy of vision.
256 PAGES 234 X 156MM MAY 2012 9781780760124 HARDBACK 56.00 9781780760131 PAPERBACK 18.99 15 B&W ILLUSTRATIONS
Highly respected by her peers and hugely influential on the subsequent generation of artists, British artist Helen Chadwick produced a wide-ranging body of work in a variety of media. She also drew upon a panoply of references, from classical Greek through to contemporary architectures, micro-biology, sub-particle physics, and esoteric philosophies. Stephen Walker identifies and explores a consistent range of issues and enduring interests that accompanied and supported Chadwicks realised work, including the relationship between body and space, self and the world; between art and science, the creative self and the creative process. Dismantling and reassembling her thought, Walker here combines a close reading of Chadwicks notebooks and research with broader speculation about their ongoing relevance for artistic and architectural work today.
248 PAGES 234 X 156MM JUNE 2012 9781780760070 PAPERBACK 19.99 40 B&W ILLUSTRATIONS
Art is not political action. Art is not education. Art does not exist to make the world a better place. Art shocks, disrupts and resists the status quo, or it only serves to deaden a disenfranchised society further. So argues This Is Not Art, a radical and vigorous critique that debunks myths about art in order to celebrate it. Highlighting the social mechanisms of legitimisation and dissemination that exclude the genuinely shocking or defiant, This Is Not Art draws on Foucault and Marx to uncover an artworld obsessed with profit and from which diversity, individuality and freedom have been erased. Alana Jelinek returns to the question what is art? retelling the history of art practice. This Is Not Art offers a new way of understanding and practicing art as the embodiment of power and agency within us, the possibility of thinking and acting differently, of finding new stories to tell.
192 PAGES 216 X 138MM SEPTEMBER 2012 9781848858565 HARDBACK 49.50 9781848858572 PAPERBACK 16.99 20 B&W ILLUSTRATIONS
PERFORMANCE ART
A Guided Tour Peter Bond, Central
St. Martins, University of the Arts London
HENRY MOORE IN AMERICA
Art, Business and the Special Relationship Pauline Rose,
ART AND TRAUMA IN AFRICA
The Arts University College at Bournemouth

NEW NEW
Representations of Reconciliation in Music, Visual Arts, Literature and Film Lizelle Bisschoff,
Edinburgh University
and Stefanie Van de Peer

NEW
Presence, immediacy and participation are at the forefront of some of the most influential art of the past fifty years, yet performance art remains mysterious and obscure to any of us who lack knowledge of its context and vocabulary. Written for the interested but uninitiated, Performance Art: A Guided Tour offers just that: an accessible field guide to the shifting terrain of live art. From its beginnings in conceptual art in the 1950s through the media generation of the 1960s to Marina Abramovic and the live art of today, Performance Art: A Guided Tour introduces the history, concepts and agendas of the medium. Including a DIY guide to becoming a performance artist, this accessible and scholarly book locates performance art within shifting circumstances and conflicting discourses, debating different paths and approaches to understanding it. Enlightening, wide-ranging and sometimes surprising, Performance Art: A Guided Tour enables the reader to navigate the terra incognita of the most controversial of modern art forms.
Although a quintessentially English sculptor, Henry Moore experienced outstanding success in the United States. A man much admired and revered, he was the natural choice for corporate and civil commissions. Based on original sources, and containing many previously unpublished images, Pauline Roses work explores the reasons for Moores fame in America, and the construction of his American persona. This insightful text illustrates the ways in which Moore was presented to an American audience via text and imagery and the influential network of his supporters. It examines a range of sculptural commissions in key American cities, resulting from the ambitions of politicians and businessmen alike who perceived Moores monumental sculptures as expressions of citizenship and humanity. A valuable addition to studies on Moore, this will be indispensable to all those interested in twentieth century art history and cultural studies, Anglo-American relations, and the vibrant relationship between text and image.
288 PAGES 216 X 134MM JULY 2012 9781848858213 HARDBACK 56.50 30 B&W ILLUSTRATIONS INTERNATIONAL LIBRARY OF VISUAL CULTURE,VOL. 4
The traumas of conflict and war in postcolonial Africa have been widely documented, but less well-known are their artistic representations. A number of recent films, novels and other art forms have sought to engage with and overcome post-colonial atrocities and to explore the attempts of reconciliation commissions towards peace, justice and forgiveness. This creativity reflects the memories and social identities of the artists, whilst offering a mirror to African and worldwide audiences coming to terms with a collective memory that is often traumatic in itself. Questioning perception and interpretation, these new art forms challenge the inexpressible nature of atrocities. This groundbreaking volume will inspire those interested in African history and politics as well as broader cultural and artistic studies
264 PAGES 216 X 138MM JUNE 2012 9781848856929 HARDBACK 54.50 20 B&W ILLUSTRATIONS INTERNATIONAL LIBRARY OF CULTURAL STUDIES,VOL.21
www.ibtauris.com

PERFORMING THE EAST
Performance Art in Russia, Latvia and Poland since 1980 Amy Bryzgel,
University of Aberdeen
NEW
PAGE 21
visual culture
CROSS-CULTURAL IDENTITIES
VISUALIZING FEELING
Susan Best

Art, Migrants and the Metaphor of Waste Juliet Steyn, City

University, London and
Affect and the Feminine Avantgarde

224 PAGES 234 X 156MM AVAILABLE 9781848858510 HARDBACK 51.50 40 B&W ILLUSTRATIONS
Nadja Stamselberg,
NEW
Kingston University and Queen Mary University

In the context of the harsh current economic, social and political realities of Europe and beyond, Cross Cultural Identities: Art, Migrants and Metaphors of Waste contributes to new ways of thinking the prospects of a community of values and principles across Europes diverse communities of peoples. The anthology brings together prominent writers, artists and theorists to explore figurations of migrant identity and reflect on the political and cultural meanings of European identity, belonging and exclusion. Waste is the exploratory model for reappraising the structural dysfunctions and exclusions of contemporary Europe. The European Union has established mechanisms of mobility that leave a trail of rubbish.Through the invisible, unspoken narratives of waste, of wasted identities or peoples, the challenges of migration, integration and history and identity are explored. The diverse approaches of the contributions will appeal to a wide spectrum of disciplines and discourses and to those with an interest in what is traditionally identified as culture.
272 PAGES 216 X 138MM AUGUST 2012 9781780762593 HARDBACK 54.50 24 B&W ILLUSTRATIONS
SITE-WRITING
Jane Rendell
Performance art in the West has developed in part as a response to the commercialisation of the art object. But what are the roots of performance art in Eastern Europe and Russia, where there was no real art market to speak of? While Western performance artists of the late 20th century aimed to create works that could not be bought or sold, performances in the communist bloc in the absence of an art market more often took the form of social critique. Instead of creations that questioned what the art object is, their work often related to local issues within the context of late- or post-socialism. By placing these performances within both a local and international context, this book pinpoints the nuances between performance art East and West. Drawing upon previously unpublished sources and exclusive interviews with the artists themselves, Amy Bryzgel explores the spontaneous theatre of the period from Oleg Kuliks Russian Dog performances to Miervaldis Poliss The Bronze Man and Vladislav Mayhshevs Monroe.
256 PAGES 216 X 138MM JANUARY 2012 9781848859487 HARDBACK 54.50 40 B&W ILLUSTRATIONS
The Architecture of Art Criticism

288 PAGES 234 X 156MM AVAILABLE 9781845119997 PAPERBACK 16.99 80 COLOUR ILLUSTRATIONS
JUNK
Art and the Politics of Trash
Gillian Whiteley
ART AND THE CITY

Nicolas Whybrow
THE ART OF LYNDA BENGLIS
HYPERDRAWING
Beyond the Lines of Contemporary Art TRACEY,
Loughborough University
Beyond process Susan Richmond,

Georgia State University
CRAFT GALLERIES GUIDE

Tenth Edition 2010/2011
Compiled and edited by Caroline Mornement

356 PAGES 210 X 195MM AVAILABLE 9780955002670 PAPERBACK 17.50 750 COLOUR ILLUSTRATIONS BCF BOOKS
NEW
NEW
In four decades of abstract art practice, Lynda Benglis has not merely challenged the status quo. She has tied it in knots, melted it down and poured it across the floor, cast in glass, clay and bronze. Daring and sometimes outrageous, her intense and provocative practice produced some of the most iconic images of the late twentieth century. Yet like every woman throughout history who has dared to perform her own exclusion from privilege as Benglis did in her infamous 1974 self-funded nude full-page advert in Artforum, wearing nothing but sunglasses and a dildo the artist has been marginalised and her place in contemporary art history neglected. In the wake of several recent major retrospectives, art critic and historian Susan Richmond examines for the first time the work of Lynda Benglis, demonstrating through visual, contextual and theoretical analyses the enduring resonance of Benglis eclectic oeuvre. Richmond gives serious critical attention to work often dismissed as trivial and rootless, recovering the themes that link the different phases of the artists quest to capture the frozen gesture.
224 PAGES 234 X 156MM APRIL 2012 9781780762579 HARDBACK 51.50 80 B&W ILLUSTRATIONS, 16PP COLOUR PLATES
In Hyperdrawing: beyond the lines of contemporary art, authors and artists come together to explore the potential of what drawing in contemporary art theory and practice might become. In this follow-up to 2007s Drawing Now: between the lines of contemporary art, the editors of TRACEY curate contemporary drawing within fine art practice from 2006 through to 2010. Four essays and images from 33 international artists collectively explore the boundaries of the hyperdrawing space, investigating in essence what lies beyond drawing images that use traditional materials or subjects whilst also pushing beyond the traditional, employing sound, light, time, space and technology. Over and above traditional views and practices, the authors and artists in this book recognise and embrace the opportunities inherent in the essential ambiguity of drawing. Practitioners of hyperreal works, 2D3D4D pieces and installations that push beyond photorealism all find their place within this new conception of hyperdrawing as techn, a productive space no longer limited by spatial boundaries.
128 PAGES 252 X 252MM JULY 2012 9781780762548 PAPERBACK 19.50 102PP B&W ILLUSTRATED
THE SUBVERSIVE STITCH

Embroidery and the Making of the Feminine
Rozsika Parker
AFTERSHOCK
Kieran Cashell
The Ethics of Contemporary Transgressive Art

256 PAGES 234 X 156 MM AVAILABLE 978 1 84511 524 1 PAPERBACK 17.99 23 B&W ILLUSTRATIONS
www.ibtauris.com

ART AND POLEMIC IN PAKISTAN THE ART OF SELF INVENTION
Image and Identity in Popular Visual Culture
PAGE 22
DRAPERY
Gen Doy
Politics, Culture and Tradition in Contemporary Miniature Painting Virginia Whiles

