=
ib LIC RD
SIVA-PARINAY AH
4 POEM IN THE KASHMIRI LANGUAGE
Dod
Bt 0 We PULL Ley (RAZDAN)
i Ray
OMAYA OR,OLOSS TY SANSKRIT
ay
MAHAMABOPADAHYAYA MUKUNDARAMA SASTRY
Sd
Pree ron eer Wares Sol OO Se a
ba a
THE ASIATIC SOCIETY
1, PARK STREET, CALCUTTA-16
ed A POEM IN THE KA!
ay
KRSNA RAJANAKA (RAZBAN)
wir A
Om;YA on GLOSS IN SANSKRIT
ay
MAHAMAHOPADHYAYA MUKUNDAR.
EDITED BY
SIR GEORGE A. GRIERSON, K.
PBA, |
Honorary Fellow of the Asiatic Sooiety of Bengal
Gérreepondent stranger de l'Institut de France ; Honorary Member:
Nagari Pracarint Sabha (Benares),, Amero Oriental. Society,
agar i. Finno-Ougrienne, UAssociation Phonétique Tnterna-
citte Pinihar and Orissa Research Society, Modern
Language Association ; Honorary Fellow * Royat
Minish Academy of Soiences, Bombay Branch of
the Royal Asiatic Sooiety ; Foreign Associate
‘Member : Soott sique de Paris;
Corresponding Member: Kénigliche
Genelleohaft. der Wissenschaften
zu Gottingen.
AMA SASTRY
B,, Px.D., D.Lrrr., LL-D..
THE ASIATIC SOCIETY
1, PARK STREET, CALCUTTA -16
1989 Work No—, 224
© The Asiatic Society
First published in 1914-25
Reprinted in 1989
Published by
Dr. Ashin Das Gupta
Administrator
The Asiatic Society
1, Park Street
Calcutta-700016
Printed by
M/s. Communik Media Service
50, Ashoke Avenue
Calcutta-700047
Price: Rs. 120.00 PREFACE.
Wrrs much regret, I record the death of that excellent scholar
Mahamahépidhyaya Mukundarima Sastri, which occurred in
the year 1921, while this work was passing through the press.
His knowledge of the Kashmiri language, ancient and modern,
was, I believe, unique. 1 owe much to his teaching and to the
help he gave me in the preparation of the chdyd@ printed in the
following pages and of the notes which formed the basis of the,
Kashmiri dictionary now being published by the Society.
In regard to other points I have nothing to add to the ad
interim Preliminary Note issied with tho first fasciculus of this
work, except to express my regret that in the earlier pages, a
great many Kashmict types have broken off in the course of
printing. These, so far as I have noted them, are entered in
the List of Errata and explain its length. In the later pages,
-the printers have overcome this difficulty with some success.
The spelling of certain Kashmir! words is doubtful, and till I
had worked several times through the text, I did not always
sticceed in producing uniformity in this respect. On this ac-
count, after the List of Errata, I add a list of preferable spell-
ings of certain words which escaped my eyes when correcting
the proofs. None of these are of importance, but, in the
interests of uniformity, I give them for the benefit of students
of the language.
I must also offer my thanks to Professor Jules Bloch, who
was kind enough to read through the proofs of the earlier
fasciculi. The outbreak of the War called him forth to the
defence of his country, and prohibited me from troubling him
further with my doubts or difficulties; but I cannot refrain
from putting on record my gratitude for his valuable help.
@. A. GRIERSON.
CaMBEBLEY,
28rd June, 1924. PRELIMINARY NOTE 4D INTERIM).
Fae
With the few exceptions noted below, the Kashmiri
portion of this work follows the system of spelling employed
by Isvara Kaula in his Kasmira-éabdimrta, and by mein my
Essays on Kagmiri Grammar.
Attention may be called to the extremely frequent use
by the author of the emphatic suffix y, often employed
pleonastically metri causa. In the first four chapters this
y is regularly represented in the Sanskrit chdyd by the
word #va; but from the 5th Chapter on, I have exercised
my discretion as editor, in omitting the éva, when the suffix
is merely pleonastic. By that time the reader will be ac-
customed to its appearance in this otiose character, and
will not be tempted to confuse it with other forms.
According to the Kaémira-éabdamrta (II, iii, 21; of
Essays, p. 92), when this y is added to a word ending
in a consonant, d-mdtré is used as a junction vowel.
Thus erga kardn*y (karin + y), doing indeed. In tho
present work g is often used instead of d-mdtrd, as in
kardngy (wertq), This is hardly more than a variation of
spelling. We may also note that the author frequently
employs present participles ending in -an instead of the an
prescribed by the grammars. Thus in verse 418 we have
1% galan instead of gilin avery. With emphatic y, wo
have wx wanangy instead of wart wandnty in verse 408,
and so on, The conjunctive participle of verbs whose roots
contain the letter a, according to the Hesays, takes the form
‘sftq_karith. Here, however, the author generally writes
Sf€4 Lar'th. Thus, he writes tfee in v.24, He similarly Preliminary Note.
writes the acousative-dative of the second declension with
i-matré. Thus -eefre néthangn's, instead of were
néthananis, in v. 88, He often, metri causa, changes a final
i to %, as in we% garake for wefa garaki (y. 22) and w%
karans for wxfa karani (v. 126). In other respects the
grammar closely. follows, the system of Iévara Kaula, as
explained in my Dssays.
The Sanskrit chayé is an extremely literal, word for
word, translation, prepared under my supervision by Maha-
mehopidhyaya Mukundarima Sastri. In editing it for the
press, T have freely relaxed the usual rules of Sandhi
Tn this T have not studied consistency, my sole aim being
to assist the reader in disentangling the corresponding
Kashmiri words from the suffixes with which they are
encumbered. As originally propared, the chaya was inter-
linear, each Sanskrit word being written under the cor-
responding Kishmiri word. Practical considerations of
typography have-led me, against the intention of its author,
to print it separately on the page facing the corresponding
text. I fully admit that, from the point of view of the
Sanskrit scholar, in this condition it strongly resembles
mirkhayalpana. It is, however, printed solely with the
object of assisting students of Kashmirl, and not as a
specimen of elegant Sanskrit.
