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  • Laura Mulvey - Visual Pleasure and Narrative Cinema

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    Mauro Luciano
    3K просмотров8 страниц
    Laura Mulvey argues that classical Hollywood cinema is structured to provide visual pleasure for the (presumed male) viewer by objectifying and fetishizing the female form. She claims that narrative films are organized around the male gaze and the active male protagonist, positioning women as passive objects of this gaze which satisfies unconscious castration anxiety. Mulvey proposes that psychoanalytic techniques could be used to analyze the ideological underpinnings of visual pleasure in mainstream films and to develop a feminist counter-cinema that disrupts and restructures dominant modes of scopophilia.

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    article by Laura Mulvey

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    Laura Mulvey - Visual Pleasure and narrative cinema

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    Laura Mulvey argues that classical Hollywood cinema is structured to provide visual pleasure for the (presumed male) viewer by objectifying and fetishizing the female form. She claims that narrative films are organized around the male gaze and the active male protagonist, positioning women as passive objects of this gaze which satisfies unconscious castration anxiety. Mulvey proposes that psychoanalytic techniques could be used to analyze the ideological underpinnings of visual pleasure in mainstream films and to develop a feminist counter-cinema that disrupts and restructures dominant modes of scopophilia.

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    3K просмотров8 страниц

    Laura Mulvey - Visual Pleasure and Narrative Cinema

    Загружено:

    Mauro Luciano
    Laura Mulvey argues that classical Hollywood cinema is structured to provide visual pleasure for the (presumed male) viewer by objectifying and fetishizing the female form. She claims that narrative films are organized around the male gaze and the active male protagonist, positioning women as passive objects of this gaze which satisfies unconscious castration anxiety. Mulvey proposes that psychoanalytic techniques could be used to analyze the ideological underpinnings of visual pleasure in mainstream films and to develop a feminist counter-cinema that disrupts and restructures dominant modes of scopophilia.

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    из 8

    Mulvey, Laura. Visual Pleasure and Narrative Cinema. Film Theory and Criticism : Introductory Readings. Eds.

    Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999: 833-44.

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