304 PAGES 216 X 138MM AVAILABLE 978 1 84885 365 2 HARDBACK 59.50 20 B&W ILLUSTRATIONS, 64 COLOUR IN 32PP PLATES INTERNATIONAL LIBRARY OF CULTURAL STUDIES, VOL. 13
Classicism and Barbarism in Visual Culture

Joanne Finkelstein

PICTURING THE SELF

Gen Doy

JOSEPH BEUYS
The Reader
MEMORIALIZING THE HOLOCAUST

Gender, Genocide and Collective Memory
Changing Views of the Subject in Visual Culture

304 PAGES 234 X 156MM AVAILABLE 978 1 85043 412 2 HARDBACK 65.00 978 1 85043 413 9 PAPERBACK 18.99 8 COLOUR PLATES AND B&W ILLUSTRATIONS
Claudia Mesch and Viola Michley (Eds)

Janet Jacobs
READING ART, READING IRIGARAY

Hilary Robinson

THE STATE OF THE REAL

Aesthetics in the Digital Age
The Politics of Art by Women

MODERN ART AT THE BERLIN WALL

Claudia Mesch

Demarcating Culture in the Cold War Germanys

336 PAGES 216 X 138MM AVAILABLE 9781845118082 HARDBACK 65.00 INTERNATIONAL LIBRARY OF CULTURAL STUDIES, VOL. 3
Damian Sutton, Sue Brind, Ray McKenzie (Eds) Contribution by Slavoj Zizek
208 PAGES 234 X 156MM AVAILABLE 978 1 84511 077 2 PAPERBACK 18.99 B&W ILLUSTRATIONS AND COLOUR PLATE SECTION
PASSIONATE BEING
Yve Lomax
Language, Singularity and Perseverance

224 PAGES 234 X 156MM AVAILABLE 978 1 84885 097 2 PAPERBACK 17.99 1 HALFTONE
ENGAGED WITH THE ARTS

Writings from the Frontline

GORDON MATTACLARK
Art, Architecture and the Attack on Modernism
224 PAGES 234 X 156MM AVAILABLE 978 1 84511 966 9 PAPERBACK 16.99 40 ILLUSTRATIONS
John Tusa
Stephen Walker
WRITING THE IMAGE
An Adventure with Art and Theory

ART BEYOND REPRESENTATION

The Performative Power of the Image
Yve Lomax, Contribution by Irit Rogoff

WE WERENT MODERN ENOUGH

Women Artists and the Limits of German Modernism
Barbara Bolt
Marsha Meskimmon
SOUNDING THE EVENT

Escapades in Dialogue and Matters of Art, Nature and Time
272 PAGES 234 X 156MM AVAILABLE 978 1 86064 284 5 PAPERBACK 17.99 B&W ILLUSTRATIONS
BLACK VISUAL CULTURE

Modernity and Postmodernity
Yve Lomax

Gen Doy
www.ibtauris.com

INTERPRETING KEY THINKERS FOR THE ARTS
PAGE 23
visual culture
CONTEMPORARY THINKERS REFRAMED
Are you baffled by Baudrillard? Dazed by Deleuze? Confused by Kristeva? Other guides can feel as impenetrable as the original texts to those who think in images. Contemporary Thinkers Reframed instead uses the language of the arts to explore the usefulness in practice of complex ideas. Short, contemporary and accessible, these lively books utilise actual examples of artworks, films, television shows, works of architecture, fashion and even computer games to explain and explore the work of the most commonly taught thinkers. Conceived specifically for the visually minded, the series will prove invaluable to students right across the visual arts.
ADORNO REFRAMED
NEW
Interpreting Key Thinkers for the Arts Geoffrey Boucher, Deakin University
Dismissed as a miserable elitist who condemned popular culture in the name of high art, Theodore W. Adorno (1903-1969) is one of the most provocative and important yet least understood of contemporary thinkers. This book challenges this popular image and re-examines Adorno as a utopian philosopher who believed authentic art could save the world. Adorno Reframed is not only a comprehensive introduction to the reader coming to Adorno for the first time but an important re-evaluation of this founder of the Frankfurt School.
AUGUST 2012 160 PAGES 174 X 124MM 9781848859470 PAPERBACK 12.99 5 B&W ILLUSTRATIONS
BADIOU REFRAMED
NEW
Interpreting Key Thinkers for the Arts Alex Ling, University of Western Sydney
Often regarded with suspicion as an antipostmodernist who dared to write about truth and meaning as recognisable categories, in recent years Badiou has become of crucial importance in finding new ways to produce, conceptualise and discover art. Badiou Reframed is an original book for an original thinker, applying Badious philosophy for the first time to the visual arts. Drawing on a broad cross-section of artworks, including drawing, painting, photography, cinema, architecture and installation art, Badiou Reframed uses concrete examples to elucidate, extend and critique Badious philosophy. focusing on his critical relationship with the visual arts, Badiou Reframed reinterprets and represents not just the man but art itself in a wholly new light.
JULY 2012 160 PAGES 174 X 124MM 9781780762609 PAPERBACK 12.99
AGAMBEN REFRAMED
University of the Arts London
NEW
Interpreting Key Thinkers for the Arts Dan Smith, Chelsea College of Art and Design,
One of the most influential living cultural theorists, Agambens ideas continue to engage and trouble students for whom he is an ever more vital part of the theoretical terrain. The first book to offer an accessible account of Agambens work in relation to visual culture, Agamben Reframed turns Agambens model of politics into a powerful and convincing account of art. Seeking a sustained encounter between contemporary visual culture and Agambens world of critical ideas, Dan Smith examines works that mirror the extreme and difficult topography of Agamben. Ideas of the destruction of real experience and the groundlessness of everyday life feed into the contested presence of the body as spectacle and commodity to demand the reimagining of modes of representation as well as social and political forms.
AUGUST 2012 160 PAGES 174 X 124MM 9781780762616 PAPERBACK 12.99
GUATTARI REFRAMED
NEW
Interpreting Key Thinkers for the Arts Paul Elliott, University of Worcester
Guattari Reframed presents a timely and urgent rehabilitation of one of the twentieth centurys most engaged and engaging cultural philosophers. Best known as an activist and practising psychiatrist, Guattaris work is increasingly understood as both eerily prescient and vital in the context of contemporary culture. Employing the language of visual culture and concrete examples drawn from it, this book introduces and reassesses the major concepts developed throughout Guattaris writings, asserting his significance as a revolutionary philosopher and cultural theorist and to transform both their understanding of Guattari, and their lives through his ideas.
MARCH 2012 160 PAGES 174 X 174MM 9781780762333 PAPERBACK 12.99 6 B&W ILLUSTRATED
LYOTARD REFRAMED
NEW
Interpreting Key Thinkers for the Arts Graham Jones

Lyotards thoughts on the postmodern have often been misunderstood or misrepresented. Lyotard Reframed provides a clear and original introduction to Lyotards work on the postmodern and his philosophy more generally, demonstrating its ongoing relevance to creative endeavour and debates concerning the value and significance of the visual arts. It also situates Lyotards discussion of the postmodern in the context of his other key concepts: the Figural, the Libidinal, and the Sublime. Written for students, teachers and those interested in the arts more generally, Lyotard Reframed employs numerous examples drawn from painting, cinema, and comic books, to illustrate the significance of these ideas and to explore their links with phenomenology, Marxism, structuralism, psychoanalysis and deconstruction. It also presents a glossary of relevant concepts and a useful guide to further reading.
MAY 2012 160 PAGES 174 X 124MM 9781845116804 PAPERBACK 12.99
DERRIDA REFRAMED
K. Malcolm Richards
Interpreting Key Thinkers for the Arts

LACAN REFRAMED
Steven Z. Levine

BAUDRILLARD REFRAMED
Kim Toffoletti
DELEUZE REFRAMED
160 PAGES 174X 124MM AVAILABLE 978 1 84511 678 1 PAPERBACK 12.99 16 B&W ILLUSTRATIONS

HEIDEGGER REFRAMED
Barbara Bolt
Damian Sutton and David Martin-Jones

KRISTEVA REFRAMED
Australia
Estelle Barrett, Deakin University,

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Art and Critical Theory Art and

ART AND ANIMALS
Giovanni Aloi,
Roehampton University
Art and is a series of intelligently written and highly readable illustrated books for the gallerygoer and student. The series takes as its starting points both that art matters that it has a real and important connection to the world in which we live and that contemporary art, sometimes difficult or unapproachable, need not equate to difficult writing. In selecting themes, we have aligned art with those perennial issues such as sex and war which trouble generation after generation, as well as those specifically contemporary issues recent scientific advances and advertising for example to show how art both reflects and influences the wider world.
PAGE 24
CONTEMPORARY BRITISH WOMEN ARTISTS

Rebecca Fortnum
176 PAGES 246 X 189MM AVAILABLE 978 1 84511 224 0 PAPERBACK 16.99 20 B&W PHOTOS
In Their Own Words
ART AND PSYCHOANALYSIS
CHARLES SHEELER
Maria Walsh,
Chelsea College of Art and Design, University of the Arts London
American Modernism and the Borders of Abstraction
Mark Rawlinson

NEW
NEW
Over the past two decades, animals have quite literally invaded the gallery space, from Joseph Beuys co-habiting with a coyote, Janis Kounellis instillation of live horses, Damien Hirsts shark in formaldehyde to Mark Dions natural history displays and Marco Evaristtis goldfish in a blender. In this latest addition to the highly acclaimed Art and... series, Giovanni Aloi surveys the insistent presence of animals in the world of contemporary art, exploring the leading concepts which inform this emerging practice. From exhibitions featuring live animals, to taxidermy, and interspecies communication, Giovanni Aloi explores how animals feature in modern art with a range of thought-provoking and innovative visual representations. Art and Animals challenges ideas of identity, otherness and civilisation by explaining the role animals have occupied in our cultural development and illustrating their presence in the visual arts today.
192 PAGES 210 X 148MM NOVEMBER 2011 9781848855243 HARDBACK 42.00 9781848855250 PAPERBACK 14.99 30 B&W ILLUSTRATIONS ART AND SERIES
Often derided as unscientific and selfindulgent, psychoanalysis has been an invaluable resource for artists, art critics and historians throughout the twentieth century. Art and Psychoanalysis investigates these encounters.The dynamics of the dream-work, Freuds familiar unfamiliar, fetishism, visual mastery, abjection, repetition, and the death drive are explored through detailed analysis of artists ranging from Max Ernst to Louise Bourgeois, including 1980s postmodernists such as Cindy Sherman, installation artists such as Mike Kelley and post-minimalist sculpture. Innovative and disturbing, Art and Psychoanalysis investigates key psychoanalytic concepts to reveal a dynamic relationship between art and psychoanalysis which goes far beyond interpretation. There is no cure for the artist but art can reconcile us to the traumatic nature of human experience, converting the sadistic impulses of the ego towards domination and war into a masochistic ethics of responsibility and desire.
192 PAGES 210 X 148MM JULY 2012 9781848857971 HARDBACK 49.50 9781848857988 PAPERBACK 14.99 10 B&W ILLUSTRATED ART AND SERIES
VIDEO ART, A GUIDED TOUR
Catherine Elwes, Foreword by Shirin Neshat

