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www.greatkilns.com
Division of Haugen Mfg. P. O. Box 1347, 4225 Thurmon Tanner Parkway Flowery Branch, GA 30542 Sales (800) 241-4400 Help Line (770) 967-4009 Fax (770) 967-1196 Email info@greatkilns.com
Model & Serial Number Identification............................................................3 Locating Your Kiln..........................................................................................4 Electrical Requirements..................................................................................4 Assembly & Preparation of Your Kiln .............................................................7 Taking Apart a Stackable Electric Kiln.....................................................8 Counter Weight Lid System....................................................................9 Kiln Operation...............................................................................................15 Kiln Equipped with Pyrometer. ..............................................................15 Kiln Equipped with Electronic Controller...............................................16 Electro Sitter. .........................................................................................24 Electronic Wall Unit. .............................................................................25 3 Zone Control......................................................................................25 Dual Media...........................................................................................25 Electric Raku. ........................................................................................26 Loading Kiln for Pottery and Ceramics............................................................28 Kiln Firing......................................................................................................30 Kiln Maintenance...........................................................................................32 Replacing Parts......................................................................................33 Kiln Troubleshooting. .....................................................................................39 Warranty........................................................................................................Back Cover
Olympic Kilns
Firing your ware is an art, not a science. You may need several tests and trials to perfect your firings. This book will give you suggestions on how to fire your kiln, but ultimately you will have your own unique firing method.
If you have any additional questions that are not covered in the manual, please contact your distributor or us either by phone (770) 967-4009, e-mail (info@greatkilns.com) or fax (770) 967-1196 and provide the kiln model number and serial number located on the silver tag on the kiln.
ELECTRIC KILN
MODEL XXXXXXXXXXXX SN XXXXXX VOLTS XXX AMPS XXX WATTS XXXXX PHASE X HZ XX MAX. TEMP XXXXF CONE XX
When Operating: Fire Only on Metal Stand Provided Avoid Contact with Outside of Kiln During Firing Provide 10-inch Minimum Clearance Between Kiln and Wall or Other Combustibles Disconnect Power Supply Cord When Interior Reaches Maximum Temperature HAUGEN MANUFACTURING INC. 4225 THURMON TANNER ROAD FLOWERY BRANCH, GA 30542
Model Designation
Olympic Kiln models signify their interior dimensions on most kilns and letters are abbreviations of how the kiln is built and equipped.
Kiln has 3 brick and fires to cone 10, 2350F
2327HE
DM E FL H HB KS P S T TopHat
Olympic Kilns
dual media kiln designed for glass and ceramics firing kiln equipped with an electronic controller front loading high-fire, 3 brick and kiln fires to cone 10, 2350F HotBox, small 120 volt high firing kilns; ex: HB84E kiln equipped with kiln sitter kiln equipped with pyrometer a solid stainless steel jacket kiln the kiln has a kiln sitter and timer dual media kiln designed for glass and ceramics firing 3
Electrical Requirements
ELECTRICAL HOOK-UP To provide the performance it was designed to give, your new kiln must have the proper outlet and breaker to supply adequate voltage and amperage. An incorrect connection may cause disappointing or even hazardous results. A qualified electrician needs to be consulted to determine whether your wiring is adequate. Electric kilns running on 120 volts will plug into a standard outlet if the power cord is a NEMA 5-15 but require a NEMA 5-20 receptacle if the power cord is 5-20. Any kiln running over 24 amps with a power cord will have a NEMA 6-50 plug. Any kiln over 50 amps will be direct wired. See configurations under electrical specifications chart. Standard electric kilns will run on 240 volts, single phase. If your kiln was ordered 208 volts, single or threephase power, it will be noted on the nameplate on the kiln. Any kiln ordered three-phase will be direct wired. Please review the following chart for proper hook-up information. Note: Olympic Kilns creates new kilns every year and the model number may not be on the chart. The Olympic Kilns web site www.greatkilns.com will always have the latest and most updated information available. Check the site if you do not find the model on the chart.
Olympic Kilns
HB64, HotBox, HB86, HB84, HB89, DOLL/TEST 129FL, 139FL 129, 1214-120, 1214 E Raku
15 15 16
20 20 20
Model
Amps 240/208 volts 13/15 15/17 20/23 21/24 26/28 26/30 26.25/30 29/32 31/36 34/38 34/40 35/40 36/41 38/42 39/43
Watts
Copper Wire Size #12, #10 if circuit is longer than 40 ft. #12, #10 if circuit is longer than 40 ft. #10, #8 if circuit is longer than 40 ft. #10, #8 if circuit is longer than 40 ft. #10, #8 if circuit is longer than 40 ft. #10, #8 if circuit is longer than 40 ft. #10, #8 if circuit is longer than 40 ft. #8, #6 if circuit is longer than 40 ft. #8, #6 if circuit is longer than 40 ft. #8, #6 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft.
1214FL, 1214-240 149FL, 1414FL, 1414, Freedom 1414HE S1814 1818FL, S18, S18H, 1818, 1818H TopHat 189 1823FL, S1823, S1823HE 1823 E Raku, 1823 (formerly 1823W), 1823H, Freedom 1823HE DM 1818HE 1827, 1827H DM 1823HE 2318H, 2818 2518, 2523 2318, 2323 (formerly 2323W), 2018 TopHat 239 TopHat 289
3,120 3,600 4,800 5,040 6,240 6,240 6,300 6,960 7,560 8,160 8,400 8,400 8,600 9,120 9,360
Olympic Kilns
Model 2323H, Freedom 2323HE, 2818H 2018H 2518H, 3018, DM2318HE TopHat 2314 2327, 2327H, Freedom 2327HE, 2331 2827 2027 DM2323HE, DM2818HE, TopHat 2814 2823H, Freedom 2823HE, 2023H, 2523H, 2527 2331H DM2327HE 3018H DM2823HE, DM2023HE, DM2523HE 2027H, 2527H, Freedom 2527HE, 2827H, Freedom 2827HE, 3027 DM2827HE 2831H 2531H DM3018HE 3023H DM3023HE 3027H 3031H
Amps 240/208 volts 40/46 41/47 42/48 45/50 47/48 47/49 47/54 48/54 48/55 54/62 55/56 55/63 56/63 56/64 64/72 64/73 65/75 67/71 70/80 78/88 80/92 85/98
Watts
Breaker Required 240/208 volts 50/60 60 60 60/70 60 60/70 60/70 60/70 60/70 70/80 70 70/80 70/80 70/80 80/100 80/100 80/100 90/100 90/100 100/120 100/120 100/130
Copper Wire Size #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #6, #4 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft. #4, #2 if circuit is longer than 40 ft.