G. A. G. frraftwarsfcaarery
areCareTaRTaTaa |
Wt wa: sae wea
afaat u
at gmt farted gergawange2: |
Megfay wee ane wom ate on
watesftorramefatefawst date free
War det gutgfegeha? ere geez |
aga Wifeam fafeatata wt Per eg: eeret
Yl sguarg feaguage: wy a: wewam nao
srretermafirgrry az Sra granfsrraracaeatsnty-
a ageftaaagufeat: Wasi slo vo fruda to wqo
Bro Wo do xo ee enraaretes ant
Femafag — daycaite — wearurardarferegfizg (are)
vrerarata * io. en wenfirt
* sapnawat sretevruficrrrrewtaeredterwn 1 s safe |
sift! ata cage dyad faetegfanttfaghage eaer dates
wguew’, ore eafegietuqearnat sanrerggaed
Warnarat qarganta 1
aie fe “feat inefsamranatetrarradente er
adtorafne faa figure faumentor veagarrgen fa ufa-
ait 5 argaia genta amtaremna ovda dniaante
sqm faauiiaitaafaangiggadien(afes)anet
aqgeeay eraerey arpmfh yernfe Seger si frackcen
share? wen: warerfedt aarti
wewrerenn: qusm: asst aginifawmntectadin-
sia quratd @ megracfear, witdareacfamn, aaacanizar =
fawa enfea wfeare; tad gal) merit sat Semen
soray | sat are urerfan-saenfamrdanenfad-ufece-
wfamagedegygag zuratymtz aviegaiga werent
waprangeard wat aay; aude uftqar grereufe-
afar quadfere are wersdyder earite 11
ate are sere eat usramareatge genfirara:, sere
(ARG - areditarenga ras ht - aaite- ( Sage ) -wrerarerarer
( aganneofrats-yagatermreaeraer ) tremaa-natarfa-
wre agerar, Travan elt Fare fan erermareyery-
fear fugitemeturrnt are oe aeregferareers |
aeurarfagene wa hia hea gotiver-Mawaes warfare
enafist sngigntstcadusrarate me “metic wide
Syraranfe? gfe. ent sofurmawtammegmere gen
arrange Raareaaaagargm: gadt fafereea-
afgaten garerengagg:
afta arfereaat awe: SGI; Ty wud ayaa wate
aigirdited Afsareagrandhianntemeencitng | wat
reread weadifagengatictrgmmmamerethrewewty-
Tragayraagatginerey | are wrddacwuterecefrenit- afaart |
wifafagimmiageet ufweratfretzeadtid, arqyeitfe.
mureeniefawd, Rerefrar nfs fart: cemnivetid a1
wet frufmadt: eqfemrenergrer aititecueaayange-
safer 1 aatsafangt awa: wrest weETUTEAMATarcayhe-
wererenfefarme Aas 1
Sovterp sou: “Feed oar wfserdiec” afe— are-
afegrgean aredifieunnfafait gaara wert wate
wen: Gumitsaggie fates," aa g gatigeanwearg-
uktata ggegute fefear a
werdishee facdteeig We Tye wr wig wfray samy:
arerermefewatage: wwerierente
7. The gods come to Dakea’s sacri Davi goes to it without
invitation and asks why Siva is not invited. Dakga gives
an insulting reply. She casts herself into the sacrificial fire
8. Praise of Davi under the form of Jwala a
9. Praise of Davi, as one with Siva *
10, Nandin goes to Kailésa and tells Giva that Devi =
become Sati. Creation of Virabhadra, ms
11: Virwbhadra arrives at Dakge's sacrifice. Ho slays Daksa,
Herouts and slays tho gods present. The gods, in order to
pacify Siva, sing his praises
12, Kygna’s hymn,in honour of Siva. The 12th hee te in
‘Hindi, and ia here omitted, (vv. 133-143) ;
13. Brahma’s hymn in honour of Siva
14. Dharmari (Yama’s) hymn in honour!of Siva
18. Indra’s hymn in honour of Siva, The 16th chapter is in
Hindi, and ie here omitted (vv. 172-177) oe
16. Varuna’s hymn in honouriof Siva
17, Citragupta’s hymn in honour of Siva. The 17th nates is
in Hindi, and is here omitted (vv. 183-186)
18. The Gandbarvas’ bymn in honour of Siva
“19, The Sun-god’s hymn in honour of Siva :
20, ‘The Moon-god’s hymn‘in honour of Siva. The 30th chapter
‘isin Hindi, and ie here omitted (vv. 216-228)
‘The joint hymn of Lakgmi and Sarasvati in honour of Siva .
Hymn of the planet Mars in, honour of Siva
Hymn of the planet Mercury in honour of Siva
Page
12
16 24,
25.
27.
28.
29.
32,
33.
34.
35
36,
37.
CONTENTS
Page
Hymn of the planet Jupiter in honour of Siva... we
Hymn of the planet Venus in honour of Siva... + 88
Hymn of the planet Saturn in honour of Siva, The 26th
chapter is in Hindi, and és here omitted (vv. 255-265) =a 00:
N@rada’s hymn in honour of Siva oS tia Ae
Hymn sung jointly by all the gods in honour of Siva. Thé~
28th chapter is in Hindi, and is here omitted (vv. 288-299)... 98
Siva acknowledges the preceding hymn, He is pacified, and
expresses himsolf-as pleased with their devotion (Bhakit).
Ho cares not for eating or drinking and has no pleasure
in sacrifices. He longs for Bhakti and for nothing else.
Chapter 29 és in Hindt, and ie here omitted (vv. 300-804) 98
‘The author’s praise of Siva. Account of the gods’ intercession ~
on behalf of Dakga. a Bi + 98
Daksa is brought to life. His head having been reduced to
ashes, he is given a goat’shead = + 102
Dakga’s hymn describing how he has become freed from
worldly desires = = ++ 106
Another hymn of Daksa on the same subject ++ 108
Dakga’s solf-abasement e és ls
Daksa sings a hymn in praise of Siva, and asks pardon. Thi
is granted. is Fe rt a6.
