Вы находитесь на странице: 1из 56

A cous tic A mp l i f i c a ti on

2010 CATALOG

A little family secret


Since its beginning in the early 1980s, Fishman has helped acoustic musicians achieve the truest sound possible whenever they plug in. In that time weve been awarded more than 30 patents and have won more awards for quality, design, performance and innovation than all of our competitors combined. Sure, our ongoing commitment and wide range of innovative products has helped this passionate little company grow to become the industry standard for acoustic amplification, and Fishman equipment is now used around the world. But that wont change what got us here: always putting the needs of the acoustic musician first. But heres the secret: Every artist who chooses Fishman does so without incentives other than a desire for the best possible sound. The loyalty from our extended family of players, technicians, repair professionals and instrument manufacturers is really a result of our loyalty toward them, as evidenced by our innovative, reliable products, over-the-top customer support, and unwavering goal of amplified acoustic excellence. Thanks to everyone whos chosen Fishman, Larry Fishman

n n
Aura Acoustic Imaging Technology AFX Acoustic E fects Acoustic Ampli ers Undersaddle Pickups Soundhole Pickups

Matrix Infinity Undersaddle Pickup System AG-Series Undersaddle Pickups


Ellipse Pickup & Preamp Systems Strings

page 2 page 3 page 4 page 5 page 6 page page page page page page page page page 7 8 9 10 11 12 13 14 15

Aura Acoustic Imaging Technology

AFX Acoustic E fects

Acoustic Ampli ers

Undersaddle Pickups

Soundhole Pickups

Ellipse Pickup & Preamp Systems

n n n

Strings

Neo-D Soundhole Pickups Rare Earth Soundhole Pickups Rare Earth Blend Soundhole Pickup
Bluegrass Instrument Pickups Preamps

Bluegrass Instrument Pickups

Preamps

Aura Acoustic Imaging Technology

AFX Acoustic E fects

Acoustic Ampli ers

Undersaddle Pickups

Soundhole Pickups

Ellipse Pickup & Preamp Systems

Strings

Bluegrass Instrument Pickups

Preamps

 Anything with strings on it is our specialty.



Larry Fishman
Aura Acoustic Imaging Technology AFX Acoustic E fects Acoustic Ampli ers Undersaddle Pickups Soundhole Pickups Ellipse Pickup & Preamp Systems

n n n n n n n n n n n n n n n n n n n n n n

G-II and B-II Instrument Preamps Pro-EQ II Preamp/EQ Pro-EQ Platinum and Platinum Bass Preamp/EQ/D.I. Onboard Aura Preamp System Aura Pro Onboard Preamp System Prefix Premium Blend Onboard Preamp System Prefix Plus-T Onboard Preamp System Prefix Pro and Prefix Pro Blend Onboard Preamp Systems Powerjack Onboard Preamp Ellipse Aura Pickup & Preamp System Ellipse Matrix Blend Pickup & Preamp System Ellipse VT Pickup & Preamp System
Preamps

Strings

Bluegrass Instrument Pickups

page 17 page 18 page 19 page page page page 23 24 25 26

Aura Acoustic Imaging Technology

AFX Acoustic E fects

Acoustic Ampli ers

Aura Image Gallery III Aura Spectrum DI Aura Sixteen Jerry Douglas Signature Series Aura Imaging Pedal
Undersaddle Pickups Soundhole Pickups Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

Aura Acoustic Imaging Technology

AFX Acoustic E fects

Acoustic Ampli ers

Undersaddle Pickups

AFX Chorus Acoustic Effects Pedal AFX Delay Acoustic Effects Pedal AFX Reverb Acoustic Effects Pedal
Soundhole Pickups Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

page 27 page 28 page 29 page 31 page 32 page 33 page page page page page page page page page page page page page page 35 36 37 38 40 41 42 43 44 45 46 47 48 49

Aura Acoustic Imaging Technology

AFX Acoustic E fects

Acoustic Ampli ers

Undersaddle Pickups

Soundhole Pickups

SA220 Solo Performance System Loudbox 100 Acoustic Instrument Amplifier Loudbox Performer Acoustic Instrument Amplifier
Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

Aura Acoustic Imaging Technology

AFX Acoustic E fects

Acoustic Ampli ers

Undersaddle Pickups

Soundhole Pickups

Ellipse Pickup & Preamp Systems

Strings

Bluegrass Instrument Pickups

Preamps

n n n n n n n n n n n n n n

Classic Series Mandolin Pickups Nashville Series Instrument Pickups Banjo Pickup Classic Series Resophonic Pickups Full Circle Upright Bass Pickup BP-100 Upright Bass Pickup Classic Series String Pickups Concert Series Strings Pickups SBT Soundboard Transducers Archtop Guitar Pickup Powerbridge Hardtail Piezo Bridges Powerbridge Vibrato Style Piezo Bridges Powerchip Onboard Mixing Preamp FT-1 Digital Tuner

Aura Acoustic Imaging Technology

AFX Acoustic E fects

Acoustic Ampli ers

Undersaddle Pickups

Soundhole Pickups

Ellipse Pickup & Preamp Systems

Strings

Bluegrass Instrument Pickups

Preamps

2010 CATALOG

Undersaddle Pickups. Soundhole Pickups. Which one is right for you?


A great pickup is fundamental to an amplified acoustics signal chain. Less sophisticated pickups may attempt to enrich the sound of your guitar with overly warm tones, but Fishman pickups are the result of years of research

Ive used Fishman products for more than twenty years. In my business quality, reliability and consistency are what I count on.
- Doug Breidenbach Guitar Tech for Jimmy Buffett

to preserve the natural timbre of your instrument, revealing its own rich voice. Starting with its very first product, Fishmans acclaimed pickups have surprised musicians and critics alike with their accuracy and clarity. Many musicians also choose soundhole pickups for ease of use. For instance, our value-priced Neo-D needs no battery and can be installed easily and quickly with no alteration to your guitar. The Matrix Infinity, our flagship undersaddle pickup system, offers transparent sound quality and great features like tone control and switchable voicing to accommodate different performance situations.

Matrix Infinity
Undersaddle Pickup System
Undersaddle Pickups Soundhole Pickups Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

 The Fishman pickup has become my standard upgrade on all my acoustic instruments. They are totally consistent and sound extremely good! Martin Barre, guitarist for Jethro Tull

Matrix Infinity C  ompletely redesigned active, endpin mounted preamp F  eatures the worlds best selling undersaddle pickup, the Acoustic Matrix S  oundhole mounted rotary controls for Volume & Tone
The Matrix Infinity pickup and preamp system, the newest version of our flagship Matrix Series, offers clear, transparent tone, dynamic string response and ease of installation. Soundhole-mounted Volume and Tone rotary controls allow the player to make easily accessible adjustments. Taking the pickups tonal variation capability one step further, the Matrix Infinity incorporates a switchable voicing feature to accommodate all guitar body sizes and different performance situations in one system. With a long list of enhancements, the Matrix Infinity has literally redefined the category of undersaddle pickup systems
PRO-MAT-INF Matrix Infinity with Acoustic Matrix Undersaddle Pickup in wide 1/8 (3.2mm) format PRO-MAN-INF Matrix Infinity with Acoustic Matrix Undersaddle Pickup in narrow 3/32 (2.3mm) format

Wide Format PRO-MAT-INF Narrow Format PRO-MAN-INF Pickup Length

1/8 (3.2mm) width 3/32 (2.3mm) width

U  nique Tone control cuts mids while boosting treble and bass I ntegrated LED low battery indicator S  witchable voicing to accommodate all guitar body sizes & performance situations Solderless connections Pickup available in wide, narrow or split formats Professional installation recommended

Standard pickup length of 2.65(67.3mm) will fit most guitars with 2.5 (63.5mm) string spacings 9-Volt 384 hours

BATTERY Battery Life

AG-Series
Undersaddle Pickups
Undersaddle Pickups Soundhole Pickups Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

AG-094 PRO-AG0-094 AGX-094 PRO-AGX-094

3/32 (2.3mm) saddle width and 2.125 E to E string spacing 3/32 (2.3mm) saddle width and 2.312 E to E string spacing for classical or 12-string guitar 1/8 (3.2mm) saddle width and 2.125 E to E string spacing 1/8 (3.2mm) saddle width and 2.312 E to E string spacing for classical or 12-string guitar

AG-Series F  ishmans piezo crystal passive undersaddle guitar pickup A  vailable in a variety of widths and string spacings for steel and nylon stringed guitars Our classic Undersaddle ceramic guitar pickup. AG-Series pickups do not require a battery, but an impedance-matching preamp is recommended, for best performance. Available in a variety of widths and string spacings.
PRO-AG0-094 AG-094 - 3/32 (2.3mm) saddle width and 2.125 E to E string spacing PRO-AGX-094 AGX-094 - the same as the AG-094 with a wider string spacing (2.312) for classical or 12-string guitar PRO-AG1-125 AG-125 - suitable for any guitar with a 1/8 saddle width and 2.125 (3.2mm) E to E string spacing PRO-AGX-312 AGX-125 - the same as the AG-125 with a wider string spacing (2.312) for classical or 12-string guitar AG-125 PRO-AG1-125 AGX-125 PRO-AGX-312

A  ll models are available with a Powerjack Active Endpin Jack Preamp A  n impedance matching preamp is recommended, but not required P  rofessional installation recommended

NEO-D
Passive Magnetic Soundhole Pickups
Soundhole Pickups Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

I'm getting the best sound I've ever gotten on my Weissenborns with the Neo-D Humbucking. Deep, tight lows, sweet and solid highs and warmth and clarity in the mids. I like it so much I put one in my six string as well.
Ed Gerhard, GRAMMY Award-winning guitarist

Neo-D Passive Magnetic Soundhole Pickups N  eodymium magnet structure for exceptional string balance and sparkling acoustic clarity L  ow profile, high impedance design needs no battery E  asy installation with no alteration plug & play right out of the box E  xcellent string-to-string balance and acoustic clarity
PRO-NEO-D01 PRO-NEO-D02 INSTALLATION Neo-D Single Coil Neo-D Humbucking Fits soundholes as small as 3-7/8 (98.5mm) diameter Pre-wired output jack can also be endpin mounted

This value-priced cousin of the award winning Rare Earth pickup shares the same neodymium magnet structure for exceptional string balance and sparkling acoustic clarity. The Neo-Ds low-profile, highimpedance design needs no battery. Available in Single Coil and Humbucking models. Single CoilBrilliant and articulate single coil sound. HumbuckingWarm and full humbucking sound.
PRO-NEO-D01 Neo-D Single Coil PRO-NEO-D02 Neo-D Humbucking

RARE EARTH
Active Magnetic Soundhole Pickups
Soundhole Pickups Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

 At Jethro Tull we like Fishman products they sound so natural. Its like every member of the audience is sitting right beside the guitar.
Chris Archer, Production Manager for Jethro Tull