Receptacle, 2 Pole-3 Wire NEMA Configuration 240/208 6-50R 6-50R 6-50R 6-50R/Direct Wired 6-50R 6-50R 6-50R/Direct Wired 6-50R/Direct Wired 6-50R/Direct Wired Direct Wired Direct Wired Direct Wired Direct Wired Direct Wired Direct Wired Direct Wired Direct Wired Direct Wired Direct Wired Direct Wired Direct Wired Direct Wired Olympic Kilns
9,600 9,840 10,080 10,800 11,280/ 9984 11,280 11,280 11,520 11,520 13,080 13,200 13,200 13,440 13,440 15,360 15,360 15,600 16,080 16,800 18,720 19,200 20,400
Olympic Kilns
If the lid brace of your kiln was disconnected for shipping, it should be reconnected. Slide arm through brace pads and secure with nut. When opening the lid, insure the lid brace is locked by hooking it to the body brace pad. Do not release kiln lid until the brace is locked.
Double Bar
Single Bar
The counter weight lid system comes complete with stand, kiln feet and frame pieces for easy, simple installation. There are two systems, 1) double bar for oval and GF 2, 3, 6 series kilns; and 2) single bar for all other models.
For kilns ordered with a vent, the vent cup will need to be placed on the frame of the double bar stand before setting the kiln floor on the stand. Olympic Kilns
Position kiln floor and rings on stand with hose clamps on the stainless steel jacket facing the back supports. Plug in twist n lock interbox plugs and receptacles.
Position arm lifter holes to match back of vertical back support holes and holes of lid hinge. Insert stiffening strut through holes and lock in place with cotter pin.
Tighten bolts on back of frame of lid opener. Lift kiln lid straight up and attach ring lock to arm lifter. Slowly lower lid to closed position.
When lid lifter is attached in back, insert bolt into front of bar and screw nut to hold.
10
Position kiln floor and rings on stand with hose clamps on the stainless steel jacket facing the back supports.
Position arm lifter holes to match back of vertical back support holes and holes of lid hinge. Insert stiffening strut through holes and lock in place with cotter pin. Olympic Kilns
11
Lift kiln lid straight up and attach ring lock to arm lifter. Slowly lower lid to closed position.
When lid lifter is attached in back, insert bolt into front of bar and screw nut to hold.
12
Olympic Kilns
Firing Chamber
Your new kiln is constructed of insulating firebrick which is hand selected for the highest quality. This lightweight brick is an efficient insulator, which forms the firing chamber. In Olympics standard line of electric kilns the bricks are held together by compression of the stainless steel jacket. The wall bricks are not cemented together to facilitate maintenance of your kiln if necessary.
Elements
Your kiln is equipped with iron-chrome Kanthal A-1 type elements, suitable for high fire use. The elements are pinned in place to prevent contraction and intrusion into the firing chamber. Kiln elements will become brittle after a few firings, so care should be taken if handling is necessary. When your kiln is first turned on, it is normal for the elements to hum for a short time and the clicking sounds you hear are from the relays turning the elements on/off as they go through the firing cycle. An element is designed to have a very long life and is capable of many firings. The lifespan can be shortened considerably by contact with materials such as bits of bisque, glaze, glass, cones, metal, or kiln wash. Keep your elements clean by vacuuming the inside of your kiln regularly.
Observation Holes/Plugs
The observation holes of the kiln allow viewing of the firing chamber and pyrometric witness cones used in pottery and ceramics. They also provide an escape for water vapor and gases. The tapered shape and mortar coating of the peep hole insure a good fit for an observation hole plug, and eliminate abrasion of the brick by the observation hole plug. Use dark glasses or a number five welders lens when looking through an observation hole to reduce excessive glare from a hot firing chamber. Observation hole plugs are hollow ceramic and should be treated with care.
Electric kilns have a pilot indicator light, which illuminates when the kiln is activated.
Many of the Olympic models come with a brick wedge to prop the kiln lid during the early stages of firing. The wedge is soft brick and will not abrade the refractory coating of the lid. DO NOT USE OTHER ITEMS SUCH AS KILN FURNITURE (SHELVES AND POSTS) AS A PROP SINCE THIS WILL DETERIORATE THE LID AND THE KILN BRICK.
LID WEDGE
Olympic Kilns
13
BRICK WEDGES ARE NOT TO BE USED ON OVAL LIDS AND ARE NOT INCLUDED IN KILN ACCESSORY BAGS FOR OVAL, HB64, HOTBOX, HB86, ELECTRIC RAKU, OR FRONT LOADING MODELS.
Kiln Stand
Your kiln must be fired only on the metal stand or frame provided. The space beneath the kiln is necessary for air circulation, and prevention of heat build up. ALWAYS make sure the stand is level to avoid problems such as glaze flow, kiln sitter activation.
Power Cord
If your kiln is equipped with a power cord, do not add extension cords to the kilns power cord plug. Doing so will void the warranty of the product. The power cord on a kiln is heavily insulated and designed to meet UL requirements. A standard extension cord will not be able to handle the power and may cause a fire hazard.
14
Olympic Kilns
Kiln Operation
KILN EQUIPPED WITH PYROMETER
An infinite switch controls the heating rate and power flowing through the kiln. The pyrometer shows the kiln temperature in the firing chamber. It can be used to help you control the heating or cooling rate of your kiln. It is the kiln operators responsibility to monitor the kiln at all times. These kilns do not have a shut-off device and must be turned off by the kiln operator. If your kiln has the pyrometer installed on the kiln, you will adjust the temperature in the kiln by turning the infinite switch either up or down. The kiln operator must turn the kiln off when the firing is complete. Do not leave the kiln unattended while firing. Wall-mounted pyrometer 1) Most Olympic kilns have a hole punched through the stainless steel jacket that allows you to drill a hole through the exposed brick for insertion of the thermocouple. The thermocouple should be inserted so it extends into the firing chamber 1 inch. 2) The pyrometer needs to be wall mounted away from the kiln since the heat will damage the instrument. The pyrometer should registered around 100 F at room temperature. If you need to calibrate the pyrometer, adjust the instrument by turning the setscrew on the face below the meter.
Setscrew
Olympic Kilns
15
Standard electric kilns are equipped with the Bartlett Instruments 3-Key-Cone-Fire, V6-CF or RTC-1000 electronic controller.
Cone-Fire mode is based on pyrometric cones. It is not designed for heat-treating, glass fusing and enameling. Use Ramp-Hold to fire ceramic pieces that require a custom firing schedule, such as some types of stoneware sculpture or crystalline glaze. To fire faster than Cone-Fire Fast speed, use Ramp-Hold. Pyrometric Witness Cones in Ceramic Firings Although the controller fires the kilns electronically, every ceramic firing should include shelf or witness cones. They measure heat work accurately and give a history of the firing. If you fire the same sized load and type of ware regularly, the shelf cones let you compare one firing to the next and alert you when something is wrong. For example, if the shelf cone bends farther and farther with each consecutive firing, this may indicate thermocouple temperature drift. The Orton Ceramic pyrometric cone charts on the following pages show end temperature range for slow and fast cone firings.
