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Guest Blog by Koorosh Daryaie Hello Friends, Many of you know my work as the drummer for rock bands like Silence and LXIX, and solo artists such as Woody Moran and Kirsten Hansen. What most of you might not know is that I spend as much time playing percussion and programming drums as I do actually drumming. Last year I was in the studio programming drums and playing percussion on my great friend Woody Morans Tu-Toned Stranger album when the resident studio engineer, Ryan Kushner, asked me what my secret was to humanizing programmed drums. After an hour-long explanation and perhaps being sorry that he asked, Ryan encouraged me to share my thoughts and procedures with other aspiring drummers and drum programmers.
the song pushes, or drags. I then calculate the different sections of the song (verse, chorus, bridge, break), and if necessary ask the artist to make a decision to either speed up or slow down the song for a stronger feel.