224 PAGES 210 X 148MM AVAILABLE 978 1 85043 546 4 PAPERBACK 16.99 33 B&W HALFTONE ILLUSTRATIONS
CONTEMPORARY ART AND MEMORY

Images of Recollection and Remembrance
Joan Gibbons

THE ART OF THE SACRED

Graham Howes
ART AND OBSCENITY

Kerstin Mey
192 PAGES 210 X 148MM AVAILABLE 978 1 84511 234 9 HARDBACK 52.50 978 1 84511 235 6 PAPERBACK 14.99 30 ILLUSTRATIONS
ART AND SCIENCE

Sin Ede
An Introduction to the Aesthetics of Art and Belief

ART AND LAUGHTER

Sheri Klein
ART AND ADVERTISING

Joan Gibbons
DRAWING NOW
TRACEY

ART AND WAR

Laura Brandon
ART AND SEX

Gray Watson
168 PAGES 210 X 148MM AVAILABLE 978 1 84511 664 4 HARDBACK 52.50 978 1 84511 665 1 PAPERBACK 14.99 29 IMAGES
Between the Lines of Contemporary Art

218 PAGES 254 X 254MM 978 1 84511 533 3 PAPERBACK 18.99 128 ILLUSTRATIONS
ART AND DEATH

Chris Townsend
168 PAGES 210 X 148MM AVAILABLE 978 1 84511 662 0 HARDBACK 52.50 978 1 84511 663 7 PAPERBACK 14.99 10 IMAGES
THE OBSTACLE RACE

Germaine Greer
The Fortunes of Women Painters and Their work

www.ibtauris.com

NEW ENCOUNTERS: ARTS, CULTURES, CONCEPTS
Series Editor: Griselda Pollock Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History, University of Leeds. After theory: do we abandon the theoretical turn, or do we work with it differently? The New Encounters series brings together major international commentators and also introduces a new generation of thinkers. Resisting both the rejection of theory and the current displacement of art history in favour of visual culture, New Encounters instead rejuvenates both approaches. Marked out by their critical engagement with and close informed readings of images, texts and cultural events, these books employ fresh feminist, postcolonial and queer perspectives. New Encounters also showcases exciting new volumes which revisit key figures in twentieth century art through highly original feminist approaches.
PAGE 25
visual culture
AUSCHWITZ AND AFTERIMAGES

Abjection, Witnessing and Representation
CONCEPTUAL ODYSSEYS
BLUEBEARDS LEGACY
Passages to Cultural Analysis
Nicholas Chare
Griselda Pollock (Ed.) Introduction by Mieke Bal

Death and Secrets from Bartk to Hitchcock Griselda Pollock & Victoria Anderson (Eds)
THE SACRED AND THE FEMININE

Imagination and Sexual Difference
EVA HESSE
Vanessa Corby
Griselda Pollock and Victoria Turvey-Sauron (Eds)

Longing, Belonging and Displacement

FORTHCOMING IN THIS SERIES: THE VISUAL POLITICS OF PSYCHOANALYSIS

Griselda Pollock (Ed.)
Art in Post-Traumatic Cultures
HELEN FRANKENTHALER
Painting History, Writing Painting
DIGITAL AND OTHER VIRTUALITIES
Renegotiating the Image
Alison Rowley
256 PAGES 234 X 156MM AVAILABLE 978 1 84511 518 0 HARDBACK 52.50 978 1 84511 519 7 PAPERBACK 16.99 20 B&W ILLUSTRATIONS AND 16 PAGE COLOUR PLATE SECTION
Antony Bryant and Griselda Pollock (Eds)

288 PAGES 234 X 156MM AVAILABLE 978 1 84511 567 8 HARDBACK 59.50 978 184511 568 5 PAPERBACK 16.99 33 B&W ILLUSTRATIONS
www.ibtauris.com
PAGE 26
Promoting debate, confronting conventions and formulating alternative ways of thinking, Jane Tormey and Gillian Whiteley explore what radical aesthetics might mean in the twenty first century. This new book series RadicalAesthetics-RadicalArt (RaRa) - reconsiders the relationship between how art is practiced and how art is theorized. Striving to liberate theories of aesthetics from visual traditions, this series of single-authored titles expands the parameters of art and aesthetics in a creative and meaningful way. Encompassing the multisensory, collaborative, participatory and transitory practices that have developed over the last twenty years, Radical Aesthetics-Radical Art is an innovative and revolutionary take on the intersection between theory and practice. The RaRa series aims to: l critique conventional approaches to thinking about art practice and aesthetics l reconsider the interrelationships between theories and art practice on equal terms l provide a useful resource to assist research and provoke discussion l address current issues in response to contemporary contexts l encourage an interdisciplinary approach to discussion l survey recent and current material and debate The first title in the series to be released is Practical Aesthetics: Event, Affect and Art after 9/11 by Jill Bennett. Further titles include Eco-Aesthetics by Malcolm Miles and Indigenous Aesthetics by Dylan Miner.The commissioning editors invite submissions from authors (artists and scholars) who can make a provocative contribution to these debates. For further information about the RaRa project see website: http://www.lboro.ac.uk/departments/sota/research/ groups/politicised/rara.html For further information or enquiries please contact RaRa series editors Jane Tormey: j.tormey@lboro.ac.uk Gillian Whiteley: g.whiteley@lboro.ac.uk
PRACTICAL AESTHETICS
NEW
Events, Affect and Art after 9/11 Jill Bennett, University of New South Wales
Practical Aesthetics brings a pursuit long seen as rarefied and indulgent out of the ivory tower and down to Ground Zero. Theoretically ambitious, fiercely original, it is a radical new account of arts embeddedness in the social world and the value of aesthetics to contemporary society. Beginning with the cultural watershed of 9/11, internationallyrenowned scholar Jill Bennett explores artistic developments in relation to current events to argue that understanding aesthetics is as vital to social and political theory as it is to the arts.Taking as its starting-point a definition of art as the critical, self-conscious manipulation of media, Bennett examines a wide range of events from the War on Terror to the football World Cup to elucidate how aesthetic perception works in a social field, a process that begins with the rich emotional content of the visual imagery with which we are constantly bombarded. Now more than ever, Bennett argues, understanding how what we see informs what we do is not merely an artistic but a vital endeavour.
256 PAGES 216 X 138MM JULY 2012 9781780761442 HARDBACK 54.50 9781780761459 PAPERBACK 16.99 30 B&W ILLUSTRATIONS, 24 COLOUR IN 16PP PLATES RADICAL AESTHETICS RADICAL ART SERIES
www.ibtauris.com

ART AND ARCHITECTURE
A Place Between
Architecture
UNDERSTANDING ARCHITECTURE
Marco Bussagli
Styles and Structures from the Pyramids to Post Modernism
384 PAGES 265 X 223MM AVAILABLE 978 1 84511 089 5 HARDBACK 35.00 500 COLOUR ILLUSTRATIONS
PAGE 27
Jane Rendell
GENDER, MODERNITY AND LIBERTY

Middle Eastern and Western Womens Writings: a Critical Sourcebook
272 PAGES 234 X 156MM 978 1 86064 956 1 HARDBACK 65.00 978 1 86064 957 8 PAPERBACK 18.99 B&W ILLUSTRATIONS
BOHEMIANS
Elizabeth Wilson
Reina Lewis and Nancy Micklewright (Eds)
The Glamorous Outlaws

288 PAGES 196 X 126MM AVAILABLE 978 1 86064 782 6 PAPERBACK 11.99 30 B&W ILLUSTRATIONS TAURIS PARKE PAPERBACKS
INTERVENTION ARCHITECURE
THE NEWLY BORN WOMAN

Hlne Cixous and Catherine Clment
Buildings for Change
Aga Khan Foundation, Introduction by Homi Bhabha

192 PAGES 278 X 218MM AVAILABLE 978 1 84511 673 6 PAPERBACK 18.99 1200 COLOUR ILLUSTRATIONS AND 35 PLANS
EXPLORING SITE-SPECIFIC ART

Judith Rugg
Introduction by Sandra M. Gilbert

Issues of Space and Internationalism

PRACTICE AS RESEARCH
Approaches to Creative Arts Enquiry
THE DELIRIOUS MUSEUM

Calum Storrie
A Journey from the Louvre to Las Vegas

OPERA
Or the Undoing of Women
Estelle Barrett and Barbara Bolt (Eds)

224 PAGES 234 X 156MM AVAILABLE 9781848853010 PAPERBACK 17.9 6 B&W ILLUSTRATIONS
Catherine Clment, Introduction by Margaret Reynolds
THE NEW ORIENTALISTS
Postmodern Representations of Islam from Foucault to Baudrillard
Ian Almond

RETHINKING ORIENTALISM
Reina Lewis
Women, Travel and the Ottoman Harem

256 PAGES 234X156MM AVAILABLE 978 1 86064 729 1 HARDBACK 65.00 978 1 86064 730 7 PAPERBACK 17.99 20 B&W ILLUSTRATIONS
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Photography
PRIVATE PICTURES
Soldiers Inside View of War Janina Struk
PAGE 28
LAND MATTERS
Liz Wells
Landscape Photography, Culture and Identity

256 PAGES 234 X 156MM AVAILABLE 978 1 84511 865 5 HARDBACK 51.50 978 1 84511 864 8 PAPERBACK 17.99 75 COLOUR AND 25 B&W ILLUSTRATIONS
PHOTOGRAPHY AND SURREALISM

Sexuality, Colonialism and Social Dissent
David Bate
NEW
Snapshots taken by American soldiers of Iraqi prisoners stripped naked, humiliated and tortured shocked the world in 2004 and more have followed from the conflict in Afghanistan, but whether the public have been horrified by the soldiers conduct or the fact that they have taken pictures has not been clear. In fact, as this remarkable book reveals and relates, soldiers have taken photographs of war and its atrocities for more than 100 years. But their pictures are private, intended mainly for the soldiers themselves, as mementoes or as attempts to make sense of the chaos, brutality and boredom of war. But with the 21st-century shift to simple digital photography, transmission by the internet available to all, and a new citizen journalism, soldiers pictures are acquiring a new resonance. Private Pictures discusses how these images have been used and it asks: what effect might the wider appreciation of soldiers pictures have on the popular perception of war?
256 PAGES 234 X 156MM SEPTEMBER 2011 978 1 84885 442 0 HARDBACK 39.50 978 1 84885 443 7 PAPERBACK 14.99 42 B&W ILLUSTRATIONS
WATCHING THE WORLD CHANGE

