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Out now: Heavy Metal Tribune #010!
This month The Monolith Deathcult tells us more about their history, what inspired them to start playing industrial/progressive death metal, and their new album, Tetragrammaton! We then have Jungle Rot talk to us more about their seventh full length, Terror Regime and their work with Victory Records thus far. Our Asian Spotlight features Taiwanese old school thrashers Masquerader, with the band telling us about what inspires them and their art. We also talk to crossover/thrash outfit Birth A.D. and Italian progressive/ambient black metal band Progenie Terrestre Pura (q[T]p). We then have sludge/doom maniacs I Klatus tell us more about their spiritual beliefs, and how it works with their music.
Physical copies of the magazines to be announced soon, so stay tuned!
Out now: Heavy Metal Tribune #010!
This month The Monolith Deathcult tells us more about their history, what inspired them to start playing industrial/progressive death metal, and their new album, Tetragrammaton! We then have Jungle Rot talk to us more about their seventh full length, Terror Regime and their work with Victory Records thus far. Our Asian Spotlight features Taiwanese old school thrashers Masquerader, with the band telling us about what inspires them and their art. We also talk to crossover/thrash outfit Birth A.D. and Italian progressive/ambient black metal band Progenie Terrestre Pura (q[T]p). We then have sludge/doom maniacs I Klatus tell us more about their spiritual beliefs, and how it works with their music.
Physical copies of the magazines to be announced soon, so stay tuned!
Авторское право:
Attribution Non-Commercial (BY-NC)
Доступные форматы
Скачайте в формате PDF, TXT или читайте онлайн в Scribd
Out now: Heavy Metal Tribune #010!
This month The Monolith Deathcult tells us more about their history, what inspired them to start playing industrial/progressive death metal, and their new album, Tetragrammaton! We then have Jungle Rot talk to us more about their seventh full length, Terror Regime and their work with Victory Records thus far. Our Asian Spotlight features Taiwanese old school thrashers Masquerader, with the band telling us about what inspires them and their art. We also talk to crossover/thrash outfit Birth A.D. and Italian progressive/ambient black metal band Progenie Terrestre Pura (q[T]p). We then have sludge/doom maniacs I Klatus tell us more about their spiritual beliefs, and how it works with their music.
Physical copies of the magazines to be announced soon, so stay tuned!
Авторское право:
Attribution Non-Commercial (BY-NC)
Доступные форматы
Скачайте в формате PDF, TXT или читайте онлайн в Scribd
Five long years after their last proper release Trivmvirate, Dutch industrial death metal horde The Monolith Deathcult finally drops their new release in Tetragrammaton. We catch up with the band, and realise that these are just regular, funny guys doing extraordinary stuff with t heir music. TheMonolitt!Deathcultstartedln2002asa brut.ll deatllmetalact,butoverthe yearsh.as growntoinmrporah!fTIOf'l!!industrialandat- mospheric overtorleS. How did the QJrrent 50\lndofthebcondo;omeabout7 carsten: Ontheflrstcoupleofreleases lwasn't realfyatumdmember.Duringtherecordingof thefirstEPandTheApotheosis,Michiel askedif l'd liketodropby lnthestudiowithrnysynths andjustjams.omeadditional"te>eture!I'. Nothing fancv.realfyasanaflerthought(mostofthe
ButwhenthebandbeginwritlngTheWhlteCre- rnatorium, Midliel invited meal ittleearlier ln thewritingprocesssothatwewereabletornake rnoreroomforsynths,samplersandorchestra- tjons. With Trlvmvirate, Wf! figured that this was thewaytogo,andbythenlwasaful l touring
Wlththis latestalbum,wtivereallytakenthatto theextreme.Synths,samplesandorchestratlon arenrN/somuchapartofthemuslcthatyou'll miss them If you don't hear them (which could be done with TWC and earlier). We started U5ing these sounds in a W"f a film composer would scoreamovie:thesoundsreallyaddtothestory ofthemusicandarenotjusttextures". The band re-recorded, re-mixed and re- mastered TheWhlteCtematorlumln2010,What wa$thereasonbehindthis? Robin:Thereasonwasjustasmudlpragmatlcas ., it was artistic. We had actually sold out all our promo trad< (Aslimu, hence the oldest trad< on coplesoftheorlglnalpresslnsoflheWhlteere- Tetragrammaton) and, characteristic of the matorlum and our former label wouldn't press French, he surrendered Immediately to the another batch, so we decided to regain the overpowering awesomeness of the Deathcult rights to thiltaltrum and do it ourselves. Hmm, if and we w..re signed. Our former label Twilight we're soi'"4! to reiUe this album, we thought, Vertrieb by that time were absolutely coopera- whynotpatchupsomeofthevocalsweweren't tive in lettins us go (you'd be absolutely coop- veryhappyabout7Surebutlfwe'resoif"4!tOSet erative in parting ways with a leper, wouldn't a full voc;a l recordltlll booth up. we might as well you?), so we parted ways amicably. re-doal l voc;als.Say,rvesotthlsnlceshlnynew bass ... Maybe we could re-do some of the bass Working with Season of Mist is great, but what track5, too? Well, one thins led to another and me amazed methemostisthatyoucansendan we basically re-recorded the entire album, apart e-mail to every European sounding name before from the dn.Jm tracks. So if you want a short the domain name season-of-rnist.com and you reason why we did ij, I suess the reason Is "be- will set a reply. They must have more than cause we can". I think tloth versions have their lOO,OOOpeopleworklngfortheml charm,act.ual ly,ldon'thaveaclearpreference foreijher.ltwasprettyconfusingre-doinsthe Andtheyhaveguts,becausetheydaredtore- songs we'd already written because we found lease ll lud Divinum lnsanus & signed The Mono- outthatA)wecouldn'trememberthe lllll:'sto lithDeathcult. someofthesoogsand B)wefoundoutwe'd been playlf"4! them the wrof18 way live for years Tet1111ramrnaton once ilil ln sees the band fur- ther musical boundaries. Compared to Is t he band's first release Trtvmvlrate, what can fans expect from The under Season of Mist. How did ttlis deal wijh Monolittl Deathcuit ttlls time round? the label coml! about, how has ij been worki"'! with them50 far? Carsten: Crnziersyntns, huge epic orchestras, mangledsamples.fieldrecordedsounds,sound- Michie!: It is for us the first time we work with a blg label likeSeasonofMist.Sincewe'vestarted In 2002, all our labels have pul led down their Michie!: This album is In my opinion more a flags.FirstColdBioodlndustrles,thenKarma- punchlnthefacethenTRIVMVIRATE.Therlffs geddon media, then Twi light. Even some labels are more thrash-orientated( palm mute) and the whowerethinkinsofworkif"4!withushadgone overall atmosphere;,. more lndustr1al-laden. just to be sure. I suspect we leave a TMDC he Strapping Young Lad of death metal trallofflnandaldevastatloninourwakeandl'm wll.houtatalentedvocallst.BUTifyoustaystuck sure that It won't be long before Season of Mist at our first 2 albums you wi ll hate this album to wi llflnandallycollapsetoo. thebone. it"sactuallyaniceanecdotetotellyouhoww.. What wasit thattookthe band so l""ll to re- gotto Season of Mist: Morbid Angel had just put lease new album? outll ludDivinumlnsanusandSeasonofMist waspromotlnsthlsalbumasagroundbreaking Robln:Durlntttherecordlf"4!andwritlngprocess mllo:t.ure between deathmetal and oftheprevlousalbums,almostal lofuswerestu- techno/dance/etc. I got Irritated and shot Ml dents. We had plenty of time to, wel l, not study chael Berberian from SOM an e-mail telling him and get Important stuff done, like writing music we'dbeendoif"4!that(onlyinfinitelybetter)than andlyrics.Thesedayswe'reaUborif"4!guyswith MorbidAngel sioce 2008,and Michael's reply dayjobssothere's.Tmply les.s timetogetthings wassomethingintheveinoftoputyourmonev done where your mouth Is. So we slapped together a