Rare Earth Active Magnetic Soundhole Pickups R  e-voiced and fine-tuned for smoother treble response and a warmer, more naturally acoustic tone A  ctive electronics and neodymium magnet structure for exceptional string balance and sparkling acoustic clarity M  iniature batteries mount conveniently on the underside of the pickup (batteries included) L  ow current design of the preamp allows up to 300 hours between battery changes N  ewly designed mounting system and ergonomic body shape P  re-wired output jack can also be endpin mounted E  asy installation with no alteration plug-and-play right out of the box
PRO-REP-101 PRO-REP-102 INSTALLATION Rare Earth Single Coil Rare Earth Humbucking Fits soundholes as small as 3-5/8 (92mm) diameter Pre-wired output jack can also be endpin mounted Volume Wheel Control (Rare Earth Humbucking) two 1.5-Volt silver oxide or one 3-Volt lithium 300 hours

The Rare Earth Single Coil and Humbucking pickups have been carefully re-voiced and fine-tuned to offer an even smoother treble response than their popular, category-defining predecessors. Equipped with cutting-edge neodymium magnets, the new Rare Earth pickups offer a warmer, more naturally acoustic tone, along with exceptional accuracy and increased musicality. Single CoilBrilliant and articulate single coil sound. HumbuckingWarm and full humbucking sound.
PRO-REP-101 Rare Earth Single Coil PRO-REP-102 Rare Earth Humbucking

CONTROLS

Battery Battery Life

RARE EARTH BLEND


Active Magnetic Soundhole Pickup
Soundhole Pickups Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

 I have struggled with the sonic difficulties of reproducing the natural sound of an acoustic guitar through a P.A. system for as long as Ive been playing shows. Of all the systems I have tried (and there are many!), the Rare Earth Blend soundhole pickup has managed to strike a fantastic balance between authenticity and power. It is a truly versitile solution that makes all my guitars sing in even the toughest of performance situations. Duncan Sheik, GRAMMY and Tony Award-winning singer-songwriter and composer

Rare Earth Blend R  e-voiced and fine-tuned for smoother treble response and a warmer, more naturally acoustic tone A  ctive electronics and neodymium magnet structure for exceptional string balance and sparkling acoustic clarity An improved microphone and re-voiced electronics offer a warmer, more natural acoustic tone. Easily accessible Mic/Pickup Blend Control offers fingertip control to dial in just the right blend. For unequalled sound quality and ease of use, its hard to beat the performance of the Rare Earth Blend. Cutting-edge neodymium magnets provide excellent string-tostring balance while the pickups active electronics and low-noise, discrete circuitry design keep the sound pure and clean with smooth response throughout the frequency range. F  lexible cardioid microphone and mic/pickup blend control M  iniature batteries mount conveniently on the underside of the pickup (batteries included) L  ow current design of the preamp allows up to 150 hours between battery changes N  ewly designed mounting system and ergonomic body shape P  re-wired output jack can also be endpin mounted E  asy installation with no alteration plug-and-play right out of the box
CONTROLS Battery Battery Life

PRO-REP-103 INSTALLATION

Rare Earth Blend Fits soundholes as small as 3-5/8 (92mm) diameter Pre-wired output jack can also be endpin mounted Mic/Pickup Blend Control two 1.5-Volt silver oxide or one 3-Volt lithium 150 hours

PRO-REP-103

PREAMPS
G-II & B-II
Preamps

PRO-MOD-GE2 PRO-MOD-BA2 Battery Battery Life

G-II for acoustic instruments B-II tailored for the acoustic bass 9-Volt 400 hours

These compact outboard preamps are protected by a rugged injection-molded case. The G-II performs perfectly with most acoustic instruments while the B-II is specifically tailored for the acoustic bass. They come equipped with Volume, Bass and Treble sliders, new easy access battery compartment and an AC adapter jack.
PRO-MOD-GE2 PRO-MOD-BA2

G-II and B-II Instrument Preamps Volume, Bass and Treble sliders Compact outboard preamp Rugged injection molded case. Easy access battery compartment AC adapter jack

PREAMPS
Pro-EQ II
Preamps

PRO-PRO-EQ2 Battery Battery LIFE

Pro-EQ II Preamp/EQ 9-Volt 200 hours

PRO-EQ II Acoustic Preamp/EQ Volume, Bass, Middle, Treble and Brilliance sliders Phase switch Sub-bass trim control Input trim control Advanced electronics provide longer battery life Features a tough injection molded case This perennial favorite features a tough injection-molded case with an easy access battery compartment, input trim control and advanced new electronics which provide longer battery life. Features include Volume, Bass, Middle, Treble and Brilliance sliders along with an AC adapter jack, phase switch and sub-bass trim control. This preamp can be utilized with a piezo or magnetic pickup.
PRO-PRO-EQ2

Easy access battery compartment AC adapter jack  Can be utilized with a piezo or magnetic pickup

PREAMPS
Pro-EQ Platinum Preamp/EQ/D.I.
Preamps

 We dont practice reverse engineering. Everything we design is from the ground up. Thats part of what keeps us forward thinking.
Vladimir Kratik, Senior PCB Designer at Fishman

PRO-PLT-101

 ishmans premium F Preamp/D.I., dialed in for acoustic instruments Four-band EQ with sweepable midrange precisely shapes and sculpts bass tone Feedback-fighting notch filter  mooth control S Fishmans exclusive compression smooths out amplified acoustics

PRO-PLT-BAS

The Pro-EQ Platinum Preamp/EQ/D.I. is our premium preamp/DI, dialed-in just for the acoustic player. We packed the Pro-EQ Platinum with a racks worth of serious acoustic processing, all in a stompbox-sized package. The Pro-EQ Platinum Bass Preamp/EQ/D.I. is designed for the acoustic and electric bassist, this unique preamp/DI covers all the basses.
PRO-PLT-101 PRO-PLT-BAS

Pro-EQ Platinum Instrument Preamp/EQ/D.I. common features: Input gain and master volume controls Feedback-fighting phase switch X  LR D.I. (with ground lift and pre/post switches) for pro-sound and recording E  xclusive voltage doubler circuit for more clarity and greater dynamics Easy access battery compartment Tuner/send output Rugged injection molded case 3  -way power from 9V battery (not included), 48V phantom or AC adapter
BATTERY BATTERY LIFE

Fishmans premium Preamp/D.I., dialed in for the acoustic and electric bassist Five-band EQ precisely shapes and sculpts bass tone Soft-knee, pump free, photo-optic bass compressor Depth knob (low cut filter) for big bottom without boom 9-Volt 120 hours

ONBOARD AURA
Preamp System
Preamps

The Fishman Aura is the most natural sounding system Ive heard.
B  uddy Miller, roots-country musician, singer-songwriter and producer

Onboard Aura S  tate-of-the-art onboard preamp featuring Fishmans patented Acoustic Imaging technology D  ownload up to six Aura Images from the Aura Image Gallery software (included)  Pickup/Image blend control   Volume control as well as bass, middle and treble controls Fully-programmable digital equalization Feedback-fighting phase control Now available as a retail product! With the success of Fishmans proprietary Aura Imaging Technology, many guitar manufacturers have incorporated Aura into their top-tier acoustic-electric product models. An Aura preamp offers the best onboard control and sound quality available for acoustic guitars. Features Fishmans Aura Image Gallery Software (included), an application that allows users to access Images for hundreds of guitar makes and models through Fishmans free Aura Image library. The software also allows Aura Images to be sorted, managed, and grouped right on your computer. Users can then take advantage of the preamps open architecture by loading Aura Images via a USB cable.
PRO-MAT-OBA Onboard Aura with Acoustic Matrix Undersaddle Pickup in wide 1/8 (3.2mm) format PRO-MAN-OBA Onboard Aura with Acoustic Matrix Undersaddle Pickup in narrow 3/32 (2.3mm) format

DIMENSIONS
Wide Format PRO-AUR-MAT

2.46 (62.5mm) W x 4.02 (102.25mm) H


1/8 (3.2mm) width

Digital chromatic tuner Automatic anti-feedback Low battery indicator U  nique pivot design for instant 9-Volt battery access S  ystem includes an Acoustic Matrix Undersaddle Pickup and Switchjack Stereo Endpin Jack  Pickup available in wide, narrow or split formats P  rofessional installation recommended

Narrow Format 3/32 (2.3mm) width PRO-AUR-MAN Battery 9-Volt

Battery Life

30 hours

AURA PRO
Onboard Preamp System
Preamps

Ive reviewed, gigged and enjoyed tons of Fishman gear over the past years. My conclusions? It works, it sounds good, and it does what it says on the tin. Enough said.

Dave Burrluck Gear Reviews Editor, Guitarist Magazine (UK)

Aura Pro S  tate-of-the-art onboard preamp featuring Fishmans Aura Acoustic Imaging technology D  ownload up to four Aura Images from the Aura Image Gallery software (included)  Pickup/Image blend control   Volume control as well as bass, middle and treble controls Fully-programmable digital equalization Feedback-fighting phase control Now available as a retail product! With the success of Fishmans proprietary Aura Imaging Technology, many guitar manufacturers have incorporated Aura into their top-tier acoustic-electric product models. An Aura preamp offers the best onboard control and sound quality available for acoustic guitars. Features Fishmans Aura Image Gallery Software (included), an application that allows users to access Images for hundreds of guitar makes and models through Fishmans free Aura Image library. The software also allows Aura Images to be sorted, managed, and grouped right on your computer. Users can then take advantage of the preamps open architecture by loading Aura Images via a USB cable.
PRO-MAT-P81 Aura Pro with Acoustic Matrix Undersaddle Pickup in wide 1/8 (3.2mm) format PRO-MAN-P81 Aura Pro with Acoustic Matrix Undersaddle Pickup in narrow 3/32 (2.3mm) format
DIMENSIONS Wide format PRO-MAT-P81

Digital chromatic tuner Automatic anti-feedback Low battery indicator  Smaller footprint than the full sized Onboard Aura U  nique pivot design for instant 9-Volt battery access S  ystem includes an Acoustic Matrix Undersaddle Pickup and Switchjack Stereo Endpin Jack  Pickup available in wide, narrow or split formats P  rofessional installation recommended+

2 (50.5mm) W x 3.15 (80mm) H 1/8 (3.2mm) width

narrow format 3/32 (2.3mm) width PRO-MAN-P81 Battery 9-Volt

Battery Life

27 hours

PREFIX PREMIUM BLEND


Onboard Preamp System
Preamps

 Fishman allows me to sound acoustic and still look cool doin it!
 Nick Wheeler of The All-American Rejects

Prefix Premium Blend State-of-the-art onboard preamp V  olume control as well as bass, treble, and a wide-range semi-parametric EQ to isolate certain frequencies and boost or cut them as needed Feedback-fighting notch filter and phase switch O  nboard chromatic tuner can be used without plugging in the guitar G  ooseneck-style internal microphone with a pickup/mic blending slider L  ow battery indicator The Prefix Premium Blend features our acclaimed Acoustic Matrix undersaddle pickup, onboard chromatic tuner, and a gooseneckstyle internal microphone. To complement and contrast this pickup, our miniature gooseneck microphone captures the guitars elusive natural ambience and sound chamber resonance. Blend the pickup and the microphone together for a powerful and cohesive acoustic guitar tone that is deeper and more filled out than the sound of either the microphone or pickup alone. To complete the package, we include a phase switch and an adjustable notch filter, both essential for fighting feedback.
PRO-MAT-AP7 Prefix Premium Blend with Acoustic Matrix Undersaddle Pickup in wide 1/8 (3.2mm) format PRO-MAN-AP7 Prefix Premium Blend with Acoustic Matrix Undersaddle Pickup in narrow 3/32 (2.3mm) format
DIMENSIONS
WIDE FORMAT PRO-MAT-AP7