Another hymn of Daksa. z = M8
Having finished his praises of Siva, Daksa agaif commences
his sacrifice. Having pacified Siva the gods obtain permis
sion to depart, and repair to their respective abodes... 128°
‘The sacrifice being completed, Narada commences a triumph-
song in praise of Siva asthe latter departs for Kailésa ,. 132.
N@rada’s triumph-song. The 39th chapter is in Hindi, and is
here omitted (vv, 897-407) He be 1st
40, Another triumph-song of Narada. He prophesies the mar:
riage with Parvat « ie " +. 184
41. Epilogue of the author in praise of Siva, as an introduction to
the second part = : = -- 138
PART I,
1. Birth of Parvati, Hor youth and upbringing. Her desire for
Siva as her husband, She wanders in the forest calling
for him “a a = 5 = M4
2. Parvati has memories of her former birth as Sati, and utters
praises of Siva .. $y a0 + + 146
3, Remembering Siva's comely appearance and his lovable dis
position, Parvati laments her absence from him. and
addresses him in prayer. The 3rd chapter iain Hindi, and
is here omitted (vv. 468-465) . 152
4. Continuation of the foregoing. She claims identity with Siva.. 152
5. . Description of Parvati in the forest. ‘The beanty of the forest
blessed by her presence. She enters a lake and, standing
in the water, invokes Siva 160
{
i
a OONTENTS,
Page
6. PGrvati sings. hymn of praise to Siva, alluding to each day
of the luner fortnight é ak + 164
7. Siva disguises himself as an ascetic, and comes to Parvati to
test her. Hb urges her to worship Rama, not Siva es 170!
8. Continuation of the foregoing. Siva, in his character of an
ascetic, advises Parvati to devote herself to Rima, Lakemi,
and‘Krena. ‘The 8th chapter is in Hindi, and is here omitted
(vv. 545-552). ys i 4 oe 174
9. Parvati's reply. She tells the disguised ascetic to go to the
Dandaka forest, where he wil) find that Siva aione is to be
worshipped... - S a #
10. P&rvati continues her advice to the ascetic to go to the
Dandaka forest. He will thero find that Siva is all in all,
that he alone exists, that he is Brahma, Bhagavat, all the
gods, and all creation, and that there is no duality. The
10th chapter is in Hindi, and is here omitted (vv, 560-570)... 176
11, Siva’s reply.’ He praises Parvati’s beauty, and argues that
80 lovely a person aa she, should not undertake such ascetic
practices ‘4 se a a a
12, Coptinnation of the foregoing. He advises her to go home.
iva isnot ahouseholder. He is not eetfna-
waa a ge Be FTE |
qeq faaara-dg ae fatn Ea
nee sf ae seq atte ae EI
qutae fag 3 are qatar |
a at wel & Ufay FE ATE AT I
TET FF EE TY iigd-qaq | i
al fat vem ga eae eee —800] WeASAAAT | RE" 233
@ta nate atiwat ode: Ge afer: |
ata (aemr@) aree-gatweu wer wae gaa: woe
ag sagfet d-(ared-)nfa afad-aar eva yarat
etut wai afer meata-# framge:
eg SU-ate-@ orton: Haier Blears |
age yor Aaa afew RTT
arew med faa afer aferaen: |
afed afer-ae-ar Wausaee aygernaragrg |
aa wayd-ga «ita fe afer aveael i
ww ger ge yer ates git WITT
qd fara aera wie weg docafa-7 wa!
adiga saat afe-R wat weifa % atag-are-# tt
sea tl
mremeret ag erat Tee ATTA |
quite afer wreraci me srg areas
ygrata: wat ufamia qoaaa aie daeq!
wqqt: uemafed aferaer aged fe -are ate i
wate Aire wt overs wet |
weg wen nen wah wea weg FET
regen ya Garey ANTE |
a ge ez war ae ea-Efsarard afraTeT
ed sugared &: of ayer aedeters |
war ahi: weg afer Fema S00
30 234 29, THE WEDDING PROCESSION APPROACHES. [so1—
cafe da afr eg af EH!
em Sq we gate TY A I
dey areg- foram wf Stal ay aH ZTE
5a ga Marat ear Ae
aifam audtasig gy Hart atte
sag afra fas gra ate Vez 0
qatay fra aa SA firs ate!
SRC ey eae
qq aT wy AY gry cet \
wa ga de we are quit Wee a
wary ay Anaya |
a fag caiey Ea au-faara 0
TEA AWA Wey GH Tey FA!
2ay aieg-faay at SY TE A AA
EAGT aH BY BE feria
Xe wag Saat we ataarta
afaq fea qe-wnaray arate |
Ey Sy meats deg TaATAT
aequlfe ufane_afa-few eutfca 1
aaa aa vara afta eye i
qaiay fia aay ay Tar Ty!
faa gaula fy ge wercra fira-fra a
pinnae 2? 8H) WaATAAAT I RE I 235
anew Ue afven aente ceeuifa af
wey ogy utien aqaea ves afer n
Ieeae arefiar vtward we Swat areas
ord afer en yates ATM:
atta sented afer ae wrt |
sre arall-eerrore, frien: et: sare:
Waa aT-aet ya: wae afer-t Afar weg |
ay watta upta-are agar gar gooefa-&
saaitaraaria: 0
et aaa-a-8 gfe wer deg Tomine: |
aeg afer we Ret aaa BATA coy
afawia ofa Qa-aten: verter 1
wa we gaat afer ofateag nu
ag fart ae: era reg sueefa-a wa: 1
naviad aefiar wuhreni ay ot faahe wat 0
oa whe: warren afer ater Saya: |
wa ware-ta: afer werteredt 0
we ofa qieaanfats (are) wea |
wate afer waters wares 1
waa nefiarsia-ae@ aferer ofa: 1
wie: ae egranizfe: nce u
WaS-AT-Ae Ya: aUT-aTT- eA gap eae |
Faret waid-d agg ate werac: Tifa: 0 236 29. THE WEDDING PROCESSION ArPROAGHES
RE Mae WE TAT AG TA Te |
sfeq rea fea ai-are 0
wg aq BING TE Meg TE |
rea 74 wig fea Sita -Fefe ate
watsary wife SPT SF ata we!