The Stories Behind the Images of 9/11
SHIFTING HORIZONS

David Friend
424 PAGES 234 X 156MM AVAILABLE 978 1 84511 545 6 PAPERBACK 14.99 24 PAGES OF COLOUR ILLUSTRATIONS
Liz Wells, Catherine Fehily and Kate Newton
Womens Landscape Photography Now
DOMAINS OF INFLUENCE
Arab Women Business leaders in a New Economy
144 PAGES 245 X 285MM AVAILABLE 978 1 86064 635 5 PAPERBACK 18.99 50 COLOUR, 30 B&W PHOTOGRAPHS IRIS THE WOMENS PHOTOGRAPHY PROJECT
Jacqueline Hassink
PHOTOGRAPHING THE HOLOCAUST

Janina Struk
Interpretations of the Evidence

STREET PHOTOGRAPHY
From Atget to Cartier-Bresson
THE PHOTOBOOK
From Talbot to Ruscha and Beyond Patrizia Di Bello, Birkbeck, University of London, Colette Wilson, Institute
of Germanic and Romance Studies, London and Shamoon Zamir, New York University,Abu Dhabi
NEW
Clive Scott
I SPY
Representations of Childhood
Jane Fletcher, Kate Newton & Catherine Fehily (Eds)
CLAUDE CAHUN
Gen Doy
A Sensual Politics of Photography

232 PAGES 234 X 156MM AVAILABLE 978 1 84511 551 7 PAPERBACK 18.99 30 HALFTONE ILLUSTRATIONS PLUS 6 COLOUR IN 4PP PLATES
The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbots The Pencil of Nature heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practising photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an images interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet dart to cheaply printed booklet is explored and its unique creative and cultural contributions celebrated.
288 PAGES 234 X 156MM FEBRUARY 2012 9781848856158 HARDBACK 51.5 9781848856165 PAPERBACK 18.99 45 B&W ILLUSTRATIONS
128 PAGES 280 X 230MM AVAILABLE 9781860643842 HARDBACK 52.50 9781860643859 PAPERBACK 18.99 30 COLOUR & 20 B&W ILLUSTRATIONS
PICTURING PLACE
Photography and the Geographical Imagination
Joan M. Schwartz and James R. Ryan

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Fashion and Design

ON THE BUTTON
The Significance of an Ordinary Item
Nina Edwards
PAGE 29
visual culture
FASHION AND PSYCHOANALYSIS
Styling the Self Alison Bancroft,

Kingston University
DRESS BEHIND BARS

Juliet Ash
Prison Clothing as Criminality

NEW
NEW
What do you use every day that is small and large, worthless and beyond price? Its easily found in the gutter, yet you may never be able to replace it.You are always losing it but it faithfully protects you; sexy and uptight, it is knitted into your affections or it may give you nightmares. It has led to conflict, fostered and repressed political and religious change and epitomizes the great aesthetic movements. Its Eurocentric, and is found all over the world. On the Button is an inventive and unusual exploration of the cultural history of the button. It tells tales of a huge variety of the buttons forms and functions, its sometimes uncompromising glamour, its stronghold in fashion and literature, its place in the visual arts, its association with crime and death, its tender call to nostalgia and the sentimental. There have been works addressed to the button collector and general cultural histories. On the Button links the two, revealing why we are so attracted to buttons, and how they punch way above their weight.
272 PAGES 210 X 148MM OCTOBER 2011 9781848855847 HARDBACK 14.99 50 B&W ILLUSTRATIONS, 8PP COLOUR PLATES
In this innovative new book, Alison Bancroft re-examines significant moments in twentieth century fashion history through the focal lens of psychoanalytic theory. Her discussion centres on studies of fashion photography, haute couture, queer dressing and fashion/ art in an attempt to shed new light on these key issues. According to Bancroft, problems of subjectivity are played out through fashion, in the public arena, and not just in the dark, unknowable unconscious mind. The questions of what can be said, and what can only be experienced, and how these two issues may be reconciled, become questions that fashion addresses on an almost daily basis. By interpreting fashion within a psychoanalytic frame, Bancroft illustrates how fashion articulates some of the essential, and sometimes frightening, truths about the body, femininity and the self.
256 PAGES 234 X 156MM JANUARY 2012 9781780760032 HARDBACK 54.50 9781780760049 PAPERBACK 17.99 20 B&W ILLUSTRATIONS INTERNATIONAL LIBRARY OF CULTURAL STUDIES,VOL. 23
THE AMERICAN LOOK
Fashion, Sportswear and the Image of Women in 1930s and 1940s New York
Rebecca Arnold

FASHIONING THE CITY

Paris, Fashion and the Media
Agns Rocamora
FASHIONING APPETITE
Restaurants & the Making of Modern Identity Joanne Finkelstein,
University of Greenwich
THE FESTIVAL OF BRITAIN
FASHION AS PHOTOGRAPH
A Land and its People Harriet Atkinson,
Viewing and Reviewing Images of Fashion
Eugenie Shinkle (Ed.)
University of Brighton
Foreword by Mary Banham

NEW
256PAGES 234 X 156MM AVAILABLE 978 1 84511 516 6 HARDBACK 56.00 978 1 84511 517 3 PAPERBACK 16.99 20 B&W ILLUSTRATIONS & 8 PAGES COLOUR PLATE SECTION
NEW
It can no longer be said that we are just what we eat. In the contested sphere of gastronomy divided between the golden arches of McDonalds and the prized stars of Michelin where personal identity is expressed through a frenetic quest for socially-approved tastes and distinctions, where, when, how and with whom we eat has become just as fundamental in defining who we are. In this follow-on to her classic 1989 work Dining Out: A Sociology of Modern Manners, Joanne Finkelstein takes a fragment of social life, dining out in restaurants, and uses it to examine the nature and meaning of manners and social relations in the modern world. This book examines how body images on billboards, social documentaries on the human and environmental cost of food and the abundance of choice in cosmopolitan and crowded cities contribute to a culture in which every forkful is weighted with meaning. When food is fetishised and identity is a capitalist commodity, the social solitude of the restaurant may be read as a semiotic realm where the satisfaction of appetite becomes both pleasure and torment.
The Festival of Britain in 1951 transformed the way people saw their war-ravaged nation. Giving Britons an intimate experience of contemporary design and modern building, it helped them accept a landscape under reconstruction, and brought hope of a better world to come. Drawing on previously unseen sketches and plans, photographs and interviews,The Festival of Britain: A Land and Its People travels beyond the Festivals spectacular centrepiece at Londons South Bank, to show how the Festival made the whole country an exhibition ground with events to which hundreds of the countrys greatest architects, artists and designers contributed. It explores exhibitions in Poplar, Battersea and South Kensington in London; Belfast, Glasgow and Wales; a touring show carried on four lorries and another aboard an ex-aircraft carrier. It reveals how all these exhibitions and also plays, poetry, art and films commissioned for the Festival had a single focus: to unite the land and people of Britain.
288 PAGES 234 X 156MM APRIL 2012 9781848857926 PAPERBACK 17.99 60 B&W ILLUSTRATIONS, 16PP COLOUR PLATES
FASHION, DESIRE AND ANXIETY

Image and Morality in the Twentieth Century
Rebecca Arnold

FASHIONING THE FEMININE

Representation and Womens Fashion from the Fin de Sicle to the Present
Cheryl Buckley and Hilary Fawcett
www.ibtauris.com
Fashion & Design

ADORNED IN DREAMS
Fashion and Modernity
Popular Culture
NAKED EXHIBITIONISM
Gendered Performance and Public Exposure
Claire nally, Northumbria University & Angela Smith, University of Sunderland
NEW
PAGE 30
CREATURES OF THE NIGHT
Elizabeth Wilson
In Search of Ghosts, Vampires, Werewolves and Demons Gregory L. Reece
NEW
VENUS AND FURS

The Cultural Politics of Fur
Julia V. Emberley
272 PAGES 234 X 156MM AVAILABLE 9781860642302 HARDBACK 59.50 9781860642272 PAPERBACK 16.99 B&W ILLUSTATIONS
What does it mean to be naked in public? Approaching this question from across the disciplines, this book examines the evolution of female exhibitionism from criminal taboo to prime-time entertainment. Taking an interdisciplinary approach which brings together all fields of popular culture, including literature, media, film and linguistics, Naked Exhibitionism examines gendered exhibitionism from the mid-twentieth century to the present day and asks whether bodily exposure provides the liberation it enacts or restricts our most secret selves to the sanitised realm of socially-sanctioned gender roles. Innovative, unflinching and pertinent, Naked Exhibitionism explores naked bodies in the public gaze and critically reformulates the feminist and cultural debate around the performance of gender
288 PAGES 216 X 138MM APRIL 2012 9781848858527 HARDBACK 45.00 9781848858534 PAPERBACK 14.99 15 B&W ILLUSTRATIONS
Vampires and werewolves; phantoms and phantasms: looming out of the fog leaps the menacing spectre of the lycanthrope, ghoul or blood-crazed zombie. Intrigued by some of the most sinister, yet at the same time most compelling, legends of western civilization, Gregory L. Reece dusts down his stake and crucifix, loads his silver bullets and takes off into the wilds in search of answers and fresh adventures. Rummaging around in crumbling tombs and cob&webbed sarcophagi, his latest quest leads him into the haunted realm of the dead and the undead: of those carnivorous, nocturnal hunters that might perhaps better be left undisturbed. Why, he asks, is our culture obsessed by the eerie and the macabre? Why, despite its horrors, does the dark side of the supernatural its sances and ghost-hunting, demonic possession and the occult call to us with such dangerous allure? Whether tracking night-stalking werewolves, chanting black magic mantras with Satanists, or interviewing a funereal modern-day Count Dracula, Reece is determined to uncover the truth.
256 PAGES 216 X 138MM NOVEMBER 2011 9781848853850 PAPERBACK 10.99
THE HOBBITS
The Many Lives of Bilbo, Frodo, Sam, Merry and Pippin Lynnette Porter
WEIRD SCIENCE AND BIZARRE BELIEFS
Mysterious Creatures, Lost Worlds and Amazing Inventions
Gregory L. Reece
NEW
Written for all those who are interested in Tolkiens work, and of course for all those interested in hobbits, this is the first book to focus on the changes made to the hobbits characters not only by Tolkien but also by other artists actors, writers, directors, lyricists and choreographers. The beloved characters of Bilbo, Frodo, Sam, Merry and Pippin have been much adapted for radio, television, film and stage. Lynnette Porter follows the hobbits through these many other lives, from Tolkiens on-page revisions and John Boormans unmade screenplays, through to Peter Jacksons The Lord of the Rings film trilogy and its musical counterpart. She also reviews over 50 years of Hobbit Art, including the work of Alan Lee, John Howe and Ted Nasmith. Journeying through fanzines, videogames, Fanfiction and more, Porter demonstrates how the hobbits, their characters and their stories continue to introduce new audiences to Tolkiens work, in new and adapted forms.
240 PAGES 216 X 138MM SEPTEMBER 2012 9781845118563 PAPERBACK 12.99
UFO RELIGION
Gregory L. Reece
Inside Flying Saucer Cults and Culture