2.46 (62.5mm) W x 4.02 (102.25mm) H


1/8 (3.2mm) width

U  nique pivot design for instant 9-Volt battery access S  ystem includes an Acoustic Matrix Undersaddle Pickup and Switchjack Stereo Endpin Jack P  ickup available in wide, narrow or split formats P  rofessional installation is recommended

NARROW FORMAT 3/32 (2.3mm) width PRO-MAN-AP7


Battery 9-Volt

Battery Life

130 hours

PREFIX PLUS-T
Onboard Preamp System
Preamps

Prefix Plus-T Fishman quality, reliability and performance V  olume control as well as bass, treble, brilliance control, and a wide-range semi-parametric EQ to isolate certain frequencies and boost or cut them as needed Feedback-fighting notch filter and phase switch O  nboard chromatic tuner can be used without plugging in the guitar Brilliance slider L  ow battery indicator U  nique pivot design for instant 9-Volt battery access S  ystem includes an Acoustic Matrix Undersaddle Pickup and Switchjack Stereo Endpin Jack P  ickup available in wide, narrow or split formats P  rofessional installation is recommended
DIMENSIONS WIDE FORMAT OEM-MAT-PT4 2.46 (62.5mm) W x 4.02 (102.25mm) H

1/8 (3.2mm) width and tuner

NARROW FORMAT 3/32 (2.3mm) width OEM-MAN-PT4 and tuner


Battery 9-Volt

The Prefix Plus-T features ultra-quiet electronics and Volume, Bass, Treble and semi-parametric Contour controls. The Prefix Plus-T also offers a Brilliance control, Phase switch and Notch filter to help fight feedback. In addition, the built-in chromatic tuner can be used without plugging in the guitar.

BATTERY LIFE

150 hours

PRO-MAT-PT4 Prefix Plus-T with Acoustic Matrix Undersaddle Pickup in wide 1/8 (3.2mm) format PRO-MAN-PT4 Prefix Plus-T with Acoustic Matrix Undersaddle Pickup in narrow 3/32 (2.3mm) format

T4

PREFIX PRO & PREFIX PRO BLEND


Onboard Preamp Systems
Preamps

 Our passion for innovation is matched only by our customers passion to play.
 Joel Nevin, Sr. Mechanical Engineer at Fishman

Prefix Pro and Prefix Pro Blend  Designed for slim-bodied acoustic-electrics 2 x 3 (50mm x 76mm) bezel occupies 1/3 less space than standard Prefix models  Volume control as well as bass and treble controls Feedback-fighting notch filter and phase switch Brilliance slider (Prefix Pro only)  Revolutionary pivot design for instant 9V battery access  System includes an Acoustic Matrix Undersaddle Pickup and Switchjack Stereo Endpin Jack Pickup available in wide, narrow or split formats) Professional installation recommended Ideal for smaller body guitars! This system packs features similar to the Prefix Plus series, on a smaller bezel that occupies 1/3 less space on the guitar. An excellent fit on slim-bodied acoustic-electrics.
PRO-MAT-P01 Prefix Pro with Acoustic Matrix Undersaddle Pickup in wide 1/8 (3.2mm) format PRO-MAN-P01 Prefix Pro with Acoustic Matrix Undersaddle Pickup in narrow 3/32 (2.3mm) format PRO-MAT-P51 Prefix Pro Blend with Acoustic Matrix Undersaddle Pickup in wide 1/8 (3.2mm) format PRO-MAN-P51 Prefix Pro Blend with Acoustic Matrix Undersaddle Pickup in narrow 3/32 (2.3mm) format

Prefix Pro PRO-MAT-P01 Prefix Pro PRO-MAN-P01 BATTERY BATTERY LIFE Prefix Pro BLEND PRO-MAT-P51 Prefix Pro BLEND PRO-MAN-P51 BATTERY Battery Life

Wide 1/8 (3.2mm) format Narrow 3/32 (2.3mm) format 9-Volt 160 hours Wide 1/8 (3.2mm) format Narrow 3/32 (2.3mm) format 9-Volt 140 hours

Prefix Pro Brilliance slider Pro Blend Internal microphone Pickup/Mic blend control Wide-range semi-parametric Contour EQ  Stereo or mono signal paths for the systems pickup and microphone

T4

POWERJACK
Onboard Preamp
Preamps

PRO-PJA-001
BATTERY Battery Life

Powerjack

9-Volt 12,000 hours

The Powerjack is a miniature onboard preamp built into an elongated endpin jack. The Powerjack will give active perfomance to your passive piezo pickup. 12,000+ hour battery life from a single 9-Volt battery. Professional installation is recommended.
PRO-PJA-001

The Ellipse Aura. (Thanks Travis, you really know how to make an acoustic engineer blush.)
Travis Tritt is a Grammy award-winning country music firestorm. At the age of 22, he released his first album Country Club, which quickly became Platinum and he hasnt looked back since. Hes charted more than thirty singles and was accepted into the Grand Ol Opry at the age of only 29.

 I wanted pure acoustic sound without all the low end feedback. I needed to bring out all of the subtle tonal nuances that the guitars possessed. I chose the Ellipse Aura onboard preamp & pickup system. Thanks to Fishman, I now have the best live acoustic guitar sound that Ive ever had in my 25 year career.

Travis Tritt

So, when he said the Ellipse Aura helped him get the best live acoustic guitar sound hes had in his 25 year career, I guess you could say were a little proud. The Ellipse Series of pickup and preamp systems gives your sound that extra depth and clarity without the need for major modification to your instrument. Now updated with the Matrix Infinity preamp circuitry, the Ellipse is designed to be nearly invisible once installed, so its you and your guitar that take center stage.

ELLIPSE AURA
Pickup & Preamp System
Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

 The Fishman Aura is that which every player has dreamed; an elegant bit of electronics that allows your acoustic guitar to sound exactly like your acoustic guitar... Sometimes even better, and in any size venue. Its perfect.  JD Souther, country-rock musician & songwriter

Ellipse Aura S  tate-of-the-art onboard preamp featuring Fishmans Aura Acoustic Imaging Technology  Up to four Aura Images can be downloaded from Fishmans Aura Image Gallery software (included) E  rgonomic soundhole-mounted design puts slider controls at your fingertips to maintain a natural playing position The Ellipse Aura combines Fishmans most sophisticated onboard preamp design with the power of Aura Acoustic Imaging Technology for exceptional accuracy and true to life sound. Ellipse Aura allows acoustic musicians to easily and accurately reproduce the sound of their instrument as miked in a professional studio. Four Aura Images are custom made with and for your model guitar and then pre-loaded (and locked) into this intuitive, discreetly mounted preamp. The ergonomic soundhole-mounted design puts slider controls at the players fingertips to maintain a natural playing position. The Ellipse Aura features Pickup/Image Blend, Volume and switchable Natural I and Natural II low frequency tone shaping, a Phase Switch and automatic Anti-Feedback control.
PRO-MAT-ELA Ellipse Aura with Acoustic Matrix Undersaddle Pickup in wide 1/8 (3.2mm) format PRO-MAN-ELA Ellipse Aura with Acoustic Matrix Undersaddle Pickup in narrow 3/32 (2.3mm) format

 Features the worlds best selling undersaddle pickup, the Acoustic Matrix Automatic anti-feedback Pickup/Image Blend control Volume control Phase switch (feedback control) Low battery indicator  Unique patent-pending neodymium magnetic mounting system for easy, solder-free installation Solder-free connections  Switchable low frequency tone-shaping built into preamp Pickup available in wide, narrow or split formats Professional installation recommended

Wide Format PRO-MAT-ELA

1/8 (3.2mm) width

Narrow Format 3/32 (2.3mm) width PRO-MAN-ELA Pickup Length Standard pickup length of 2.65 (67.3mm) will fit most guitars with 2.5 (63.5mm) string spacings Accommodates most round soundholes from 3-7/8 (98mm) to 4-1/8 (105mm) in diameter 9-Volt 33 hours

SOUNDHOLE

BATTERY Battery Life

ELLIPSE Matrix Blend


Pickup & Preamp System
Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

 If youre looking for your instruments true voice, look no further. I recommend Fishman true transparency, no color added. Thom Lowry, guitar tech for John Hiatt

Wide Format PRO-MAT-EL2

1/8 (3.2mm) width

Narrow Format 3/32 (2.3mm) width PRO-MAN-EL2 Pickup Length Standard pickup length of 2.65 (67.3mm) will fit most guitars with 2.5 (63.5mm) string spacings Accommodates most round soundholes from 3-7/8 (98mm) to 4-1/8 (105mm) in diameter 9-Volt 220 hours

Ellipse Matrix Blend Super low-noise onboard preamp system E  rgonomic soundhole-mounted design puts slider controls at your fingertips to maintain a natural playing position  Features the worlds best selling undersaddle pickup, the Acoustic Matrix Phase switch (feedback control) C  ustom-designed cardioid condenser mini-microphone with gooseneck mount and accessible mic/pickup blending plus mic trim control  Unique patent-pending neodymium magnetic mounting system for easy, solder-free installation Solder-free connections
PRO-MAT-EL2 Ellipse Matrix Blend with Acoustic Matrix Undersaddle Pickup in wide 1/8 (3.2mm) format PRO-MAN-EL2 Ellipse Matrix Blend with Acoustic Matrix Undersaddle Pickup in narrow 3/32 (2.3mm) format

SOUNDHOLE

Now you can add the power and sonic clarity of Fishmans renowned blending technology to your guitar, without any visible modification. The Ellipse Matrix Blend combines the worlds best-selling undersaddle pickup, the Fishman Acoustic Matrix, with the popular Ellipse Blend to give you incredible tone at your fingertips. With its flexible gooseneck condenser microphone and volume, blend, and phase controls, the Ellipse Matrix Blend makes it possible to have the best of both worlds when you play: the sparkling, transparent sound and control that our Acoustic Matrix pickup affords, complemented by the unique and expressive character that a microphone provides.

BATTERY Battery Life

S  witchable low frequency tone-shaping built into preamp Pickup available in wide, narrow or split formats Professional installation recommended

ELLIPSE VT
Pickup & Preamp Systems
Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

 Fishman pickups and amplifiers make it possible for me to get the sound from my guitar to the audience in a way that communicates exactly what I want to say. They are quality tools.