xfem fade, ene Fe-ATe I
cq aa stan ware we Ee ATE GL
wag ara a fade 741 EE ataq ue tal
sir TEATS WATEUT afea ge)
WaT A AE GATE aa FA
wefag enay WEGT AL MATZ !
way ea AG FAG Wey Fegy |
afte aaTeg, GAITE-ATETE |
RE AT AL-TG TE STE ATATE I
SY RENE TV SLT Say!
wae areTE PATHE TaAATE It
qe ATT We STS TEA |
qe aang eae wag BEATA SRN
aohaq afa I ga cea aa a
wae atge req wr 7 waTfta
TEq farsa, ea aw Bay!
By ated Srs-ega Fe TAY 822) weeaaag tl RE
afer (fe) any: a:
faqen mega af waare
fua-eu ctieey fa feaag 2
awe sing 2 fagan-aiz
xm git fraaraay aaa =
ssa Sara @ atgg sr |
wey Uwe wadee e
rey sine & feqaeart ou 882) urdat fare egurrmiate 1 Re 243
srrmeg (9) arg: wate at wale meer ere |
wa fare aranfe wer arated are fira-sfa n cee
aaa aha mater Fes Wg 8-ea oral t
Paqareaed etal Seg arafad-aer
earg® feerara ( eid ) ave ate dof ATT
ardiwd ot asta eafery ove satfesra: 1
fe we ame weirs afreta wer |
wifes (gent) Paea: sag afer ce (arsiaargaaaa ) 0
aude we0: afer ofs- 1 2455
usaiat wreggarat dat: afr
gata ages oetfeat: fararer |
gata Wigan: yates: ata
auaa mgt: ate fryaaerge:
aeenaatte wfer srt serra
wafaaaa ned weg |
wefarata: ge qonrare: aie
wate mgr: fe fryarerega: 0
gatearente ag? afer cure
sein varia eroey fae ( Fargtw: ) 1
wen yor sowed were: ofr
mata wget: af fagarerega: 0 cay 1
Wrarere, atrerenraraty yruat egies
| fetenerate: waite fang |
t Tag eatery efrecrn ofr
wate mgt: ats frysrercge
upe-ut wate wea ate
arraters (Prizht gq) satroag Pererafingg 0
afeeedt gata adder: ata
' wata mgt: wife fagarerega: 0
wrvte gfe facun getec ofa
mata yaroe wytal-arore | 30. eARvar! DESCRIBES SIVA'S VIRTURS.
swaw-ag feagy faay z
cea dag @ faqarart
qeq aaaat imgy &
afa-craq ag gia ATH |
req Ha ayy BE SLT FEL 2
rsa ting % faqaaat
afar, meee aa vara &
arity B TEL WAT |
wfaaa aTagy afa wae aa?
cea tac % faqaaaq see
aqg-ny alfea Age WAY 2
sea frm aragy Tse4 TH!
esa za-feagy aritet =
zea ving & faq ary tl
afS-waTt GI TEA SNIY 2
saat wag4 ay are '
oA decregy Frama,
quq tat S faqat-ary,
esq fauamaray ag-AT >
dta-afa Srumy fagg faz |
ara-aey AY TTL z
esq tag & faqar-ayt 0 —863) adat Sfsrre aqareatafa w Ret
geauy (wa) faera farec ofa
wake wet afy fayaqerya: 1
quaa Marea: agrat: ata
afagians were az 9a |
sata erg adera: aie Gare squat sofa
auta wee ate feyarerya:
aer-ea styat fret mara: ofa
’ witacewte ote wate ada |
j afwarg fanaa ee ote gar aie
wate mgt afe fayarerga: 1 ego
ggraet wear tafrgt aifera af
6 ama famuag caer fagara |
wama wagtat eritetre: ata
saute wet ata faganarye: 0
t semaat af sata wea aie
wrorena: faarreg Sfera we |
wa fares faenutta ofa
outa gz: ata fryarertge:
gata fautiaaa: wea ( gerr) afer
7 (aa) gure faafed atta ag)
aeenfa gardien wage: ofa
saute wg ata fagerercya: 930. PAnvari DESORIBES SIVA's viaroxs.
arag megy Tart
wae aa eaRY ATETTE |
TaTTA Sieg wea 3
wea vac? Fagaa-are a
TBA TATATYE BATAT F
satare azarae faa age)
Fare atfirr anate-aq &
cea sat 2 fagarerg ucey
Im rage stay
Bq SE AY MA LEQ aA |
rea sec} req maz 3
rey sing 3 faqar-are 0
GURU YI TTS TTY
TSA TATATY ALT TTT |
eer wraiz-74 afzhary F
zea vat 2 faqan-art 0
efa-efa aq rea suet %
BUY AIATATY wer!