ELVIS RELIGION
The Cult of the King
Gregory L. Reece
www.ibtauris.com
Popular Culture
PICTURING CHILDHOOD
The Myth of the Child in Popular Imagery
CYBORGS TO BARBIE DOLLS

Kim Toffoletti
Index and Order Form

39 Steps, The: Glancy, 11 978 1 86064 614 0, PB, 12.99 ... Abject Spaces in...: Pheasant-Kelly, 8 978 1 84885 597 7, HB, 56.50 Adorned in Dreams: Wilson, 30 978 1 86064 921 9, PB, 15.99 Adorno Reframed: Boucher, 23 978 1 84885 947 0, PB, 12.99 ... Aesthetics and Neo...: Hockenhull, 9 978 1 84885 901 2, HB, 56.50 Aftershock: Cashell, 21 978 1 84511 524 1, PB , 17.99 Agamben Reframed: Smith, 23 978 1 78076 261 6, PB, 12.99 ... Age of the Dream..., The: Richards, 9 978 1 84885 122 1, PB, 16.99 Aim for the Heart: Hughes, 8 978 1 84511 902 7, HB, 19.99 Alexander Medvedkin: Widdis, 13 978 1 85043 405 4, PB, 14.99 Alphaville: Darke, 7 978 1 85043 986 8, PB, 12.99 Amelie: Vanderschelden, 7 978 1 84511 375 9, PB, 12.99 American Independent Cinema: King, 9 978 1 85043 937 0, HB, 65.00 978 1 85043 938 7, PB, 16.99 American Look, The: Arnold, 29 978 1 84511 896 9, HB, 56.00 978 1 86064 763 5, PB, 16.99 American Science ...: Johnson-Smith, 17 978 1 86064 882 3, PB, 15.99 Angry Buzz, The: Holland, 16 978 1 84511 051 2, PB, 16.99 ... Apu Trilogy, The: Robinson, 4 978 1 84885 515 1, HB, 56.00 978 1 84885 516 8, PB, 12.99 Arab-Israeli Conflict in..., The: Ashuri, 18 978 1 84511 814 3, HB, 59.50 ... Arab Cultural Studies: Sabry, 18 978 1 84885 558 8, HB, 51.50 978 1 84885 559 5, PB, 17.99 Arab Media and Political...: Sakr, 19 978 1 84511 433 6, H, 65.00 978 1 84511 327 8, PB, 18.99 Arab Television Today: Sakr, 19 978 1 84511 563 0, HB, 56.00 978 1 84511 564 7, PB, 15.99 Arnold: Saunders, 8 978 1 84511 948 5, PB, 14.99 Art and Advertising: Gibbons, 24 978 1 85043 586 0, PB, 14.99 Art and Animals: Aloi, 24 978 1 84885 524 3, HB, 42.00 978 1 84885 525 0, PB, 14.99 Art and Architecture: Rendell, 27 978 1 84511 222 6, PB 18.99 Art and Death: Townsend, 24 978 1 84511 662 0, HB, 52.50
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Patricia Holland
Feminism, Popular Culture and the Posthuman Body

MAINSTREAMING SEX
The Sexualization of Western Culture
TOMB RAIDERS AND SPACE INVADERS

Videogame Forms and Contexts
Feona Attwood (Ed.)
Geoff King and Tanya Krzywinska

THE HAPPY STRIPPER

Jacki Willson
Pleasures and Politics of the New Burlesque

DESIRE BY DESIGN
Body, Territories and New Technologies
Edited by Cutting Edge
INK-STAINED AMAZONS AND CINEMATIC WARRIORS

Jennifer K. Stuller

256 PAGES 234 X 156MM AVAILABLE 978 1 86064 280 7 PAPERBACK 18.99 COLOUR AND B&W ILLUSTRATIONS
Superwomen in Modern Mythology

GERTRUDE AND ALICE

Diana Souhami
SUPERHEROES!
Roz Kaveney
Capes and Crusaders in Comics and Films

LORCA, BUUEL, DAL

Forbidden Pleasures and Connected Lives
Gwynne Edwards
DIGITAL DESIRES
Language, Identity and New Technologies