Willy Porter

Ellipse VT Super low-noise onboard preamp system E  rgonomic soundhole-mounted design puts slider controls at your fingertips to maintain a natural playing position  Features the worlds best selling undersaddle pickup, the Acoustic Matrix Phase switch (feedback control)  Unique patent-pending neodymium magnetic mounting system for easy, solder-free installation Solder-free connections S  witchable low frequency tone-shaping built into preamp  Volume, tone and phase controls Pickup available in wide, narrow or split formats Professional installation recommended
BATTERY Battery Life SOUNDHOLE Wide Format PRO-MAT-EL3 Narrow Format PRO-MAN-EL3 Pickup Length 1/8 (3.2mm) width 3/32 (2.3mm) width

Now you can add the power and sonic clarity of Fishmans onboard preamp systems to your guitar, without any visible modification. Engineered to be clean and clear, the onboard preamp features premium electronics with Volume, Tone and Phase controls. The unique Tone control ranges from natural undersaddle sound to the revered scooped-mid sound, just by moving a single slider.
PRO-MAT-EL2 Ellipse VT with Acoustic Matrix Undersaddle Pickup in wide 1/8 (3.2mm) format PRO-MAN-EL2 Ellipse VT with Acoustic Matrix Undersaddle Pickup in narrow 3/32 (2.3mm) format

Standard pickup length of 2.65 (67.3mm) will fit most guitars with 2.5 (63.5mm) string spacings Accommodates most round soundholes from 3-7/8 (98mm) to 4-1/8 (105mm) in diameter 9-Volt 220 hours

Acoustic Imaging

Aura Acoustic Imaging Technology. The sound quality of a studio mike whenever (and wherever) you plug in.
Since 2005, the Fishman Aura has been the playing the leading role in creating the rich and resonant live sound of James Taylors Olson guitars. Images of both of the guitars James uses in concert were made for us by Fishman when we first began to use the Aura. The result has been the most realistic and detailed live acoustic guitar sound I have ever experienced when using a piezo pickup. The Aura images give us the fidelity and dimensionality that most closely resembles hearing an un-amplified instrument played right in front of you. Thanks to everyone at Fishman for coming up with this great product and for their ongoing friendship and support.
 Dave Morgan, Sound Engineer James Taylor, Paul Simon, Bette Midler and Steely Dan

Fishmans Aura Acoustic Imaging technology allows acoustic musicians to easily and accurately reproduce the sound of their instrument as miked in a professional studio. Aura uses digital algorithms, developed in Fishmans audio labs, to create an Image of the natural sound that microphones capture in a professional studio. This Image, when played through an amp, mixer, or PA, blends with your instruments pickup to produce an immediate and dramatic improvement in your amplified sound.

Matt Scannell of Vertical Horizon

Acoustic Imaging

What the pros play. What the pros say...


 After years of playing acoustic guitar with the Judds I searched every kind of bridge pickup and microphone combo there is. Nothing is able to touch the sound of the Aura. D  on Potter, guitarist and producer for Wynonna Judd

 The Aura has given me more control and flexibility with my acoustic guitar than Ive ever had. Wouldnt want to play without it now!  Clint Black, Multi-platinum country artist

 One of the great challenges for acoustic guitar players is to recreate an authentic guitar sound on stage. Fishman Aura Imaging and the Matrix pickup have helped me achieve this. Ray LaMontagne, Platinum-selling singer-songwriter

After trying all sorts of different acoustic pickup systems and preamps, I ultimately found that nothing touched Fishman pickups and the Aura. Warm and natural sounding the closest thing to a micd acoustic. Richard Fortus, guitarist for Guns N Roses

 I have been using Fishman gear for almost eighteen years. I liked it then, and I like it better now. The Matrix pickup, the Aura and the Loudbox get my sound across for me. This gear does the job beautifully, and I know how to use it myself... ever important.  Jorma Kaukonen, Rock & Roll Hall of Fame inductee and guitarist for the legendary Hot Tuna and Jefferson Airplane

Acoustic Imaging

 Ive been using the Fishman Matrix Infinity acoustic pickup system for quite a while now and have been really impressed with the simplicity of controls and its natural sound.  Now that Ive had a chance to pair it with the new Aura Spectrum DI the picture is complete. This is without a doubt the best combination Ive ever experienced. All my guitars retain their unique character but at the same time I have the ability to adjust EQ and compression to suit any live situation.  Ive found that with subtle use of the many Image choices, I can achieve an extremely natural mic sound while having the practical functionality of a high quality D.I. all in one compact unit.  John Oates

Image Library & Download Tool


Aura Acoustic Imaging Technology AFX Acoustic E fects Acoustic Ampli ers Undersaddle Pickups

AURA IMAGE GALLERY III

Soundhole Pickups

Ellipse Pickup & Preamp Systems

Strings

Bluegrass Instrument Pickups

Preamps

Aura Image Gallery III Over 800 Images recorded from real instruments Select world-class studio microphones from an ever-expanding list of instruments Features Image Wizard, an intelligent search engine that finds the best match for your instrument Easily sort and search by Make/Model, body style or even wood types Access your own Custom Images purchased through the Aura Custom Shop Images download directly to a USB-enabled Aura in seconds Now available for Mac and PC, Aura Image Gallery III software provides the acoustic musician access to a vast library of Images created from an ever-expanding list of instruments, and provides tools to search and store sets of Images for your Aura Acoustic Imaging pedal or preamp. The Aura Image Gallery III currently includes over 800 Images recorded from actual instruments with select world-class studio microphones. Users can easily sort and search by make/model, body style or even wood types. Browse the Image Library to find your instrument using the filters at the top of the main window, then drag and drop an Image into an Image Users can download and store sets of Images to take with them on stage or in the studio. Works with USB-enabled Fishman Aura processors sold through retailers including Aura Spectrum DI, Aura Sixteen, Ellipse Aura, Aura Pro and Onboard Aura Compatible with a PC running Microsoft Windows XP or Windows Vista or an Intel Mac running Leopard or higher
pc Processor aura compatibility SYSTEM REQUIREMENTS PC running Microsoft Windows XP or Vista or an Intel Mac running Leopard or higher USB Port 800+ MHz USB-enabled Aura product

INTERNET Required for Image and CONNECTIONONN software updates

Acoustic Imaging + D.I.


Aura Acoustic Imaging Technology AFX Acoustic E fects Acoustic Ampli ers

AURA SPECTRUM DI

 The Aura Spectrum DI is the best acoustic guitar preamp on the marketin the studio or live hands down.  Mike Scott
Guitarist for Justin Timberlake and Prince
Soundhole Pickups Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

Undersaddle Pickups

PRO-AUR-SPC AUDIO I/O

Aura Spectrum DI 1/4 mono input & output w/input trim control Balanced XLR D.I. 1/4 effects loop 24-bit A/DA conversion 32-bit processing Durable all-metal construction 5.6L x 5.25W x 2.1H 9-Volt battery or optional adaptor power 20 hours

Aura Spectrum DI Award-winning Aura Acoustic Imaging 128 pre-loaded Images for use with the most popular acoustic instruments Instrument Preamp with Balanced XLR D.I. out Volume, Blend, and Image Select controls Aura Spectrum DI is the complete tone solution for the acoustic musician featuring award-winning Aura Acoustic Imaging technology that restores a studio-miked sound to your undersaddle or soundhole pickup. Housed in a professional quality all-metal case, Aura Spectrum DI features a 3-band EQ, one-knob compressor, automatic feedback suppression with up to 3 notches, chromatic tuner, effects loop, plus a high-quality balanced XLR D.I. The included Aura Image Gallery software provides access to an ever-expanding list of instruments recorded using world-class studio mics and techniques. Aura Spectrum DI is not only incredibly versatile, but it also delivers the most realistic acoustic sound available for stage or studio.
PRO-AUR-SPC Processor Material Dimensions POWER Battery life

Three band EQ One-knob compressor Automatic anti-feedback with up to 3 notches Built-in chromatic tuner with bypass/mute 16 user-configurable Image locations USB interface for Image downloading from Aura Image Gallery (software included) Feedback-fighting Phase switch Automatic D.I. Ground Lift 9-Volt Battery or optional adaptor operation Compatible with Fishmans 910R Power Supply (ACC-POW-BLE)

AURA SIXTEEN
Programmable Aura Imaging Pedal
Aura Acoustic Imaging Technology AFX Acoustic E fects Acoustic Ampli ers Undersaddle Pickups Soundhole Pickups

Ellipse Pickup & Preamp Systems

 Thanks to the Fishman Aura, you can add the missing frequencies of your guitar into the mix that get lost due to the nature of using a pickup as opposed to micing your guitar. Aura will inspire you with a new range of studio sound never available until now.  Monte Pittman
Strings Bluegrass Singer-songwriter and guitarist for Madonna and Adam Lambert Instrument Pickups Preamps

Aura Sixteen Award-winning Aura Acoustic Imaging Volume, Blend, and Image Select controls 16 pre-loaded Dreadnought guitar Images are completely user-configurable USB interface for Image downloading from Aura Image Gallery (software included) Aura Sixteen is a compact yet powerful stompbox featuring award-winning Aura Acoustic Imaging technology that restores a studio-miked sound to your undersaddle or soundhole pickup. Easy to set up and use, Aura Sixteen eliminates intrusive stage noise and expensive microphone setups, allowing you to reveal the true, unique voice of your instrument on stage or in the studio. The included Aura Image Gallery software provides access to an ever-expanding list of instruments recorded using world-class studio mics and techniques. Simply connect to your PC or Mac using the included USB cable and download Images for your instrument(s) from our extensive Image library.
PRO-AIP-P16 PRO-AIP-P16 AUDIO I/O Aura Sixteen 1/4 mono input & output w/input trim control 24 bit A/D/A conversion 32-bit processing Durable all-metal construction 5.6L x 4W x 2.1H 9-Volt battery or optional adaptor power 27 hours

Feedback-fighting Phase switch Bypass/Mute foot switch Input Trim Clip/Low Battery indicator 9-Volt Battery or optional adaptor operation Aura Image Gallery CD and USB cable included Compatible with Fishmans 910R Power Supply (ACC-POW-BLE)
Processor Material Dimensions POWER Battery life

AURA
Jerry Douglas Signature Series Aura Imaging Pedal
Aura Acoustic Imaging Technology AFX Acoustic E fects Acoustic Ampli ers Undersaddle Pickups Soundhole Pickups

 After all these years of fighting microphones and feeling tied to one foot of the stage floor, I really believe we have the answer to every dobro players dreams... and still sound like youre sitting on your back porch.
 Jerry Douglas
Strings Bluegrass Instrument Pickups Preamps

Ellipse Pickup & Preamp Systems

Called dobros matchless contemporary master, by The New York Times and lauded as my favorite musician by no less than rock legend John Fogerty, Jerry Douglas could have been a musical innovator on any number of instruments. However, as a teenager, Douglas adopted the then relatively obscure and unexplored Dobro, and that decision has helped him carve out a unique place in American music. By discovering the capabilities of this expressive instrument during a period of intense creativity in acoustic music, Douglas has wielded incalculable influence on bluegrass and its many related genres. His transcendent technique and passionate musicality have helped him net twelve Grammy Awards and numerous International Bluegrass Music Association awards. Douglas holds the distinction of being named Musician of the Year by The Country Music Association (2002, 2005, 2007), The Academy of Country Music (ten times), and The Americana Music Association (2002, 2003). In June 2004, the National Endowment for the Arts honored Douglas with a National Heritage Fellowship, recognizing his artistic excellence and contribution to the nations traditional arts.
PRO-AIP-JD1