wren weg Leggy sifeq &
rey sing % Faget are ee i
* saggy (eee) cfr meerey ~808) wrddt stfu agarqiafa i g6 4 249
ae area: awTfeaTy: aie
afar are frad-aver qreaeere-zfa |
aenisenta qara aera af
ata wee ofa fayarercyga:
aaa qaaudam aya: afz
saranat great ga: ageay |
sore arm autres ote
aut agi: uta fayanarga: cea
wna diag Wig: why
faaeu: gigeu: amiea: grey: gata matt
wate wer ofa aata ates of
wate mgt afta fyarerge: 1
geen ae dae sro
gata aang afearei-sitag |
sume orrecin: afetee ofa
auta wet ata fryarerdga:
wwe-wne aa ayia araved ( uftwa:) wie
ware says eat-wae |
areeat mer greed afet ofa
aata age: ate fyarerga: n°
P
YRERORAESETT
« 250 31. ENAKA’s ARPEY TO PARVATI. 860
31. MBNAKX sconDS PAnvaTI FOR THUS SPEAKING WELL O¥ THE
HORRIBLY BRIDEGROOM. PARVATI JUSTOVIES HERSEDN. NARADA
REPORTS THE STATE OF AFFAIRS TO SIVA,
cay offs waite faa-eter |
oe ag wy ae cater ne eet
ARIAT Ae Fay ATATE TAY ANE |
aay ofa Fa Faq WoT YATE TENT Oo w
Hee GAT FT| TG STATE |
WE GE Fag AS ry HEL SET
afaea gare za we ae zateTE |
wig ida Fag ge sate A
sare ay fees GY ATTaTE wa!
faa ae wea Sfedfe we ae AN
au wag AT ea Gea ea |
re ware tee fae aaa aes ae I i
aerzggy awany af Gq yK! j
sary sevig oats ae ETN ESL :
sete fe ga area area |
waa ey uvafaas we-aTere
aaeqag war fie aTeaTE TH |
weet arf oa ge aft aia 0
TOTS, Sq WAT AA FATA GT!
ag afa ay qe tf Sef geo —878) Haren: wferave: 1 Re 251
i vet magia gat wnaiafaa afaacfa Rar een
eet verte wieder fmesitftier ta:
add: ang: gat (qtaiigar) ofeae? awa aor
(arat) ucee
wrerent wet afue-aar fam wufreria fat ( aeifaeng ) |
Weqe-Ae aur (arar) ezie mud Aaafe-fs Gur
Wel TET coo 1
aor afe-aa-a-fa aunt ate weaged |
Bi ote item wet was myst gx ney grew
afoot ayia waged ate aval araty 1
wer (faae) geenta doqt afa auerea 1
safeer ae ufear-agr aferaa afamita aoa (arg afr) 1 ;
surge fafaste ofe-a ofefaut afe a agmta nv
Sogn gator wet eee yET aa |
(arererg) ea fi-me derfa-ai owen: ard mea
agaq
aertae arered defs w-ea garg!
miata Sey ee we wen coy fi
weg crete e-wa argrat arery |
Mifare: ger atefirae watarren (wag: ) 1
wamad deren: afi ote tat: |
stat defa e-er a: eenfa wage
wtica afer wera: dra iat |
wer fird-ufaerfa wer ag: crear Bera gt (eared: ) 0 32. WKRADA'S REQUEST TO Siva.
foug areg-foraa aft gq <7q THI
afeq ng cafe an widg ware aim
weifnay fam zara ary wa |
aay aqae vat wa ww UTA | See
ay aq ag aaay Aatadt em
afeq oe qd-sa-fafa 7a mam 1
xara stg areretary are fraiey ar |
afta ga cimmard fray at
afay fea afe ag ara |e FAT |
gat af arfa aq safe @ai-esaT 1
sizg of aly afee sirg ae aq
ay dzae 4a BE TaaTIE | a? I
32. NERADA PRAISES SIVA, AND ASKS MM TO ABANDON
MIS HORRIBLE VORM.
esara-tfe 9aTa |
waTe By ST aya eee
Be BT yy Te izeg
fadia-ea-farfa BLA we)
aq alfa a agta wre
WITT FE WY wMA-aTT
THVT GT WY A
et qa-aray ma i 87) “arezeq faery 1 RR I
ata angfter os yo eee afag
sera wa: afer nea: dog: aut ag-za-ag" 1
warfare watt wag afar areas |
fafa: gar-8a-ae Qi} feat: aa wat Paueer neon
fen on gen adara Saradt wa: 1
‘Wi Fa gegen sage aeegr i
eget ardta awrat: afac stereng-a are
Wet weg Tg aay ATT
eaem: eT gd Haat arofaad: wie Moreryaat: |
Sa wea wifeers wer era aifaat-eroa 1
agen ta ultra Sa ora ate: firdteg 1
@ ofert-wikete wena, fe (ga:) edamame: nae ii
arrzefaed fwd afa eet
S-aonm-fawia wera: |
agqoe: afer aa-afrerag nccy
&: afer-@ fgdta: were afre’
fad@a- tl
BE AGTATE GE STATA, faarare |
BE Fa THT ARG afa we famtare
aerasa 9fey 3 alae Ae |
Jae aq ae eae WET SEM
be
aif Sa are BAL AAA ARIAT!
xe gt de far qe GY SHAT
aq aaa raa-uis 7a aie
afefe alfe faafe MVR we aiR
| aa erat ee aE aeaH |
wg mazadt waz ae FRAG U CRA NAT
44, ateNAKA, SxinItG SIVA IN 4 FORM OF UNRARTULY RRAUTY,
PRAISES: HIM.
a aq atay ferata |
duta-gat ata Ue RE
wea Gita FAR AE ACA
acel eiang <5
AIATE RRA GUST ATA
qata-gat acat —027) Jat aifad Wifa Re
(aa) dog: cega wafaaaen 1
qaat aaa doer aaa oT
(agerg:) a: (arg) AETAT: aE wagirae usamaurieng |
ata we arqul ser efcarfa (g:) Rat aremATTY NH e2en
aa creat & aremtega frart (4) 1
afer we ara ae aafamia ( adta ) ea fagerrg
anata yadin eye safer gaq! ;
srone-aem: grat, wer: ( Farerat: ) sqa-aer: UTRTeTT:
qaqn
wufad nger fai-are aaa: PVA: Ae TTTAT |
<¢ afer-fai wai feign waredt afer ererary
qufren wufren garter dnar-er wig!
