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the shading of your extrusion-
layer using the Dodge-/Burn-tool,
simply apply a Gradient Overlay
to your layer's Blending Options.
Below you can find the original,
quite simple gradient I used.
the gradient's angle
e to fit the perspective of your
#t4fla9 #ffm} character.
l(';iltt,. We'll finally add a shadow-
layer to set the overlapping
characters apart from each other
and to accentuate the illusion of
depth: Duplicate your extrusion
-layer, .. change it's color to black
(CTRL-click the layer, .. hit DEL
.. and fill the selection with black) .. and position it
below the other text-layers. Choose Filter Blur
Gaussian Blur. . . and apply a value of around 20px. Use
your fB: fraser-tool (E) with a soft, round brush or a
a Layer-Mask to remove the unwanted parts of your
shadow-layer.
5
Vector swirls are visually appealing and easily created
elements that I personally appreciate a lot as they
allow me to add additional details and elements to my
illustrations. As we are using Photoshop, the end result
will not be a true vector shape but we are going to use
one of Photoshop's most powerful and versatile vector
tools to create the swirls: The 1\f Pen Tool (P).
ILLUSTRATING VECTOR-SWIRLS
In case you are not familiar with the Pen-
Tool and the principles of Bezier-curves,
I highly recommend you read up on the
subject. Once you realize the potential
of working with the Pen Tool and get a
grip on it you will wonder how you could
have ever lived without it.
ft Select your l\f Pen-Tool (P) and
--- make sure it is set to fllf Paths.
Draw a path that tangents your
character(s) a couple of times. In case
you want to alter the path, use your
Selection Tool (A).
Create a new layer (SHIFT +CTRL +
N), .. select your "'Brush-Tool
and choose a hard brush with a
diameter of around 20px (any other
diameter will of course do just as
well). Now, select your 1\f Pen-Tool
again, .. right -click the path and ..
ld'Brush 3 c::K:J choose Stroke Path ... -make
r- Sir<Jate Pressure sure the dialog says "Brush"
and that the option Simulate Pressure is activated. This
will make your stroke appear smoother at the
beginning and end of the path.
5[ madPotato.de ..t4t
next step. Once you are . ...
happy with the outcome, f.:: ... _: 1-m 3
close the dialog. :;:
" r #:jf
w.;. C) r;;-.
#teae31
1
Sui "r==
Ill:\ To make the swirl appear
hidden behind parts of your
characters, simply use your fB:
Eraser (E) with a soft, round brush.
If you want to re-use your swirls or
there is the chance that you want
to modify the hidden parts at a
later stage I recommend you
alternatively add a l!ll Layer Mask, ..
use your W. Polygonal Lasso- (L) or
1\f Pen-Tool (P) to create a
selection .. and fill it with black.
Finally, duplicate the swirl-layer,
select Clear Layer Style, .. change it's color to black, ..
place the duplicated layer below the swirl-layer ..
and apply a Gaussian Blur to create a shadow. If you
used a Layer Mask, duplicate the original swirl-layer's
mask (Press and hold CTRL +ALT while dragging &
dropping the Layer Mask).
6
The illustration is nearing it's completion. Let's add
some more visual effects and eye-candy to top it
off.
ILLUSTRATING ADDITIONAL VISUAL EFFECTS
ft The speckled, dusty effect you
--- can see to your right was
created using the custom smudge-
brush that came with this tutorial.
Simply create a layer that contains
some vivid colors and/ or textures
and use your W. Smudge-Tool (R)
with it's strength set to around
70% to gradually work out the effect. Use different
brush sizes to create different layers of depth.
Issue 02108 ("Digital Illustration With Adobe Photo-
shop") explains the creation of the brush and how to
use it (more precisely: steps 6 to 9). You can grab a copy
at ' 0 www.madPotato.de/Tutorial s
Another method I
jill use frequently to
optimize the final
compositon includes
using a blurred copy of
the illustration with an
alternate Blend Mode
and inverted I modified
colors. As you can see I
created an alternate
version of the
illustration with
different colors and
copied the whole thing
into a new layer (Select
all and hit SHIFT +CTRL
+C to copy all layers) .
Then, I employed the
Gaussian Blur-filter. The strength depends on the effect
you want to achieve, the rule of thumb is: The more you
blur your layer the more dramatic the effect will be.
But if you overdo it you will lose a lot of detail so it's
really a matter of trial and error to find the perfect
amount of blur. I finally set the Blend Mode of the
blurred layer to Soft Light but feel free to experiment -
each Blend Mode has it up- and downsides.
Q If you want to alter
the overall color-
scheme of the
illustration and/or want
to create different
variations of your
illustration, add a
Gradient Map-
adjustment l ayer on
top of all other layers and experiment with it's Blend
Mode. In this case I added a pink gradient and set the
Blend Mode to Color Burn.
' 0 The original cover illustration contains three
different (hidden) Gradient Map-adjustment layers -
take a look at the AlternativeColorSchemes-group. Two
l ayers say "Hide Layer 29", which you should do if you
want to recreate the ori ginal color-variations I
released.
That's it - if you had the stamina to follow the tutorial
up t o this point you should now be equipped with a
multitude of approaches, techniques and ideas to come
up with a vast amount of different 3D-typographic
illustrati ons. All the best and I hope to see you next
month!
6[ madPotato.de ..t4t
-+ ACKNOWLEDGEMENT,
& FURTHER READING
An up-to-date version of this tutorial and any
previ ously published versions can be found at my
portfolio over at http: / /www.madpotato.de
The tutorial's cover illustration was originally
inspired by the beautiful "WERE"-i llustrat ion which
you can check out here: http:! l www.clor.net/?p=55
If you want to learn more about the creation and
use of the Smudge-brush portrayed in step 6,
download issue 02-08, " Digital Illustration With
Adobe Photoshop": http: I /www.madPotato.de/ Tutori als
The overall design of this tutorial has been heavily
inspired by computerArts' large collect ion of
extremely informative tutorials- if you've enjoyed
this tutorial you're going to love theirs:
http: I I computerarts.co. uk
http: I /www.madpotato.de
Patrik Hubner - digital illustrator and webdesigner
A print-ready, high resolution version of this tutorial i s available upon request.
You are very welcome to spread this tutorial but please include a link back to
my website for other people to get their hands on my images, tutori al s and
resources as well. Issue 08/05 - 1st edi t ion- June 1st 2008
C-:\ creative
Released under a Creati ve Commons Attribution-Noncommerci al license
http: I I creativecommons.org/ licenses/ by-nc/ 3.0/
Issue 08/ 04
Create A Sexy SmartPhone
Illustration From Scratch
Issue 08/ 03
Vectors Wi t h A Laci ng Of 30
' I> Coverlllustration.psd
The original, layered illustration.
' I> BubbleBrush_Preset.abr
Original bubble-brush-preset
' I> BubbleBrush_PSD.psd
Original bubble-brush vector file
' I> 3D-Extrusion_Actions.atn
8 ready-to-use 3D-extrusion act ions
' 0 SmdugeBrush_Preset.abr
Origi nal brush for use with the Smudge-
tool
All files were creat ed using Adobe Photoshop CS3 and may not
work with older versions of this application. Released " AS IS" -
by opening I using any of t he supplied files you accept t hat
you do so at your own risk. The author can under no
circumstances be held rel iable for any intellectual or physical
l oss that may result f rom using t he supplied resources.
All files are licensed for non-commercial use according to t he
specified creative commons-license. Commercial use: Contact
info@madPotato.de for details and pricing.