Edited by Cutting Edge

280 PAGES 234 X 156MM AVAILABLE 978 1 86064 575 4 PAPERBACK 18.99 B&W ILLUSTRATIONS & 16 COLOUR PLATES
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978 1 84511 663 7, PB, 14.99 Art and Laughter: Klein, 24 978 1 84511 233 2, HB, 52.50 978 1 85043 931 8, PB, 14.99 Art and Obscenity: Mey, 24 978 1 84511 234 9, HB, 52.50 978 1 84511 235 6, PB, 14.99 ... Art and Polemic in Pakistan: Whiles, 22 978 1 84885 365 2, HB, 59.50 ... Art and Politics: Mesch, 19 978 1 84885 109 2, HB, 49.50 978 1 84885 110 8, PB, 16.99 Art and Psychoanalysis: Walsh, 24 978 1 84885 797 1, HB, 49.50 978 1 84885 798 8, PB, 14.99 Art and Science: Ede, 24 978 1 85043 584 6, PB, 14.99 Art and Sex: Watson, 24 978 1 84511 664 4, HB, 42.00 978 1 84511 665 1, PB, 14.99 ... Art and the City: Whybrow, 21 978 1 84511 466 4, HB, 56.00 978 1 84511 465 7, PB, 16.95 ... Art and Trauma in ...: Bisschoff & Peer, 20 978 1 84885 692 9, HB, 54.50 Art and War: Brandon, 24 978 1 84511 236 3, HB, 51.50 978 1 84511 237 0, PB, 14.99 Art Beyond Representation: Bolt, 22 978 1 85043 410 8, HB, 56.50 978 1 85043 411 5, PB, 17.99 Art of Lynda Benglis..., The: Richmond, 21 978 1 78076 257 9, HB, 51.50 Art of Self Invention, The: Finklestein, 22 978 1 84511 395 7, HB , 56.00 978 1 84511 396 4, PB, 14.99 Art of the Sacred, The: Howes, 24 978 1 84511 005 5, HB, 52.50 978 1 84511 006 2, PB, 18.99 ... Auschwitz and Afterimages: Chare, 25 978 1 84885 590 8, HB, 52.50 978 1 84885 591 5, PB , 18.95 ... Authorship and the Films...: Todd, 7 978 1 84885 579 3, HB, 51.50 978 1 84885 580 9, PB, 16.99 ... Badiou Reframed: Ling, 23 978 1 78076 260 9, PB, 12.99 ... Battlestar Galactica: Kaveney & Stoy, 14 978 1 84885 373 7, PB, 12.99 Battleship Potemkin, The: Taylor, 13 978 1 86064 393 4, PB, 12.99 Baudrillard Reframed: Toffoletti, 23 978 1 84511 678 1, PB, 12.99 Bed and Sofa: Graffy, 13 978 1 86064 503 7, PB, 12.99 Bertrand Tavernier: Hay, 5 978 1 86064 462 7, PB, 16.99 Best of British: Aldgate & Richards, 10 978 1 86064 288 3, PB, 16.99 Beyond Dixon of...:Sydney-Smith, 16 978 1 86064 790 1, HB, 59.50 978 1 86064 824 3, PB, 18.99 Black Narcissus: Street, 10 978 1 84511 046 8, PB, 12.99 Black Visual Culture: Doy, 22 978 1 86064 382 8, PB, 18.99 Blogistan: Srebeny & Khiabany, 18 978 1 84511 606 4, HB, 56.00 978 1 84511 607 1, PB, 14.99 ... Bluebeards Legacy: Pollock, 25 978 1 84511 632 3, HB, 59.50 978 1 84511 633 0, PB, 18.99 Bohemians: Wilson, 27 978 1 86064 782 6, PB, 11.99 Brazil on Screen: Nagib, 5 978 1 84511 448 0,HB, 65.00 978 1 84511 328 5, PB, 16.99 Brighton Rock: Chibnall, 10 978 1 85043 400 9, PB, 12.99 Britain Can Take It: Aldgate, et al, 9 978 1 84511 445 9, PB, 18.99 British at War, The: Chapman, 10 978 1 86064 627 0, PB, 16.99 British Cinema & the Cold War: Shaw, 10 978 1 84511 211 0, PB, 16.99 ... British Film Design: Ede, 9 978 1 84885 107 8, HB, 56.00 978 1 84885 108 5, PB, 15.99 British Science...: Cook & Wright, 17 978 1 84511 047 5, HB, 47.50 978 1 84511 048 2, PB, 17.99 Burnt by the Sun: Beumers, 13 978 1 86064 396 5, PB, 12.99 Carnal Aesthetics: Zarzycka et al, 20 978 1 78076 012 4, HB, 56.00 978 1 78076 013 1, PB, 18.99 Casque Dor: Leahy, 7 978 1 84511 368 1, PB, 12.99 ... Catholic Church and... The: McGregor 8 978 1 84885 653 0, HB, 54.50 Channel 4: Hobson, 16 978 1 84511 613 2, PB, 15.99 ... Channels of Resistance in...: Harb, 18 978 1 84885 120 7, HB, 51.50 978 1 84885 121 4, PB, 16.99 Chapaev: Graffy, 13 978 1 85043 987 5, PB, 12.99 Charge of the Light..., The: Connelly, 11 978 1 86064 612 6, PB, 12.99 Charles Sheeler: Rawlinson, 24 978 1 85043 902 8, PB, 18.99 Chasing Dragons: West, 6 978 1 85043 982 0, PB, 14.99 ... chien andalou, Un: Adamowicz, 6 978 1 84885 056 9, PB, 12.99 Child in Film, The: Lury 4 978 1 84511 967 6, HB, 45.00 978 1 84511 968 3, PB, 14.99 Cinema and Soviet Society: Kenez, 12 978 1 86064 632 4, HB, 54.50 978 0 86064 568 6, PB, 18.99 ... Cinema Italiano: Hughes 4 978 1 84885 607 3, HB, 45.00 978 1 84885 608 0, PB, 14.99 Cinema of Alexander..., The: Beumers 12 978 1 84885 343 0, PB, 16.99 Cinema of Tarkovsky, The: Skakov, 12 978 1 84885 629 5, HB, 51.50 978 1 84885 630 1, PB, 17.99 Claude Cahun: Doy, 28 978 1 84511 551 7, PB, 18.99 Cleo de 5 7: Orpen, 7 978 1 84511 369 8, PB, 12.99 Conceptual Odysseys: Pollock, 25 978 1 84511 522 7, HB, 56.00 978 1 84511 523 4, PB, 16.99 Contemporary Art &...: Gibbons, 24 978 1 84511 619 4, PB, 16.99 Contemporary British...: Fortnum, 24 978 1 84511 224 0, PB, 15.99 Contemporary New ...: Conrich, et al 4 978 1 84511 837 2, PB, 17.99 ... Craft Galleries Guide: Mornement, 21 978 0 95500 267 0, PB, 17.50 Cranes are Flying, The: Woll, 13 978 1 86064 504 4, PB, 12.99 Creatures of the Night: Reece, 30 978 1 84885 385 0, PB, 10.99 Crime Watching: Jermyn, 16 978 1 84511 238 7, HB, 59.50 978 1 84511 239 4, PB, 18.99 Crime Wave: Hughes, 8 978 1 84511 219 6, PB, 18.99 Cross-Cultural Identities: Steyn (Ed), 21 978 1 78076 259 3, HB, 54.50 Crowded Prairie, The: Coyne, 6 978 1 86064 259 3, PB, 17.99 ... Cult TV Book, The: Abbott, 14 978 1 84885 026 2, PB, 12.99 ... Cultural Encounters in the...: Sabry, 18 978 1 84885 359 1, HB, 56.00 978 1 84885 360 7, PB, 14.99 Curse of the Werewolf, The: Coudray, 17 978 1 84511 157 1, HB, 56.50 978 1 84511 158 8, PB, 17.99 Cyborgs to Barbie Dolls: Toffoletti, 29 978 1 84511 467 1, PB, 17.99 Dam Busters, The: Ramsden, 11 978 1 86064 636 2, PB, 12.99 ... Deleuze Reframed: Sutton et al, 23 978 1 84511 547 0, PB, 12.99 Delirious Museum, The: Storrie, 26 978 1 86064 569 3, HB, 59.50 978 1 84511 509 8, PB, 14.99 Derrida Reframed: Richards, 23 978 1 84511 546 3, PB, 12.99 Desire by Design: Cutting Edge, 31 978 1 86064 280 7, PB, 18.99 ... Dexter: Howard, 14 978 1 84885 265 5, PB, 12.99 .. Digital and Other...: Bryant & Pollock, 25 978 1 84511 567 8, HB, 59.50 978 1 84511 568 5, PB, 16.99 Digital Desires: Cutting Edge, 31 978 1 86064 575 4, PB, 18.99 Dmitri Shostakovich: Riley, 13
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978 1 85043 709 3, HB, 35.00 978 1 85043 484 9, PB, 14.99 Doctors Monsters: Graham Sleight, 17 978 1 84885 178 8, PB, 12.99 Domains of Influence: Hassink, 28 978 1 84511 659 0, HB, 35.00 Dracula: Hutchings, 11 978 1 86064 748 2, PB, 12.99 Drapery: Doy, 22 978 1 86064 538 9, HB, 59.50 978 1 86064 539 6, PB, 18.99 Drawing Now: TRACEY, 24 978 1 84511 533 3, PB, 18.99 ... Dress Behind Bars: Ash, 29 978 1 85043 893 9, HB, 39.50 978 1 85043 894 6, PB, 16.99 Dziga Vertov: Hicks, 12 978 1 84511 377 3, PB, 17.99 East Asian Cinemas: Hunt & Leung 4 978 1 84511 614 9, HB, 56.00 978 1 84511 615 6, PB, 15.99 Eisenstein on the...: Robertson 12 978 1 84885 731 5, PB, 17.99 Elia Kazan: Neve, 8 978 1 84511 560 9, HB, 19.99 Elvis Religion: Reece, 30 978 1 84511 164 9, PB, 13.99 End of St. Petersburg, The: Kepley, Jr 13 978 1 86064 911 0, PB, 12.99 Engaged with the Arts: Tusa, 22 978 1 84511 424 4, HB, 20.00 Eva Hesse: Corby, 25 978 1 84511 5432, HB, 56.00 978 1 84511 544 9, PB, 18.99 Everyday Magic, An: Kuhn, 10 978 1 86064 867 0, PB, 17.99 ... Exploring Site-Specific Art: Rugg, 27 978 1 84885 064 4, PB, 15.99 Falling in Love Again: Abbott & Jermyn 8 978 1 84511 771 9, PB, 15.99 Fashion and Psychoanalysis: Bancroft, 2 4 978 1 78076 003 2, HB, 54.50 978 1 78076 004 9, PB, 17.99 Fashion as Photograph: Shinkle, 29 978 1 84511 516 6, HB, 56.00 978 1 84511 517 3, PB, 16.99 Fashion, Desire and Anxiety: Arnold, 29 978 1 86064 555 6, PB, 18.99 Fashioning Appetite: Finkelstein, 29 978 1 78076 262 3 HB, 49.50 978 1 78076 263 0, PB, 16.99 Fashioning the City: Rocamora, 29 978 1 84511 897 6, PB, 17.99 Fashioning the...: Buckley et al, 29 978 1 86064 506 8, PB , 17.99 Federico Fellini: Kezich, 5 978 1 84511 425 1, PB, 15.99 ... Femininity in the Frame: Bell, 9 978 1 84885 159 7, PB, 16.99 Festival of Britain, The: Atkinson, 29 978 1 84885 792 6, PB, 17.99 Film and Community in Britain: Butler, 10 978 1 86064 955 4, PB, 18.99 Film and Fairy Tales: Moen, 2 978 1 78076 251 7 , HB, 56.50 ... Film England: Higson, 9 978 1 84885 453 6, HB, 59.50 978 1 84885 454 3, PB, 16.99 Film Propaganda: Taylor, 5 978 1 86064 167 1, PB, 14.99 Filming the Modern Middle ...: Khatib, 5 978 1 84511 192 2, PB, 16.99 Finest Years, The: Drazin, 9 978 1 84511 411 4, PB, 16.99 Forward Soviet!: Roberts, 12 978 1 86064 282 1, HB, 54.50 Fragments of Culture: Kandiyoti et al, 19 978 1 86064 427 6, PB, 17.99 From Alien to the Matrix: Kaveney 9 978 1 85043 805 2, HB, 59.50 978 1 85043 806 9, PB, 14.99 ... From Iran to Hollywood and ...: Gow 4 978 1 84885 526 7, HB, 51.50 978 1 84885 527 4, PB, 17.99 From Moscow to...: Mazierska et al, 5 978 1 86064 850 2, HB, 59.50 978 1 86064 851 9, PB, 17.99 Gender, Modernity &...: Lewis, et al, 27 978 1 86064 956 1, HB, 65.00 978 1 86064 957 8, PB, 18.99 ... Gertrude and Alice: Souhami 31 978 1 84885 148 1, PB, 12.99 Get Carter: Chibnall, 11 978 1 86064 910 3, PB, 12.99 Gordon Matta-Clark: Walker, 22 978 1 84511 966 9, PB, 16.99 ... Grande Illusion, La: OShaughnessy 7 978 1 84885 057 6, PB, 12.99 Guattari Reframed: Elliott, 23 9781780762333, PB, 12.99 Happy Stripper, The: Willson, 31 978 1 84511 318 6, PB, 12.99 Hard Days Night, A: Glynn, 11 978 1 85043 587 7, PB, 12.99 Heidegger Reframed: Bolt, 23 978 1 84511 679 8, PB, 12.99 Helen Chadwick: Walker, 20 978 1 78076 007 0, PB, 18.99 Helen Frankenthaler: Rowley, 25 978 1 84511 518 0, HB, 52.50 978 1 84511 519 7, PB, 16.99 Henry Moore in America: Rose, 20 978 1 84885 821 3, HB, 56.50 ... Hitchcock and the Cinema of...: Elliott, 3 978 1 84885 587 8, HB, 56.50 Hobbits, The: Porter, 30 978 1 84511 856 3, PB, 12.99 ... Hollywood Catwalk: McDonald, 8 978 1 84885 039 2, HB, 56.00 978 1 84885 040 8, PB, 16.99 Hollywood Genres...: Chopra-Grant, 9 978 1 85043 815 1, HB, 56.50 978 1 85043 838 0, PB, 17.99 Hollywood Heroines: Hanson, 8 978 1 84511 561 6, HB, 49.00 978 1 84511 562 3, PB, 15.99 Hollywoods History Films: Eldridge, 8 978 1 84511 060 4, HB, 56.00 978 1 84511 061 1, PB, 17.99 Hollywoods New ...: Dickenson, 8 978 1 84511 025 3, HB, 59.50 978 1 84511 103 8, PB, 15.99 ... Horror Zone: Conrich, 4 978 1 84885 262 4, HB, 59.50 978 1 84885 151 1, PB, 14.99 ... Hunting The Dark Knight: Brooker 7 978 1 84885 279 2, HB, 51.50 978 1 84885 280 8, PB, 12.99 Hyperdrawing: TRACEY, 21 978 1 78076 254 8, PB, 19.50 ... I Spy: Fletcher, Newton & Fehily, 28 978 1 86064 384 2, HB, 52.50, 978 1 86064 385 9, PB, 18.99 If.: Sutton, 10 978 1 85043 672 0, PB, 12.99 Indiewood, USA: King, 9 978 1 84511 826 6, HB, 59.50 978 1 84511 825 9, PB, 15.99 ... Ingmar Bergman: McNab, 4 978 1 84885 046 0, HB, 19.95 Ink-Stained Amazons:Stuller, 31 978 1 84511 965 2, PB, 10.99 Inside the Tardis: Chapman, 17 978 1 84511 162 5, HB, 49.50 978 1 84511 163 2, PB, 12.99 Intervention Architecture: Aga Khan 27 978 1 84511 673 6, PB, 18.99 Investigating Alias: Abbott & Brown, 14 978 1 84511 405 3, PB , 15.99 Investigating Charmed: Beeler , 14 978 1 84511 480 0, PB, 14.99 Investigating Farscape: Battis, 14 978 1 84511 341 4, HB, 54.50 978 1 84511 342 1, PB, 14.99 Investigating Firefly...: Wilcox et al 14 978 1 84511 654 5, PB, 14.99 Iranian Cinema: Sadr, 5 978 1 84511 146 5, HB, 59.50 978 1 84511 147 2, PB, 16.99 ... Israeli Cinema: Shohat, 4 978 1 84511 312 4, HB, 65.00 978 1 84511 313 1, PB, 15.95 Ivan the Terrible: Neuberger, 13 978 1 86064 560 0, PB, 12.99 Joseph Beuys: Mesch & Michley, 22 978 1 84511 363 6, PB, 16.99 ... Junk: Whiteley, 21 978 1 84885 412 3, HB, 56.00 978 1 84885 413 0, PB, 15.99 Kira Muratova: Taubman, 13 978 1 85043 409 2, PB, 14.99 Kristeva Reframed: Barrett, 23 978 1 84511 660 6, PB, 12.99 ... Korda: Drazin, 9 978 1 84885 695 0, PB, 15.99 La Haine: Vincendeau, 7