With whin wasthesorcwrltlng process llke7Thls belng EUitarlst lvo'sflrststudlorelease, howdld ltaffectbanddynamks ln t hecre.attveprocess7 llecome lessoomplex, butcer- tainlynot lessepic.Thebiggestckangelorme was: Michie! involved me much, much earlier in the process. That meant working with extremely roush.. unfinished demo's 31. first which we fleshedootmoreandmore.lt alsogavemethe
aboutthetopi<:."; and kind of soundswouldsuittheso'1g5best. Mkhlei:OUrmusklselCtremelylayered.Some- tlme when I am working on dicktracks I hear Carsten'sorchestrationssolo.Somepartsareso rool youcanrelea5eitonlywithdrums andor-
we bangouttunesbythedoren; a song starts with anidea,acatchylyricalhookorathemeand then gets worked, re-worked, re-reworked, scrapped,resurrected,deconstructed,recon- structed,movedaroundandpoli shedendlessly unti l al l members arehappy.lthi nkeach and ewrysonginTetrngrammatonmust haveover S0or60demoversion,eachofwhichdifferent- ranginglromslightchangesonlyl heartooom- plete overhauls. Some S0'11r5 are four themes thatuitlmatelyendeduplnfourdifferentsongs aitogether.Somesongsarequiteoldandhaven't changed in a majorwayforal most2, 3years. "Todesnacht von Stamm helm" was pretty much
But the rlffswerealreadywritten In 2008. Even the vocal themes forTodesnacht were pretty muchsenled.Thevocalsfor"Aslimulli-AII slaln those who brooght down our highly respected symbols to thelowerstatus ofthebarrenearth" (don'tyoudare abbreviate that)were"'ttled ln October 2010, because we needed a track lor Seasono!Mist.ThethrashythemelnQilsrAI- Ni haya was an obsolete riff I once wrote lor Deadheildln2002.1tw.asn'tcoolenoushfor them In those years.Anoo 2013 they will "'II theirsoulstolet mecontributearifftothem. 1vo stepped in when the main songwriting was alreadydone,butoutofthebluelhadtheavall- abilityofaguilarist wlthaverysood"tone" and capableofpliJVIngueatueatsoloslnthevelnof Slash, Kee Marcello, Riehle Sambora, Skid Row and KlrkHammettlntheBiackAibum era. His rontributions:Tvesme theopportunity torepeat patterns I wouldn' t repeat without soloing. lvo'ssolossavemethelastpushtofinali:ethe album. Who are t he Influences when writllli the music toTetragr.lmmaton7 Carnen: Nowadays I only occasionally listen to metal (Meshusgah, SVl. various BM). Devin Town5end'swallsolsoundmight influencedme somewhat, but I think film score (Goldsmith, Zimmer, Williams, Herrmann) played a bl88er role. Also styles of electronic music (Skinny PupfJV, Trentemoll er, Aes Da na, Qntal). Michie!. Oemanulacture, Strapping Young Lad, Psalm69,Lalbach,TypeONesatlveandVemplre, OuskandherEmbraceandCrueltyandtheBeasL Tellusmoreabout the undertyingcanceptsin t he lyritsof Telr3f:rllmmaton. Apartfrom the M!efl"llnefyheavy Mlddle.fastemlnfluence on
t racks like Todesnacht von Stammhelm that bring in a somewhat different theme. Mkhiei:First lmusttell you tt-..reisn' ta underly- ingoonceptl n thelyrics.AII Iyric:sstandsontheir own.ThereareindeedheavyMiddle-Eastern in- nuencesonthlsalbumtlecausewereadalotol books and watch m011les and documenterles about middel east subjects.. After 9-11 the lows lnthemediawasthelasttenyearsontheMiddle East.Aighanistan,Qsama Bin litden ,lraq.l ran, Ubia and oow Syria. And we always wrote lyrics about weirdsubjectsandintheMiddleEast,with TheAyaytollahsln Iran and oompletely lucked up Arab there lsplentyto wrote about. HumanW;we Attildr.lsaboutthelranianchildren(cal ledBasij) who were brai nwashed in Qur'an schools cal led Madras.sas The poorly trained Basij would launch the human wave assaults to swamp the weakerportionsofthelr.oqlllnesandwouldbe
followed up by the more experiencedflevolu- lionaryGuardmemtlers.Theyhadakeyonthelr
they were blown to pieces. So no typical al l Arabs are biid" lyricsbutaveryweird observa tionofthehumiinmind.A..Iimu isaboutthe birt h ofAIQ<IidabasedonlawrenceWrisht's The Loomins Tower and Qasr Af-Nihaya is abouthUdaySaddam Husseln.GIYF. TheldeaofTodesnachtvonStammhelmc.ame up when I watched the Oer Baader-Meinhof Complex movie. outrageous
thescenewhereaAAfterroristisonthehoodof acar,shootinahlsrlfleemptyonthep.assenaers, llmmediatelyknewthatweshouldwrlteasona aboutthefloleArmeeFraktion. Anditisalwil'f'coolto slnainGerman.itis a no nonsense languagewhlch isperfectforthesub- jectoi TodesnachtvonStammheim Thebandtookonanlmagethatlsrattlercon- trastlnatotheseriousthemesonthealbum. What was the rN5on behind this? Carsten:Welook.deadseriousonthosepicsiSe- riously, a lot of people thousht we made a movie or somethlntt (whlcb Is cool). Maybe we shouldwriteamovlescoreonce, li kelaibachdid forlronSky.
causeitlsfun.Wearen'tpreachersl ikeU2or flageAgalnsttheMachlne.OUronlymessageto theworldisnopeoce". When we started TMDC we decided NOT to writestupidlyrics.Mostofthe inspirationfor lyricscomesfrom total lydilferentbooks,docu- mentariesandmovies. Todayyouneed50me- thlnsextra as a band to set attention. Plus we havealotoltalentedpeoplelnandaroundthe band who have the skills and know-how to deepen our Image. As. TMDC we try to learn fromthewaybisBiockbustermoviesare pre- sentedtotheaudiencebytrailersandposters OUrpromotional picturesandposterstookalot more attention than the standard brick wal l Whatwastheouttakeonthecloslngtrack about?! Michie!: Optimus Prime, with al l his knowledge aboutthe"ancients" blab lawasn'tcap.ableof pronouncinathealbumtitlesowehadtonsof (mis)takesolhlsefforts.llseemsthattheCyber- tronlantonguedifferstoomuchfromtheEnttlish tonguetosetitdonein1-2takes. Neishbours st..rttocomplain becausePrimeseveral times ravagedtheirflowerbedswhenheleftthestudio complexafterafewfuckups.Wedon'tcareilhe ispissedoffaboutus.Hehasmorelmportant thlngsonhlsmlnd. UnlcRonlsonltswayand soonthlsplanetwl llbedarkforever ... Woulditalsobepossibletotellusmore about theconc:eptbehindthealbumartwork? Michiei: Wel l,t he tn.nhistherelsn'tanyconcept behlndthealbumartworlc.Foralmosttwoyears before the album was made we had a number of conceptsforthecoverthatwe'vewantedtodo for years. We tried to work something out with HRGiger, buttheplandidn'tcometofruition andthecurreotcoverwasalast-minuteGoosle search -litera lly (the album was already Wefoundthelmageuncreditedonsomecom- puter deslctopback&roundsiteandstarteddis- sJngaroundtollndtheorisinal artistandsethls permission lousetheartwork.Theartwork is doneByAndrewNAndroid" Jones who worked with Soulfly and Exodus. We always for massive powerful covers and this one fit well. Thebandtakesarathertonsue-ln-cheekap- proachtothlngsllkeonyo..-Faceboolcpage, such as comments made about the album. Whatmadethebanddedde todoso? Carsten:Honestly,lntheendhowcananvbodv beserlousaboutanythlnglnllle,especlally abouttheheavymetallifestyle.Life'sajoke,but tomelt'sagoodone.ldon'twanttoklllmi ne
Tetragrammaton is now out via Season of Mist.