PRO-AIP-JD1 AUDIO I/O

Jerry Douglas Aura Pedal 1/4 mono input & output w/input trim control 24 bit A/D/A conversion 32-bit processing Durable all-metal construction 5.6L x 4W x 2.1H 9-Volt battery or optional adaptor power 27 hours

Processor Material

Jerry Douglas Aura Imaging Pedal 1  6 custom Fishman Aura Images created and used by Jerry Douglas specifically for resophonic guitars Image Select control Volume control Blend control Feedback-fighting Phase switch Bypass/Mute foot switch Input Trim Clip/Low Battery indicator Compatible with Fishmans 910R Power Supply (ACC-POW-BLE)

Dimensions POWER Battery Life

AFX Chorus
Acoustic Effects Pedal
AFX Acoustic E fects Acoustic Ampli ers Undersaddle Pickups Soundhole Pickups Ellipse Pickup & Preamp Systems Strings

 Naturally I turned to Fishman when I needed to get my acoustic rig together for the Live Your Voice Tour with Halfway To Hazard. The AFX pedals mixed with the Ellipse Aura gave me a natural organic punch that re-energized my view of live acoustic guitar. Travis Jerome, guitarist for country music duo Halfway To Hazard
Bluegrass Instrument Pickups Preamps

AFX Chorus Acoustic Effects Pedal  Chourus 1,2, and 3 8  Studio-quality effects. Effect Presets include: Stereo & Narrow Tremolo Flanger, Phaser, Rotary speaker Level control Tone control Speed control Compatible with Fishmans 910R Power Supply (ACC-POW-BLE)
AUDIO I/O

The AFX Chorus is the first stompbox designed specifically for acoustic guitar to provide a wide range of modulation effects without coloring the instruments natural beauty. Through careful voicing of each preset, the eight effects offer everything from subtle and wide chorus effects to deep phasers, without becoming unmanageable on stage. The parallel effect path preserves your instruments direct sound, while mixing in just the right amount of effect. An all-analog buffered bypass path ensures clean, quiet operation in all environments. Housed in an award-winning yet road-worthy metal enclosure, the AFX Chorus combines studio-quality effects with state-of-the-art audio processing. 24-bit audio conversion and 32-bit signal processing on stereo inputs and outputs out-performs the most demanding live or studio environments. It accepts a wide range of pickups with its unique level switch that automatically maintains constant level from input to output.
PRO-AFX-CH1

PRO-AFX-CH1 BYPASS

AFX Chorus Pedal All-analog, buffered bypass path with foot switch control 1/4 inch stereo input and output Input Gain switch 24 bit A/D/A

DSP Material Dimensions POWER Battery Life

32-bit processing Durable all-metal construction 5.6L x 4W x 2.1H 9-Volt battery or adaptor power 20 hours

AFX Delay
Acoustic Effects Pedal
AFX Acoustic E fects Acoustic Ampli ers Undersaddle Pickups Soundhole Pickups Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups Preamps

AFX Delay Acoustic Effects Pedal Modern Delay: ultra-clean Classic Delay: warm, analog echo  Tap tempo feature sets eighth, dotted eighth, or quarter notes (tap switch input)
The AFX Delay is an essential stompbox designed specifically for the acoustic guitarist. It features eight delay presets created from two highquality delay effects; Modern a super-clean 32-bit delay, and Classic a truly analog-sounding vintage echo effect. A tap footswitch input transforms the presets into tempo-based effects, creating solid rhythms with ease. It also incorporates a Delay Hold feature for simple and fun phase sampling. Like the rest of the AFX family, the mix path combines the effect in parallel leaving your guitars true sound untouched. For the ultimate in purity, weve designed-in incredibly quiet 24-bit audio converters and 32-bit internal processing plus an all-analog bypass path. Its all-metal construction and clean, award-winning look are sure to be rugged and reliable under the demands of stage or studio use. Designed to accommodate a wide variety of pickup types, it features our unique level control that adjusts level while maintaining a constant level from input to output.
PRO-AFX-DL1 PRO-AFX-DL1 BYPASS AFX Delay Pedal All-analog, buffered bypass path with foot switch control 1/4 inch stereo input and output Input Gain switch 24 bit A/D/A DSP Material Dimensions POWER Battery Life 32-bit processing Durable all-metal construction 5.6L x 4W x 2.1H 9-Volt battery or adaptor power 20 hours

AUDIO I/O

 Short, Medium, Long, and Ping Pong presets Up to 2.9 seconds of 32-bit delay time Delay Hold for short phrase-sampling Level control Repeats control Delay time control Compatible with Fishmans 910R Power Supply (ACC-POW-BLE)

AFX Reverb
Acoustic Effects Pedal
AFX Acoustic E fects Acoustic Ampli ers Undersaddle Pickups Soundhole Pickups Ellipse Pickup & Preamp Systems Strings Bluegrass Instrument Pickups

 Effects are not just for electrics anymore!


 Mark Messner, guitar tech for Ryan Adams & The Cardinals

Preamps

PRO-AFX-RV1 BYPASS

AFX Reverb Pedal All-analog, buffered bypass path with foot switch control 1/4 inch stereo input and output Input Gain switch 24 bit A/D/A

AUDIO I/O

FPO

AFX Reverb Acoustic Effects Pedal Reverb stomp box for acoustic guitar  8 Studio-quality effects Studio, Room, Plate, Chamber, Stage, Concert Hall, Cathedral, Canyon Level control Tone control Compatible with Fishmans 910R Power Supply (ACC-POW-BLE)
DSP Material Dimensions POWER Battery Life

32-bit processing Durable all-metal construction 5.6L x 4W x 2.1H 9-Volt battery or adaptor power 20 hours

The AFX Reverb is the first reverb stompbox to offer studio-quality spaces designed specifically for acoustic guitar. Eight custom-created reverbs have been carefully voiced to enhancenot colorthe delicate and complex signature of the instrument. Its unique parallel mix path keeps your original tone unaltered, creating a studio-mastered space station for live performance or home recording. An all-analog buffered bypass path ensures clean, quiet operation in all environments. With 24-bit audio conversion and 32-bit signal processing, the natural dynamics of any instrument are faithfully preserved. Its award-winning design is incredibly rugged, featuring a full metal chassis and stereo operation. The unique level control mixes the selected effect in parallel, adding as much or as little reverb as you want in addition to your direct sound. PRO-AFX-RV1

Designed for the singer/songwriter, the SA220 provides exceptional sound quality and coverage in a wide variety of venues.
220 Watts of clean, lightweight power drives a line array of six custom high-excursion speakers and a soft dome tweeter. This unique combination delivers incredibly full sound, ultra-wide dispersion, and deeper sonic penetration than the common speaker cabinet. Better yet, the enhanced bass response of the custom-designed speakers means theres no need for a subwoofer! Its a P.A., and an Amp. With the SA220, the performer and audience hear exactly the same sound, meaning theres no need for separate wedge monitors or a combo amp backline. And because the SA220 is voiced for the singer/songwriter, acoustic instruments and vocals are projected with superb depth and clarity. The Ultimate in Portability SA220 weighs only 25lbs, ships complete with a padded bag equipped with wheels, and includes a rugged speaker stand. Set up takes less than a minute, with only one trip to the car! And universal power means the SA220 is ready to travel anywhere in the world.

SA220
Solo Performance System

SA220 Solo Performance System Two input channels with 3-band EQ Auxiliary input with level control 1/4 and Mic input with Phantom power Four digital reverb effects Feedback-fighting Phase switch & Notch filter Portable, powerful performance in a lightweight, easyto-use system! But we didnt design the SA220 to be this portable by scaling back on features or tone. In fact, weve included all of the award-winning elements of our Loudbox family, and added a unique Monitor feature designed to revolutionize an acoustic duos ability to hear each other on stage. SA220 is also equipped with two mic/instrument channels featuring high-quality preamps, each with 3-band EQ, phantom power, built-in reverb, effects loop, and feedback-fighting notch filter and phase controls.
PRO-AMP-SL1

Independent effects loops B  alanced XLR D.I outputs for input channels & main mix Tuner output & Channel Mute switch Monitor I/O C  omplete with stand and padded carry bag (w/wheels)

pro-amp-sl1 POWER DRIVERS

SA220 Solo Performance System 220 Watts, bi-amped Six 4 mid-woofer (200W) one 1 soft dome tweeter (20W) 115dB SPL @ 1 meter Vertical Line Array 41.5 H x 5.6 W x 6.6 D (105.4cm) x (14.2cm) x (16.8cm) 25lbs (35lbs incl. carry bag and stand)

SPL Driver Configuration Dimensions

Weight

LOUDBOX 100
Acoustic Instrument Amplifier

 As with everything I have that says Fishman, the quality, durability, and usability that are benchmarks of their products make my job so much easier and better. I can concentrate on being the best artist and musician I can be, knowing I can rely on my Fishman gear. The best there is.
Jim Hurst, guitarist, vocalist, multi-instrumentalist and two-time IBMA Guitar Player of the Year

With 100 powerful watts, two channels, dedicated drivers, and weighing under 25 lbs., the Loudbox 100 is the ultimate portable acoustic instrument amplifier for the active musician. With all the features a gigging performer demands, this two channel amplifier is lightweight, compact and ultra-flexible. Three bands of EQ with feedback-fighting controls give you incredible control over your tone.
PRO-LBX-400 Loudbox 100 Acoustic Instrument Amplifier ACC-LBX-CB1 Loudbox 100 Carry Bag ACC-LBX-SC1 Loudbox 100 Slip Cover

Loudbox 100 Acoustic Instrument Amplifier Auxiliary stereo input with level control  Digital effects: hall 1 & 2, plate 1 & 2, chorus, with ind. channel & effects level  D.I. output: balanced XLR outputs for instrument channel, inst/mic channel, main mix Tuner output Mute for instrument and inst/mic channels Instrument channel: Input gain with 10dB pad and clip indicator Shelving bass and treble Resonant-style midrange Effects level Notch filter (feedback control) Phase switch (feedback control) Dedicated effects loop 1/4 input Instrument or microphone channel: 15V and 48V phantom power Input gain with 10dB pad and clip Indicator Shelving bass and treble Resonant-style midrange Effects level Notch filter (feedback control) Phase switch (feedback control) Dedicated effects loop 1/4 input & balanced XLR input

PRO-LBX-400 POWER DRIVERS

Loudbox 100 100 Watts, bi-amped one 8 Woofer (90 W) one 1 soft dome tweeter (10W) 114dB SPL @ 1 meter 16 H x 15.5 W x 11.2 D (40.5cm) x (39.4cm) x (28.5cm) 23lbs

SPL DIMENSIONS

SPEAKER BAFFLE 10 built-in tilt

WEIGHT

ACC-LBX CB1

LOUDBOX Performer
Acoustic Instrument Amplifier

 I love this amp! The projection and clarity is untouchable. The Loudbox Performer meets all of my needs when Im performing on big stages, as well as in a small room. I strongly recommend you give it a listen for yourself!  Sharief Hobley, guitarist for Grammy-winning soul singer
songwriter and pianist John Legend and Sharief in Burgundy