16
Olympic Kilns
Olympic Kilns
Small 108 270 108 270 108 270 540
Regular
Cone
27
108
270
27
Pyrometric cones have been used to monitor ceramic firings for more than 100 years. They are useful in determining when a firing is complete, if the kiln provided enough heat, if there was a temperature difference in the kiln or if a problem occurred during the firing. Cones are made from carefully controlled compositions. They bend in a repeatable manner (over a relatively small temperature range - usually less than 40 F). The final bending position is an indication of how much heat was absorbed. Behavior of Pyrometric Cones
1600 1650 1695 1747 1776 1814 1855 1909 1951 1983 2014 2046 1627 1686 1735 1780 1816 1854 1899 1942 1990 2021 2053 2082 2109 2124 2104 2120 1639 1702 1755 1800 1828 1870 1915 1956 1999 2039 2073 2098 1623 1683 1733 1778 1816 1852 1890 1940 1989 2016 2052 2079 1636 1699 1751 1796 1825 1868 1911 1953 1996 2035 2070 2095
Cone bending may also be affected by reducing atmospheres or those containing sulfur oxides. Orton recommends the use of Iron-Free cones for all reduction firings (cones 010-3). If a cone is heated too fast, the cone surface fuses and binders used to make cones form gases that bloat the cone. If cones are to be fired rapidly, they should be calcined (pre-fired) before use. Cones should be calcined to about 850F (455C) in an air atmosphere. If a cone is soaked at a temperature near its equivalent temperature, it will continue to mature, form glass and bend. The time for the cone to bend depends on several factors and as a general rule, a 1 to 2 hour soak is sufficient to deform the next higher cone number. A soak of 4 to 6 hours will be required to deform two higher (hotter) cones.
2066
Typically, it takes 15 to 25 minutes for a cone to bend once it starts. This depends on the cone number. The cone bends slowly at first but once it reaches the half way point (3 oclock), it bends quickly. When the cone tip reaches a point level with the base, it is considered properly fired. This is the point for which temperature equivalents are determined. Differences between a cone touching the shelf and a cone at the 4 oclock position are small, usually 1 or 2 degrees.
022 021 020 019 018 017 016 015 014 013 012 011 010 09 08 07 06 05 05 04 03 02 01 1 2 3 4 5 5 6 7 8 9 10 11 12 13* 14*
1166 1189 1231 1333 1386 1443 1517 1549 1598 1616 1652 1679 1686 1751 1801 1846 1873 1909 1944 2008 2068 2098 2152 2163 2174 2185 2208 2230 N/A 2291 2307 2372 2403 2426 2437 2471 N/A N/A
1213 1267 1301 1368 1382 1395 1485 1549 1575 1636 1665 1692 1764 1798 1839 1870 1915 1960 1972 1999 2028 2034 2039 2086 2118 2133 2165 2194 2212 2235 2284 2322 2345 2389 2464
1087 1112 1159 1252 1319 1360 1422 1456 1485 1539 1582 1607 1657 1688 1728 1789 1828 1859 1888 1945 1987 2016 2046 2079 2088 2106 2124 2167 2197 2232 2262 2280 2300 2345 2361 2383 2428 2489 N/A N/A N/A 1249 1314 1357 1416 1450 1485 1539 1576 1603 1648 1683 1728 1783 1823 1854 1886 1940 1987 2014 2043 2077 2088 2106 2120 2163 N/A 2228 2259 2277 2295 2340 2359 2379 2410* 2530*
1094 1143 1180 1283 1353 1405 1465 1504 1540 1582 1620 1641 1679 1706 1753 1809 1855 1877 1911 1971 2019 2052 2080 2109 2127 2138 2161 2205 2237 2269 2295 2320 2336 2381 2399 2419 2458 2523
N/A N/A N/A 1279 1350 1402 1461 1501 1537 1578 1616 1638 1675 1702 1749 1805 1852 1873 1915 1958 2014 2048 2079 2109 2124 2134 2158 2201 N/A 2266 2291 2316 2332 2377 2394 2415 2455* 2491*
Temperatures shown on the charts were determined under controlled firing conditions in electric kilns and an air atmosphere. Temperatures are shown for specific heating rates. These heating rates are for the last 100C or 180F of the firing. Different heating rates will change the equivalent
The Edward Orton Jr. Ceramic Foundation P .O. Box 2760 Westerville, OH 43086-2760 (614) 895-2663 (614) 895-5610 fax info@ortonceramic.com www.ortonceramic.com
These tables provide a guide for the selection of cones. The actual bending temperature depends on firing conditions. Once the appropriate cones are selected, excellent, reproducible results can be expected. Temperatures shown are for specific mounted height above base. For Self Supporting - 1; for Large - 2; for Small - 15/16. For Large Cones mounted at 1 height, use Self Supporting temperatures. * These Large Cones have different compositions and different temperature equivalents.
17
18
Small
Regular
Cone
15
60
150
15
60
150
60
150
60
150
300
Pyrometric cones have been used to monitor ceramic firings for more than 100 years. They are useful in determining when a firing is complete, if the kiln provided enough heat, if there was a temperature difference in the kiln or if a problem occurred during the firing. Cones are made from carefully controlled compositions. They bend in a repeatable manner (over a relatively small temperature range - usually less than 40 F). The final bending position is an indication of how much heat was absorbed. Behavior of Pyrometric Cones
Cone bending may also be affected by reducing atmospheres or those containing sulfur oxides. Orton recommends the use of Iron-Free cones for all reduction firings (cones 010-3). If a cone is heated too fast, the cone surface fuses and binders used to make cones form gases that bloat the cone. If cones are to be fired rapidly, they should be calcined (pre-fired) before use. Cones should be calcined to about 850F (455C) in an air atmosphere. If a cone is soaked at a temperature near its equivalent temperature, it will continue to mature, form glass and bend. The time for the cone to bend depends on several factors and as a general rule, a 1 to 2 hour soak is sufficient to deform the next higher cone number. A soak of 4 to 6 hours will be required to deform two higher (hotter) cones.