i:a;gei"Yc:OnS;[de;;;(j scene, Jungle Rot this year releases their seventh futllength album, Terror Regime, along with the reissue of their 1995 demo, Skin the Living. Vocalist James tells us more. Thebandwasfonnedallthewaybackin1994, andhasbet!npla'f'i"'aBoltThrower/Ob1tWiry- drfvenstyleofdeathmetal.19yearson,the band contlnl.leS rewrdl"' ;md releasing new material. When the band was firs! started, did youeverexpecttostlllbereleaslnadeathmetal extremitytoday?Howdoesltfeelfol'theband tobealrnost20ynrsoldnow? Jarnes: lhiweonlybeen in thebandalmostlO years, but I'm still eKtremely proud of our outiJU!.Iwasplavl081notherbandsandlalways foi iOWfldJungleRotsolt'sgoodthattheband ls stillgolngstrongaftersolong. flel l,we'restron- ger thaneverl Theb;md'sname,JU"':Ieftotlslnrefereno;etoa medk:alcondltlonalsokroowniiStroplcalulceJ. While obviously Influenced by the 1/letnam War,whychoosethlsc:onditlonastheband's namelnpartlcu4ar?Howdidttlelnterestlnthe Vietnam War in particular came about back in theNrlydaysoftheband? James: Actually the name was part of a multiple cholt!!questlononetheguvshadback lnhigh schoolandthel\amejuststudt.lthinkwiththe 1\ame the desire to move t he tJar>d in a war themewasevident.l!justfits. Thebar>dri!CefltlyreleasedltsS!!Venthfull lensthstudiol!ffort,entttledTerrorReglme,and lstheband'sSI!COndfulllengthreleaSI!under VICtory Records. How did this deal with VICtao'y Reconlscomeabout,andwhypickVictoryRe- wrds.seelnstl>itdeathrnetallsn'treallvttle labersspedaltv7 James:Jtwasaneasycholce.WehadKII IOnCom- mandflnlshed,we produc- tion,artworl<,everything.Then wesottoshop- pinsforlallels. Tony,theownerofVictory,has beenafrier>dfora longtimear>dhewantedto check out what we had. We wem to the office ar>dhungoutar>dhe listenedtherecordandsak:l hewantedtoputltoutar>dworkwithus.Weac- tuallyweregonnasign withVtCtorybacklnl997 forSiaustrterlheWeakbutthatfeDthrough somewhere. We kindofli ke thatdeath metal isn't the la bels specialty, bealuSI!westickout. We aren't competing with 200 other death metal bandslorattentlonfromthe labei. Theyaaually
about,andwtrythls trad<lnpartlaUr? betnrt. fansofthebandforalonttlme. let"s-talkaboutthemi.GkonTenot Recime. Unlikethebanot'seatlief dloyswhere thenl-safocl.rsonasl,.-tormofdeath meu.I,Tarrorllelirnes;owthebandlncor'pocn 1111oomerous other elements .swel l, most promlnentlyasnctmvPollshrtyleonBIIndDe- vodonandanoldsdlooiSWedllhdeathmetal sl'/4e on _., like Pronounced Dead. How did
theilssofthisbandrlghtnow.We'vealwayshad the Swedish death metal influence along with
nothirc new. We Influences proudly onoorsleeYes.Welll"o'ee'tointowrftinswlthi notion toSOllndicertalnwrt. itcamnverv nall.rllt1fotustowrtteliblh!J.Welvvetogive
whoca.rnetothebandwithasparltindenergy wed!!speratelyr.eed..dlna verydownti""'for the band. Te<TOt R.,.ls also dRimmer JesWs second sti.Odloappearancewiththeband,andhlsef. 1ec:ts on the band's musk are rather cleat with the lnduslon oftedlniquessudlasblastbem thatwereprev;oustyratherunne..rdofon Juflllello(s releases.How lshe flltlnclntothe band,andhowhashlslnduslonlnthebandaf fededbanddynamlcs? James: Jes.selsl)f'rfecl.foriiS.He lsyourosand
wheflhejolnedheu-wt.athewasgettincin to.Heu-there...-asa.lungleRo!'sound' th<lt we weren't Jl!lirctod!!Yiitelrom too mud\. We give .le5se a cetUin ilmount of freedom to do his
armochneed<!do:t,>namlctotheband. James: OUrlrc our !OUrinc for Kill On Command
a COYer and the list was quite iof!llaStowhlch oneitwouldbe.Wethought'IDon'tNe<!dSod- etY was veryfttttng tothe wholeldeil of the aiDum. The lyrlcs fit with wflilt the album Is
tenins to for manyyeafl. why the hell not awer it?Wethlnkwedidigoodjob,youcanttllll's DRisorcbutllsoundslikelllnglrRot.Jesse addedtheblilstJ;attheend,andltworlledout n!allyweM. The bandalsoreleasedamusicvideofor811nd Devotlon,whlchshowsstudlofoQI.apofthe band..-.:Jrrcthetrxk.Whyplckthlstract.ln partlcular,andwlwltwastheiOfiiW'klrcnd
James:Wedidn'tpid<thetrack.Thetabelhada """"'ri aew In the studio with us to rerord some and the crew whlp!)ed up thevTdeofor fun. ll ameOIJ!prettycoolandwe
labeiW1!1'1twithllartddecidedtorelenell.l thirtkit'sklnd.ilcoolbecauselt lrulydoeslhow us doirc what we do In the ti.Odlo. There Is no
Thelyr\QforJuncJellolhascomiJW:I'IIIyre- wlved around social commenlary, lrtdudTnc politlaland ntiiiJIOtl-n!latedthemes,ilndtllls ls rta dlffefel'll on TI!ITOI' Regime, v.ith ionP like
Wht:re do you dr- lnspntkm wtlen wrltlnc lhelyrics fofTI!ITOI'Re&lme,and-il any dif- ferentlhl$rlmemmparedtopriW:Iusre- ...... ,
!ndofhlsrop!.AII thedisdainandcorruption goircon In t he world and people arestl llcon- lnduded on Terror Relime Is also the D.R.I. rerned with their personill poSses$1onS and cowr,IDon'tNftdSodety,v.iththeband lhllntll8rtillmostplnck:ore touchto1hesonc. andpeOplearelfllsostlldonGOO.rt'ssofuck- Howdldlhldedslonto wv.rlhl$trad<come Inc stupid.. look at the sky, do you ttOHESTtV
THINK A CELESTIAL CASTlE IS FLOATING UP THERE?Ugh. ljustcan'ttake iLWatchanynews pr"'!ram, and ym/11 ""' my inspiration. Your gov- ernment Is wrruf!L All. GOVERNMENTS ARE CORRUPT.Wekavelessthan l %ofthepopula- tiontrylngtocontroltheother9!m,andpeople, namelymaterlaiAmerkans,justdonotcareas lol"6astheirshiplsn'trocked.Thlsworldlsgoll"6 toshll.andhumansaregoingtobetestedvery soon.Yougetsomeonewhosrlilpsandfinallyre- IIOits,and a ll ofas.uddenhe'sa'terrorist'. Changeandrevolutionlsn'tgoingtohappen wlthoutcasualties.Oavejokesthatl'maCom- munlst,butl'mnot.rvelostlalth lnOOmanltyal- ready.Fuck'emall.rdhavetosayl'mmoreofan Anaro:OO-Nihillst. The album a rtwork was aka one thina; that caught my attention. The wncept Is straightfor- ward, but would It be possible to tell us more abouttheartlstbehindtheartwork? James:Thetankls 'governmental oppression', crushing al l whooppose.Theb.ld<roveris....,ry
vancsakandhealsodidthe last2albums. verytalentedanddoesartworkformanyb.lnds like Destruction and Annihi lator. www.hiules.com UnderVICtoryRemr<b,thebllndalsoreiosued Its l99S debut demo, Skin the Uvlng. What was the reason demo,andwlllfansofthebllndseeotherearty
James:WegetaskedaOOut'Skin TheLMn.g'alot. Our fansrouldn'tfindil.lt'sbeenlongoutof print. II staned as a demo, and then was re- leased as a lull length album in 1996 under Jamev Jasta's PURE DEATH Record label and hasn'ttleenavallabll!slncethatprlnt.Wetalked aboutgett11"61toutonelasttimeforthosewho hiwen'tbeenableto findii.Victo rywasdown withtkatidea,sowewentwithitiWe'ddefi- nitelyliketoreleaseEVERYJungleRotalbumon vinyl sometime soon, some albums we don't owntherlghtstothough,sothlscouldprovedlf- llcult. The blind wll be embarking on a Amerl- cantourthlsAprllwltt!Suffocatlon.Aftertllis lour,wtlat.aretheplansofJuongii! Rot? James:Thetourwentotfwithoutahitch. Wehad agreattimewithourfriendson the road and e-very show was kmerl We are home now and Wf!' ll take a two week break or so then re-
