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Knit One
Using five easy-to-learn beading tech for knitters of all levels. In this knitter’s
niques, you can turn designs for opinion, Knit One Bead Too is destined
simple bags and wearables into stun- to become a definitive and very wel-
come addition to the world of knitting.
Too
ning special-occasion creations. And Cheryl Oberle
it’s all done right on your knitting Author of Knitted Jackets,
Folk Vests, and Folk Shawls
needles!
Judith Durant offers step-by-step
instructions for mastering the tech- Spectacular, highly appealing
niques as well as sixteen original
projects — gloves, pillow, shawl,
sweaters, and more — using nearly
Essential Techniques
patterns that feature beadwork. What’s forgotten bead knitting techniques . . . for Knitting with Beads
Too
more, after you have learned how to a fresh twist on the craft, with subtle,
knit with beads, you can apply the understated colors and designs.
Diane Fitzgerald
techniques to any pattern. The Internationally known bead judith durant
possibilities for beaded knit- artist and author of several books, Editor of the best-selling One-Skein Wonders series
including Shaped Beadwork.
ting are endless!
durant
Judith Durant is the editor of the best-
selling One-Skein Wonders knitting series and
the author of Never Knit Your Man a Sweater*
(*unless you’ve got the ring!). She is also author
of Ready, Set, Bead! and coauthor of The New
Beader’s Companion and two books in the
Beadwork Inspired by Art series.
Storey Publishing
www.storey.com
ISBN 978-1-60342-149-2
ß
E AN
cr a f ts /k n ittin g $18.95 US
Storey
1946_knitoneBeadTooendsheets.indd 2 3/25/09 2:28:51 PM
Knit One Too
All rights reserved. No part of this book may be reproduced without written permission from the
publisher, except by a reviewer who may quote brief passages or reproduce illustrations in a review
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— without written permission from the publisher.
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dations are made without guarantee on the part of the author or Storey Publishing. The author and
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tion, please contact Storey Publishing, 210 MASS MoCA Way, North Adams, MA 01247.
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For further information, please call 1-800-793-9396.
l Bead Knitting . . . . . . . . . . . 22
Technique in Detail
Preventing Bias Skew . . . . . . . . . . 24
Knitting with a Bead . . . . . . . . . . . 25
Purling with a Bead . . . . . . . . . . . 25 n Slipstitch
Reading Charts . . . . . . . . . . . . . . 26 Bead Knitting . . . . . . . . . . 74
Correcting Mistakes . . . . . . . . . . . 30 Technique in Detail
Projects Slipstitching a Single Bead . . . . . . . 76
… Carpet Coasters. . . . . . . . . . . . . . . . . . . . . 32 Slipstitching Multiple Beads . . . . . . 76
… Turquoise Mixed Bag . . . . . . . . . . . . . . . 36 Inspired Slipstitch Beading . . . . . . 77
… Colorful Diamonds Gloves . . . . . . . . . . 40 Projects
… Magic Mohair Beret. . . . . . . . . . . . . . . . . 78
… Beady-Eyed Cable Socks . . . . . . . . . . . . 82
… Beads-Go-Sporty Pullover . . . . . . . . . . . 88
(continued on page 9)
Abbreviations . . . . . . . . . . . . . . 150
Bead Sizes . . . . . . . . . . . . . . . . 150
Glossary . . . . . . . . . . . . . . . . . 150
Bibliography . . . . . . . . . . . . . . . 154
Resources. . . . . . . . . . . . . . . . . 154
Index . . . . . . . . . . . . . . . . . . . 156
Acknowledgments . . . . . . . . . . . 159
The Best of
Both Worlds
If there’s any such thing as “the best of both
worlds,” I’d have to say that this is it. Many of us who love
to knit are also drawn to beads and beadwork, and now
we can do beadwork on our knitting needles!
There are two distinct ways to incorporate beads into
your knitting projects: You can add beads to a finished
knitted piece as fringe, embroidery, or appliqué; or
you can incorporate beads into the knitting as you go.