At 130 powerful watts, the award-winning Loudbox Performer sets the standard for acoustic instrument amplifiers. With all the features a gigging performer demands, this two channel amplifier is lightweight, compact and ultra-flexible. Three bands of EQ with feedback-fighting controls give you incredible control over your tone. The Loudbox Performer implements an unprecedented tri-amplified design using select speaker components to give you the most natural reproduction of your instrument. Three amps and high-quality drivers mean you sound clean and clear, but you get heard like never before.
PRO-LBX-300 Loudbox Performer Acoustic Instrument Amplifier ACC-LBX-SC3 Loudbox Performer Slip Cover

Loudbox Performer Acoustic Instrument Amplifier Auxiliary stereo input with level control  Digital effects: hall 1 & 2, plate 1 & 2, chorus, with master level  D.I. output: balanced XLR outputs for instrument channel, inst/mic channel, main mix Tuner output Mute for instrument and inst/mic channels Instrument channel: Input gain with 10dB pad and clip indicator Shelving bass and treble Resonant-style midrange Effects level Notch filter (feedback control) Phase switch (feedback control) Dedicated effects loop 1/4 input Instrument or microphone channel: 15V and 48V phantom power Input gain with 10dB pad and clip Indicator Shelving bass and treble Resonant-style midrange Effects level Notch filter (feedback control) Phase switch (feedback control) Dedicated effects loop 1/4 input & balanced XLR input

PRO-LBX-300 POWER DRIVERS

Loudbox Performer 130 Watts, tri-amped Two 6.5 woofers (80W) one 4 cone midrange (40W) one 1 soft dome tweeter (10W) 117dB SPL @ 1 meter 19.2 H x 15.5 W x 11.2 D (48.8cm) x (39.4cm) x (28.5cm) 35lbs

SPL DIMENSIONS

SPEAKER BAFFLE 10 and 45 kick-stand

WEIGHT

ACC-LBX SC3

Bluegrass performance. Straight from the heart.


What does Bluegrass sound like? With the advent of Jamgrass, Neo-traditional and Newgrass, one things for sure ol Bill Monroe would sure be surprised to hear what is being called Bluegrass these days. As much as we love traditional music, the new musical influences and progressive styles have made the bluegrass genre more exciting than ever. Mainstream country artists are embracing the style, recording bluegrass albums and hitting the major festivals to reach a broader audience. Todays bluegrass stars have crossed over as well, contributing to a growing appreciation of this traditional music throughout the world. Take Rickie Simpkins here for instance. His virtuosity with the fiddle and mandolin has helped him make quite a name for himself with the classic bluegrass of his native Virginia. But his creative flexibility has him playing with jazz-influenced Tony Rice and the Unit, the gospel-tinged Isaacs, and even accompanying the legendary Emmylou Harris. No matter how you like your bluegrass, one thing will always be authentic the unmistakable sound when a fiddle gets together with some flat-picked guitar, mandolin, resonator, banjo and an upright bass. Acoustic heaven. So were particularly proud that weve been able to develop a new generation of pickups that preserves your instruments natural voice like our new Nashville Series Resophonic pickup. Embraced by professionals who want the purest amplification for this unique and throaty instrument, its quickly become even more popular than we could have imagined.

BLUEGRASS
Classic Series Mandolin Pickups
Bluegrass Instrument Pickups Preamps

PRO-M10-0MA

M-100 Mandolin Pickup includes a 1/4 external jack for easy mounting M-200 Professional Mandolin Pickup includes a Carpenter-style 1/4 output jack that mounts on the side of the instrument

PRO-M20-0MA

Classic Series M-100 Mandolin Pickup . A Piezo-Ceramic pickup element is embedded in an adjustable ebony replacement bridge for archtop style mandolins. Comes complete with a 1/4 external jack for easy mounting. Classic Series M-200 Professional Mandolin Pickup. The same as the M-100, but includes a Carpenter style 1/4 output jack that mounts on the side of the instrument.
PRO-M10-OMA M-100 Mandolin Pickup PRO-M20-OMA M-200 Professional Mandolin Pickup

Classic Series M-100 Mandolin Pickup Classic Series M-200 Professional Mandolin Pickup F  eatures a piezo-ceramic pickup element embedded in an adjustable ebony replacement bridge Designed for all archtop-style mandolins A  n impedance matching preamp is recommended, but not required Professional installation recommended

BLUEGRASS
Nashville Series Pickups
Bluegrass Instrument Pickups Preamps

The key to a great sounding pickup is to not have it sound like anything more or less than the true voice of the instrument. Ching-Yu Lin Ph.D., Acoustics Engineer at Fishman

PRO-RES-SPI PRO-M30-OMA PRO-M40-OMA

Nashville Series Spider-Style Resophonic Pickup Nashville Series Archtop Mandolin Pickup Nashville Series Flat Top Mandolin Pickup

The Spider Style Resophonic Pickup features a split saddle piezo-ceramic pickup designed specifically for spider-style bridges and includes a 1/4 external jack for easy mounting. The M-300 Archtop Mandolin Pickup features a piezo-ceramic pickup element embedded in the bottom bridge, and an adjustable ebony replacement bridge. Designed for all archtop-style mandolins, it includes a Carpenter 1/4 output jack that mounts on the side of the instrument. The M-400 Mandolin Pickup features a piezo-ceramic pickup element embedded in a quality rosewood bridge and includes a Carpenter 1/4 output jack that mounts on the side of the instrument.
PRO-RES-SPI Spider-style Resophonic Pickup PRO-M30-OMA (M-300) Nashville Series Archtop Mandolin Pickup PRO-M40-OMA (M-400) Nashville Series Flat-top Mandolin Pickup

Nashville Series Resophonic and Mandolin Pickups C  onsistent, accurate sound reproduction for every performance A  n impedance matching preamp is recommended, but not required Professional installation recommended

BLUEGRASS
Banjo Pickup
Bluegrass Instrument Pickups Preamps

Fishmans banjo pickup has been doing the job for me ever since I first tried it. It has more gain and takes less EQ than others to get a sound that I like. Bla Fleck, banjo virtuoso and multiple GRAMMY winner

Classic Series Banjo Pickup F  eatures a quiet humbucking coil and a powerful neodymium magnet assembly S  pecially designed preamp to strengthen and preserve the natural sound of the banjo  Fits dual coordinator rod instruments and may be modified to fit single rod banjos Easy installation with no alteration Our second generation banjo pickup features a quiet humbucking coil, a powerful neodymium magnet assembly and a specially designed preamp to strengthen and preserve the natural sound of the banjo. Fits dual coordinator rod instruments and may be modified to fit single rod banjos.
PRO-REP-BAN

PRO-REP-BAN BATTERY BATTERY LIFE

Banjo Pickup 9-Volt 5,000 hours +

BLUEGRASS
Classic Series Resophonic Pickups
Bluegrass Instrument Pickups Preamps

Passive Resophonic Pickup PRO-RES-001

Classic Series Resophonic Pickups F   asten to the center of the cone in all resonator guitars R  esophonic Pickup fits spider and Dobro biscuit bridges  National Style Pickup fits National guitars  Captures and reproduces the unique tonal character of your resonator guitar Captures and reproduces the unique tonal character of your resophonic guitar. This simple and unobtrusive pickup (the size and shape of a small washer) captures that funky, throaty signature resophonic tone with unprecedented accuracy and resistance to feedback.
PRO-RES-001 Passive Resophonic Pickup PRO-RES-002 Active Resophonic Pickup PRO-RES-NBP Passive National Style Pickup PRO-RES-NBA Active National Style Pickup

Fastens to the center of the cone for both spider and biscuit style bridges. An impedance-matching preamp is recommended, but not required. Fastens to the center of the cone in both spider and biscuit style bridges. Includes an impedancematching endpin preamp Requires onboard 9V battery. Fastens to the center of the cone in National style instruments. An impedance matching preamp is recommended, but not required. Fastens to the center of the cone in National style instruments. Includes an impedance matching endpin preamp Requires onboard 9V battery.

Active Resophonic Pickup PRO-RES-002

S  imple and unobtrusive pickups capture that funky, throaty signature resonator tone with unprecedented accuracy Strong resistance to feedback A  ctive models require a 9V battery and include an impedance matching preamp for direct connection to any DI, mixer or acoustic instrument amplifier F  or passive models, an impedance matching preamp is recommended, but not required Professional installation recommended

Passive National Style Resophonic Pickup PRO-RES-NBP Active National Style Resophonic Pickup PRO-RES-NBA

Strings. We love them all.


Amplified strings show up everywhere. From Broadway to live television events, jazz clubs, symphonic halls, film scoring studios and town hall hoedowns, the challenge is always the same. How do you preserve the beautiful warm wood tones of these acoustic instruments once you turn up the volume on stage? Of course your instruments natural timbre is made up of a distinctive balance of resonant wood and vibrating strings pushing the air. So what is the one pickup that could faithfully preserve that unique sound among a wide range of stringed instruments, the one pickup that could handle those violin highs and cello lows? Answer? There isnt one. Thats why we have researched and created specific pickups for each different kind of acoustic stringed instrument. Larry Fishman, a dedicated double bassist himself, started it all with the easily installed BP-100, which was all about handling his upright bass powerful, low frequency tones. (Its still the choice among professionals almost thirty years after its release, along with its successor, the Full Circle). And our new top-of-the-line Concert Series pickups are a result of our devotion to the differences between violins and violas and cellos and about a billion* hours in the lab. Most exciting is that this new series is designed to take advantage of our Aura Acoustic Imaging technology.
*May be a slight exaggeration

 I basically torture my violins and pickups when Im on stage. The V-300 Concert Series Pickup takes the abuse better than any pickup Ive ever used. It sounds warm and precise night after night, and thats why it has become an integral part of my tone.
 Nick Hoffman, fiddle player and guitarist for Kenny Chesney

STRINGS
Full Circle Upright Bass Pickup
Strings Bluegrass Instrument Pickups Preamps

 The search is over! With a combination of the Full Circle Pickup and Pro-EQ Platinum you can finally relax with the knowledge that it doesnt get any better than this!  Dave Swift, bassist for Jools Holland & His Rhythm
& Blues Orchestra

tems

Full Circle Upright Bass Pickup Produces an accurate, transparent sound  Fine tuning feature lets you quickly choose between an open, resonant response or a more focused tone to match your instrument and playing style E  ncased inside a sturdy aluminum height adjuster wheel Q  uick retro-fit on instruments with height adjustment wheels A  n impedance matching preamp is recommended, but not required Professional installation recommended
PRO-FCL-001 PRO-FCL-002 PRO-FCL-003 UNC 1/4-20 format 6 x 1mm format UNC 5/16-18 format