havemmingup.WeareplayingChicagowiththe legendary BOLTTHROWER in June. We wi ll also stan writing some new materi al and we are going toEuropelnAugustforfestlvals.Wewillbeatthe Getaway Rock Fest In Sweden, Into The Grave FestlnHolland,MehSuffMetai FestlnSwltzer- land,andBrutai AssauitlnC2echRepubhc,there wTHalsobesomedubdatesaroundthefe.stswith our buddiesinOecrepitBirth. We have come to the end of the Interview. Thank youfortaklnE the timetoanswerol.W questlons.Wewlshyouallthebestontheup.- comlngtourl James:Thankyouforyours.upportiSorryabout my delay. We hope e-veryone wiU ched< out TERRORREGIMEandcomeseeusontheroad! OPENYOUREYES,PEOPLE! Terror Regime is out now via Victory Records. Asian Spetligflt Masquerader ; metal, especially with bands like ChthoniC gaining international reputation, thrash metal is starti ng to get a foothold as well. Masquerader is one such band, with their old school brand of thrash. The band tells us more. HI guys, tlwlnlr. yoo for taking tile time to form In Seoul with brutal death bar.d Seed, answeroorquestlonsabouttheband. Before whlchwasourflrstforelgnexposure.ln2012Wfl! webqintheinterviewproper,giveus ahistory beganoursecondEP"SingularPoint"withthl' oftheband. Howdidthebandfonn? help from BloodyTyrantguitarist.t;Wi''liand ChthoniCKeyboordistCJKaotocompletethere- Westartedln2008whenhl8hschoolfrler.dsgul- cording and mbdng. However, tarlstGoatandbassistRogerformed OUtsk:ler Andrewleftusandtocontlnueourmuslcaljour- (prewrsor of Masquerader) ar.d found drum- ney he was replace with current Tan mer Ron ar.d e!<-iuilarist Jeff from Internet Hsiao (Bloody Tyrant's singer). In December forums.Ex-vocalistAndrewjoinedusafterbeing 2012, Masquerader completed the second EP Introduced by friend of ours. At. that time, Met with the art Wl.lrks completed by Goat and it was alcoreispopularinTaiwan,thusWfl!startedtcN- release In Hong kong. OUring this time, ex- erlngandwrltifl8songsthatWfl!restronglyin0u- guitarlstJeffleftduetopersonalconslderation, enced by Lamb of God, Trivium ar.d M3Ch1ne helped with the release tour. Cur- Headar.dperformedafews.mall gigs.Lateron rentgultarlstWaynejoinedusafterwardand durif18mid-2008, weWfl!reexposedtoThrashvla becameoneofourpermanent members. After a classics such as Sl....,..r, Sepultura, Sodom and big line-up change, Masquerader has metamor they inspired us so much that we decided to phosed Into a form that we are el<lremely ex- changeourcrearivedirectionandchangedour citedabout. name from OutsldertoMasquerac:ler.ln2009 wereleasedoordebutEP"Masquerader"and Slnceyourlnceptlonln 2009, thebandhasre- afteratourinTalwan,wewerefortunatetoper- leased2EPs,wtthtllelatestbelngthlsye.ar's
SinSI'iarPolnt.Howl>asresponsebeenfofthls release, andls thebandSiltlsfledwtththere- sl.lltsoftherelease? To us, EP Sinsular Poi nt received reactions andresfJOnsesbeyondour imagination,after al l, it is just a and produced work with 4 songs. Besides the In Taiwan, we also many reviews and at- tentlonsfromforeignlabels.Whatlsmoreinter- estlng Is that American Sd-Fi thrash lesend even us on tt-..ir Face- book. It so much to us and we were really gladthattheyenjoyeditsincethey areamong one ofourmajorlofluences intheSd-fitnrash style. In addition, the Chilean metal lesend Crlmlr.arsvocallst AntoRelseneggeralsolntro- ducedandrecommendedourmusictobeaired on tt-.. local metal radio. In all, we were extreme-- lyhappywithtt-..result. ThemuskonSinsularPolnt ls stralght--1-lp,sood, oldschoolthrashmetalplayedwtth reckless abandonandltlsdf!flnitelyextremelyenjoy- ablefoffans of old school thrash. What are some oftheimportanlinfluences onthebllnd when it came down to the writins of Si"'ular Point? Actually,manyofthesongs inthisEP is finlshed before recording, Atomic Funeral, S.A.T.A.N, Thrash Commandos were creatively motivated and ins.pired by dasic t ftrash legend.They are in the contextofnudear energyconcems, sarcastlc Siltanism and praiing the Thrash sub-nllture.
creativeturnpolnt.ln2012,wewereelq)Osedto many SdFi oriented and technical thrash like Vektor,Volvod,Coroner,etc,andltchareedthe way we """' thrash. With t he help with many Sci--Fifi lms andgames,our foruseswouldso to- wardsconceptualilingSd-FII'iaour music. The songSymbioslslsasongwrittenbasedonour l'isionoft heluture,leadlngthe llstenerslnto our worlds.AhhoughthisEPdoesoothaveacentral theme, It serve-s as a summary of our work from the p.asttransitioning into thefuture. Also, whatwasthesongwrlti"'PI"OCesslikefof Slfl&UiarPolnt7 UsuallyguitaristGoat,e>c-guitaristJeffandBassist Rogerwouldstanwithriffandldeas;afterwards, allt heotherbandmemberswouldjolnthedls- cusslon.WerarelyJamthesongoutbecausewe hopethat asongcanbe l<ept initsmost organic form from tt-.. listener. This also p.-.::Ned to provide more emotional and struc- tured songs. Wouldltbeposslbletotellusmoreaoboutthe lyricalthemesthatrevolvethemuskofMas- querader7 Where is inspiration drawn from when writin8 the lyric$ to the mu$ic of the "'"'" OUr earllerworklsmostlyabouttherealand Imaginary world. The first EP has stories from the Pacific warfare Wrlns the Second World War, brutality ofcapital ismandposse5Sedtruck driver. ThesecondEP,SingularPoint hasstories about nuclearenergyconcerns,praisinsthelt!rash sub-nllture, mocking Satan ism and the future of mankind. Baslcally,our earlierworkdrawslnflu- encesfromreadings,newsandpersonal li fee>c- perience,nowthatwehavt!aspecTIIcdirectionto headto, wewill story tel li ngideas that wehave for human-kind"luture,so we hopeeve')lone canstayedtunedtoour nextrelease. Thebandalsodearedupamlsurderstandlnc regardins some lyric$ on the tradr. Thrasher Commandos. How did that wt.ole Issue come about,andwf-latdoeslt!e bllndthinkaboutlt!is In seneral. we understand that musical reviews
onourlyricsdidmal<eusalittleDituncomfon- able.lfsomeonehasreadandunderstoodour lyrics thoroughly, notin parG, then itshould not be toohardtounderstand that there are nodi criminating inferences towards homose>cuals, slncethewordlnnowaymeanshomosexualln such context. Akhoughthlsollenslverevlewdld not agitate us too much, we did contact the author,butnoreplywasgive.Wedidpubllclyad-
hopes to d ear this misunderstanding if t here