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978 1 84511 101 4, PB, 12.99 La Reine Margot: Pidduck, 7 978 1 84511 100 7, PB, 12.99 Lacan Reframed: Levine, 23 978 1 84511 548 7, PB, 12.99 Land Matters: Wells, 28 978 1 84511 865 5, HB, 51.50 978 1 84511 864 8, PB, 17.99 Le Corbeau: Mayne, 6 978 1 84511 370 4, PB , 12.99 Lebanese Cinema: Khatib 4 978 1 84511 627 9, HB, 56.00 978 1 84511 628 6, PB, 16.99 Leni Riefenstahl: Trimborn, 5 978 1 84511 644 6, PB, 14.99 Les Diaboliques: Hayward, 7 978 1 84511 102 1, PB, 12.99 Licence to Thrill: Chapman, 9 978 1 84511 515 9, PB, 12.99 Little Vera: Beardow, 13 978 1 86064 611 9, PB , 12.99 Live Flesh: Fouz-Hernandez et al, 5 978 1 84511 449 7, HB, 65.00 978 1 84511 450 3, PB, 16.99 ... Live From the Moon: Allen, 16 978 1 845111 69 4, HB, 56.00 978 1 84511 170 0, PB, 16.99 Living with Star Trek: Geraghty, 17 978 1 84511 421 3, HB, 56.50 978 1 84511 265 3, PB, 14.99 .. Lorca, Buuel, Dal: Edwards, 31 978 1 84885 007 1, HB, 25.00 Love and Monsters: Booy, 14 978 1 84885 478 9, HB, 49.50 978 1 84885 479 6, PB, 14.99 Lyotard Reframed: Ralph-Jones, 23 978 1 84511 680 4, PB, 12.99 ... Mad Men: Edgerton, 15 978 1 84885 379 9, PB, 12.99 Mainstreaming Sex: Attwood, 31 978 1 84511 827 3, PB, 15.99 Makeover Television: Heller, 15 978 1 84511 330 6, PB, 14.99 Making Film and ..: Bennett & Beirne, 2 978 1 84885 943 2, HB, 54.50 978 1 84885 944 9, PB, 18.99 Makhmalbaf at Large: Dabashi, 5 978 1 84511 1531 9, HB, 51.50 978 1 84511 1532 6, PB, 16.99 Mamma Mia!...: FitzGerald & Williams, 7 978 1 84885 941 8, HB, 55.00 978 1 84885 942 5, PB, 14.99 Man with the Movie..., The: Roberts, 13 978 1 86064 394 1, PB, 12.99 ... Memorializing the Holocaust: Jacobs, 22 978 1 84885 102 3, HB, 56.00 978 1 84885 103 0, PB, 17.99 Mirror: Synessios, 13 978 1 86064 521 1, PB, 12.99 ... Modern Art at the Berlin Wall: Mesch, 22 978 1 84511 808 2, HB, 65.00 Muslims & the News...: Poole, et al 18 978 1 84511 172 4, PB, 16.99 My Beautiful Laundrette: Geraghty, 11 978 1 85043 414 6, PB, 12.99 Mysterious Skin: Fouz-Hernandez, 5 978 1 84511 831 0, PB, 16.99 Naked Exhibitionism: Nally & Smith 30 978 1 84885 852 7, HB, 45.00 978 1 84885 853 4, PB, 14.99 Narrating Conflict in ...: Matar & Harb, 18 978 1 78076 102 2, HB, 52.50 978 1 78076 103 9, PB, 16.99 ... New Arab Journalist, The: Pintak, 18 978 1 84885 098 9, HB, 59.50 978 1 84885 099 6, PB, 16.99 New Argentine Cinema: Andermann, 3 978 1 84885 462 8, HB, 59.50 978 1 84885 463 5, PB, 16.99 New Brazillian Cinema, The: Nagib, 5 978 1 86064 878 6, HB, 59.50 978 1 86064 928 8, PB, 15.99 ... New Directions in...: Cooke et al, 2 978 1 84885 908 1 HB 51.50 978 1 84885 907 4 PB 16.99 New Heritage of Horror, A: Pirie, 10 978 1 84511 482 4, PB, 14.99 New Hollywood Cinema: King, 9 978 1 86064 749 9, HB, 59.50 978 1 86064 750 5, PB, 18.99 New Iranian Cinema, The: Tapper, 6 978 1 86064 803 8, HB, 54.50 978 1 86064 804 5, PB, 15.99 ... New Jew in Film, The: Abrams, 2 978 1 84885 574 8, HB, 49.50 978 1 84885 575 5, PB, 14.99 New Orientalists, The: Almond, 27 978 1 84511 397 1, HB, 59.50 978 1 84511 398 8, PB, 17.99 New Turkish Cinema, The: Suner, 4 978 1 84511 949 2, HB, 49.50 978 1 84511 950 8, PB, 16.99 Newly Born, The: Cixous,et al 27 978 1 86064 137 4, PB, 12.99 Night to Remember, A: Richards, 11 978 1 86064 869 6, PB, 12.99 ... Nikita: Hayward, 6 978 1 84511 447 3, PB, 12.99 Nikita Mikhalkov: Beumers, 13 978 1 86064 785 7, PB , 14.99 ... Nip/Tuck: Kaveney & Stoy, 16 978 1 84511 862 4, PB, 12.99 ... Observant States: MacDonald et al 18 978 1 84511 944 7, HB, 65.00 978 1 84511 945 4, PB, 18.99 Obstacle Race, The: Greer, 24 978 1 86064 677 5, PB, 12.99 ... On the Button: Edwards, 29 978 1 84885 584 7, HB, 14.99 Once Upon a Time in the...: Hughes, 6 978 1 85043 896 0, PB, 14.99 Opera: Clement, 27 978 1 86064 113 8, PB, 16.99 Outlaw Masters of Japanese Film: D., 6 978 1 84511 086 4, HB, 65.00 978 1 84511 090 1, PB, 18.99 ... Outsider Films on India...: Jhaveri, 4 978 8 19047 201 2, PB, 14.99 ... Palestine Online: Aouragh, 18 9781780762418, PB, 25.00 ... Passionate Being: Lomax, 24 978 1 84885 097 2, PB, 17.99 Past and Present: Chapman, 10 978 1 85043 808 3, PB, 17.99 Performance Art: Bond, 20 978 1 78076 253 1, PB, 14.99 978 1 78076 252 4 , HB, 49.50 ... Performing the East: Bryzgel, 21 978 1 84885 948 7, HB, 54.50 Photobook, The: Di Bello, et al, 28 978 1 84885 615 8, HB, 51.50 978 1 84885 616 5, PB, 18.99 Photographing the Holocaust: Struk, 28 978 1 86064 546 4, PB, 16.99 Photography and Surrealism: Bate, 28 978 1 86064 379 8, PB, 19.99 Picturing Childhood: Holland, 31 978 1 86064 775 8, PB, 14.99 Picturing Place: Schwartz, Ryan, 28 978 86064 752 9, PB, 22.50 Picturing the Self: Doy, 22 978 1 85043 413 9, PB, 18.99 ... Poetics of Iranian..., The: Sheibani, 2 978 1 84885 741 4, PB, 54.50 ... Popular Italian Cinema: Brizio-Skov, 3 978 1 84885 572 4, HB, 59.50 Powell and Pressburger: Moor, 10 978 1 85043 947 9, HB, 27.50 Practical Aesthetics: Jill Bennett, 26 978 1 78076 144 2, PB, 16.99 978 1 78076 145 9, HB, 54.50 ... Practice as Research: Barrett & Bolt 27 978 1 84885 301 0, PB, 17.99 Private Life of Henry..., The: Walker, 11 978 1 86064 909 7, PB, 12.99 ... Private Pictures: Struk 28 978 1 84885 442 0, HB, 39.50 978 1 84885 443 7, PB, 14.95 Projecting Empire: Chapman & Cull, 5 978 1 84511 940 9, PB, 15.99 Propaganda and the German...: Welch, 6 978 1 86064 520 4, PB, 14.99 Quality TV: McCabe & Akass 15 978 1 84511 511 1, PB, 15.99 Queer Cinema of..., The: Richardson, 5 978 1 84511 536 4, HB, 56.00 978 1 84511 537 1, PB, 15.99 Queer Politics of...: Chambers, 15 978 1 84511 681 1, PB, 14.99 Queering Bunuel: Gutierrez-Albilla, 5 978 1 84511 668 2, HB, 54.50 ... Radical Frontiers in the...: Fisher 3 978 1 84885 578 6, HB, 59.50 Reading 24: Peacock, 15 978 1 84511 329 2, PB, 12.99 Reading Angel: Abbott, 17
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978 1 85043 839 7, PB, 12.99 Reading Art, Reading...: Robinson, 22 978 1 86064 953 0, PB, 19.99 ... Reading Asian Television...: Kim, 15 978 1 84511 860 0, PB, 16.99 Reading CSI: Allen, 15 978 1 84511 428 2, PB, 12.99 Reading Deadwood: Lavery, 15 978 1 84511 221 9, PB, 12.99 Reading Desperate ...: McCabe et al 15 978 1 84511 220 2, PB, 12.99 ... Reading Little Britain: Lockyer, 15 9781845119393, PB, 12.99 ... Reading Lost: Pearson, 15 978 1 84511 836 5, PB, 12.99 Reading Sex & the City: Akass et al 15 978 1 85043 423 8, PB, 12.99 Reading Six Feet Under: Akass et al 15 978 1 85043 809 0, PB, 12.99 Reading Stargate...: Beeler et al, 17 978 1 84511 183 0, PB, 12.99 Reading The L Word: Akass et al, 15 978 1 84511 179 3, PB, 12.99 Reading The Sopranos: Lavery, 15 978 1 84511 121 2, PB, 12.99 Reading the Vampire...: Kaveney, 17 978 1 86064 984 4, PB, 10.99 Real Images: Woll, 12 978 1 86064 550 1, PB, 16.99 Red Shoes, The: Connelly, 10 978 1 84511 071 0, PB, 12.99 ... Rgle du Jeu, La: Reader, 6 978 1 8488 5054 5, PB, 12.99 Religion and Film: Wright, 6 978 1 85043 759 8,HB, 59.50 978 1 85043 886 1, PB, 15.99 ... Re-negotiating the Body: Battista, 19 978 1 84885 905 0, HB, 51.50 Repentance: Youngblood & Woll, 13 978 1 86064 395 8, PB, 12.99 Reporting Islam: Poole, 19 978 1 86064 686 7, HB, 56.50 978 1 86064 687 4, PB, 16.99 Rethinking Orientalism: Lewis, 27 978 1 86064 729 1, HB, 65.00 978 1 86064 730 7, PB, 17.99 Re-viewing Television...: Wheatley, 16 978 1 84511 188 5, PB, 17.99 ... Rififi: Philips, 6 978 1 84885 055 2, PB, 12.99 Roman Polanski: Mazierska, 5 978 1 84511 296 7, HB, 56.00 978 1 84511 297 4, PB, 16.99 Russia on Reels: Beumers, 12 978 1 86064 389 7, HB, 56.00 978 1 86064 390 3, PB, 17.99 Sacred & the..., The: Pollock,et al, 25 978 1 84511 520 3, HB, 52.50 978 1 84511 512 0, PB, 16.99 Saints and Avengers: Chapman, 17 978 1 86064 753 6, HB, 56.50 978 1 86064 754 3, PB, 17.99 Satellite Realms: Sakr, 19 978 1 86064 688 1, HB, 56.50 978 1 86064 689 8, PB, 15.99 Satyajit Ray: A Vision of...: Robinson, 6 978 1 84511 074 1, HB, 56.50 Satyajit Ray: The Inner Eye: Robinson, 6 978 1 86064 965 3, PB, 16.99 Savage Junctures: Nesbet, 12 978 1 84511 418 3, PB, 17.99 Seeing Things: Ellis, 16 978 1 86064 125 1, HB, 65.00 978 1 86064 489 4, PB, 12.99 ... Sergei Eisenstein...: Eisenstein, 14 978 1 84885 358 4, PB, 49.50 ... Shii Islam in Iranian...: Pak-Shiraz 3 978 1 84885 510 6, PB, 56.50 Shifting Horizons: Wells, et al, 28 978 1 86064 635 5, PB, 18.99 Shooting the Civil War: Barrett, 8 978 1 84511 775 7, HB, 56.00 978 1 84511 776 4, PB, 16.99 Short History of Film, A: Dixon & Foster 4 978 1 84511 800 6, HB, 42.00 978 1 84511 801 3, PB, 14.99 ... Site-Writing: Rendell, 21 978 1 84511 999 7, PB, 16.99 Small Screens, Big Ideas: Thumim, 16 978 1 86064 683 6, HB, 59.50 978 1 86064 682 9, PB, 17.99 Sounding the Event: Lomax, 22 978 1 85043 673 0, PB, 17.99 ... Soviet Cinema: Miller, 12 978 1 84885 008 8, HB, 56.00 978 1 84885 009 5, PB, 16.99 Spaghetti Westerns: Frayling, 6 978 1 84511 207 3, PB, 16.99 Spanish Labyrinth, A: Allinson, 4 978 1 86064 507 5, PB, 14.99 Spectacular Narratives: King, 9 978 1 86064 572 3, HB, 59.50 978 1 86064 573 0, PB, 14.99 Stagecoach to Tombstone: Hughes 8 978 1 85043 795 6, HB, 59.50 978 1 84511 498 5, PB, 12.99 State of the Real, The: Sutton, et al, 22 978 1 84511 077 2, HB, 18.99 Stop the Clocks!: Powell, 3 978 1 84885 175 7, PB, 16.99 Storm Over Asia: Sargeant, 13 978 1 84511 374 2, PB, 12.99 Street Photography: Scott, 28 978 1 84511 268 4, HB, 59.50 978 1 84511 223 3, PB, 16.99 ... Subversive Stitch, The: Parker, 21 978 1 84885 283 9, PB, 14.99 Superheroes!: Kaveney, 31 978 1 84511 569 2, PB, 12.99 ... TARDISbound: Britton, 17 978 1 84511 925 6, PB, 15.99 Teen Dreams: Kaveney, 8 978 1 84511 184 7, PB, 14.99 Television and Consumer...: Turnock, 16 978 1 84511 078 9, HB, 65.00 978 1 84511 079 6, PB, 16.99 ... Theorizing World Cinema: Nagib, et al: 2 978 1 84885 909 8, HB, 49.50 978 1 84885 910 4, PB, 16.99 Third Wave Feminism &...: Johnson, 15 978 1 84511 245 5, HB, 56.50 978 1 84511 246 2, PB, 16.99 This is Not Art: Jelinek, 20 978 1 84885 856 5, HB, 49.50 978 1 84885 857 2, PB, 16.99 Titanic in..., The: Bergfelder, et al 9 978 1 85043 432 0, PB, 17.99 Tomb Raiders & Space...: King, et al, 31 978 1 84511 108 3, HB, 59.50 978 1 85043 814 4, PB, 17.99 ... Towards a Theory...: Eisenstein 14 978 1 84885 356 0, PB, 19.50 Transnational Television ...: Chalaby, 18 978 1 85043 548 8, PB, 15.99 Transnational Television..., Chalaby, 19 978 1 84511 953 9, HB, 59.50 978 1 84511 954 6, PB, 15.99 ... Triumph of a Time Lord: Hills, 17 978 1 84885 032 3, PB, 12.99 ... TV Critics and Popular...: Rixon, 16 978 1 84885 319 5, HB, 54.50 TV FAQ: Ellis, 16 978 1 84511 565 4, PB, 12.99 Typical Men: Spicer, 10 978 1 86064 931 8, PB, 17.99 UFO Religion: Reece, 30 978 1 84511 451 0, PB, 12.99 Understanding Architecture: Bussagli, 27 978 1 84511 089 5, HB, 35.00 Unknown 1930s, The: Richards, 10 978 1 86064 628 7, PB, 17.99 ... Venus and Furs: Emberley 30 978 1 86064 230 2, HB, 59.50 978 1 86064 227 2, PB, 16.99 Video Art, A Guided Tour: Elwes, 24 978 1 85043 546 4, PB, 16.99 Visions of the East: Bernstein, et al, 5 978 1 86064 304 0, HB, 56.50 978 1 86064 305 7, PB, 18.99 ... Visualizing Feeling: Best, 21 978 1 84885 851 0, HB, 51.50 Vsevolod Pudovkin: Sargeant, 12 978 1 86064 544 9, HB, 54.50 ... Waltons, The: Chopra-Gant 16 978 1 84885 028 6, HB, 45.00 978 1 84885 029 3, PB, 25.99 Waltz with Bashir: Morag, 4 978 1 78076 264 7, HB, 56.50 War and the Media: Connelly et al, 19 978 1 86064 959 2, HB, 59.50 Watching the World Change: Friend, 28 978 1 84511 545 6, PB, 14.99 We Werent Modern...: Meskimmon, 22 978 1 86064 284 5, PB, 17.99 Weird Science & Bizarre...: Reece, 30 978 1 84511 756 6, PB, 9.99
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... What It Means to be...: Matar, 978 1 84885 363 8, PB, 14.99 When Eagles Dared: Hughes, 978 1 84885 650 9, HB, 19.50 Whisky Galore! & the...: McArthur, 978 1 86064 633 1, PB, 12.99 Why Buffy Matters: Wilcox, 978 1 84511 029 1, PB, 12.99 18 7 11 17 ... Withnail and Us: Smith, 978 1 84885 092 7, PB, 16.99 Women and Media in the...: Sakr, 978 1 85043 545 7, PB, 15.99 ... Writings, 1922-1934: Eisenstein 978 1 84885 355 3, PB, 19.50 ... Writings, 1934-1947: Eisenstein 978 1 84885 357 7, PB, 19.50 9 19 14 14 Writing the Image: Lomax, 978 1 86064 474 0, PB, 17.99 X Films: Cox, 978 1 84511 566 1, HB, 18.99 22 5
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Visual Culture Catalogue 2011 2012