This book will focus on the latter, and there are several
techniques you can use. The first two techniques are
traditional, dating back to at least the midnineteenth and
early twentieth centuries respectively, and the last three
are more recent developments. All but the last technique
require that you pre-string beads onto your yarn.
Finished
16" (40.5 cm) square
Measurements
MC: Peace Fleece DK, 30% mohair/70% wool, 4 oz (113 g)/350 yd (320 m)
Yarn [Yarn band gauge: 20 stitches = 4" (10 cm) on US 6 (4 mm)]; Mir Atlantis
Periwinkle, 1 skein
CC: Ellie’s Reclaimed Cashmere, 100% cashmere, 2.4 oz (68 g)/216 yd
(198 m) [Yarn band gauge: 18 stitches = 4" (10 cm) on US 6–8 (4 mm–5
mm) needles]; Spring Mix, 1 skein
Beads 4mm fuchsia-lined smoky amethyst magatamas: 750, 65 g
Needles US 7 (4.5 mm) straight needles, or size you need to obtain correct gauge
24 stitches = 4" (10 cm) in beaded slipstitch, 21 stitches = 4" (10 cm) in
Gauge
stockinette stitch
Other Supplies Big eye beading needle, 16" (40.5 cm) pillow form
ROW 3: With CC, K1, *slip 3 wyib, slip 3 wyif; repeat from * to last 4 stitches, slip 3 wyib, K1.
ROW 4: With CC, K1, * slip 3 wyif, bead slip 3 wyib; repeat from * to last 4 stitches, slip 3
wyif, P1.
Repeat Rows 1–4 for pattern.
Note: The contrasting color (CC) is knitted only at the beginning of the row. All other
stitches in the row are slipped with CC alternating between the front and back of the work
to create the woven effect. On even-numbered (wrong-side) rows of CC, slide a bead up
when the yarn is on the right side (bead slip 3 wyib).
Reverse the design by using a tweed or multicolored yarn for the background and a solid to carry the beads.
The swatch is knitted in Farmhouse Yarn Silk Blend (silk/cotton/lamb’s wool), Lavender, with Reynold’s Soft
Linen (flax/acrylic), color 0401 White, with the same beads that were used for the project.
Finishing
• Using a tapestry needle, sew front to back using a mattress stitch
(see page 152) and leaving an opening to insert the pillow form.
• Insert pillow form through the opening and sew opening closed.
Finished
11" (28 cm) wide × 8" (20.5 cm) tall × 3" (7.5 cm) deep
Measurements
Blue Heron Rayon Metallic, 88% rayon/12% metallic, 8 oz (227 g)/550 yd
Yarn (503 m) [Yarn band gauge: 18–20 stitches = 4" (10 cm) on US 7 (4.5 mm)];
Deep Blue Sea, 1 skein
Beads 10mm iridescent blue large-hole paillettes, 1,000-count bag
US 3 (3.25 mm) circular needle 24" (60 cm) long, or size you need to
Needles
obtain correct gauge
Gauge 30 stitches and 48 rounds = 4" (10 cm) in pattern
US J/10 (6 mm) crochet hook , ½ yd (.5 m) double-sided stiff fusible
interfacing, ½ yd (.5 m) lining fabric, cotton string for holders, sewing
Other Supplies
needle and coordinating sewing thread, tapestry needle, two 1½" (4 cm)
D-rings
Abbreviations HB hook bead (see page 126)
Note: The base of the bag is knit back and forth, then stitches are picked up around all
sides, and the rest of the bag is knit in the round. To help mark the “seams,” a purl stitch
is worked between each section.
Don’t like sequins? The same pattern produces a completely different design with silver spacers. The swatch is
knitted in Filatura Di Crosa Luxury (silk), color 21 Blue-Gray, with 8mm silver spacer beads.