After the release of Sl"'!lular Point, vocalist Thebandrecentlyhildthehonourtoopenfor Andrew left the band, beln&: replaced by legends Destruction, Napalm Death and Mep- blac:k/deatt! metal band Bloody Tyrant's vocal- deth. What was it like playing alongside these 1st. How did this come about, and how has It bands? beenworki"'withhimsofar? Andrew leftusi)ecauseofnisattiludeandcre- attvebellefs,thusbreakingofftheco-worklf'6 bond. our new singer, ian joined us because MasqueraderandBioodyTyrantareclose al- readywithafairundernanding of eachoU"'r's workhabits;aiso,l an l011esthrashandwi.tlesto be a part of the thrash scene. Therefore, we havehlmjoinedtheband inno-tlme.Hishlgh anddrlftyvocal styledidbringMasqueradera lotmorecreatlveposslbll ltlesandanold-school taste.Theco-workircsituatlonisgreat,andwe hopetomaximizethepotentialwithhisvocal ab; li ties andourfuture musicaldirections. While Taiwan ilnd Asia In general have wme to be known for the extreme black ilnd death metalacts,thrashmetalactshave keptarather lowptoflledespllethequalityofthemuslcthat has been wming out from t he regK!n. What was itthat ml<ie the banddecidl!toplaythrash metal Instead? Webellevethatpeopleareprobablylooklnsfor muslcthat sir.gstotheirmind,regardlessofthe malnstreaminfluences. Pius,wethinkthatour di rection inThrash isour discoveryofthe modem metal history. This is the sound that we foundmostcoherentwithourmind,andtobe
Banclssudl as ChttloniCareknowntobeheav- lly lnvoh!ed lnttle politk:sofTalwan. lsttlis a trend inTaiwan....e met.al scene,and are youor anyofthe bandmembers pi!Qonllllyinvolved lnpolltkal<ho;ussionsofthecountry? itisdeflnltelynotatraditlon;ChthoniC'ssuccess ismorethanpolillcs.Theirworkisphenomenal, sowethlnkitstiHhassomethTnstodowlththe music.WithmHband,vocalistlanisthemost octive in social causes andpolitit:al.....,nl!;,but tnis has to do with the environment he was ralsed.Wedonotthlnkthlshilstoomudlrela- tlonshlpandlnfluenceonMasquerader'smuslc . Wewereextrernelyei<dtedwithloadsofpres- sure;afterall,weilrethewarmupbandsthat cancountasrepresenllnsTaiwan.Espec!allythe Mesadethshowwaspackedwithaudlencethat broug:htshivertoourspins, but that moment andexcitementissomethin.swecannotforget. Masqueraderalsoperformed lnThalland re- _,tly In the Asian How did it and are there any memorable Incident!; fromthetrlp? food is a must mention, it is cheap and goodiAhhoush thepricetopayisgetlnthe washroom i)ecause it is way too spicy! Also, the promoters, who were also the editors and writ- ersolthelargestmetal magazlnelnlhalland,ln toThePitwereverykindtousasweii.Theytook
and CD, as well as taking us to enjoy Thai-
tripfromSiln.skoktoPhltsanulok.thepromoter sentustherewithaspecialpolicel:>us.AIIofthe othervehldes havetosetoutofourwav. and thatwas a verylnteresllnsexperience. Wedld notgettoomanychancesandmuchllmetoex- plore thenightlile,whichwasapity,sincethe
Wrth the new lineup, gn filns of the band expectafulllength release anytlmesoon? GuitarlstGoatandBasslstRoger wlllbecomplet- in,sthemandatorymi lltarydraftlorayear,thus duri n.sthistime,Masqueraderwil l havelessex- posure; however, the preparation on the new albumhasbegun.Wehopewecanftnlshrecord- lngandproduclnetheneKtalbumbytheendof neKtyear.Thenewalbumproducllonwil l bean experlmentalardcross-ienre largeproject. We a5S!He you, our audiences, this album will chal"@edthewayyouseeus andtumyourmusi- calmindaround,pleasestayedtunedtothenew Masquerader! ... Delivering their social commentary in style, Birth A.O.'s debut I Blame You is a fun album through and through. Bassist/vocalist Jeff Tandy tells us more about the band, and their new album.
nlty to talk to you. Birth A.D. was formed In Z008 while Jeff and Mark were still wilt! the blackmetaloutfitAve.-seSeflra.Whenyouflrst formed BirthA.D.,whatwasltle intentianof the band, and what message did vou intend to spread with Birth A.D.? Jeff:lwasalwaysafanofhardcoreandcrosso\ler fromthellmelgotlntometal,andlwasreallylr
mentstartedup.itwasallgoofy andsteeped in
pa1Wasteblewahugeopportunitvtorebootthe movement and tum it Into something viable agaln,buttheyonlyseemedlnterestedlnrecre- allngparty-llmepluathrash, sofuckthatand fuckthem.lfelt likearesponsewaslnorder,and lhadatonofriff'istockpiledthatlcouldn'tuse wlthAve,.;eSelirn,solforcedthels.sueand made it happen. What Is the meaning behind the band name, and how does It relatetotheoutputofBirtll A.D.? J: It's funny how the band name has raised so manyq,...tiono;.lt'sbasicallyaninte,.;ectionof ldeas-myveryfirstband(acrossoverband,as lt
somethlreofaresurrectionoflt.ldidn'twantto reuse the name, but when I was writing the ma terlallusedtheMisfits'EartllAD"asacomposJ.. tional map(Giennwasamasterofcompactideas badtthen),andthenamevariationstrur.kme.lt would noel to the aforementioned album and presentanoldnameinanewwav-BirthA.D. Slgnifiesaneweraof Afterblrth(AnooDomlnlor AfterDI'ath,whateveryouprefer). ThebandreleasedibfirstEPin2009withStill birthN.ation,and4yearslllterllllame Youwa flnallyreleased.Howhasreptionbeenforthe ... release,andlsthebandsatlsfledwlttl there- sultsofthealbum? J:Thereceptlonhastleenfantastic,betterthanl evenexpectedtobehonest.ltseemslikeev-ery- one completely understands what we're about
lng.lwlshwecouldhavehadthealbumoutln 2012, which Is when we recorded It, but It was betterforustoftndagoodhomeforlt.l'mglad we wailed, and now that we' re on t rack I think t n.. followupwillcertainly comealol"@faster. Whlle l llliorneYou ls theband"sflrstfulllength release,ltcontalnedacoupleofsorogsfromthe Stillbirth Nation EP. What was the reason behind this? J:ltcontained everythil"@fromtheEP, actually. My reasoning wa5thatthe EP was really meant asjustaproofofconcept morethan anything else.Westartedtreatlngilasanofflclal release duetotheoverwhelmlnefanresponse,butthe band was only 3 months old when we recorded it.ldidn'lwantto mis5 t n..chaoce tore-reoord t OOsesongswithAiexPerialas,sioce myinten-
because oow the songs sound like I always lmag-
meaner. This is also why we will never "Sti llbirt h ofaNation ,whichsoldoutlast year.l am proudofthatrelease,butl want "' Blame You" to standalone lthlnkttlemalnttllncthiltcatdlestheattentlon ofthelisteneris theenergyttlatisln t lleband"s muslc,wtththefuslonof crOSSOYf!l"tendendes wchas punkishrift. andvocabwith,._., deathmetal/grindcon!ariented df\lmmi11Jof Mark. How did the current sound of 8lfth A.O. come about, and who are the main Influences behlndtheband"smuslc? J:Thealphaandomega of our influences are SODandDRI,thoughplentyofotn..rbandsof theeraare presentaswell.lwouldn'lagree that we' rereally employi.-.ganydeath metaldrvm- mlng,becauseifyouremember,evensongslike "Mi lk" had blast beats, and that was 1985.1 madeapolntofnotemployi.-.ganytechnlques that weren't present bad then, because I wasn't lnterested increatlngsomekindofmodemtake onthesound.Whatyouhearlspurecrossover, andlhaveBillyMilano'ssealof approvalon that