(mareg) oer wi (gatea: ) @epemrtg Forar-#
awed ( stfamfeg) 0
wu aga @eeee we oy orefzar-amed |
eur Garage raga oe geliger-aateg wean ge tl
waacendtacd afrae ger aaa eis nes
aa ate: cotiaeayt, @-fencaz |
weti-gat gata u exe
fico aa fatare ae vers,
gitar wiwce erg |
qranra ge-aat gaara
wer-gat gat-# 1 34, MENAKR PRAISES SIVA,
wane sfufaa state
rear F974 EE ATE ate
atafe wa-are atfay ee
idtn-gat acaT
wtafc-ara-we wTATA
ay ara-atfera arate a7
acard <9 ate THAT
aata-gat aTaT
aaa A safe oaarata,
seq ergy alfag ge
qatafca ateg aut,
dita gat aTat ne ee tl
aia wate WATE
antic aay aay WH fra tua fe Beta,
feetyy aq!
Beara ato wa TUT AGI
& wate Hens 9 ELL TH
age wary > Gare aq
faueg atte © ofa aaa aa |
SUTSa. BR By ATA AG |
fara say feos Baa Fy AG!
= witt Aaa Ee ey ETAT
aifigere fq alfer req aq!
wee €4 8 > 5a aay 7a
* In each line of this song, the passage beginning with the mark °
should be read twice. The verses contain a varying number of lines,
and, at the end of each verso, verse 975 is to bé repeated. 978} wareat ir: wrefir ATTY Be H
(meager: erregrera: ) & gare auimitgre mau:
vafer-@ 1
(aa: ) Aaraga TeretT waa arg!
(at sdardtqt: ) Pramerrersts 9g-fera Fefegter
dern-qaat-afaerter 0
aytat: n ge
aaratfa: acfanae gacfa Maa use
@ adver fees fe dt ite
faced wear gTeat (sf) ae coe "
Qagge aftad: secrete: t!
qennfa wenfa arit-nisenta safe faster: ara
@-Arnerenfag ge Se crott gat
@ weiter ° 1
wore dat frente se!
feraqed yer smal oerag (ofa ) are!
agreri-dereta_afe ferfi (ama: ) nay AF!
@-faie ada efe var gar ga |
@ oeurmerde
wiuenaret: efa-8 Fxeecte wa: ae!
qaenea ate wea ge worTs Ta!
So ee
o qfatcanraafate argeariagar | Hay sty « eafeeierce
Fecrefnara: aramrar fait: | wefan se wan fe
26 282
40, "THR NRIDESMATDS PRAISE SIVA, (73—
frie ats ge + ae He AT!
aa AAR + Ga ATA TE!
e wit ats. gE HA BAA
Seteaara fed so W-TA Aq!
aerate wafa o Ra AAA AL!
aa-AeT ay az aera aa |
aren aga» wie EA A!
arn vare-da faa sigaa a4
2 wilt aaas > ES ea ETAT
alaa a 2a ° ge win Aq!
afgars sqa-fan © faa Ata Aq!
& wie Haass ga eT eT se
wig are alfee + aift seq aq
sate Wa 7a o qeafa a4 7a!
ava-fira Waa > aq am aa I
UTHaaA-ee EE aH Aq |
& ame aearss > Ea F4 HF AT I
aeeme-eg ¢ GQ WHET Aq |
saaaa-ara-fafn ¢ Eq atea aa)
@ wit aews « ga eA EA Ag
aza-afa-afea aifa ¢ Bla-eqTa Aa |
aaa aga ° Wa Hea 74! arent Tre te TTA I Bo I
faderat aa) afe we ofan gat!
aurat gaarat wife wee are
= amu oN
gaara ofa-a aa geacenfn ga:
aemmeaten nat ( aay) afer aa gain
(am) sawed aid ae: quate are!
aerarar etaa ata wifi negia wat!
aa eepar-@yat gaefa seater (oat) ge |
@ mae ot
Mare Gara a ute Frfaers are!
@-nfaar ata eater gaefe fatiegta a:
@ oeherag o 1 eo tl
=
aq wird Year sa Sosa: |
Tea: aes Te @ aaite gar
Qaranenmead Fre 8H AeA (afe)»
mmasifaaca: wie areata? Ga!
@ mins ol
afqerarcttar afe arate: ATT
gqua-ws-eqat afa qa a!
@ adie ° |
g-uanfedge Getta wnretats tt
eqraher arumt safest erearersiteed aT | 40. rue aRIDESMaTDS PRAISIC SIVA
fara fora. qa -Bq oo GT-GaA AA!
waa-aay wie + ete fatay 7a!
saara otfa-aat> Be AI Aa!
@ wiz aeas > Ga wy HTL
arama fafa fe ¢ Se ATA AT!
a-st-at aa o alfa maa aa!
sifa Feat ae fer wad 7a)
ZETA TAHT wig, a!
Qarat AT > FAA WA Aa |
& awitt Aes + BE WL AA ATI
Hq ay ag aa 9 HRITT
aq water > iz fs = ae!
sufeart aty BT? ate, ara a4 |
afe wigatae + Fa VIA AT)
Bowie Naas. Tae WAN ek
qre-waT BA o WEATAT Ta!
am dm Cael > sy TTF AL
Sera WH GA Ao AZ AAA AG)
4 GA TH MA GA FAT AZ|
& wie Hees ¢ Bq UWL AT
marae fee ATT 9 MARTA AR |
ag We BS o HAGA Az —987) waretifin wet Mae a 2° 285
fora fore ( eft weal) egafa freéerart are
angat (swim) water oyfe saree
atfauta @1
qqwuracd ere fe roa at |
@ srierewe © 1
(wrereenered ) area ay Oe Rarer -er ga: |
wise @: ( gfe wert) werfea: ( eerie )
areata arate ga: 1
aa sq: faifen, ita Wert are |
yw nen waa-ae aia salen: (wy) ga: |
@ gettat ge erat G7 ( frees) aa
@ mina on
fac: wa eqa soft aienter: aa |
REMOTE WAT as WIE s
afwant aa wife fee ora e 1
wer ofaeita-efea: ofe strata! are)
@ weeny on eee
waenafe: afer agtcarat ga: 1
avare ween: faye aaa tiated a)
eqfaant aa afer-aa a gig: mgadt ares
fad afer-@ avtvag fare afe-& gata a1
& amined on.