871 899 924 953 969 990 1013 1043 1066 1084 1101 1119 1154 1162 1151 1160
886 919 946 971 991 1012 1037 1061 1088 1105 1123 1139
893 928 957 982 998 1021 1046 1069 1093 1115 1134 1148
884 917 945 970 991 1011 1032 1060 1087 1102 1122 1137
891 926 955 980 996 1020 1044 1067 1091 1113 1132 1146
1130
Typically, it takes 15 to 25 minutes for a cone to bend once it starts. This depends on the cone number. The cone bends slowly at first but once it reaches the half way point (3 oclock), it bends quickly. When the cone tip reaches a point level with the base, it is considered properly fired. This is the point for which temperature equivalents are determined. Differences between a cone touching the shelf and a cone at the 4 oclock position are small, usually 1 or 2 degrees.
022 021 020 019 018 017 016 015 014 013 012 011 010 09 08 07 06 05 05 04 03 02 01 1 2 3 4 5 5 6 7 8 9 10 11 12 13 14
656 686 705 742 750 757 807 843 857 891 907 922 962 981 1004 1021 1046 1071 1078 1093 1109 1112 1115 1141 1159 1167 1185 1201 1211 1224 1251 1272 1285 1310 1351
586 600 626 678 715 738 772 791 807 837 861 875 903 920 942 976 998 1015 1031 1063 1086 1102 1119 1137 1142 1152 1162 1186 1203 1222 1239 1249 1260 1285 1294 1306 1331 1365
590 617 638 695 734 763 796 818 838 861 882 894 915 930 956 987 1013 1025 1044 1077 1104 1122 1138 1154 1164 1170 1183 1207 1225 1243 1257 1271 1280 1305 1315 1326 1348 1384
N/A N/A N/A 676 712 736 769 788 807 837 858 873 898 917 942 973 995 1012 1030 1060 1086 1101 1117 1136 1142 1152 1160 1184 N/A 1220 1237 1247 1257 1282 1293 1304 1321* 1388*
N/A N/A N/A 693 732 761 794 816 836 859 880 892 913 928 954 985 1011 1023 1046 1070 1101 1120 1137 1154 1162 1168 1181 1205 N/A 1241 1255 1269 1278 1303 1312 1324 1346* 1366*
630 643 666 723 752 784 825 843 870 880 900 915 919 955 983 1008 1023 1043 1062 1098 1131 1148 1178 1184 1190 1196 1209 1221 N/A 1255 1264 1300 1317 1330 1336 1355 N/A N/A
Temperatures shown on the charts were determined under controlled firing conditions in electric kilns and an air atmosphere. Temperatures are shown for specific heating rates. These heating rates are for the last 100C or 180F of the firing. Different heating rates will change the equivalent
The Edward Orton Jr. Ceramic Foundation P .O. Box 2760 Westerville, OH 43086-2760 (614) 895-2663 (614) 895-5610 fax info@ortonceramic.com www.ortonceramic.com
These tables provide a guide for the selection of cones. The actual bending temperature depends on firing conditions. Once the appropriate cones are selected, excellent, reproducible results can be expected. Temperatures shown are for specific mounted height above base. For Self Supporting - 1; for Large - 2; for Small - 15/16. For Large Cones mounted at 1 height, use Self Supporting temperatures. * These Large Cones have different compositions and different temperature equivalents.
Olympic Kilns
4.
5. 6. 7.
8.
Olympic Kilns
19
20
Olympic Kilns
BARTLETT V6-CF CONTROLLER Step 1: Turn the kiln on and the message will display ERRP, press 1, which clears the display. Idle will display alternately with the room temperature flashing on the controller display. Step 2: Select one of the options for cone firing. You can think of the Slow and Fast bisque as firing the kiln at Slow, Slow-Medium speeds and the Slow and Fast Glaze as firing the kiln at Medium and Fast speeds. In other words, you can use the Fast Glaze for bisque firing if you want the kiln to fire as fast as it can. Once you select the option, press ENTER. Step 3: Enter the cone number you wish to fire; example Cone 05, press zero and five and then press ENTER. Step 4: The controller will display HLD, asking if you need a hold time. If no, press 0000 and ENTER. If yes, press the number of minutes and press ENTER. Step 5: The controller display will read CPL for complete. You may now press START and the kiln will being firing.
Slow Rate Firing Bisque or Glaze Slow to Medium Rate Firing Bisque or Glaze Medium Rate Firing Bisque or Glaze Fast Firing Rate Bisque or Glaze
VARY-FIRE RAMP/HOLD PROGRAMMING On the left hand side of the controller you may choose the VARY FIRE METHOD to fire. This allows you to create your own programs for customized firings. Press ENTER PROG and then press ENTER. USER 1 will be displayed. There are six programs in the controller identified as USER 1-6 with eight segments per program. Press ENTER after USER 1 is displayed and the controller will request how many segments you will need. (If you wish to run one of the other User programs, press 2 - 6 to reach the desired program.) A segment is a rate of rise in temperature per hour, which reaches an end point temperature and a hold time. Depending on the number of segments you need, press that number and then press ENTER.
Olympic Kilns
21
The controller will then ask what the rate in rise is needed to run the first segment. The controller will display rA 1 for segment 1, rA 2 for segment 2 and so forth. Enter the degrees (example 250 F) you want the kiln temperature to rise per hour and then press ENTER. You can also decrease temperature by following the same steps and entering a lower end temperature at the completion of the segment. The controller will ask what end temperature you want the kiln to reach in the designated segment (example 1250 F) and press ENTER. The controller will ask if you need to Hold for a certain amount of time during the current segment. Enter the minutes or hours you need and press ENTER. When you have entered all your segments the controller will display ALAr for alarm. If you do not require an alarm, press 9999 so that the alarm will not go off and press ENTER. If you require an alarm, enter the temperature you want the alarm to sound. The controller will display CPL for complete, press START if you are ready to fire. The USER programs stay in the controllers memory until you enter new information. Under the Options section the feature DELAY allows you to delay firing until you are ready. After you have entered your program and the START key, press DELAY, press ENTER, and the number of hours later you want the kiln to begin firing. Enter number of hours and press ENTER. OTHER section allows you to preheat the ware in the kiln if needed.
The controller will ask what end temperature you want the kiln to reach in the designated segment (example 1250 F) and press ENTER. The controller will ask if you need to Hold for a certain amount of time during the current segment. Enter the minutes or hours you need and press ENTER. When you have entered all your segments the controller will display ALAr for alarm. If you do not require an alarm, press 9999 so that the alarm will no go off and press ENTER. If you require an alarm, enter the number of hours you in which you want the alarm to sound. The controller will display CPL for complete, press ENTER if you are ready to fire and then press START for the kiln to begin firing. The USER programs stay in the controllers memory until you enter new information. DELAY allows you to delay firing until you are ready. After you have entered your program and the START key, press DELAY, press ENTER, and the number of hours later you want the kiln to begin firing. Enter number of hours and press ENTER.