ROUND 6: Knit.
a
abbreviations, 150
bias skew, prevention of, 24, 24
c
adding beads to finished pieces, 11 Carpet Coasters, 32–35, 33, 34, 35
all techniques, one project, 142–49 supplies and measurements, 34
b
back-and-forth knitting, 26–27
carry-along bead knitting, 13, 13, 95–97
bead placement, single/multiple stitches,
96, 96
backstitch, 150, 150 inspired carry-along beads, 97, 97
backward loop cast-on, 150, 150 mistakes, correcting, 96
beaded knitting, 12, 12, 49–53 twisting, avoidance of, 97
beading between knit stitches, 50, 50 chain crochet, 150, 150
beading between purl stitches, 50, 50 chart reading, 23, 26–27, 27
binding off, multiple beads, 52, 52 circular knitting, 28, 28
casting on, multiple beads, 52, 52 Colorful Diamonds Gloves, 40–47, 41
with garter stitch, 51, 51 alternate design idea, 42, 42
mistakes, correction of, 53, 53 supplies and measurements, 40
reverse stockinette stitches, 51, 51 Cooper, Frank, 32
shaping with beads, 51, 51 crochet hooks, 18, 18
beading surfaces, 19 Crystal Cardigan, 64–73, 65, 73
bead knitting, 12, 12, 23–31 alternate design idea, 66, 66
bias skew, prevention of, 24, 24 stitch pattern, beads and cable, 67
chart reading for, 26–27, 27 supplies and measurements, 66, 73
knitting back and forth, 26–27 cut beads, 16, 97, 97
knitting circularly, 28, 28 cylinder beads, 16, 16
knitting with a bead, 25, 25
mistakes, correcting, 30, 30–31, 31
plain background and, 29, 29
d
dagger beads, 144, 145
purling with a bead, 25, 25 Drop-Bead Evening Shell, 102–11, 103, 109
beads, 5, 15, 16–17, 154 alternate design idea, 104, 104
color, design and, 34, 34 stitch patterns, 104
colors and finishes, 17, 17 supplies and measurements, 102, 111
shapes and sizes, 16, 16, 150 drop beads, 16, 16, 104, 104
See also specific bead type
Beads-Go-Sporty Pullover, 88–93, 89, 92
alternate design idea, 90, 90
e
Eastern knit stitch, 24, 32, 36
stitch patterns, 90 “embossed” bead knitting, 75
supplies and measurements, 88, 93 errors, bead knitting, 31, 31
Beady-Eyed Cable Socks, 82–87, 83, 86
f m
faceted beads. See cut beads
magatamas, 16, 16
Fitzgerald, Diane, 112
Magic Mohair Beret, 78–81, 79
g alternate design idea, 80, 80
stitch pattern, beaded swirl, 80
Golden Purse, 58–63, 59, 63
supplies and measurements, 78
alternate design idea, 60, 60
make 1 increase, 151, 151
supplies and measurements, 60
mattress stitch, 152, 152
Grape and Berries Pillow, 98–101, 99, 101
Mermaid Shoulder Bag, 128–33, 129
alternate design idea, 100, 100
alternate design idea, 130, 130
stitch pattern, woven berries, 100
stitch patterns, 131
supplies and measurements, 100
supplies and measurements, 130, 133
h
hex beads, 16, 16, 66, 66, 80, 80
metal/metallic beads, 17, 17
mistakes
in beaded knitting, 53, 53
Hiatt, June Hemmons, 125
in bead knitting, 30, 30–31, 31
history of beads, 5
hook bead knitting, 13, 13, 20, 124–27
bead placement by rows, 126, 126
o
opaque beads, 17, 17
hooking a bead, 126, 126
Oriental Carpets in Miniature (Cooper), 32
hook sizes for, 18
inspired hook bead knitting, 127, 127
knitting vs. slipping, 127, 127
p
paillettes, 16, 16, 127, 127, 128, 128
slipstitch beading vs. hook bead knitting,
pick up and knit, 152, 152
127, 127
pictorial bead knitting, 20
i
incorporating beads as you go, 11
plain background, bead knitting, 29, 29
Poulin-Alfeld, Michelle, 75
pre-stringing beads, 20, 49, 75
Interweave Knits, 75
Principles of Knitting (Hiatt), 125