Q-omurat aa yareaaa): 7: |
mre graat-sfen safe giardate: ara 41, “a SONG fit PRAISE OF 'VIGYO-
aq cat RH EE TT
fame ata ato Baa Fa Aa!
@ wit Aeoss ES wT TTA
afm ate ° aq ea 42 |
fay safa ttael o AG WAT Aa
angat Ro BT BA AH AL!
@ att Maas + ES HA!
freee aifeqs emmreq ag ee
41, A SONG IN PRAISE OF Vigyu.
rat wegre WE 14 FA
aaacfay, TE WS NS te il
amit ay AzitR AR
Fa aA, AT ga ae WT!
ate, TRIGE A TET SEA
aaa fey TINTON nade tl
faa wa Sfeate ifs Fea:
fat ae Sgt AT ZA!
wae afe reed fa S17
aaa fae Tare WIA
aga-faay ae afta a9
1 fi wr
a sy a ang aa! i
4
é
Pfaaguereg arafey ney
we rat grat whe gens gas!
@-fama Sta ge AAA a: GaP!
& cane on
afer: aan afwar games (war) .are |
au awafe faga wa wenrat ara
Sangrar et coe frafe eat a)
2 omaag i 80
mage@anar huge waft 1 st il
qrelang-aiererere: rena dog: waiter:
(aque ) sagt Targen:” waa: eee
awgr-ailfoar afer aeel-erenfiey auaeT
ITS SNS HS Ty TST Tt
ret agrfed-marer g (a) sre srfer reetiwers
(aqueer) saat o ceo
anfa aftenfa (qa) wifunia seg falta
arta weiar gare ate: Padre: (aq) 1
wadtaatta-arfa (ad ar) gre seta
(aguerer ) swafet on
sgaere-azarat afar am: Raye:
ye (ate) at aw wat!
© cova fereeaer sft: wewra I
¢ Rent aacrat cara wafeaat aTetat Sareea aigat ee
afer Karey I
tReet Fear srt aren | aeateet ufcarstfer Ta: 9 41, & sox ne rmaisEB OF VIRYU.
afmfe-afat we gat
aaa- fae cruret wa I
Bay ge eT Uae FA
ga ate ga FE ARATE HA!
a7 BS TAY Rare A
aa fey TUTE FM
ata ay FATA
a fra faa ga-wie a4 |
faa ata aifa gy Aaa] a4
aaq-fae THT Wy
af afa- ag Fe aaay
uxt faq fa saat xa
aq aft a8 T1947 ft a Ty
ana-fey crereeg Wa cee
shafee sure aq gatuTy
aay are Ste WE: STAT |
saq-iae wae ater
aaa-foe Tee wa
aaa aie ga aq fey AA
aq wife afa- ax fey ears!
Fagus pl festa
aaa fan TST BWA Atfrngreren ara | et
aaem-adza afer gfe: dvaait
( agueer ) wUaFATO nN
safe-a Gi aren ( waand} ) em-ea (gai) gaat (#21)
@: (ag) wafe aita wat gf sifas nesta)
sar afe saad: gaara: sceeare:
(aqueer) waafero 1
Tetaen-frte: genfie: fregarem-geia
ag afaigenget oar aac arg: ( senuafa ) 1
arenas ara ( gue) ad a: adtemarytdarat
waar:
(ay0eer ) wUafTo nN
afer: ae gat gata
(tt amaa) gagreat (atganuina) maga
aafa gfgara faata:*
4 quae wax mat (afy) afer (ef) year
(qaufa) gaat (water)
( wy0em ) awafmo eee
Pen: (wasava:) wes (Pecmennaad) ga
gatuaa
wad mag ufad-se: wa FwATAaTY |
aiqe-ufee voy-sar weg
(agveTer) auafro 1
fede: sista arfer oer (Sac: ) agu: meered:
we Mga ee aye era (|na:) |
Qqrenia: (fameteqerar) mar grata
(agueer ) aaafee i
* apiawrerds aera sty fariegfefeiay za amt cfs Hie
37 1A. sono tw PRAISE OF VIRNU
mars Za See Ag BETA
grata aT FAT aa!
Sigfe-WHY, BAG FAL
aaa fay TMTET AZ
fag we aaita 4 fae 7A BE aaa
aa ata ae x afaa ata!
wmaqa ALA A ace AA
ana fae TST AAW
afar Wraara] WAS AA
mg 14 BZ BH FT ara aa!
siea wealth afa-afe a7
aaa-fey Tere Wheel
aTAq war a FRE aa
pafzene? ay ae ami-ata!
araieatt 3% 7 arnt fae mae
qaa-fay TATE AT u
faaa wigs. a fawa aa
aa he ara faa are U4!
faa az gy we Qe tet gat
ana fee Trerey BAM
wan afa- ae Waa
afa aa at aa FE at ang 1 —1003) situa aati ee a
arg: ( feaeertr: ) fader: ad war agarygatare
(wer) qeeht( aan jaz: greg, wag fay: 1
fagrentarat (aera) trgfad aver
mugfao 1
wa (wae) Tee SYA A va wer vata saat
wee mais wes ea sya mofaay
fener: (gen) faifeera: q dafeere: aay
wate ii
aanfeard mifva-ay gataraeaagiiar
iman Hoge fagr aene gid mat say)
nawa fotean asian waar
RuUTRO N Yoo Wy
Daa ) Waa waw wa waa aay
(aa:) fafronedt afer om: yfeura: (gegen.