Plug in the Full Circle and the sound of your upright is all there. Whether its big, fat and punchy pizz, full-voiced arco or slap, youll hear all the acoustic qualities, dynamics, and nuances of your bass - only louder. Encased in a sturdy aluminum height adjuster wheel, the Full Circle offers accurate, transparent sound. To match the pickup to your instrument and playing style, a fine-tuning feature lets you quickly choose between an open, resonant response or a drier and more focused amplified tone. The Full Circle is a quick retro-fit on upright basses with height adjustment wheels. A Pro-EQ Platinum Bass, Pro-EQ II or B-II preamp is recommended, but not required. Professional installation is recommended.
PRO-FCL-001 Full Circle Upright Bass Pickup in UNC 1/4-20 format PRO-FCL-002 Full Circle Upright Bass Pickup in 6 x 1mm format PRO-FCL-003 Full Circle Upright Bass Pickup in UNC 5/16-18 format

STRINGS
BP-100 Upright Bass Pickup
Strings Bluegrass Instrument Pickups Preamps

tems

PRO-BP1-00B

BP-100 Upright Bass Pickup (includes felted U-clips)

BP-100 Upright Bass Instrument Pickup F  ishmans classic bridge-mounted dual element piezo-ceramic pickup D  elivers deep sustained pizz tone and fast articulation with emphasized direct string sound This is the product that started it all: our classic bridge-mounted, dual-element piezo-ceramic pickup. The BP-100 installs in minutes and delivers deep sustained pizz tone and fast articulation with emphasized direct string sound. A Pro-EQ Platinum Bass, Pro-EQ II or B-II preamp is recommended, but not required.
PRO-BP1-00B

A  n impedance matching preamp is recommended, but not required Professional installation recommended

STRINGS
Classic Series Pickups for Violin, Viola, and Cello
Strings Bluegrass Instrument Pickups Preamps

tems

 I was saved when I found the Fishman pickup and have never looked back. Its been my favorite one-stop solution for every musical situation from classical to pop to jazz to rock. You cant beat the clarity of tone and its ability to amplify in loud situations. Its also really easy to put on and take off of the instrument, so for someone who skates between genres thats always been a big benefit to me.

JAnna Jacoby, violinist and mandolin player for Rod Stewart

PRO-V10-0VI

V-100 Violin Pickup V-200 Viola Pickup C-100 Cello Pickup

Classic Series V-100 Violin/Viola Pickup This piezo-ceramic pickup mounts in the wing slot of the violin bridge with Fishmans patented Floating Mount System. Lightweight to minimizemuting, it includes a mini jack which mounts to the tailpiece. Classic Series V-200 Violin/Viola Pickup The same pickup element as the V-100, the V-200 employs a Carpenter-style 1/4 output jack which mounts on the side of the instrument with chinrest-style hardware. Classic Series C-100 Cello Pickup Utilizes Fishmans patented Floating Mount System for easy installation in the wing slot of the bridge.
PRO-V10-0VI V-100 Violin/Viola pickup PRO-V20-0VI V-200 Violin/Viola pickup PRO-C10-0CE C-100 cello pickup

Classic Series Violin/Viola Pickups (V-100 and V-200) and Classic Series Cello pickup (C-100)  Piezo-ceramic pickup Lightweight to minimize muting A  n impedance matching preamp is recommended, but not required Easy installation with no alteration

PRO-V20-0VI PRO-C10-0CE

STRINGS
Concert Series Pickups for Violin, Viola, and Cello
Strings Bluegrass Instrument Pickups Preamps

 For years Ive struggled with trying to find violin electronics that represent the warmth and depth of my instruments acoustic tone. The Fishman Aura is, by far, the best Ive heard.  Luke Bulla, fiddle player for the Jerry Douglas Band

tems

These pickups offer an extraordinary level of performance, tone quality and accuracy for stringed instruments. The piezo-ceramic Concert Series pickups for Violin, Viola and Cello are preinstalled in high quality Despiau bridges to provide the ultimate performance in terms of a precise and perfectly balanced tone from string to string. In addition to an exceptionally clear and natural tonal response designed to reveal the true character of the instrument, these pickups sound remarkably consistent every time they are played. Concert Series pickups are also optimized for use with Fishman Aura Imaging products to provide a higher level of sound quality and added sonic versatility in live performance.
PRO-V30-0VI (V-300) Concert Series Violin Pickup PRO-V40-0VI (V-400) Concert Series Viola Pickup PRO-C20-0CE (C-200) Concert Series Cello Pickup

Concert Series Violin Pickup (V-300), Viola pickup (V-400) and Cello pickup (C-200)  Accurate reproduction of your instruments unique acoustic sound P  iezo-ceramic pickup skillfully crafted into a high-quality Despiau bridge Consistent sound for every performance Professional installation required A  n impedance matching preamp is recommended, but not required

PRO-V30-0VI PRO-V40-0VI PRO-C20-0CE

V-300 Violin Pickup V-400 Viola Pickup C-200 Cello Pickup

SBT
Soundboard Transducers

SBT-C Soundboard Transducer PRO-SBT-CLA SBT-E Soundboard Transducer PRO-SBT-END

Designed for classical/ nylon string guitar and all flat-top string instruments - for temporary installation Designed for classical/ nylon string guitar and all flat-top string instruments - includes endpin jack for permanent installation Designed for harp & piano - includes long lead wire and 1/4 jack which can be mounted on a variety of instruments

The SBT Series pickups will reproduce a full, natural, transparent tone and can be mounted on any type of acoustic stringed instrument equipped with a flat soundboard. The Model SBT-C is recommended for easy installation on nylon string guitars, steel string guitars, dulcimers and similar stringed instruments. The Model SBT-E features the Fishman Switchjack and is recommended when a permanent installation is desired. The Model SBT-HP is specifically for harp and piano. All three models are crafted to sense the microvibrations of a soundboard and are a practical alternative to more expensive bridge mounted units that require the services of a repairman for installation.
PRO-SBT-CLA PRO-SBT-END PRO-SBT-HAP

SBT-C , SBT-E and SBT-HP Soundboard Transducers: S  oundboard transducer produces transparent tone A  n impedance matching preamp is recommended, but not required P  rofessional installation recommended

SBT-HP Soundboard Transducer PRO-SBT-HAP

ARCHTOP
Guitar Pickup

PRO-ARC-TOP STRING SPACING SUITABILITY

Archtop Guitar Pickup 2.125 Most instruments with a distance of 2.914 inch (74.01 mm) between adjustable bridge posts (center to center) 12 inches

Archtop Guitar Pickup D  ual vibration-sensing piezo-elements embedded in an adjustable ebony bridge C  aptures the unmistakable acoustic ambience of your archtop guitar A  n impedance matching preamp is recommended, but not required Professional installation recommended
PRO-ARC-TOP
BRIDGE RADIUS

Dual vibration-sensing piezo elements embedded in an adjustable ebony bridge give this pickup an unmistakable acoustic ambience. An impedance-matching preamp is recommended, but not required. Professional installation is recommended.

POWERBRIDGE
Hardtail Piezo Bridges

 The Fishman Powerbridge has added a whole new dimension to my live performance and there are songs Ive written that wouldnt have existed had it not been for this pickup. Billy Lunn, guitarist/singer for The Subways

VT PRO-TEL-101

Vintage T-style Powerbridge Modern T-style Powerbridge Nashville-style Powerbridge

The worlds finest acoustic pickup for your electric guitar! Our Powerbridge pickups offer the electric guitarist a palette of incredible acoustic and hybrid acoustic/electric sounds.
PRO-TEL-101 PRO-AST-101 PRO-TOM-101

VT, AST and Tune-O-Matic Powerbridge Pickups T  he benefit of an acoustic pickup for electric guitar P  iezo replacement bridges offer the electric guitarist a palette of incredible acoustic and hybrid acoustic/electric sounds A  Powerchip preamp is recommended, but not required Professional installation recommended

AST PRO-AST-101 Tune-O-Matic PRO-TOM-101

POWERBRIDGE
Vibrato Style Piezo Bridges

 I believe the Fishman Powerbridge has helped Petes sound leap forward immensely Listen how he uses it in every performance! Its really a joy to hear. Its a real blend - the real thing. The question I get asked the most is whos playing the acoustic? So that speaks for itself!
Alan Rogan, guitar tech for Pete Townshend

TSV PRO-VIB-101 VMV PRO-VM2-101 VS-50P PRO-CVS-50P

2-stud mount vibrato Powerbridge 6-screw vintage style vibrate Powerbridge Wilkinson style 2-stud vibrato Powerbridge

The worlds finest acoustic pickup for your electric guitar! Our Powerbridge pickups offer the electric guitarist a palette of incredible acoustic and hybrid acoustic/electric sounds.
PRO-VIB-101 PRO-VM2-101 PRO-CVS-50P

TSV, VMV and VS-50P Powerbridge Pickups T  he benefit of an acoustic pickup for electric guitar P  iezo replacement bridges offer the electric guitarist a palette of incredible acoustic and hybrid acoustic/electric sounds P  owerchip circuit is recommended, but not required Professional installation recommended

POWERCHIP
Onboard Mixing Preamp

 If you want to get an acoustic guitar in your electric without all the splinters and gaff tape...the only choice is Powerbridge and Powerchip nothing else will do.
Custom guitar builder Erik Goehrisch, Lush Guitars

Standard PRO-PCH-001 Long Shaft PRO-PCH-002

Fits standard electric guitars with pickguard Fits carved top style electric guitars 9-Volt 150 hours

Powerchip O  nboard accessory for mixing Powerbridge and magnetic pickups F  ishman-designed piezo volume control works in conjunction with an exclusive smart switch circuit, which automatically splits your piezo and magnetic outputs to stereo or mixes them to mono The Powerchip is an essential onboard accessory for mixing of your Powerbridge and magnetic pickups. This Fishmandesigned piezo volume control works in conjunction with the exclusive Smart Switch circuit, which automatically splits your piezo and magnetic signals to stereo or mixes them to mono. Requires 9-Volt battery installation. Battery box also available from Fishman.
PRO-PCH-001 Powerchip for standard electric guitars with pickguard PRO-PCH-002 Long Shaft Powerchip for carved top style electric guitars

BATTERY Battery Life

B  attery box available separately(ACC-BAT-001)

FT-1 DIGITAL TUNER


For Acoustic Instruments

FT-1 Acoustic Instrument Tuner Fully chromatic, automatically displays the note Adjustable clip attaches to flat surfaces Swivel mount rotates for easy viewing Extra bright LCD display lights green when in-tune and lights red for sharp or flat Fishmans new FT-1 digital tuner is the perfect companion for any acoustic instrument. This fully chromatic tuner quickly and accurately finds the note being played, and indicates if youre in tune, sharp or flat. The adjustable clip sensor is easily secured to the instrument and ensures great results, even in noisy environments. The FT-1s bright, backlit LCD display features a meter style pitch indicator with large readout and turns from red to green when the note is in tune. Powered by a single coin battery, this tuner is lightweight and packed with value. Meter style sharp and flat display Built-in microphone Clip-on sensor for tuning in noisy environments Instrument modes display the string number for correctly tuning guitar, bass, or ukulele Adjustable reference pitch from 435Hz to 445Hz Flat mode for easy transposed tuning Automatic power save and shut-off features to save batteries Includes one 2032 coin battery
PITCH RANGE DETECTION RANGE BATTERY DIMENSIONS WEIGHT TUNING SOURCE TUNING MODES Clip or Mic Chromatic 12-note 6 and 7-string guitar 4 to 6-string bass Ukulele (Key of C) 435 Hz - 445Hz (saved) A0 (27.5 Hz)-C8 (4,186 Hz) 2032 coin battery (incl.) 47.6mm x 47mm x 41mm 56g

