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9-1
input
Filter
output
Filtering:
Certain desirable features are retained Other undesirable features are suppressed
9-2
Filters
Filters have the property of removing unwanted frequencies from our signal.
Classes:
Types:
Low-Pass (remove high frequencies) High-Pass (remove low frequencies or DC) Band-Pass (remove a range of frequencies on two sides) Notch (removes frequencies in the middle)
9-3
Classification of Filters
Signal Filter Analog Filter
Element Type
Digital Filter
Frequency Band
Active
Passive
Low-Pass High-Pass
Band-Pass Band-Reject
All-Pass
9-4
Passive filters
9-5
http://www.ece.eps.hw.ac.uk/~pmr/teaching/ae/lectures/circuits1.htm
Bandwidth
the range of frequencies of |G(jw)|>0.707
Cutoff Frequency
the end of pass-band frequency
Break-point of a filter
the point with a gain of -3dB
9-6
RC Filters
In combination with a resistor, a capacitors variation in reactance with frequency can be used to construct a simple low-pass or high-pass filter: Vin C Vout Vin R Vout
High-pass filter
Low-pass filter
Vout = Vin
R Z
Vout = Vin
XC Z
2 Z = R2 + X C
2 Z = R2 + X C
XC =
1 2fC
XC =
1 2fC
9-7
R Vin C Vout RL
The pass-band is from 0 to some frequency wp. Its stop-band extends form some frequency ws, to infinity. In practical circuit design, engineers often choose amplitude gain of 0.95 for passive RC filters:
9-8
Its stop-band is form 0 to some frequency ws The pass-band is from some frequency wp to infinity.
s p
C Vin R Vout
In practical circuit design, engineers choose amplitude gain of 0.95 for passive CR filters: 9-9
G=
ZL ZF + Z L
1 H (s ) = RCs + 1
ZF R =
Transfer Function 1 H (s ) = s + 1 Time Constant
C=
1 2Rf3dB
= RC
9-11
The higher the order of the filter, the closer it approaches ideal characteristics.
9-12
Active Filters
Active filters employ Op-Amps to attenuate select frequencies and amplify signal during filtering process. Q factor of a filter is defined as the ratio of the center frequency fc to the bandwidth fH fL :
Q=
fC
( fH fL )
9-13
3rd order
5th order
9-14
Op Amp for everyone, Ron Mancini, Ed, Texas instrument, 2001.
Here is an example of an R2 active low-pass filter. The signal + is provided to the noninverted C2 input through an RC low-pass filter made up of R2 and C2. Feedback to limit gain comes through C1 and RF. The parallel combination of C1 and RF presents an impedance which decreases with increasing frequency, meaning that more negative feedback is provided to the inverting input at higher frequencies, reducing gain at those frequencies.
9-15
(2RF C2 )
RF
RF R1 Vin
A
The DC gain:
K LP =
Vout
R1
Transfer Function:
T .F . = K LP
0 s + 0
Example: Design a low pass filter with cut-off frequency of 5 kHz, and DC gain of 10: Two equations, three unknowns
9-16
C1 C2
+
R2
Here is an example of an active high-pass filter. C2 and R2 make up an RC high-pass filter at the input of the op amp. R3 provides a path for the input when the frequency is R3 too low for C2 to freely conduct. When the input signal passes through R3 instead of into the amplifier, the output is tied directly to the input and the gain is reduced. So, this amplifier has low gain at low frequencies and higher gain at high frequencies. C1 prevent any DC at the input from being coupled to the output.
9-17
+
Vout
The DC gain: R K HP = F
three
Transfer Function:
T .F . = K HP
s s + 0
Select one component based on other conditions, and determine the values of the other two components.
9-18
Filter Class
A filter of a given order can be made to approximate to ideal characteristics in a number of ways, depending on the values of the filter components (or say: depending on the filter class. Two useful classes are Butterworth (maximally flat) and Chebyshev (equal-ripple) filters (n is the filter order) Vout 1 Butterworth Filter = 2n Vin f 1+ fC
Chebyshev Filter
Vout = Vin
1
2 f 1 + E 2Cn f C
9-19
Vin R1
C1
+
R2 C2 Rb Ra Gain=K
The above list gives the gain and component valves for one of the many choices for H=1. You may find more combinations from filter design handbook(s).
9-20
Low pass
High pass
9-21
Op Amp for everyone, Ron Mancini, Ed, Texas instrument, 2001.
9-22
Op Amp for everyone, Ron Mancini, Ed, Texas instrument, 2001.
9-23
References
Op Amp for everyone, Ron Mancini, Ed, Texas instrument, 2001.
9-24