The RTC-1000 controller provides the ability to add time or skip a segment during a firing. If you find during a segment that you need to increase your hold time, press ADD TIME (2) and you will be able to increase the HOLD time in that segment. If you find you need to skip a segment in one of the USER programs, when the segment comes up during the firing, press 9 and SStP will appear. Press ENTER and the segment will be skipped during the firing.
Olympic Kilns
23
Install Electro Sitter in the same location as the former kiln sitter plate.
Connect wires to back of Electro Sitter just like the connections to the back of the kiln sitter.
Thermocouple will show through brick wall at a maximum of 1. Pack kiln sitter hole with ceramic fiber to seal it.
Install electrical box back on kiln with Electro Sitter installed. Olympic Kilns
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Kilns wired for kiln sitters are wired differently from those wired for electronic controllers. An electronic wall unit may be added to a kiln sitter equipped kiln so they may run by controller; however because of the differences in wiring, the controller is placed on the wall and the thermocouple from the wall unit is placed inside the kiln. Wall units are available for 120 volt, 20-30-50-100- amp, and three-phase wired kilns with the choice of the 3 Key-Cone Fire, V6-CF or RTC-1000 as the controller. The controller on the wall unit operates the same as if it was attached to the electrical box on a kiln. To install the wall unit follow the steps below. 1. Attach wall mount control vertically to wall. 2. Plug or direct wire Wall Unit to the power source 3. Plug or direct wire the kiln into the wall unit 4. Drill a hole the size of the wall units thermocouple through the kiln wall and insert thermocouple from wall unit into the kiln. Insert thermocouple approximately 1 inside the kiln. 5. Place a junior cone that is one size hotter than you intend to fire into the kiln sitter and activate the kiln sitter. 6. Turn all switches on the kiln to the high setting. 7. Read electronic controller instructions thoroughly and follow programming instructions that best suit your firing requirements. ZONE CONTROL Kilns equipped with electronic controllers have the option of zone control. The standard built electronic control kiln has one zone, one thermocouple senses the kilns temperature and sends the information back to the controller. When a kiln is 2-zone or 3-zone, two or three thermocouples are placed in each section of the kiln to regulate temperature. 2-zone control has two thermocouples for the top and bottom section of the kiln. 3-zone kiln has three thermocouples, one in the top, middle and bottom section of the kiln. Each thermocouple senses the temperature in the particular section it sets and can be read through the controller display by pressing the Options key. Infinite switches for each zone allow the kiln operator to manually adjust the element output as needed. To select an individual zone, press 1, 2 or 3 and the temperature of the selected zone will be displayed. Pressing 8 will illuminate indicator lights in the display showing which zone is on. Lid Element
DUAL MEDIA KILNS Dual Media kilns are designed to fire ceramics and glass
240-208 volt Dual Media kilns have a lid element for glass fusing. The kiln operator manually activates the lid element with the rotary switch. The switch is turned to the desired intensity (0 - HI) when the lid element is in use.
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The tops of shelves and kiln bottom must be kiln washed to protect against drops of glaze. The kiln lid and the underside of shelves must be clean to prevent dust particles from falling on the glazed ware. Glazed ware must be stilted and dry footed to prevent sticking to the shelves. (Dry footing is removing all glaze from the portion of the piece that will rest on the shelf. A wet sponge or piece of cloth can be used for this.) For low fire (cone 04, 05, 06) glazes, stilting is recommended. If a piece wobbles when stilted, it may fall during the firing. Be sure all stilted pieces are solid. Note: Be sure your hands are clean when loading glaze. Loading Overglaze (China paints, lusters, metallics applied over a glazed surface and fired.) Overglaze ware is loaded in the kiln in the same manner as ordinary glazed pieces. Ware must be prevented from sticking by the use of stilts, and care should be taken so pieces do not touch each other. Plates will fire best when supported by a rack or when placed on edge to permit even heating. Plates fired on edge may be supported at the bottom with stilts. Spacing is important when firing lusters, to prevent contamination. China paints should be applied in light coats, and fired between coats until the desired shade is reached. China paints applied too heavily will crack and peel. Loading Porcelain Bisque Porcelain is a high fire clay body, which vitrifies (becomes non-porous) when fired. Loading porcelain bisque and glazed ware is similar since both will stick to anything when being fired. Stilts cannot be used to support porcelain bisque as they will adhere to the porcelain when heated to high temperatures. Porcelain bisque and glaze are always fired resting flat on surfaces coated with high fire kiln wash. Two pieces of ware that are to be used together must be fired together, such as a piece with a lid. Powdered silica (flint) must be applied at any point where contact is made. Hollow rolls of porcelain clay shaped to hold up the parts that may sag should support pieces that are likely to warp during firing. Apply silica at the points of contact to prevent the supports from sticking. To prevent distortion due to uneven heating, never place a piece of porcelain closer than 3/4 of an inch from the sidewalls of the kiln. Loading Porcelain Glaze Porcelain glaze requires loading which allows good spacing between the pieces with at least 3/4 of an inch between the piece and the kiln wall. All glazed ware should be dry footed since stilts cannot be used on porcelain. It is important to have a good coating of high fire kiln wash on the shelves and bottom of the kiln. Pieces with lids and other items, which have been fired together in the bisque, cannot be fired together in the glaze firing since they will stick together. Shrinking has already occurred in the bisque, so the piece will still fit after the lower temperature glaze fire. Loading Stoneware (A non-transparent clay body requiring a high temperature to vitrify a glassy non-porous state caused by heat or fusion.) Stoneware greenware items must be bone dry before firing. Stoneware should be handled and loaded in the same manner as porcelain. Stilting of greenware is not required. For glaze firing, the tops of the shelves must be coated with kiln wash, and the ware should be dry footed.
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Kiln Firing
Firing is probably the most important part of your ceramic work. All of your previous work on a ceramic piece can be spoiled and your kiln permanently damaged from careless loading or firing. Firing is usually accomplished by bisque firing followed by a glaze firing. The bisque firing allows the dried clay to harden enough so it can be handled, yet remain porous enough to accept glazes or stains. The bisque piece having been glazed or decorated is fired a second time to mature the decorative covering. Some pieces may require more than two firings. Maturity of clays and glazes occurs at different times and temperatures. Always check the firing temperature recommended by the glaze manufacturer or clay supplier to be sure. If during a firing you suspect something has shifted inside the kiln or something is abnormal, shut the kiln off immediately. Allow the kiln to cool, check the load, reenter your program and re-fire as usual. The same procedure should be followed if the kiln shuts off by itself prematurely. Standard Firing Schedules for Full Kilns Bisque or low fire glaze firings (cone 04-06) usually require 5 to 7 hours. Porcelain and stoneware high firings take from 6 to 10 hours. The following firing schedule is a recommendation only and can be use for all types of ceramic, porcelain, and stoneware firings. You should experiment with firing times and adapt your firing schedule to fit your type of firing. Some types of ceramics can be fired much faster than the recommended standard firing schedule, while other types of ware may require slower schedules. Keep a record of your firings, so any deviations resulting in good firings may be repeated. If kiln has a vent, skip numbers 1& 4. 1. If the kiln has a lid wedge, prop the lid after loading the kiln. 2. Plug all observation holes except the top, which should remain unplugged throughout the firing to allow a vent for fumes and vapors. 3. Key in the cone fire method you wish to fire. 4. After approximately 1 hour 45 minutes remove lid wedge and close the lid. 5. Allow kiln to fire until it shuts off. A partially loaded kiln fires faster than a full one, so when firing partial loads, increase the length on LOW and MEDIUM to extend firing time.