OneotheJfunpartaboutBirttlA.O.'smuslcls also lnttlelyricaldepartment.rarclnc from se- rlousSCJdo.polltlcallssuessuchasonBringBadc theDraft,tomore person.alones sLd!as Wrong Apin (labN>Iutelylovedthe spokensample in- dudedonthetrac:k). Wheredoyoudrawlnspi- ratlonwhenwritlngttlemuslc:? J:lt'sthedailydlalogue lnmyheadforthemost part.l'mkindofamil<edbaginthatl'mactually averysocialperson,butatthesametimeaver agepeoplefrustratethehelloutofme.ldon't large part of the generation, I boomers, GenerationXerscangoto hell ... everybodvsucks,baslcally.Thislswhyl
al l apartoftheproblemlnonewotforaoother. Charles Schull once said,"' love mankind, it's
otn..rwavaroundforme;mankindisawlul,but thereareplentyolpeoplelreallyeojoy. Besidesthat,l'dsaythatmylyricsareobserva- tional,muchlikethewayacomedianwrites.l' m aiway-.;lookingaround and asses.si11Jthe 5itua- tion,thenlgetpissedoff and writeilalldown. Aswlthanvtlme ln history, the world ls w r- rently full of social and political problems. Whatdoyouthlnk ls of t hemosturgentcon- cetn, and why?ls there any hope for mankind? J:Thi5mightnotbe a popular response,butlfeel likeglobali5mandoverpopulatlonhavecaused anlncalculableamountofdamagetohumancui- ture. Everything Is becoming a miasma where soclalandculturalldentltlesaresuWertedlnthe name of creating a new and awful lowest common denominator. This is very visible in America, butil'shappening allover theplace. l'magainst imperialism,l'magainstauthoritari- anlsm(whlchlnthlscountrylsfueledby llberals more than conservatives, Ironically), and I' m
thlnkit'SIOii\IIIOhaYetosetworwbe/oreiiSflS
someiiCCOfdin&fvbrul.illwarstosnappropleand
workMew. 1 5i1V digging 7 billion graves" for a good Less people means more ""' lM-'CinJYrtlwlarthatdrewmyattentlotl
think this . _.. hilS ;ony o;mrq ofulvatloo1 J: lwroteltalmostasajolcebec:au5elf'6uredil wouldprovoUpeople,butilactuallyprDVI"dto bequlteauniversalsentlment. l was proud of myself when Morgan Hakilnsson from Marduk called me after 1 mailed him the EP and Silk!,
loallsunesare falr1\'weak.We\oeatw.ysbeen thesumofourparts,whetl!peopi!Jhareldeas CM!I' 1ont1 dilanc.es to il common Identity This Is why metal is the most pervaW! form of musiconearthbutwetan'tmanagemore than SOpeopleatanao;erageloc:alsnow ln anvcitv
IBiameYOAJWMreleasedL>I!d!rUnspeakilble Axe, the sutHilbelofb;lrkD!scentR:ords. Wlthtlwl numerousdlffltultles tllat tile band bced uptothereleaseof thtlalbum,howdld tills o:IPI come about, and how hal II been --w,.wilhtht!label7 J:Thereweren'tmanyciftku111!5 tospeakof,il just took awMe for us to find someone we _..tedtoworttwilll.rllbehone$1.theblsger labeblgnoredus,andthen!he$ITI.illlerlabels couldn't offer me anything I hat would h;we been betterthan self-releaslnsil. Matt at O;irlr.De- sunt apprOiiChed me atJout the new Unspeak
portunity. rm really pleased with how Eric and
wor1t with peoplfl who really care about the rnusk:andthe1hts.TheyjustwanltoputOill goodre!Nsesforgoodbands,which inmymind holklatw3ysbeat thelopofanylabel'sacendil (eventhougtlthat'srarefvthec::nethese:davsl. Thebiond startedaKidcstarterprojettforthe mastert111 process of I Blame You. Howdklthlt tumout,andhowcloesthebandfeel aboutthe re,sponsethat hMbeenpmeredlnthepro-
Birth A.D. l8li11111!YOU(2013J i (Uno>peakabii!Axe] Unspea!Qiblt Axe'sflrstreleil"",and this aboutthepotential OYerhert,eons.ider'lr4!;DDR'stlildcrecordofput
debltlalbum,a..twflhSIIUiifthofaNallonbelrc .uc:h an e-njoyable the band doesn't haw any Intention of slowing down at all. In fact, thenewertracksseethebandgolnamoreeK- tremedlrectiol\wlthblastbeatsandcatchyrlffs allemulrrct"'t181ameYoulsi130-oddmlnute fist-pumping. and F15 d Municipal Waste and the
Sounds of the Underground: I Klatus i 1 brandofat mospheric sludge/doom metal to another level, leaving the listener in a state of unease and confusion throughout t he album. Band mastermind Tom talks to us, and has us discover the dement ed st ate of mind while writi ng Kether. the one. Awareness, rebenion, ttreogth, the pOttunfty to talk to you.. 8efote we move on future, the !JaSI, poteotial executed and unreitl- and u.lk about the band's ,_album, Kether, lzed all tOilleKe Into a delicate wouldltbllposslbletotell us moo-. aboutthe tieslnwhk:hchOKI!Isthekeptln liS(!Uare box. hls1oryoftheband?Howdld the fonnatloflofl llke tlow a Jud&e Interplays with the co,.. Kl.lurs-about, andwNt llthe meanlr'll behirldtheiNnd's name?
1$Urtedltwtlilelwasina>legeln2001.1WO!Ad dtar buements wlth one rNn clrone: and noise only a fu\o;n.lm of temperance toone: whole. lnsplrtdbyMertboandTribesofNe...rotandes- sentlall yNeurosis.Eventuallypeoplegot hlp toit Betweentht blnd's lastalbum,Survellancf! andastrall(lenoise baOOdeveloped.lneld tne and Worship tOfCh after fmm uniYersltv and therewan 5 yearJap. What was l't that AUK<! formedl'lwilh""'fsouth$ideolehkilcobuddies
we_.-ewrltl,.andrecordl,.thilttnllrellme. SparUeus"notion,inwhlchaM!Ifliberatedslave WestilrtediS_as_!Oiftdonthefele;nof! There Is a ofSurwllanc:eand.-rstopped.lt]ust\ookLI5 sdenceflction'>l:orywhl!reKlaall!lsanallen fmm tne future weaponized with the power to that the son(IS -e evolved PnOUgh and com- de$troy worlds and chilrged with tne task to plete to release. We would step away for a few eometoearth to judge ITiilnkind's worth ilf!ilinst months at a time but we would $1111 be wol'ldr complete e>CiefTninatlon. 5o I klilluSis the eo- anOIA" OWl\ retumlrto the -.p.withfresh coOedpMcipll!sOIIbothOIIthesenoOons,thlsis peBpeCI:Ives;ondldeaswhlchlfeelllftdedlhit whyltlsWlgulilraswellasplural,thernanyare ...
IJMiewlllallforttlat. Ke!Nr ls thetldeoflhebind"l-albut\,lnd dilplrtltheband"sKabbllahtflditioninlhe
onthealbum..Would itbe p0$Sibletotell us more det11lls about the concepts behind Kether?
rnysticlsmcalledtheKabtNiah,itsthe/IChesl<5- mensionoflheTreeofthes.ephiroth.Thistreeis I map of miAtiple levels of evolution of con-
system,thetarot,thesuperconsclou5,asweHas t hehlddencr@ator. Most.oft helyriQirlltilluslrc aGnostlclansuagetoexpresswhatsdentifically boiisdown toSimuLiltloo Thl!ory.Thlsbeinsthe tl'loU8htttlatlifeisanelabor.ltehokl&nophic
wtllchwearelmmersedecperiendrc theplao,-er
Esoteridyweare talkingaboutwaklrcupwithin the dream, lucidly realizing that we wme howtonnectedlntimatelywiththeae.atlonand development of this holograpnic simulation whlehweall"waklngllfe".lvlewltasasiog\Jiif
atorawilll!ofalltheworiUngs.lt translatestous belnsl'.ereknowi nsthat weirealsoereatil"@our own experlo!nce and taklna: that res,.onsibmty with sirius discipli ne.