ACC--TUN-FT1

Fishman Artists 2010


Andy Abad Will Ackerman Acoustic Alchemy Charlie Adams Ryan Adams & The Cardinals Aerosmith Air Supply Christine Albert Charles David Alexander Allman Brothers Band The All-American Rejects Merrie Amsterburg Ian Anderson Rich Appleman Tim Archibald Arctic Monkeys Jann Arden Taylor Armerding Joseph Arthur Badi Assad Zeca Assumpcao Amato Atieri Rodney Atkins Matt Backer Bacon Brothers Steven Bacon Bad Company Todd Baker Matty Baratto Sarah Barielles Barenaked Ladies Steve Bargonetti Martin Barre Alan Bartram Jim Beavers Randy Beavers Kristin Scott Benson Roy Book Binder Clint Black The Black Crowes James Blunt Bruce Bouten Fiona Boyes Luis Brasil Clive Brinkworth Alison Brown Rob Brownfield Bob Brozman Matthew Brubeck Jenny Bruce Pat Buchanan Jimmy Buffett Luke Bulla John Bundrick Ben Butler John Butler Trio Jon Butcher Tom Calcaterra Peter Calo Larry Campbell Pierce Campbell Laura Cantrell Peter Carini Liz Carlisle Larry Carlton Greg Carmichael Jeff Carney Steve Carnutte Jeff Carson Brent Cartright Neal Casal John Cephas Jeff Chambers Michael Chapdelaine Tom Chapin Mary Chapin Carpenter Curt Chapman Craig Chaquico Chip Chase Andy Cichon Dave Clark Stanley Clarke Jake Clayton Karl Cochran Jesse Colin Young Judy Collins Dave Colwell Corey Congilio Seth Connelly Don Conoscenti Michael Constanzo Chris Cornell The Corrs Mitch Corbin Amy Correia Frank Corso Country Joe MacDonald Counting Crows Larry Cragg David Crosby Sheryl Crow The Cult Catie Curtis Smith Curry Elisabeth Cutler Kimberley Dahme Will Dailey Jeff DAngelo David Darling Daughtry Gail Davies Days of the New The Dead Ray Deaton Def Leppard Justin DErrico Daniello De Laurentiis Kris Delmhorst Ben Demerath Dan Demorales Ani DiFranco Pat DiNizio Dion Dixie Chicks Pat Donohue Jerry Douglas Anthony Drennan Keith Dudley Roby Duke Glen Duncan Stuart Duncan Bob Dylan Steve Earle Marcus Eaton Jonathan Edwards Mark Egan Gordon van Ekstrom Lin Elder Lauren Ellis Howard Emerson Tommy Emmanuel Evon & Jaron Amy Fairchild Michael Falzarano Jay Farrar Buzz Feiten Julio Fernandez Filter Peter Finger Bela Fleck Robbie Flynt Oden Fong Denny Fongheiser Michael Formanek Forerunner Richard Fortus Rick Franklin Ed Friedland Alan Friedman Fuel Tony Furtado Reeves Gabrels Jeffery Gaines Frank Gallagher Beppe Gambetta Adam Gardner Terry Garland Tony Garnier Brett Garsed Laurie Geltman Reid Genauer/Assembly of Dust Vicki Genfan James Genus Ed Gerhard Bruce Gertz Miles Gilderdale Gordon Giltrap Elio Giordano Neil Giraldo Matt Glaser Michael Gliksman Jeff Golub Gomez John Gorka Ruth Gottlieb David Gray

2010 CATALOG

Mitchell Greenhill David Grissom Matt Gruenberg Roland Guerin Guster Arlo Guthrie Cathy Guthrie Sara Lee Guthrie Buddy Guy Hall & Oates Reggie Hamilton Scott Hamilton Ben Harper David Ryan Harris Emmylou Harris Ike Harris Ben Harper Colin Hay Warren Haynes Jay Healy Heart Deborah Henson-Conant Jimmy Herman Hoot Hester Hettory David Hewitt Eric Heywood John Hiatt Scotty Hill Tyler Hilton Sharief Hobley

Nick Hoffman Chris Hofschneider Hootie and the Blowfish Shaun Hopper Steve Howe Greg Howe Billy Howerdel Scotty Huff Kevin Hunter Billy Hunter Leo Huppert Sean Hurley Jim Hurst Robert Hurst Bobby Hutch Hutch Hutchinson Pete Huttlinger Rob Ickes Indigo Girls Johnny Irion Wayne Isaak Yusuf Islam Alan Jackson JAnna Jacoby Jars of Clay Chad Jeffers Steve Jenkins Travis Jerome Jethro Tull Jewel Eric Johnson

Marc Johnson Mike Johnson Freedy Johnston Mick Jones Darryl Jones Bon Jovi Cowboy Junkies Keith Kane Lucy Kaplansky Mark Karan Steve Kaufman Jorma Kaukonen John Kay Keane Jon Kelley Mike Kennerty Barbara Kessler The Killers Dave Kilminster Jennifer Kimball Jim Kimball Stu Kimball Steven King Gipsy Kings Adam Kirk Don Kirkpatrick Pat Kirtley Earl Klugh Randy Kohrs Leo Kottke Viktor Krauss

Alison Krauss Lenny Kravitz Uwe Kropinski Kruger Brothers John Kurgan Kukuruza Barbara Lamb Ray LaMontagne Randy Landau Shawn Lane Jim Lang Jonny Lang Jeff Larson Mike Lastiwka Jim Lauderdale Avril Lavigne Amos Lee Adrian Legg Greg Leisz Geno Lenardo Duke Levine Bernice Lewis Laurie Lewis Lifehouse/Ben Carey Lifer Alex Lifeson Colin Linden Jeff Linsky Little Feat Little Texas Lisa Loeb

Mike Loudermilk Sonny Louvin Ned Luberecki Claire Lynch Colin Lyndon Machinery Hall Gary Mackey Jason Mallory Bob Malone Ned Mann Maroon 5 Vic Mastrianni Dave Matthews Band Will Matthews Jimmy Mattingly John Mayer Peter Mayer Bob McCarthy Paul McCartney John McLaughlin Suzanne McDermott Steve McDonald John McGann Sachi McHenry Michael McKean Lori McKenna Sarah McLachlan Christian McNeill Pamela Means John Mellencamp Victor Mendoza

Eric Messerschmidt Edgar Meyer Steve Miller Jim Mills Bob Minner Keb Mo Moke Rick Molina Andra Moran James Morrison Steve Mougin Jason Mowery Peter Mulvey Isato Nakagawa Graham Nash Nashville Now Band Alan Nassau Buell Neidlinge Chris Neumann Heinrich Norek Bebo Norman Northern Lights Paul Nowinski Brian Nutter The Oak Ridge Boys John Oates Tim OBrien Danny ONeil Tommy Organ Orleans/John Hall Mick Overman

2010 CATALOG

Andy Owens Brad Paisley Charles Parente Don Parenteau Mario Pargo John Parsons Deb Pasternak Ellis Paul Meika Pauley Tom Paxton Alice Peacock Mark Pearman George Perilli Ken Perlman Joe Perry Paul Pesco Mark Peterson John Petrucci Jeff Pevar Stacy Phillips Todd Phillips Glen Phillips Monte Pittman Steve Poltz Lorenza Ponce Diane Ponzio Willy Porter Don Potter Grace Potter and the Nocturnals Jon Pousette-Dart Chris Proctor

Mark Pucci Puddle of Mudd Joe Pug Darryl Purpose Ra Ra Riot Radiohead Rage Against The Machine Missy Raines Bonnie Raitt Kevin Rapillo Rarely Herd Marysue Redmann Harvey Reid Rufus Reid Paul Reissner REO Speedwagon Tim Reynolds Jonathan Richman Paul Robinson Todd Robinson Ray Rogers Tammy Rogers The Rolling Stones Randy Roos Joel Rosenblatt Don Ross Gavin Rossdale Tom Rush Rick Salazar Les Sampou Brett Scallions

Wes Scantlin Mark Schatz Eric Schermerhorn Lincoln Schliefer Paul Schmeling Will Schmid Dallas Schoo John Schott Ben Schultz Mike Scott Shankar Derick Sebastian John Sebastian Joshua Segal Mitch Seidman Charlie Sexton Sam Shaber Shankar & Gingger Jeff Shaw Harry Shearer Steve Sheehan Duncan Sheik Jake Shimabukuro Herb Shucher Ira Siegel Greg Silva Paul Simon Rickie Simpkins Ronnie Simpkins Martin Simpson Gary Smith

Tim Smith Herb Smith Ed Snodderly Sole City JD Souther Derek Spencer Mark Spencer Jason Spooner Michael Spriggs Steve Spurgin David Stanley Sean Staples Dave Starobin Starsailor Jimmy Stewart Stephen Stills Stonehoney Jacques Stotzem Pete Stroud Marty Stuart Peter Stuart The Subways Sugar Ray Phil Sullivan Andy Summers Steve Sutton Matthew Sweet Dave Swift Shoji Tabuchi Fred Tackett Barry & Holly Tashian

James Taylor Jeff Taylor Don Teschner Tesla Third Eye Blind Jason Thomas Richard Torrance Pete Townshend Guthrie Trapp Adam Traum Randy Travis Chris Traynor Tony Trischka Travis Tritt Jeff Trott Paul Trudeau Korel Tunador Carrie Underwood Band Steve Van Ness Suzanne Vega Rick Vito Guy Walker Sid Walker Michael Ward Brian Ward Skip Ward Ricky Warwick Roger Waters Doc Watson Jim Weider Bob Weir

Paul Weller John Wesley Sara Wheeler Nick Wheeler Chris Whitley David Wilcox Webb Wilder Brooks Williams Chas Williams Hank Williams Jr. John B. Williams Keller Williams Buster Williams Lucinda Williams Robin & Linda Williams Justin Williamson Bruce Windham Julie Wingfield Steve Winstead T-Bone Wolk Christine Wu Yes Dwight Yoakam Andy York Pete Yorn John Zaradin Radim Zenkl Andrea Zonn

2010 CATALOG

Fishman.com 6 Riverside Drive Andover, MA 01810 USA Inside the US: 800.FISHMAN International: +1 978.988.9199 Fishman, Fishman Transducers, Aura, Loudbox, Loudbox Performer, Loudbox 100, Ellipse, Acoustic Matrix, Neo-D, Rare Earth Blend, G-II, B-II, Pro-EQ Platinum, BP-100, Full Circle are all trademarks, registered trademarks or tradenames of Fishman Transducers, Inc.
Products listed are covered by one or more of the following U.S. patents: 5,029,375, 5,153,363, 5,155,285, 5,189,771, 5,319,153, 5,463,185, 5,817,966, 5,670,733, 5,693,898, 6,239,349, 6,429,367, 6,677,514, 6,278,059, 6,680,431, 7,247,789. Other patents may also apply.

2010 Fishman Transducers Inc First Printing, January 2010

Вам также может понравиться