Firing Ceramic Bisque (A ceramic piece which has been fired, but not glazed.) Bisque firing allows the clay to mature, and burns out any impurities which may be present. A fired piece is less likely to absorb moisture, which will cause cracking or crazing of the glaze during the glaze firing. Bisque should be fired at least one cone hotter than glaze (usually cone 05 or 04). Pieces likely to be subjected to thermal shock, such as cups and plates should always be fired to cone 04. Most cast pieces can be fired satisfactorily on a fast firing schedule. Heavy or thick pieces require a much longer firing schedule. 30
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Firing Underglaze If the underglaze is applied directly to the greenware, the cone 05-04 bisque fire will also serve as the underglaze firing. Underglaze applied to bisque, should be fired within a range of cone 01904 before the application of a glaze. Firing Low Fire Glaze (A coating of glass, which is fused to the surface of a clay body during firing. It serves to prevent the penetration of liquids, present a good wearing, easily cleaned surface, and decoration.) Ceramic glaze fires like ceramic bisque except it should be fired one cone lower. Glaze firing can usually be accomplished faster than bisque firing since the critical moisture release has already occurred. Check the glaze manufacturers firing recommendations for the proper firing cone. Some glazes may require modification of the standard firing schedule to obtain satisfactory results. For example, red family glazes tend to come out better if the kiln is vented and fired rapidly. Firing Overglaze Overglazes are fired only to the softening point of the glaze, and are fired to lower cones than regular glazes. Most china paints, metallics and lusters are fired from cone 021 to 018. China Paints Check the manufacturers cone recommendations for each color and type of ware being fired. Different china paint colors do not mature at the same cone even when fired on the same piece of ware. It is necessary to fire the colors maturing at the highest temperatures first, and add lower temperature colors and fire again. Colors mature at lower temperatures on ceramic pieces than on porcelain or stoneware due to the lower melting temperature of the host surface. Firing Porcelain Bisque and Glaze Porcelain is usually fired to cone 5 or 6. Porcelain bisque should be fired slowly. Porcelain may be bisque fired more than one time or soaked (hold time) for 30 minutes to obtain additional translucence. Porcelain glaze is not fired as high as porcelain bisque. Usually cone 3 is sufficient. Porcelain does not need to be supported to prevent warping during glaze firing but must be dry footed (removing all glaze from the bottom of the piece before firing). Overglaze fired on porcelain is just like overglaze fired on ceramics only several cones hotter, usually cone 017-015. Overglaze may also be applied directly to porcelain bisque. Firing Stoneware Stoneware is usually bisque fired to cone 016-04 before glazing with an extended firing time to allow for the extra thickness of most stoneware pieces. Stoneware glaze applied to a bisque fired piece is fired on a normal heating cycle since the moisture has already been removed. Firing temperatures depend upon the glaze and stoneware body, however cone 1 to cone 8 are the most commonly used. Kiln Cooling and Unloading Your kiln is designed to cool best when untouched after it shuts off. Forced cooling such as withdrawing the observation plugs or opening the kiln door while the kiln is still hot, greatly increases the risk of damage to both the ware and the kiln. The kiln should cool at least twice as long as it fired. Pieces should be removed from the kiln only after they are cool enough to handle with bare hands. If the ware is under fired, it may be fired again to maturity.
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Kiln Maintenance
The life of the kiln can be extended for many extra trouble-free years of service if routine maintenance is performed. This maintenance should include, but not limited, to the following suggestions. Every Firing Examine the interior of the kiln to insure it is clean and free of dust. Check the lid and wall brick for loose fragments, which might fall on the ware. If possible, vacuum the interior to remove all dust and foreign material from the elements. Check the floor of the kiln, and the kiln shelves to be sure the coating of the kiln wash is adequate for glaze or glass firings. Also check for any warping or cracks in the kiln shelves that might affect your firing. Standard Models Expansion and contraction of the kiln during firing will eventually cause the stainless steel jacket/rings to loosen and cause the kiln to get out of alignment. To prevent this, the clamps on the jacket, lid and bottom of the kiln should be tightened occasionally with a screwdriver when the kiln is warm. Care should be taken not to strip the clamps. By following this procedure you will eliminate wires being stretched and burned out requiring you to purchase new parts. Remove any glaze or glass from the walls, bottom or shelves of the kiln prior to the next firing. If this is not done, glaze or glass will melt and spread with each firing, causing contamination to the elements, thermocouple and deterioration of the firebrick. Be very careful of the inter-connection of kiln rings when assembling or disassembling a kiln built in sections. Make sure the plug and receptacle are aligned before placing the rings together. Repairs Many repairs can be accomplished on your kiln simply by removing an old or damaged part and inserting a new one. For more complex repairs, and certainly for troubleshooting, a volt-ohm meter (VOM) is a valuable tool. A VOM can check the continuity of your kiln, pick out weak elements, reveal faulty switches, or check for proper voltage from the wall receptacle. The VOM allows the troubleshooter to proceed in a logical sequence through the kiln for the source of an electrical problem. When doing replacement repairs, install the new part in the same position as the old part. Transfer wires one at a time from the old to the new part. All connections must be clean and bright. Replace any discolored connection or clean with either sandpaper or steel wool until clean and bright. If this is not done, a bad connection will result. NOTE: To insure you receive the correct element or part, order from Olympic Kilns. Elements and parts ordered from other sources may not function correctly in your kiln.
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Replacing Parts
Unplug or unwire kiln if direct wired Stackable kilns remove rings in order to disconnect interconnections between rings
Remove the screws attaching the electrical box to the heat shield
Pull the box away from the kiln. When removing the electrical box that contains the pyrometer or electronic controller, be careful to pull the box straight out so that the thermocouple does not break the brick.
