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Which of the following statements accurately reflects the status of England, its people, and its language in the early sixteenth century? English travelers were not obliged to learn French, Italian, or Spanish during their explorations of the Continent.
a)
b) English was fast supplanting Latin as the second language of most European intellectuals. c) English travelers often returned from the Continent with foreign fashions, much to the delight of moralists. d) Intending his Utopia for an international intellectual community, Thomas More wrote in Latin, since English had no prestige outside of England.
2.
Which of the following sixteenth-century works of English literature was translated into the English language after its first publication in Latin?
a) Christopher Marlowe's Doctor Faustus b) William Shakespeare's King Lear c) Thomas More's The History of King Richard III d) William Shakespeare's Sonnets e) Thomas More's Utopia
3.
Which royal dynasty was established in the resolution of the so-called War of the Roses and continued through the reign of Elizabeth I?
4.
Which of the following shifts began in the reign of Henry VII and continued under his Tudor successors?
a) the growing authority of the Pope over domestic English affairs b) the expansion of England's colonial possessions c) the rise in the power and confidence of the aristocracy d) the countering of feudal power structures by a stronger central authority e) the emancipation of serfs
5.
From which of the following Italian texts might Tudor courtiers have learned the art of intrigue and the keys to gaining and keeping power?
a) Castiglione's "The Courtier" b) Dante's "Divine Comedy" c) Boccaccio's "Decameron" d) Machiavelli's "The Prince" e) Ariosto's "Orlando Furioso"
6.
Who authored Il Cortigiano (The Courtier), a book that was highly influential in the English court, providing subtle
guidance on self-display?
7.
a) remained constant. b) fell from 375,00 to barely 100,000. c) doubled from 60,000 to 120,000. d) doubled from 600,000 to 1,200,000. e) is impossible to estimate.
8.
a) Elizabeth Eisenstein b) Johannes Gutenberg c) Henry VIII d) William Tyndale e) William Caxton
9.
a) lead poisoning contracted from handling printer's ink b) the brutal punishment for printing without a license c) the pre-Reformation ban on printing the Bible in English d) the perception among court poets that printed verses were less exclusive e) all of the above
10.
a) George Puttenham b) Philip Sidney c) Walter Ralegh d) Thomas Wyatt e) all of the above
11.
Which of the following statements is not an accurate reflection of education during the English Renaissance?
b) Its curriculum emphasized ancient Greek, the language of diplomacy, professions, and higher learning. c) It was conducted by tutors in wealthy families or in grammar schools. d) It was ordered according to the medieval trivium and quadrivium. e) Its focus had shifted from training for the Church to the general acquisition of "literature."
12.
What impulse probably accounts for the rise of distinguished translations of works, such as Homer's lliad and Odyssey, into English during the sixteenth century?
a) human reverence for the classics b) the belief that the English were direct descendants of the ancient Greeks c) pride for the vernacular language d) a and c only e) a, b, and c
13.
What was the only acknowledged religion in England during the early sixteenth century?
14.
Who began to ignite the embers of dissent against the Catholic church in November 1517 in a movement that came to be known as the Reformation?
a) Anne Boleyn b) Martin Luther c) Pope Leo X d) Ulrich Zwingli e) John Calvin
15.
Which historical figure initiated a series of religious persecutions condemning Protestants as heretics and burning them at the stake in the 1550s?
a) Archbishop Cranmer b) Catherine of Aragon c) Elizabeth I d) Mary, Queen of Scots e) Mary Tudor
16.
Which of the following refers to the small area of Ireland, extending north from Dublin, over which the English government could claim effective control?
a) Ulster
17.
Which designates the theory that the reigning monarch possesses absolute authority as God's deputy?
18.
Expressed in Elizabethan poetry as well as court rituals and events, a cult of _______ formed around Elizabeth and dictated the nature of relations between herself and her court.
19.
Which of the following describes the chief system by which writers received financial rewards for their literary production?
20.
a) a magical power whereby poetry plays tricks on the reader b) a divine power whereby poetry transmits a message from God to the reader c) a moral power whereby poetry encourages the reader to emulate virtuous models d) a defensive power whereby poetry and its figurative expressions allow the poet to avoid censorship e) a realistic power that cannot be made to seem like mere illusion and trickery
21.
a) an exaltation of the city life over the boring country life b) shepherd and shepherdesses who fall in love and engage in singing contests
c) heroic stories in epic form d) a celebration of the humility, contentment, and simplicity of living in the country e) b and d only
22.
23.
a) the playwright(s) b) the patron of the acting company, eg, the Lord Chamberlain c) the bishop of London d) the printer e) the acting company
24.
Short plays called _______-staged dialogues on religious, moral, and political themes-were performed by playing companies before the construction of public theaters.
25.
To what subgenre did the Senecan influence give rise, as evidenced in the first English tragedy Gorboduc, or Ferrex and Porrex?
a) villain tragedy b) poetic tragedy c) heroic tragedy d) revenge tragedy e) pastoral tragedy
26.
a) iambic pentameter in rhyming couplets b) the verse form of the Shakespearean sonnet c) free verse, without rhyme or regular meter
27.
a) They relied on admission charges, an innovation of the period. b) The early versions were oval in shape. c) They were located outside the city limits of London. d) The seating structure was tiered, with placement correlating to ticket cost. e) all of the above
28.
Which was not an objection raised against the public theaters in the Elizabethan period?
a) They caused excessive noise and traffic. b) They charged too much. c) They excited illicit sexual desires. d) They drew young people away from work. e) They were nests of sedition.
29.