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I.B.TAURIS AUTHORS, EDITORS AND CONTRIBUTORS NEW BOOK ALERTS

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Film: World Cinema

THEORIZING WORLD CINEMA

NEW DIRECTIONS IN GERMAN CINEMA

Paul Cooke and Chris Homewood, both

University of Manchester, and

University of Manchester (Eds)

THE NEW JEW IN FILM

THE POETICS OF IRANIAN CINEMA

FILM AND FAIRY TALES

Aesthetics, Modernity and Film after the Revolution Khatereh Sheibani,

Film: World Cinema

POPULAR ITALIAN CINEMA

STOP THE CLOCKS!

Birkbeck University of London

Culture and Politics in a Postwar Society Flavia BrizioSkov, University of

University of East London

RADICAL FRONTIERS IN THE SPAGHETTI WESTERN

Politics and Violence in Italian Cinema Austin Fisher,

HITCHCOCK AND THE CINEMA OF SENSATIONS

SHII ISLAM IN IRANIAN CINEMA

Embodied Film Theory and Cinematic Reception Paul Elliott, University

Film: World Cinema

Hebrew University of Jerusalem

The Life and Films of the Last Great European Director

NEW TURKISH CINEMA

Belonging, Identity and Memory

A SHORT HISTORY OF FILM

OUTSIDER FILMS ON INDIA 1950 1990

Imagining the Civil War and Beyond

THE CHILD IN FILM

THE APU TRILOGY

Tears, Fears and Fairy Tales

Satyajit Ray and the Making of an Epic

CONTEMPORARY NEW ZEALAND CINEMA

FROM IRAN TO HOLLYWOOD AND SOME PLACES IN-BETWEEN

EAST ASIAN CINEMAS

Exploring Transnational Connections on Film

Leon Hunt & Leung Wing-Fai (Eds)

Ian Conrich (Ed.)

The Films of Pedro Almodovar

Film: World Cinema

Critical and Cultural Readings

The Male Body in Contemporary Spanish Cinema

Soviet Russia and Richard Taylor

Santiago FouzHernndez and Alfredo Martinez-Expsito

Sexual Dissidence and Psychoanalysis in his Mexican and Spanish Cinema

FILMING THE MODERN MIDDLE EAST

The Cinema of a Cultural Traveller

Julian Daniel GutierrezAlbilla

FROM MOSCOW TO MADRID

Tullio Kezich Translated from the Italian by Minna Proctor

European Cities, Postmodern Cinema

True Confessions of a Radical Filmmaker

THE NEW BRAZILIAN CINEMA

Lcia Nagib (Ed.)