theseilndeot Gnosncprlnclplescanbeapplltd aswegently,.erturbthewatersofourmlndto """'through the vei l and mal<!! contact with thTnssaboveandl:>eyond.Thelntent lstolnspl re
ptherrlde thlsspi!Ceshlpearth throushthe great of spKll! spiraling tO\IIIilol"ds .-pte-
toexplalntheconc;eptandme.tnlnabehindthe albumlrtwotltofKethef? lwasreallylnte<esttdlnconveylrcthlsleellnsof belrconthearidandsee\nitheelectromaenetll: seometrkenerJVe<Msionsfromthif"Csllkl!cell phone towen and electrical lines. We arne up
hlklng and we c.me to a pass where 1 mnsNe ilrrayofpawerllnesstretchedlntothehorlzonas thesunsetbehlndthem. They appear as de monk itOJTielrk: giants with Inverted pentaeles
thi"' vey Intentional by is andlmpiemenrinepowerlinesiiOYtr thewcnd. Thesethin&semittembleelectromllnetltffe- queociesandaousecancerandblrthcltfectsin people who live In theYicinlty. Also 1\Ch oo;ur-
an.reparttdneilrthesehighpoweredeellphone towe<S. The artwork on the Inside Is thlswebofblitcknegativeenerJVII"Iatemanates tromoneofthe$etowersinageometrk:mann. ltheorlrethatthesenegatlwenerJVfltidsculmt-
llrws bMcpofUis wi!IS of thl!anwor1t.TheGeomPtryoothl!backsumsup thewlloleldeilofllumansbuildlrclt!ls syn!hetic grld of mind and bodypollutins elearomacnetic vone>elnduclrctechnoloslestooverlapouran- dent un<lerstandlngsand plao!lnthetrMof lifeandourpathtoawaken-
held down by thew 'V"':he!lc forces. Wlth!NmiM!tsplrituallyrk:llt"--and
when It comes down to thlnp $udl as rell- glonandllfe, andhasthls.tf<tdt1Miyr1cal
lholdaGnosticperspectlveofrealily,theslmu-
toruofaoMrsltyisthl!stlmukrsfofthisetpan-
waters. Asaband,wo.grrNup togetherlnthl!
50UihsldeofChicago.Asasroup,wedlscovered Vedic, Gnostic and Alcheml(lll mysticism and
aPI)Ivlrc thee techniques of lllbratiONI exis- tence. l-us all growlrc lnleaps.,.;tbounds,
perspectille wtW;to Sl!l!'s the human as an Infinite
ad'llewmanygoals,thal theEanhisaschool, oneofrtUiny,allvii'@Oflilnlsmwhiehweare lntl- matl!lylnvolved wlthPVSChldy and electromag nl!tidy. lflndsuchldeasupllftlng.
.... blend of elemenb from. pretty wide -.ofaenres.fromthedoomofSiobbW!to more $tonl!f and sludcY momtnU. and l!'lll!tl someethnlcfeelth.atemllrYtefromtradcslike thi!lnterludetoModl!l Prtsoner..,d album
h;wlngatrlbalsorcwherewo.juoltfreakout,ora
._aksynth$fotanhour.TheneYONI!ourlni!YI recordn&sovertlmo!'.ThebandmstslnChltaaa, but t liYI!and wort< in lA Weare oonslantly --.dlrcriffsbad<andforth toeildlothet .Then when we get together it all just culminates Into il studiodayonesorcatatime.Thenthosesongs evotvelayersoftweaklnsandmoditlcatlonover a five year period . BeciiUSI! HorH Drawn Pro-
tothl! studioto apoimwherewo.areedt1!11and
be<:ome the llnl:lhed album verWn 5D1'C'- Allot
sculptures one liiVI!f" of dmll at a time wllh a flrYI destination known and reYeiled through cari!lul wori<lngs. Theband alsofu:wsralho!rc:almlntll!f"''!nts withmorechaoticandoppruslvolones,and tHsiso!Mousfictlt fromtheopenlrcttadl; Johnoftnei'Wiwoo1t.W1!A!thl!reanypartkulilr
c:onceptu.lisebeforethewrttlrcaftMmuslc. ordldsuthmornentsaccursponlilni!OUsly durinl the songwritingprocessitsl!lf?
sonofunfoldwhenweputDI.W"m!ndstogether. Allofthesongshavedeeppl!fSOilallmentand concepiUillly ".ToM of the Nl!lworlt" is the -*' story of the band's family memOO who's life was takenbyapowerllne.Thesongwaswrtnento thl! stages of what In our minds was the l;ost moments of John. who worl<ed lor thl! power compny deslsnlrc electrtc.. l systems
anceofsud'!anamountaii!IKtrlcltybeingc;l-
sdousenergygrlc:lwouldllli!Yitablyldenttfyw!lt! Its own "cmtor" bl!ll'@ John thl! who deslgnl!dltsvery lifenetwork.Onl!stormynlght John lostcontrolofhls vehlde anddrovel nto a NON. What w illS the sonprltlrc process like power line after It rolled .....,ral times and shot fotsuchildyrYmlcsoundlncll'INM?
wewrlll!oursongsqulddybiised onldeas like ...
gfthl!windowandS\A"VIvl!d only to run across t h<! strl!l!ltowhathi!thoushtbesafetyonlyto
fatillistil;rendeliiOliS.AIIhi!opportul'ityolthl! electridtybelngable to connect with ltserutor 1s when thi! nll!llow poort tomi!:S In, where thi!
to "MERGE" with its peroeived "creator" and becomeONE.Thisw""f,lhe\ttouldfindthelrw""f Into in eve<y T.V. In home acrosstheentlrenatlon.thethunderous(:Uimi. nallonat t heendolthesqwhi!feliat>tninCis hooting out gf peoples toasters and mlc:ro- waves;r;the televisiont:woadcast:showsTHEEYE
- Also, how did this curr.nt style of mU$1C oil come about, and who iiA! some gf the band'slllaestlnfluenc:eswhenltcotrii!$10the 'Mitq: of the music, apeciillly In the ethnic/folklsh soundirc moments on the SomethlrcandentwithlnU$,weilllhilve""il'
hur.WhMWiiSthereasonbehindhavlntlol.d> large olpoesl m1.1sldans. ind how did thilt workoutfortheband? Wet.ke t o....,grt.withculriends,weiffl!leall;lf
creation olsonss.Everyonel:>rlngs a unlqueand awesomo!!elenll!nl,themostintlOY<Itloncomes lromcollabofiltion,whl!nartisu....,grt.tosether thl!reuttisalwaysknpreulve.Wo:.wninl KlatusbeforeheJolnedlillrl;lftheMinot&ur. , .... Kether(lOU) (lbMOrawnProdi.IC- tions] Partkul.lrtylnterestlrc,illalreao;tymentloned, weretheethnicsoundircri'IIDII'>ellbliloeon Model ""->er lnte<ll.ldl!.. Wlvt were the pur- posesofthnetradlslnthel"'nd sdlemeof Kether? To setatone,amomentum.lt keep$ a pace with
listener. ltaddresses somethircandentand
ikeastoryte!lerwithpio(araandsuspense.tts
chaseolthevinyi.INhywasthllthecase,and wlll followersofthebandsee,coreleaselnthe 1\Jture? ln t hlsd'raJ!alace,.....,want<!o:IIOueatesome- thi,. more tanafble and aesthetic. T1w! vlnv"s canyaunl'l""ness,atypeofsoul lhatonly ana Iogue can posses. Tlw!re likely wont be any CD re- leaseeYer,asthatteclmolot!vlsgonetheW""!of 8tr1dcs 1nd fuu busters In my opinion_ we have oome to the end of the lnti!I'VIew, thilnkyouonce.,alnforukl,.thetlme to __,.ourquestionJ.W...mhyouandiKlltvs ;,II the best In .n upoornlrc enctNwursl
record.Wearealmostflnlshedwithournextre- lease wNd'lwe hop! will be oomplged by !he eodofttlisyear.Wedopl""fshows attimesand Information an be uncover<!d at www.lklatus.oom 1 Klotus is out now via HOfse Drawn Productions their demo in 2011 with their futuristic style of sci fi themed black metal. This year the band returns with their debut album, U.M.A. , and we talk to the band to learn more about what excites them. GreedngsqTp,
talkaboutthenewalbum,wouldltbeposslble totellusmoreaboutthe band's history? What was itthatinspirt!dthe bandtofonnbackin "'"' Howdldthenameoftheband, ProcenleTer- restre Pura come about, and wtlat are the me.anlngsthatarebehlndthebandname7