‘araategy: ) |
(aa) areremit: (Her) qet-senta: ga: (uew) tina:
afer farerea:
auafae 1
argaig ufay argag a frag
raat are Aleem: sea Se arava |
ata aet mae wens afer fait ( wagaend )
wea
wugfme 0
ita ae att-aatga ( wea geuter )
ag wee wt: warm: ( atafaaaaa: a) a
BAT ara"
* weasiaifcwata wefatere ar seater ura: 1 41, Bona IN PRAISE OF VIBxU-
<
agy za Bt xy asFas
ana- faq TNE WF |!
xq aq WE agefa faa
ag Hey TY WAT |
aa san aa ag era eo
aaa fay TUTE AT |
re aft Sat SE STG TF
mfaarg we wf Fata!
a reg gH FTE ae
aaa- fag TraTET WA Loe KT
wTa-SZ Ae-araalfa waa
ay wa Nat alae AA!
ag wate TE FH GE AA TA
aaa fae Tae BAN
Sqr Sy FAR TE aitfaa aa
ay a aqe-atat a1 |
fre fae a gmt Oe aay
aay fey TaTaAe WA |
aden By FAT A
aa Um Sgt Faq wT
swe HFEF SUL
aaa faq TUTE A I moe
= 1048) Pfrugureree arate | et tt 293
wutid afagent aie eyreraert weraat (qnecai)
mage 1
av gd wens wATeRagta ayaa (ea Thee
daferm: )
as aaa
nee gel eta wrod |
am safeate sat aa oreraatat sary
muafee 1
(avin: ) wet (4) ger sg: afer get waaay (yr)
Sqn wifegiit eat arafa gengd |
wife: (wafgwat) aalet afer @ yet aaa (nat
ga)
wuafe i doo
srarena-grd agreraragat: waa:
wer aia snd-ea (a8 aaa wafe) at
waarears ore |
gfe: afta via ea afer fared ( warfer )
amwart &
wuafro 0
war-gamer um ofa aor: Haare:
aq (mere) aaa (yet) waiter gfe aradtag |
wen aa werat gfe afe: waat
wagtaro
qafatéd: afe aerrel (aergaiar ga) frepe
Baie SET-wa WAT Teer (gad) soe!
afeurey om g ag (ei) nae geTTY
wuafo
+ coer ater emrgainat acqemela aa ce wie fateate Tey 42, goNe: OF THE BRIDESMAIDS,
ares araatfa farm, centr,
en PRA OL TTL!
mraa a aatad fae a Be aaa
aaa- fae Taree wa!
agg Fe af TE ST ST
nae fay wa fama
afy Te Weare ATE BET YA
aaacfay TUTET WEN ton stl
. A PRAYER OF THE AUTHOR, UNDER THE FORM OF 4 SONG
‘ov THE BRIDESMAIDS.
yaoe we waaae wat
afm faa me eee WaT Re Ut
atfameng faq faarr cee
afm afe faq ufmarag we |
vam Rife ora aaats wait
afa fan my WAGE wait I
aaa afm tf ga
I gata mm (wererem ) ae area faarefaraquntfn-attart eerettie: fear: eet afer Wakes oe (am) afer: enfereafar seat ewevarawré wrefeata | (arr) aren-srent: afer wetgfa: crergerthearar: ama wor daar wifrerer wa: | va: ( fer) safer-are sauna amas way ARR I meqsi-ang: aa erga fa-ara wate at aaad-aTa-arg | ar fai site safer safe wet sarraa-are-# facafa: gar-anfirerer -arererat raver wat (7 ) | arenrert-g8 meget wafer srermenf ga: erg reget -aren: ar ena ye ere eet rT: | awe: gpeeearer at (area) wafer guerra-7-Fa wenfa : mnfearery i 5 we seferta oe 61. PRATUR 70 SIVA FOR THR GOLDEN sxowraLt — (1220— SURI WT fey fay oy aeaie waA | EE WY aH Ae Ae CT BEL FTAA aie af aq a waeA TY Ree 7a | z Ne eS feqa ae a May AH A ATT AAW 1 eee ht faqy qactg—ag srry af] @ | fefaa atfta aay we qe-fan om 0 afryareater ee walae Weare fay thet Bay | 63 418 78, ANOTHER BONG OF MENAKK IN PRAISE OF vigyu. [1388 afersfe wey RCT waet aa-agfaa Aq FCF St Padang saa ore a Tears TAT | qa-eite aqua erat ae-agfed aq ata Tt agente aa Rear waet Hera Ss-ATAT_ wnat | qa-ige Gere a7et aa-agfar aq ATT ST pece ll exe gg Maa Te sent SE aTeRe ae | anaes GE Tate ere wamafae Aq ATT Ha ti aitade eee aaat ae faeag aT we | UFR 8 BA AIA anat aa-agfaa Aq TS ate ti wie wfey sare anet afe it faanrana aaa | faa fafaa qaraae_ anat aa-agfead Aq FL eet 1900) ret aA warferqae weAtfer 1 OF 1 arorerarerara we-grean ( da) Farrer suerehad-aet aaTeuMAee WHO dure rercarer sae ss 7a airafer: ( aa )wrererer saprtraa-aa | (aret) Saard: sarge soe ead aa wateumase Alo qoragty wae: daewer sowthyad-aa (aa Weta) aaRtTe sree TT samead-aa | cedteniaase-durzaa sTeehad-aa, Wareumese wto tl isco I eye aufaaiteceer sowrthetd-va facacaa avatar sometd-aa | agaarerarat saat ware sugithad-aa waTeUMase WTO Il Wadardae urate soecthrad-aa rer-aderer fagrg eat write suethad-7a | aearai Farat a acacia saerthrad-aa weatwumRee ETO I airwarerarat ge frevaa sarehrti-wa aearat Shite ara (wwe grr) eaerchradaa | (nfreter) gacfe (Ant aaareatat) argerat eqarat seer wai-a wateumaset auto . aNornen BONG OF MENAKA IN PRAISE or vigyu. [1904— agn Harare ara afa aifee agate aaa | wou-aye maaraaa tet aa-agfaa ag ate TTT I aut: qa-a1caa wet aquifer wag ant sigra we gIeTe aret an-ag faa AR are tet Weeeall strata ofa sag eet ant waraTe aA | matin quarare ere aa-agfad ag aВам также может понравиться