Iridescent Beaded Scarf, 54–57, 55, 57
provisional cast-on, 152, 152–53
alternate design idea, 56, 56
purling with a bead, 25, 25
supplies and measurements, 56
purlwise, 153
iridescent beads, 17, 17
k r
reading charts, 23, 26–27, 27
kitchener stitch, 151, 151
resources, knitting with beads, 154–55
knit the knits and purl the purls, 151, 151
ribbing, 77, 77
knitting circularly, 28, 28
knitting errors, 31, 31
knitting needles, 18, 18
s
Sampler Beaded Bag, 8, 142–49, 142, 145
knitting with a bead, 25, 25
supplies and measurements, 146
knitwise, 151, 151
seed beads, 16, 16, 17, 17, 136, 136
l
lined beads, 17, 17, 114, 114
sequins, sources for, 154
PHOTOGRAPHY AND
ILLUSTRATION CREDITS
Front cover photography, main image by © Kate 130–134, 136, 138, 140, 141 top, 144, 147; and by
Sears/Sublime Management and small images by © Kate Sears/Sublime Management: 10, 33, 37, 41,
© John Polak Photography; back cover photography, 55, 57 bottom, 59, 65, 72, 79, 83, 86, 89, 92, 99,
all images by © John Polak Photography, except 101 bottom, 103, 109, 113, 123, 129, 135, 139, 141
author’s image by © Adrien Bisson bottom, 142, 145
ACKNOWLEDGMENTS
It’s a pleasure to work with Storey Publishing, and thanks go to edi-
tors Gwen Steege and Deborah Balmuth for their encouragement and
guidance, and to publisher Pam Art and vice president Dan Reynolds
for support of the project.
Thanks to creative director Alethea Morrison and to art director
Mary Velgos for making such a lovely book. There is nothing like
good editing, and thanks go to Amy Polcyn for her technical eye, to
Maria Turner for her copy expertise, and to Kathy Brock for edito-
rial management. Now that the book is made, I’m grateful to Amy
Greeman and Jayme Hummer for telling the world about it.
Most especially, thank you, Philippe, for your unending love and
support.
Knit One
Using five easy-to-learn beading tech for knitters of all levels. In this knitter’s
niques, you can turn designs for opinion, Knit One Bead Too is destined
simple bags and wearables into stun- to become a definitive and very wel-
come addition to the world of knitting.
Too
ning special-occasion creations. And Cheryl Oberle
it’s all done right on your knitting Author of Knitted Jackets,
Folk Vests, and Folk Shawls
needles!
Judith Durant offers step-by-step
instructions for mastering the tech- Spectacular, highly appealing
niques as well as sixteen original
projects — gloves, pillow, shawl,
sweaters, and more — using nearly
Essential Techniques
patterns that feature beadwork. What’s forgotten bead knitting techniques . . . for Knitting with Beads
Too
more, after you have learned how to a fresh twist on the craft, with subtle,
knit with beads, you can apply the understated colors and designs.
Diane Fitzgerald
techniques to any pattern. The Internationally known bead judith durant
possibilities for beaded knit- artist and author of several books, Editor of the best-selling One-Skein Wonders series
including Shaped Beadwork.
ting are endless!
durant
Judith Durant is the editor of the best-
selling One-Skein Wonders knitting series and
the author of Never Knit Your Man a Sweater*
(*unless you’ve got the ring!). She is also author
of Ready, Set, Bead! and coauthor of The New
Beader’s Companion and two books in the
Beadwork Inspired by Art series.
Storey Publishing
www.storey.com
ISBN 978-1-60342-149-2
ß
E AN
cr a f ts /k n ittin g $18.95 US
Storey