After the electrical box or boxes are removed from the kiln, the following repairs can be accomplished. Switch Replacement 1. Do not cut any wires. 2. Remove the knob from the switch. 3. Remove the pal nut from the switch with a wrench. 4. Transfer the wires from the old switch to the new switch, one wire at a time. Tighten all terminal screws firmly. 5. Put the pal nut on the switch and tighten. 6. Put the knob on the switch. 7. Attach the electrical box to the kiln. Switches, Relays and Transformers These parts are all replaced by removing the slip-on connection from the old part and replacing slip-ons to the new part.
Slip-on Connectors
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Wiring Schematic 208/240 Volt Transformer 120 Volt Power in 4 & 3 or 1 & 2
COIL
POWER OUT
RELAY
POWER IN POWER IN
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Replacement of Interconnecting Plugs and Receptacles on Stackable Electric Kilns The interconnecting plugs and receptacles have changed over the years. To order replacement parts Olympic Kilns requires the model and serial number of the kiln and a description of the type inter-box plug and receptacle your model has. Remove the electrical box that contains the part that needs replacing. Loosen the screws holding the interconnection to the electrical box. Note the position of the prongs and reinstall the new part in the same position. The interconnecting plug and receptacle can be ordered pre-wired and to replace the old part with new, remove and replace one wire at a time.
Element Re-Pinning Elements become very brittle after a few firings; so if re-shaping or re-pinning is necessary, heat the element either by turning on the kiln, or with a torch to a dull red glow. Unplug or unwire the kiln, and reposition the hot element using needle nose pliers. A brittle element normally will not break if it is above 500 degrees F. Replacing Elements 1. Turn off kiln and unplug or unwire, if direct wired, and remove all pins holding the defective element in the grooves. 2. Gently remove the old element taking care not to break or chip any bricks. Long needle nose pliers can help in this job. 3. Insert one twisted pigtail of the new element through the terminal brick and then work toward the other end by carefully placing the new element in the trough of the brick. Make a slight bend at each corner so that the element takes the shape of the kiln. When the entire element is in the trough, it may be necessary to slightly stretch or compress it to obtain the length necessary to allow the pigtail to pass through the brick.
4. Re-pin the element at each corner with Kanthal pins. The pins should hold the element down while the lip of the element groove holds the element in.
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5. Reinstall the porcelain insulators over the twisted pigtail. Pull the pigtail out gently until it is tight, then clip it 5/16 inch beyond the insulator.
Crimping Tool
Hi Temp Connectors 7. Strip 5/16 inch from the wires connecting the switch or relay to the elements. Polish with fine sandpaper if the wires are discolored, then firmly recrimp.
6. Place a high temperature connector in the jaws of the crimping tool and hold it lightly. Reach inside the kiln with the other hand and push the pigtail out. Slip the connector on the pigtail and crimp firmly in two spots.
It is important to stress that the wire in a crimped connection be clean and bright. All crimps must be firmly applied.
ELEMENT REPLACEMENT TIPS FOR ELECTRIC RAKUS The best way to replace elements in an electric raku kiln is to remove the firing chamber from the frame. Once the firing chamber has been removed from the frame, loosen the stainless steel band, remove the top from the firing chamber and follow the steps for element replacement. After the elements have been installed, replace the lid of kiln on the firing chamber and reinstall the firing chamber to the kiln frame.
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Thermocouple Replacement This thermocouple replaces all previous types. You may need to enlarge the hole the thermocouple is inserted if you had a different style, or you may need to use fiber to fill the opening if this new thermocouple is smaller than the one you had previously installed. Thermocouple Installation: Remove the four screws that attach the electrical box, with the electronic controller in it, to the kiln. Strip the yellow and red wires 3/8 of an inch that are attached to the thermocouple. Disconnect defective thermocouple and insert the new thermocouple through the opening in the kiln brick. Set thermocouple approximately 1 inside kiln firing chamber. Attach yellow wire to the positive connection on the electronic board and the red wire to the negative connection.
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Brick Repairs The bricks used in your kiln will withstand many firings without deteriorating. Brick replacement is complicated by the risk of breaking a brittle element. Often temporary repairs can be made until the time that an element needs replacing. It is difficult to cement bricks together when they break, however, large pieces such as the element groove lip, can be pinned with Kanthal pins to hold it in position. If the brick cannot be pinned, the element may be held in position with pins, even if the supporting brick below the element is missing. Foreign material such as glaze or glass spots on the brick can be dug out with a screwdriver or knife. Brick Replacement Make sure you order the correct brick(s) that need replacing. Provide the kiln model number and thickness of the brick, 2 1/2 or 3 thick. Straight notched bricks are the bricks that the elements run through. Terminal brick is the brick that the element runs through to the electrical box. Observation brick has the observation hole in it. Blank brick is not grooved for element placement. Terminal bricks are best replaced when elements need replacing as well. 1. Remove the Kanthal pins securing the element at each end of the damaged brick. 2. The kiln lid must be removed by unscrewing the large hinge parts attached to the kiln jacket on single section top loading kilns, and brick being repaired in the top section of stackable kilns. If the kiln is built in sections, place the ring with the broken brick on a flat surface with the damaged side up. 3. Loosen the hose clamps until the bricks are loose. If the kiln is in one section and the brick repair is being made on a section other than the top row, the entire stainless steel jacket must be opened. 4. Gently lift the elements from the trough with needle nose pliers, and carefully bow them far enough into the firing chamber to allow removal of the brick. Insert the new brick with the element trough to the bottom of the kiln. 5. Set the elements into the groove and pin down. 6. Tighten the jacket clamps taking care to align observation holes. Replace all screws and replace the kiln lid, if it was removed. 7. Use sandpaper over a wooden block to sand the brick down until it is even with the adjoining brick. 8. Vacuum the kiln. 9. Tighten the stainless steel jacket of the kiln again during firing, while the kiln is hot. Floor Repairs The easiest repair to make when the floor is damaged is simply to turn it over. A one-piece kiln must be turned upside down and the hose clamps on the jacket loosened, allowing the floor to be lifted out of the kiln. The floor can then be turned over and reinstalled. Holes in the floor can be patched with kiln wash mixed to the consistency of paste, then scraped flush, and allowed to dry before firing. Kiln mortar can also be used, by spreading it thinly over the area to keep it sealed. Lid Repairs If the lid becomes chipped or damaged, simply smooth the surface of the hole with sandpaper and blow or vacuum clean. Kiln mortar may be spread thinly over the exposed brick to seal it and prevent dusting. 38
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Kiln does not start. Check to see that kiln is plugged in and turned on.