theEarth"(nothingtodowithracismandthings likethatllj;thlsnameconcemsourconcept - in short: the Interaction between miln and technology/machines- and it symbollleS the "natural" state of humanity (as we are now cal lyj compared to those who in the future will behybridizedwiththete<:hnology.tt'sactually a morecomplel<discourse,sincepracticallya lot ofpeopleare alreadynot"pure":doesapace- makermakeyouacyborg?Ofcourseitdoesn't thaflleyourhumilnattitude,buttechnlcallythe answerlsvesl The band's 20tt demo managed to capture the hearts of many, and Instantly ilmassed the bandqulteafanbasewlththeratherunlque form of blad: metal that the band has pro- duced, elements of black metal with electtonlcand ambient music. How did therrMJsicalstyle ofqTpcoml!about? Hl,firstofallthanksforyourcofllratulatlonsand yoursupport. Well.ln2009Eon[O]wantedto startaprojectonstyleofWolves lntheThrone RoomandDarkspace,thesetheflrstnameshe had in mind, Dan "Atmospheric Black Metal project". Arryway, he found almost Immediately and with a voice arrived aT"' the ideas forthetypeofatmosphere thatq[T]pcould have, beyond the "dasslc" ambient parts. A great ah:hemy did such a way that the most lm- portant t hingsonthe vision of project wereim-
mationofq[T]pare really simple: miikegreat music.Shareitwithpeople,leaveasignifpor slble.wenketheldeathatourreleases(phvslcal Tfpossible],area "tlook" whereonecanfinda story,divelnit, llstenlt,readit,watchit.We the type of group that think to make music for liveshows,milkemoneywithit,etc.: we make music l:>ecause we like it. 6ecausewel istentomanytypesofmusicand ... we want to SO<II@thlrc we ... Ustenlrctoalotofmuslchelpsusto maintain our minds, espedilty NMfl );
own and It h;ts reKI"Ied many 50M with a two-tracks promo. Anyway, hon- estly, we don't sef'm tMt up to few months ago wehadso manypeopletoft>lowus lhebandthlsye .... fiNollyrele-.edlbciebut
t1MIIbumlndudes3.wwti'Kksontopofthe2 that were on the band's demo In lOlL Whit -ltthit made the binddecldol tolndudethe 2oldertracksonthealbum"well? Tht!twotnocbofProrno201l MY!!beenwritten for the album. We worked on the debut album slnoetheprofectformitlor\.butwededdedto
come. So, SO promocds,but'Progen>e TerrestrePu-a' and 'SinapsiOivelte"havealwaysbeenpartsofthe alb<.lm. WlthtiMmuslcofqTpbelnfsounlqueandpro-
the m!MMI! and -.-mr. ptOCeSS of the musk on U.M.A.? How ls the muslccono;eived, andwhatare-ofthemostdlfflalltaspeds alwrillnlthemuslcfotqTp? Tht!muslccanbombyasuit;! rp;ortoransynth
to bore: we don't MY!! a dauk our compositions a"" Ions journeys In pr08ression.
llyfollowthelyrlcs and describe thlsjourney
esbbllshedpanem,ll<ldyoucan'tdoicopy- Also, with lntermsofrtytlstlcs,whatM!SOflllloflhtmajor
musk:onU.M.A.? Some name tl\ilt we remember durlf'oll the writ- Ing al U.M.A.: WaNes in the Throne Room and Dark$pace (m;onypeople compare us to them,
whill!composl,.thesefivetrad<s:8urrum,Aute- dve. Grtdlodt, N"Urn Bunaet.. Omega.SolatNelds,Ge<:n!atic.Pinkfloyd,AII;Ir of Plasues, some lnillh/modem bind as Meshug-- ph and thier sons, and many more.
mayt!ebecauselt's lnsplredby toomanythlf'oiiS. I.Dokirc a11he aesthetics of tlwl bind, from the lototothealbumartworkai U.M.A.,aloncwlth themuslcalstylorolthebMII,thelnfl-of
wfthrno$tolthebind'slyncslnlti1Lan,.-..ldlt bepos$1bletolellusmorelboutthetyrkal lhemesofthesorcsonu.M.A..7Arethereany main storylines, so to speak. for tlwl sonp on U.M.A.? As mentioned urill!-r, the maln concept Is !he 11">- huminlty-machlnes, then there M! the evolution
the tensionbetweenbeirc"pure"andevol'o'e lntoSO<II@thlngnew(thefinitudeof "n.atural"life In comparison with the of ogy);theseooodtrao:es therelationshlpbetwftn manandrobot,thefactthattechnolosYcanalso beposl!ille (lntheend,ourbodlesarealre<ldy
betausedbytechnology. \Nhit iilboul the instrument;lltrltk, LITerra RouioDIMiorte? Whatlstheslcnlflcanceofthe
... tt'sabreak butalsoaconnectlon:unlikethe othertrackstt's lnstrumental,butitattachesdl- rectlytoDroniandbasicallyantlcipatesthe theme of space exploration, since It concerns thelandingonMars.Wemadethischoiceboth tocreatethisbreak inthecenterof thealbum andtohavethepossibility to experiment more wlthelectronicmusicandwlththesoundlngen- eral. Wheredoesthe banddrawinspiraiionwhen writingthelyriatothe sonponU.M.A..? We are big fans of scHi literature/dnema, we likethe"ratlonai"AsiiTIOII,theroughnessand concretenessofcyberpunk,butalsocomputer science, blotechnology,etc.Ot:rviouslyweare notsdentim,Outweoften read andfol lowde- veloprnentsofsdence andtechnologythrough essays/artides of disclosure. These topic:s/narrationssuchasneurallmplantsand spaceexploratlonaresetlnthefuture,butall thlshasaconnectiontothepresent: right now there arl! people who are worki ng on these thing;(brain-to-brain interfucesbetweenrats for eJ<ample,orworkingwiththeKep!erSpace TelescopetodiscoverEarth-r.ke planets]. Whatareyourvlewsonthefutureofsdence andtechnology? Wrththeraplddevelopment ofsdenceandtechnologyhavlngnegat!Yeslde effects at t he $011111! time, i humanity doomed? We think that humanity is architect of its own future: technologybringscomfortandenriches life,howeverit'salsoapotentlalsourceofrnany dafllers,alienatlon,destructlon,evenextlnc- tlon.Technologybringsphyslcalchanges,tan- gible improvements, what does not automati- cally change is the mindset, the culture of people: thisistheaspectonwhich humanity must work on itself, must form Itself for the future.q[Tlplsnotaprojectfororagalnsttech- nology,it'smoreareflection abouttechnology Tngeneral;ofcourse lt'sanabstracttoplcfor now (but not so much!), but sooner or later surely humanitywlll face U>eseissues andbuild its own future. One thine that caught my f!>fl! as well wtlen I firstrecelvedU.MAWilsthealbumilrtWofl<. Couldyoutellusmoreabouttheconceptsthat undertle theartwork, andalsotheartlstbehlnd thlsmasnfflcentartwork? The""""'art(and alllmagesofthebooklet] was designedbytheGermanartistAiexander Preuss (WINW.abalakin.de];the lmageisanabstractrep- resentatlonofmanlnfrontofthetechnology,a mansurroundedbyfuture.Unl ikethebooklet wlthlnwhk:hthereisarepresentattvelmagefor
thiltrepresentthelmaginaryandthesoundof theprojectq[Tlp:thereisnothingviolent,darl< oranyt hing,butit's li keavision,anlmmersionin thefuturl!. qTpiscurrentlyatwo-plece, andllseemsthat thebandhasn'tbrougtlttheexperienceto ive perlormancn yeL Will there COIIII! a day when this would come trve, and what are the possi- bilities? Wecansaythat lt'sadoseddoorfornow,but notwithkey.Theliveaspectit'sdifflcultforus, manythlng; toorganize,findtheright people (onlyforliveofcourse], a lotoftime toprepare al lthii"@S,moneytospendand,espetially,itisn't a priority for us. Ot:rviously, we hope to bring q[Tlponlewstagebefoll!todosethispro]ect. but, for now, we can only evaluate what is pro- posed, if Is proposed. What do..s the nearfutureholdforqTp? Recordotheralbumsforsurl!,lt'stheprlorllyfor us,andspreadthenameq[Tlpevery,vhere We have come to the end of the Interview. Thankyoufortakingthe timeto answerour qut!Stions and we wishyouallthe bestinall yourMureendeavoursl Thankyouforthesupportthatyouhavegivenus sincePromo2011,andgreelingtoallfansthat are li:steningtous.AIIthebest. U.M.A. is out now via Avantgarde Music.