Kiln Troubleshooting
Kilns equipped with an electronic controller, the controller display must read Idle to begin programming the kiln. If the controller display does not light up, check fuse to determine if it needs replacing. If the fuse is in good condition, a transformer may need replacing. Fuse or breaker fails after the kiln has been on for some time. Check chart to insure the correct breaker size is being used with the kiln. Replace breaker or fuse if necessary. Kiln makes popping noises when firing. Normal due to the contraction of kiln parts, which are enlarged from thermal expansion. Infinite switches will click when cycling. Element pops loose from groove. Elements pop loose because element pins loosen when the element expands and contracts during heating and cooling. Re-pin element. Be sure to heat element to 500 degrees Fahrenheit to avoid breaking due to brittleness. Increase in firing time. Possible causes element(s) needs replacing; defective switch or relay. To determine if the elements need replacing, do this simple test. Turn the kiln on and place pieces of paper in each element trough. If the paper burns then the element is working. Where the pieces of paper do not burn, the element needs to be replaced. If two elements are out in the one section of the kiln, it may be due to a faulty relay. Kiln heats but pilot light will not illuminate. Kilns equipped with electronic controllers if controller display is off, check the fuse. If the fuse is working, the transformer needs to be replaced. Kiln over fires. Most likely a defective thermocouple that needs replacing.
ERR 1: Element or Voltage Problem (Conduct a paper test and make sure voltage is correct for kiln; i.e. 240 volts needs 240 not 220 volts.) Paper test - Turn the kiln on, place scrap pieces of paper in each element trough and see if the paper burns. Elements need replacing where the paper doesnt burn. ERRP: Indicates a long-term power outage. Press 1 to clear display. FAIL or a Negative Temperature is Displayed: Check to see that thermocouple is properly connected; (lead wires may need reversing) or may need thermocouple replacement. tC FAIL tC alternating with FAIL: Indicates the thermocouple has failed. Replace the defective thermocouple. To clear the error, press any key.
ErrP
ErrP is displayed whenever there is a power interruption that is long enough to stop the firing. If the power interruption is brief the kiln will continue to fire when power is restored; in this case there will not be any indication of a power failure. To clear the error, press any key.
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Messages
CPLt Firing Cycle Complete (firing time is alternately displayed). dELA Delay. Displays when entering the delay time (hour:minutes) until the start of the firing. DLy Delay. Alternates with the remaining delay time until the start of the kiln. F # Segment temperature in F Set temperature for a user program. C # Segment temperature in C Set temperature for a user program. A decimal point will display in lower right corner. EdIt Edit the default options (beeping at complete, temperature scale, cone fire, delay, maximum programmable temperature) ErrP There has been a power interruption that has stopped the firing. Press any key to clear. FULL Beeps continuously at end of firing until a key is pressed. HLd# Soak time in hours:minutes at a hold temperature. OFF No beeping when firing is complete. On Beeps for 15 seconds at end of firing. rA # Ramp Number (rate per hour of temperature increase or decrease). rEdl Ready to fire current program. Press START to begin firing. SEG Short for Segments. You can enter up to 8 segments in a program. SStP Skip Step (used to advance to the next ramp) StOP The kiln is at idle and ready to be programmed. Stop alternates with the current kiln temperature. USr # User program number displayed
For additional questions about your Bartlett controller contact Bartlett Instruments: Bartlett Instrument Co. 14th & Avenue M P. O. Box 445 Fort Madison, IA 52627 319-372-8366 technical support: techsupport@bartinst.com general information: information@bartinst.com www.bartinst.com
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Glaze Defects Problems with fired ceramics can usually be traced to improper firing, poor color application, or some other correctable fault. Black Specks Usually the result of contamination from dirt. Contamination can be introduced by several things - a dirty brush, dirty green ware, dirty bisque, a dirty glaze container, or a dirty kiln. Make sure all of the above-mentioned are kept clean. Blistered and Bubbled Glaze This condition is the result of bubbles frozen in the glaze as the kiln cools. The bubbles are caused by gases released from under fired bisque or glaze. The bubbles and blisters can be sanded down, covered with a thin coat of glaze, and re-fired to a hotter cone. The piece may be soaked (hold time) for 30 minutes at the conclusion of the re-firing. Color Peels Off This condition is usually the result of too heavy an application of the glaze, dirty bisque, most likely from oil or grease preventing adhesion of the glaze, or too rapid cooling. Cracks Cracks are sometimes caused by uneven or too rapid heating or cooling of the kiln. Check the crack to see if it was caused during the heating or cooling. If the edges of the crack are sharp, it was made during the cooling of the kiln. If the cracks are rounded or smooth, this indicates the crack occurred when heating. To prevent this in future firings, slow the heating rate, do not pull the observation plugs while the kiln is hot and never force cool the kiln. Cracking sometimes is caused by glazes that are not compatible, such as a mug or vase with clear glaze on the inside and colored glaze on the outside. Craters Craters are due to under fired glaze, and can be salvaged by dabbing glaze in the craters and re-firing to a hotter temperature. Crazing This is a fine network of cracks on the glazed surface. It is caused by under fired bisque, incompatible thermal expansion between the clay and glaze, or cooling too rapidly. Crazing can be corrected by re-firing the piece one cone hotter than the original firing. Some crazing will not occur for several months after the firing. The solution is still to re-fire the piece. Faded Decals Check the decal manufacturers firing recommendation. Fading is either from over or under firing. If under firing is the problem, re-fire to the proper cone. Little can be done to save an over fired decal. Glaze Creeps Bare spots appear in glaze surface after firing. This can be the result of dusty, dirty bisque, or oil and grease from dirty hands. The latter causes the glaze to repel from these spots. Under firing or firing the piece before the glaze dries will also cause creeping. To save the piece, apply additional glaze to the bare spot and re-fire. Luster Problems Lusters will flake or peel if too thickly applied, and will frost if over fired. To salvage the piece, fire to cone 06 to burn off the luster. Reapply the luster and re-fire. Metallic Problems Metallics will appear dull if applied too sparingly or under fired. Over firing or too heavy an application of glaze will result in cracking. Under fired metallics can be re-fired to the proper cone, while over fired metallics must be burned off at cone 06, reapplied, and re-fired. Pinholes and Pitting As glazes and clay bodies mature, volatile materials are released, resulting in boiling and agitation of the glaze. An incomplete firing cycle causes these bubbles to freeze, causing pinholes and craters. Pinholes can be caused by too rapid heating or cooling of the kiln.
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This Warranty Is Applicable to All Kilns Manufactured by Olympic Kilns That Are Used for Ceramics, Pottery and Glass. Cone 10 Kilns Have a One-Year Warranty and All Other Kilns Have a Two-Year Warranty. Certain Parts, Thermocouple, Kiln Sitter Tube Assembly, Are Not Covered Under Warranty, Nor Is Kiln Furniture.